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Värld, tecken, affekt: Konst- och populärmusik i Lars von Triers”depressionstrilogi”
Södertörn University, School of Culture and Education, Aesthetics.ORCID iD: 0000-0002-9218-2029
2024 (Swedish)In: Klassisk musik i det moderna mediesamhället: Konstruktioner, föreställningar, förhandlingar / [ed] Tobias Pontara; Åsa Bergman, Göteborg: Makadam Förlag, 2024, p. 267-309Chapter in book (Refereed)
Abstract [sv]

Artikeln behandlar förhållandet mellan affekt, tecken och värld i filmmusiken till Lars von Triers så kallade depressiontrilogi (Antichrist 2009, Melancholia 2011 och Nymphomaniac 2013). Huvudfrågan gäller skillnader i behandlingen av det konst- och populärmusikaliska materialet.
Place, publisher, year, edition, pages
Göteborg: Makadam Förlag, 2024. p. 267-309
Keywords [sv]
affekt, filmmusik, Lars von Trier, värld, musikgenrer
National Category
Musicology
Research subject
Critical and Cultural Theory
Identifiers
URN: urn:nbn:se:sh:diva-56144ISBN: 9789170614743 (print)ISBN: 9789170619748 (electronic)OAI: oai:DiVA.org:sh-56144DiVA, id: diva2:1926510
Available from: 2025-01-13 Created: 2025-01-13 Last updated: 2025-10-07Bibliographically approved

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Wallrup Värld, tecken, affekt(3748 kB)60 downloads
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Wallrup, Erik

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Total: 60 downloads
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CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • sodertorns-hogskola-harvard.csl
  • sodertorns-hogskola-oxford.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
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