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  • 1.
    Ferm Almqvist, Cecilia
    Södertörn University, School of Culture and Education, Education.
    Musik som bildning och existens: Recension av  Øivind Varkøy, 2017. Musikk – dannelse og eksistens. Oslo: Cappelen Damm Akademisk. ISBN 97882025333802020In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 102Article, book review (Other academic)
  • 2.
    Ferm Almqvist, Cecilia
    Södertörn University, School of Culture and Education, Education.
    Recension av Maria Westvalls bok:  (Gidlunds 2016). : Musiker och folkbildare. Fem porträtt av musiker som började sin bana inom militärmusiken2018In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, no 1Article, book review (Other academic)
  • 3.
    Fornäs, Johan
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Musiken och jag: recension av en bok av Thomas Bossius och Lars Lilliestam2013In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 16, p. 149-152Article, book review (Other academic)
  • 4.
    Fornäs, Johan
    Linköpings universitet.
    Thomas Bossius: Med framtiden i backspegeln: black metal- och transkulturen: ungdomar, musik och religion i en senmodern värld2004In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 86, p. 105-108Article, book review (Other (popular science, discussion, etc.))
  • 5.
    Garberding, Petra
    Södertörn University, School of Gender, Culture and History, Ethnology.
    Musikutbyte som politiskt slagträ?: Kurt Atterberg och Helmuth Thierfelder2008In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, p. 29-44Article in journal (Refereed)
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  • 6.
    Garberding, Petra
    et al.
    Södertörn University, School of Historical and Contemporary Studies, Ethnology.
    Rosengren, Henrik
    Lunds universitet.
    Geisler, Ursula
    Linnéuniversitetet.
    "Jag ser till att bli uppfattad som en vanlig DDR-medborgare": Musikforskaren Gerd Schönfelder, Kungliga Musikaliska Akademien och Stasi2019In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 101, p. 103-135Article in journal (Refereed)
    Abstract [en]

    This article is a case study of the contacts between the music sector in Sweden and the GDR in the 1970s, 1980s and 1990s. The case is the activities of the East-German musicologist and music administrator Gerd Schönfelder (1936–2000) in Sweden at that time, and the debate that arose in the early 1990s when he was accused of having worked for the East German security service, Stasi. The purpose is to provide insight into how music-aesthetic and musicological aspects interacted with politics and ideology in the relations between Sweden and the GDR. In the early 1990s, the availability of material in the Stasi archive was still very limited, and so it was difficult to find out whether it was true that Schönfelder had worked for Stasi, what tasks he had received from the security service and what these tasks meant for his work with Swedish colleagues in the music field. In our article, we try to find answers to these questions by examining how Schönfelder established contact with the Swedish music sector, who were his closest partners in Sweden, and why they were of interest to him. Throughout, we explore Schönfelder’s relationship to Stasi and his work as an ”unofficial employee” for Stasi in Sweden. Finally, we offer a sociological perspective on Schönfelder’s activities in Sweden and the GDR, using Pierre Bourdieu's concepts of field and capital.

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  • 7.
    Wallrup, Erik
    Södertörn University, School of Culture and Education, Aesthetics. Stockholms universitet, Sverige.
    Blicken i den gustavianska spegeln: Svensk musikvetenskap om tiden under Gustav III2019In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 101, p. 75-101Article in journal (Refereed)
    Abstract [en]

    The reign of the Swedish king Gustav III (1771–92) was a productive period musically. It has become one of the main fields of research within Swedish musicology: more than 40 scholarly articles have been published and ten book-length studies have been printed since 1920. In the article, these texts are read from a critical perspective in order to scrutinize the foundation of the research and to analyse its conditions, but also to see if a transgression is possible.

    If the ethos of Swedish musicology, with its empirical attitude concerning the survey of sources, can be confirmed in many cases, some examples show that there have been important alternatives: the intention of writing the cultural history of the period (especially Walin and Hedwall), the interest in rhetoric during the 1990s, and investigations of nationalism. The shift from a German to an Anglo-American influence can be discerned during the 1950s, and this change can be the reason why a wider cultural approach became obsolete.

    Yet, responding to the earlier initiatives, it is suggested finally that musicology can and should turn back to the Gustavian era again after a caesura of fifteen years. Recent work within fields such as affectivity, phenomenology and cultural transfer call upon a re-reading of the manifold sources that have been found during a century of research.

  • 8.
    Werner, Ann
    Södertörn University, School of Culture and Education, Gender Studies.
    1968 revolutionens rytmer: En berättelse om hur musik och uppror skakade världsordningen, Håkan Thörn. Göteborg: Daidalos, 2018.2019In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, Vol. 101Article, book review (Other academic)
  • 9. Werner, Ann
    Cirkulation av populärmusik: Fildelning, MSN Messenger och MP3-spelare i ett föränderligt medielandskap2007In: Svensk tidskrift för musikforskning, ISSN 0081-9816, E-ISSN 2002-021X, p. 91-106Article in journal (Refereed)
    Abstract [sv]

       

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