This essay aims to investigate constructions of masculinity in Frank Chin’s Donald Duk and Charles Yu’s Interior Chinatown, comparing them to each other, and scrutinizing them through Raewyn Connell’s framework of hegemonic masculinity. Moreover, it aims to analyze the utilization of popular culture in identity formation within the two novels. Furthermore, it also aims to discuss how these novels can be utilized to discuss masculinity in the EFL classroom. To achieve these aims, the essay utilizes close reading of excerpts from the two novels. The analysis concludes that the protagonist of Donald Duk constructs masculinity with traits from hegemonic masculinity to combat the emasculation he experiences, while the protagonist from Interior Chinatown starts with the same ambition, he then rejects hegemonic masculinity in favor of a more empathetic masculinity. Additionally, both novels utilize representations of masculinity from popular culture as role models for the protagonists’ own identities. Lastly, it concludes that Donald Duk and Interior Chinatown can be of use in the EFL classroom to discuss toxic masculinity and alternative masculinities by highlighting the protagonists of the novels and tying the discussion to its authors, and the students’ own identities and experiences.