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  • 1.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Wissenschaft und Politik in der Volkskunde/Europäischen Ethnologie während der NS-Zeit: Die Rolle Åke Campbells2023In: Jahrbuch für Europäische Ethnologie, Paderborn: Verlag Ferdinand Schöningh, 2023, p. 31-57Chapter in book (Other academic)
  • 2.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Gerd Schönfelder: Musicologist and Stasi Employee in Sweden2022In: The Cold War through the lens of music-making in the GDR: Political goals, aesthetic paradoxes and the case of neutral Sweden / [ed] Petra Garberding; Henrik Rosengren, Malmö: Universus Academic Press , 2022, 1, p. 209-230Chapter in book (Refereed)
  • 3.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Gerd Schönfelder: Musicologist and Stasi Employee in Sweden2022In: The Cold War  through the lens of music-making in the GDR: Political goals, aethetic paradoxes, and the case of neutral Sweden / [ed] Petra Garberding; Henrik Rosengren, Lund: Universus Academic Press , 2022, 1, p. 209-230Chapter in book (Refereed)
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    Gerd Schönfelder: Musicologist and Stasi Employee in Sweden
  • 4.
    Garberding, Petra
    et al.
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Rosengren, Henrik
    Historiska institutionen, Lunds universitet, Sverige.
    Introduction: Two Days in Arild2022In: The Cold War through the lens of music-making in the GDR: Political goals, aesthetic paradoxes, and the case of neutral Sweden / [ed] Petra Garberding; Henrik Rosengren, Lund: Universus Academic Press , 2022, 1, p. 9-23Chapter in book (Refereed)
    Abstract [en]

    This article is the introduction to the book "The Cold War through music-making in the GDR: political goals, aesthetic paradoxes, and the case of neutral Sweden". This introduction provides an insight into the political and musical situation in the GDR; it discusses terms that are fundamental to the entire book, such as cultural diplomacy, romanticism, classicism, cultural heritage, socialist realism and formalism, and it gives a short introduction to the political and musical relations between the GDR and Sweden. The individual contributions to the book are also briefly introduced.

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    Introduction
  • 5.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Politics is as important for me as art: Gisela May in Sweden2022In: The Cold War through the lens of music-making in the GDR: Political goals, aethetic paradoxes, and the case of neutral Sweden / [ed] Petra Garberding; Henrik Rosengren, Malmö: Universus Academic Press , 2022, 1, p. 187-208Chapter in book (Refereed)
  • 6.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    "Politics is as important for me as art": Gisela May in Sweden2022In: The Cold War through music-making in the GDR: Political goals, aesthetic paradoxes, and the case of neutral Sweden / [ed] Petra Garberding, Henrik Rosengren, Lund: Universus Academic Press , 2022, 1, p. 187-208Chapter in book (Refereed)
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    Gisela May in Sweden
  • 7.
    Garberding, Petra
    et al.
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Rosengren, HenrikHistoriska institutionen, Lunds universitet, Sverige.
    The Cold War through the lens of music-making in the GDR: Political goals, aesthetic paradoxes, and the case of neutral Sweden2022Collection (editor) (Refereed)
    Abstract [en]

    In this book, researchers from different disciplines use the case of the German Democratic Republic to show how music was employed to further the state's cultural and political policies, as well as influence its international relations, culture, and politics. 

    The study spans the Cold War, including the GDR's creation, the great-power struggle for control, the importance of returning war refugees for the construction of the GDR, the building of the 1961 wall, the central intelligence activities and the state's struggle for diplomatic recognition.

    Contributors examine the function and position of music within East German cultural politics, focusing on the relationship between music and authoritarian state politicies. While most of the contributions emphasize classical music, referred to in German as ernste Musik, "serious music", some of them also touch on popular music and jazz. Music also constituted a major factor in the GDR's international outreach, particularly to "neutral" countries as Sweden (a central focus of the book).

    The volume is editied by Petra Garberding, associate professor in European Ethnology at Södertörn University, and Henrik Rosengren, associate professor in History at Lund University. Contributors are Lars Klingberg, Andreas Lueken, Meredith Nicoll, Matthias Tischer and Stefan Weiss. 

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  • 8.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Recension av: Anders Palm/Johan Stenström (red., 2019): Musik och politik: Symposium på Krapperups borg nr. 11. Gyllenstiernska Krapperupsstiftelsen i samarbete med Makdam förlag (Makadam, Göteborg/Stockholm 2019, 222 s., ISBN 978-91-7061-272-5)2021In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 3, p. 182-185Article, book review (Other academic)
  • 9.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Singing for and against the state: Ethnomusicology and folklore knowledge as a path to artistic and political freedom in the GDR2021Conference paper (Other academic)
    Abstract [en]

    In the GDR there was a folk revival in the 1970s and 80s. Inspired by American artists, such as Pete Seeger, Joan Baez and Bob Dylan, among others, numerous folk music groups emerged during this period. Groups such as Folkländer, JAMS and Wacholder were very successful, and folk music and folk dance spread. These activities were often seen by the participants as an alternative to the official FDJ singing movement in the GDR. Within the GDR folk scene, musicians and the audience were able to gain a certain amount of political and artistic freedom. One important strategy for this was, among other things, the use of historical song collections published in the GDR, such as the “Steinitz”, the song collections of “German folk songs of a democratic character from six centuries” published by the folklorist and linguist Wolfgang Steinitz. Songs from the Steinitz in particular were often used by folk musicians to express a covert critique of society, which was usually understood by the audience, without risking interrogation by the Stasi. Another strategy was to contact key people, such as the music ethnologist Erich Stockmann, who was employed at the Academy of Sciences of the GDR in East Berlin and was able to arrange important contacts at home and abroad, as well as keeping the musicians informed about interesting musical innovations. This contribution provides an insight into how folkloric and music ethnological knowledge was transformed in order to protest against political injustices as unnoticed as possible by the authorities.

  • 10.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Tänk om vi alla vore alpackor...: Systerskap, gemenskap och distans i en alpackaflock2021In: Frihet! Politik! Systerskap! / [ed] Kim Silow Kallenberg; Jenny Ingridsdotter; David Gunnarsson, Huddinge: Södertörns högskola, 2021, 1, p. 15-27Chapter in book (Other academic)
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  • 11.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    We could smell that he's Stasi: Power and Justification Strategies of the Stasi in Music Life in the GDR and in the Swedish-German Music Contacts2020In: Ethnologia Scandinavica, ISSN 0348-9698, E-ISSN 0348-9698, Vol. 50, p. 43-66Article in journal (Refereed)
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  • 12.
    Garberding, Petra
    et al.
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Rosengren, Henrik
    Lunds universitet.
    Geisler, Ursula
    Linnéuniversitetet.
    "Jag ser till att bli uppfattad som en vanlig DDR-medborgare": Musikforskaren Gerd Schönfelder, Kungliga Musikaliska Akademien och Stasi2019In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 101, p. 103-135Article in journal (Refereed)
    Abstract [en]

    This article is a case study of the contacts between the music sector in Sweden and the GDR in the 1970s, 1980s and 1990s. The case is the activities of the East-German musicologist and music administrator Gerd Schönfelder (1936–2000) in Sweden at that time, and the debate that arose in the early 1990s when he was accused of having worked for the East German security service, Stasi. The purpose is to provide insight into how music-aesthetic and musicological aspects interacted with politics and ideology in the relations between Sweden and the GDR. In the early 1990s, the availability of material in the Stasi archive was still very limited, and so it was difficult to find out whether it was true that Schönfelder had worked for Stasi, what tasks he had received from the security service and what these tasks meant for his work with Swedish colleagues in the music field. In our article, we try to find answers to these questions by examining how Schönfelder established contact with the Swedish music sector, who were his closest partners in Sweden, and why they were of interest to him. Throughout, we explore Schönfelder’s relationship to Stasi and his work as an ”unofficial employee” for Stasi in Sweden. Finally, we offer a sociological perspective on Schönfelder’s activities in Sweden and the GDR, using Pierre Bourdieu's concepts of field and capital.

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  • 13.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Recension av: Ricarda Kopal: Herbert von Karajan: Musikethnologische Annäherung an einen "klassischen" Musikstar2018In: Puls, ISSN 2002-2972, Vol. 3, p. 80-83Article, book review (Other academic)
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  • 14.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Deutsch-schwedische Kontakte in der Volkskunde im Schatten des Kalten Krieges2015In: Zur Situation der Volkskunde 1945-1970: Orientierungen einer Wissenschaft zur Zeit des Kalten Krieges / [ed] Johannes Moser, Irene Götz, Moritz Ege, Münster, New York: Waxmann Verlag, 2015, Vol. 43, p. 315-337Conference paper (Other academic)
  • 15.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Recension av: Henrik Rosengren: Från tysk höst till tysk vår. Fem musikpersonligheter i svensk exil i skuggan av nazismen och kalla kriget2015In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 98, no 2-3, p. 145-148Article, book review (Other academic)
  • 16. Garberding, Petra
    Vetenskap mellan diktatur och demokrati: Svensk och tysk folklivsforskning i skuggan av nazismen och kalla kriget2015 (ed. 1)Book (Refereed)
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  • 17.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Strauss und der Ständige Rat für die internationale Zusammenarbeit der Komponisten2014In: Richard Strauss Handbuch / [ed] Walter Werbeck, Stuttgart/Weimar: Verlag J. B. Metzler, 2014, p. 42-47Chapter in book (Refereed)
  • 18.
    Garberding, Petra
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Hugo Alfvén - Liv och verk i ny belysning. Gunnar Ternhag och Joakim Tillman (red.)2013In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, no 1, p. 51-54Article, book review (Other academic)
  • 19.
    Garberding, Petra
    Uppsala universitet.
    Der Osten ist wie der Westen: [Recension av] Sofi Gerber: Öst är Väst men Väst är bäst. Östtysk identitetsformering i det förenade Tyskland2012In: Ethnologia Scandinavica, ISSN 0348-9698, E-ISSN 0348-9698, Vol. 42, p. 169-173Article, book review (Other academic)
  • 20.
    Garberding, Petra
    Södertörn University, School of Gender, Culture and History, Ethnology.
    "There are dangers to be faced": Cooperation within the International Association of Folklore and Ethnology in 1930s Europe2012In: Journal of Folklore Research, ISSN 0737-7037, E-ISSN 1543-0413, Vol. 49, no 1, p. 25-71Article in journal (Refereed)
    Abstract [en]

    This article demonstrates how scholarship and political  positions can be negotiated when democratic and authoritarian systems converge in an international context; it takes as a case study cooperation among members of the International Association for Folklore and Ethnology (IAFE) and its successor organization, the International Association of European Ethnology and Folklore (IAEEF) in 1930s Europe. In particular, it examines how leading Swedish folklorists and ethnologists experienced the influence of Nazi politics as they sought international cooperation in their field. Attempts to dialogue with colleagues whose home countries had adopted fascism were combined with attempts to prevent Nazi dominance of the IAFE and IAEEF. This paper examines the discourses that circulated among different scholars and groups and demonstrates how these discourses constructed people, stances, and fields, sometimes in contradictory or self-serving ways. Discourse-historical analysis thus reveals how scholars from different countries negotiate the connections between scholarship and politics in varying political contexts.

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  • 21.
    Garberding, Petra
    Södertörn University, School of Gender, Culture and History, Ethnology.
    Musik, Moral und Politik: Richard Strauss, Kurt Atterberg und der Ständige Rat für die internationale Zusammenarbeit der Komponisten2011In: Richard Strauss Jahrbuch 2011: Richard Strauss im europäischen Kontext / [ed] Richard Strauss Institut, Garmisch-Partenkirchen, Wien/Garmisch-Partenkirchen: Hans Schneider Verlag, Tutzing , 2011, p. 235-250Chapter in book (Other academic)
  • 22.
    Garberding, Petra
    Uppsala universitet.
    Recension av: Hillevi Ganetz, Anna Gavanas, Hasse Huss, Ann Werner: Rundgång: Genus och populärmusik2011In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 1, p. 49-52Article, book review (Other academic)
  • 23.
    Garberding, Petra
    Uppsala University, Institution for Cultural Anthropology and Ethnology.
    Swedish Ethnologists and Folklorists and Nazi Race Politics2011In: Current Issues in European Cultural Studies: June 15–17, Norrköping, Sweden 2011 / [ed] Fredriksson, Martin, 2011, p. 293-301Conference paper (Other academic)
  • 24.
    Garberding, Petra
    Uppsala University.
    Den nazistiska raspolitiken - 'en förolämpning av det tyska folket': 1930-talets föreställningar om vetenskap, politik, kultur och ras i det svensk-tyska samarbetet inom folkminnes- och folklivsforskningen2010In: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 4, p. 193-209Article in journal (Refereed)
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  • 25.
    Garberding, Petra
    Södertörn University, School of Gender, Culture and History, Ethnology.
    "We Take Care of the Artist": The German Composer's Meeting in Berlin 19342009In: Music and Politics, E-ISSN 1938-7687, Vol. 3, no 2, p. -17Article in journal (Refereed)
  • 26.
    Garberding, Petra
    Södertörn University, School of Gender, Culture and History, Ethnology.
    Musikutbyte som politiskt slagträ?: Kurt Atterberg och Helmuth Thierfelder2008In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, p. 29-44Article in journal (Refereed)
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  • 27.
    Garberding, Petra
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    Musik och politik i skuggan av nazismen: Kurt Atterberg och de svensk-tyska musikrelationerna2007Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This thesis deals with relations between music and politics in Sweden and Germany during the 1930s and 40s. I study how music was used as a political tool, and the ideas that existed about musical expression of national and ethnic identity and about “good” and “bad” music. I argue that these conceptions became a driving force and were important to Swedish relations with Nazi Germany. The study focuses on material by and about the Swedish composer Kurt Atterberg (1887–1974). Atterberg was a central figure in the world of Swedish music during the first half of the 20th century and his life gives a glimpse of the spirit of the time. The theoretical platform arises from a critical discourse analysis combined with theories about modernity, nationalism and ethnicity. The empirical basis of the thesis consists of material from Swedish, German and Austrian archives, newspaper articles, radio programmes and interviews with composers of today.

    My study shows how Sweden and Germany inspired each other in the musical relationship. Both countries encountered similar problems. In the first half of the 20th century, modernisation accelerated in Europe, which also meant dramatic changes in musical life. Music could be spread to a greater extent without the composer’s control. New techniques, for example the sound movie, left many musicians unemployed. New musical styles appeared and challenged establishments. I argue that different ideas about national identity and its musical expression were important for the development of relations between Sweden and Nazi Germany. For many composers and musicians an engagement in Nazi Germany was interpreted as a contribution to the establishing of a strong national identity and the improvement of their own national musical life.

    Swedish-German musical relations were also influenced by different views on music and politics. For Nazi politicians music and politics ran together and music was to give expression to Nazi ideology. In Sweden music and politics were to be kept apart. Different perspectives on music and politics made it possible for Swedish composers and musicians to be active in Nazi Germany and to define their engagement as purely musical work. The Nazi government could for its part use Nordic composers and music to confirm Nazi ideas on race biology and to spread Nazi propaganda.

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  • 28.
    Garberding, Petra
    Södertörn University, School of Language and Culture, Ethnology.
    Musiken som ett nationalsocialistiskt redskap?: Kurt Atterberg och "Ständiger Rat für die internationale Zusammenarbeit der Komponisten"2006In: Fruktan, fascination, frändskap: Det svenska musiklivet och nazismen / [ed] Andersson, Greger / Geisler, Ursula, Malmö: Sekel Bokförlag, 2006, p. 87-116Chapter in book (Other academic)
  • 29.
    Garberding, Petra
    Södertörn University, School of Language and Culture, Ethnology.
    Kurt Atterberg och den förvånade propagandaministern: Hur identitet byggs med hjälp av det förflutna2005In: Bilder i kontrast: interkulturella processer Sverige/Tyskland i skuggan av nazismen 1933-1945 / [ed] Charlotta Brylla, Birgitta Almgren, Frank-Michael Kirsch, Aalborg: Institut für Sprache und internationale Kulturstudien, Univ. Aalborg , 2005, p. 295-318Chapter in book (Other academic)
  • 30.
    Garberding, Petra
    Södertörn University, Avdelning 4, Ethnology.
    Musik und Politik: Die Diskursanalyse in der Erforschung von Musik als kulturpolitische Komponente2003In: Sprache und Politik im skandinavischen und deutschen Kontext 1933-1945 / [ed] Frank-Michael Kirsch, Birgitta Almgren, Aalborg: Aalborg Universitetsforlag, 2003, p. 239-262Chapter in book (Other academic)
  • 31.
    Garberding, Petra
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    Von Schwärmerei zu kritischer Betrachtung: Das Schwedenbild von Fritz Tutenberg in Kurt Atterbergs Briefsammlung2002In: Bilder des Nordens in der Germanistik 1929-1945: wissenschaftliche Integrität oder politische Anpassung? / [ed] Birgitta Almgren, Huddinge: Södertörns högskola , 2002, Vol. S. 113-126, p. 69-78Chapter in book (Other academic)
1 - 31 of 31
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