If the grand narrative of German reunification in the autumn of 1989 in media discourse used to be a moreor less coherent story of successful reconciliation, recentpolitical developments have made it necessary to question some of the nuances of this seemingly flawless narrative. One way of doing this is to present personal memories in narrative form for considerationas more or less autobiographical accounts from the inside, so to speak. A growing number of writers who were children and young people 35 years ago, at the time of reunification, are now starting to write about their childhood and memories of the reunification process. These stories display more or less biographical features, albeit composite and contrived. In this paper, two novels, both dealing with the past, are compared: Grit Lemke’s affirmative oral history Kinder von Hoy (2021) and David Blum’s more critical Dantesque underworld narrative Kollektorgang (2023). Lemke’s depiction of a happy childhood is rather nostalgic, if not downright ostalgic (“East-nostalgic”), while Blum’s is much more discerning. Generational considerations may explain this differencein approach. What they have in common is that they ascribe significance to the big city with its high-rise buildings as a symbol of a collapsed system, based on their own memories of reunification.