This essay provides a queer theoretical, non-biographic reading of Karin Boye's novel Crisis from 1934. The analysis aims to focus on how Christian faith, constituting a major part of the book, can be connected to and be read as a symbol of heteronormativity. Furthermore the analysis describes how the queer aspect in the novel reveals heteronormative and intersectional structures. The investigation is set against previous research on Boye’s literary works, and other queer theoretical texts to show how the protagonist Malin Forst’s queer desire and identity develops as opposed to authoritative voices present in her life.