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  • 1.
    Lojo Rodríguez, L. M.
    et al.
    Universidade de Santiago de Compostela, Spain.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Limitrophy in contemporary literatures in English2023Ingår i: European Journal of English Studies, ISSN 1382-5577, E-ISSN 1744-4233, Vol. 27, nr 3, s. 361-371Artikel i tidskrift (Övrigt vetenskapligt)
  • 2.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Specters of Utopia in Mary Barton2023Ingår i: Studies in the novel, ISSN 0039-3827, E-ISSN 1934-1512, Vol. 55, nr 3, s. 253-266Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article offers a substantial reinterpretation of Mary Barton in terms of Robert Owen's ideas, especially as outlined in his early tract A New View of Society. The article contends that Gaskell's novel stages a significant reassessment of the transformative possibilities of nineteenth-century paternalism. It also suggests, drawing on the work of Jacques Derrida, that the reformist aspirations of a utopian thinker such as Owen can only be articulated "spectrally" in the context of Victorian class conflict: that is, by positing the kind of presence that only an irremediable absence can enable and register.

  • 3.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Class antagonism and the limits of utopia in Matthew Lewis and Robert Owen2021Ingår i: Nineteenth-Century Contexts, ISSN 0890-5495, E-ISSN 1477-2663, Vol. 43, nr 4, s. 465-477Artikel i tidskrift (Refereegranskat)
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  • 4.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Knowledge in crisis: Cognitive capitalism and narrative form in Zia Haider Rahman’s In the Light of What We Know2021Ingår i: Journal of Commonwealth Literature, ISSN 0021-9894, E-ISSN 1741-6442, Vol. 56, nr 2, s. 252-264Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    In this article, I argue that Zia Haider Rahman’s In the Light of What We Know offers a suggestive but ultimately problematic interrogation of the link between knowledge and finance in the context of contemporary “cognitive capitalism” and the 2008 crisis. The novel’s almost fetishistic relation to knowledge, primarily represented by the narrator’s encyclopedic and relentless discursive presence, compounded with his insistence on a circumscribed and experientially detached narrative temporality, suggests a fundamentally evasive strategy. For all its complexity and stringency, “knowledge” functions as an ideological cover for a deeply political crisis, while narration itself signals a foreclosure of agency and responsibility which ultimately fails, exposing the limits of financialization’s own discursive justifications.

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  • 5.
    Appelbaum, Robert
    et al.
    Malmö universitet, Sweden.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Is economic inequality also a literary problem?2020Ingår i: Studia Neophilologica, ISSN 0039-3274, E-ISSN 1651-2308, Vol. 92, nr 2, s. 149-158Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This is an introduction to our special issue on literature and economic inequality. Beginning with a discussion of Jean-Jacques Rousseau’s ‘Origin of Inequality’, and moving on to a brief analysis of the current juncture of the conditions of inequality and the conditions of literature and literary study, we introduce our seven contributions and try to frame the challenges literary study faces today.

  • 6.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Unworking community: cultural imaginaries, common life, and the politics of division2020Ingår i: Journal for Cultural Research, ISSN 1479-7585, E-ISSN 1740-1666, Vol. 24, nr 2, s. 113-125Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    The theorisation of community as a central aspect of culture remains one of Raymond Williams’ most notable contributions. This article revisits some of its central points and critical contexts with the aim of interrogating the continuing relevance of community to any cultural project committed to the political critique of capitalism. The principal focus of the article rests on the notion, already advanced by Williams in the fifties, that any radical project of social transformation must necessarily target the dynamics of division without which capitalism itself is inconceivable. In its attempt to reconstruct the political significance of community, the article examines Williams’ debate with fellow British New Leftist E.P. Thompson and his own modified understanding of the concept in later years across the critical contexts that shaped it. The article ultimately argues (via a series of literary and historical references, including a discussion of Daniel Defoe’s Robinson Crusoe) that the social project of capitalism is inseparable from a strategy of ‘unworking’ or disarticulation of common life.

  • 7.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Contemporary Capitalism, Crisis, and the Politics of Fiction: Literature Beyond Fordism2019Bok (Övrigt vetenskapligt)
    Abstract [en]

    Contemporary Capitalism, Crisis, and the Politics of Fiction: Literature Beyond Fordism proposes a fresh approach to contemporary fictional engagements with the idea of crisis in capitalism and its various social and economic manifestations. The book investigates how late-twentieth and twenty-first-century Anglophone fiction has imagined, interpreted, and in most cases resisted, the collapse of the socio-economic structures built after the Second World War and their replacement with a presumably immaterial order of finance-led economic development. Through a series of detailed readings of the words of authors Martin Amis, Hari Kunzru, Don DeLillo, Zia Haider Rahman, John Lanchester, Paul Murray and Zadie Smith among others, this study sheds light on the embattled and decidedly unstable nature of contemporary capitalism.

  • 8.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Martin Amis’s Money and the crisis of Fordism2019Ingår i: Critique: Studies in Contemporary Fiction, ISSN 0011-1619, E-ISSN 1939-9138, Vol. 60, nr 1, s. 1-10Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article proposes a fresh contextual reading of Amis’s Money as a novel that engages the crisis of Fordism in the 1970s and 1980s. Critical attention has focused largely on its satirical examination of the Thatcherite ethos, but Money is also centrally preoccupied with the collapse of postwar capitalism’s institutional structures of inter-class coordination. As a result of this process, the social phenomenology constructed by the novel is not only defined by growing inequality and economic fetishism, but also by a pervasive sense of political uncontrollability over the accumulation process.

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  • 9.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Servile life: Subjectivity, biopolitics, and the labor of the dividual in Kazuo Ishiguro's never Let me go2019Ingår i: Cultural critique (Print), ISSN 0882-4371, E-ISSN 1460-2458, Vol. 102, s. 37-60Artikel i tidskrift (Refereegranskat)
  • 10.
    del Valle Alcalá, Roberto
    Södertörns högskola, Institutionen för kultur och lärande, Engelska. Uppsala universitet.
    Monstrous contemplation: Frankenstein, Agamben, and the politics of life2018Ingår i: Textual Practice, ISSN 0950-236X, E-ISSN 1470-1308, Vol. 32, nr 4, s. 611-628Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    In his recent book L’uso dei corpi, Giorgio Agamben investigates the philosophical genealogy of his central concept of inoperosità through a reconsideration of the classical notion of chresis or ‘use’. According to Agamben, the latter points to an alternative constitution of human nature, one that would not be guided by a principle of necessary actualisation (energeia), would not exhaust itself in the realisation of an end (ergon), but would rather preserve its potentiality in a thoroughly non-subjective (‘contemplative’) relation of the body to itself. For Agamben, it is only through the recognition and mobilisation of this alternative foundation of the human, that the pervasive division of life (between natural and political, ‘bare’ and ‘autarchic’, zoe and bios) upon which modern politics is premised, can be overcome. In this article, I propose to read in Mary Shelley’s Frankenstein an instructive rehearsal of these fundamental concepts, focusing on the possible meanings that the notion of monstrosity may acquire when placed against the backdrop of modernity’s commitment to energeia and its associated biopolitical mechanisms.

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