sh.sePublikasjoner
Endre søk
Link to record
Permanent link

Direct link
Publikasjoner (10 av 31) Visa alla publikasjoner
Edling, M. (2022). Art for All! : Nordic Art and Cultural Democracy, 1945–1959. Artl@s Bulletin, 11(2), 56-69, Article ID 5.
Åpne denne publikasjonen i ny fane eller vindu >>Art for All! : Nordic Art and Cultural Democracy, 1945–1959
2022 (engelsk)Inngår i: Artl@s Bulletin, ISSN 2264-2668, Vol. 11, nr 2, s. 56-69, artikkel-id 5Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

The article will by emphasizing a transnational and geopolitical approach, investigate eight exhibitions of modern art from Denmark, Finland, Iceland, Norway and Sweden presented in Nordic cities 1946–1959. The text highlights the importance of this regional context and argues that the artworks can be seen as socially interconnected signs mediated through the communicative agency of the exhibitions. By focusing on subject matter and artwork titles presented, the article suggests that the exhibitions can be viewed as part of interacting artistic, civic, and political agendas aiming to democratize culture in the postwar Nordic welfare states.

sted, utgiver, år, opplag, sider
Purdue University Press, 2022
Emneord
cultural democracy, Nordic art, exhibitions, Nordiska konstförbundet
HSV kategori
Forskningsprogram
Kritisk kulturteori; Östersjö- och Östeuropaforskning
Identifikatorer
urn:nbn:se:sh:diva-50270 (URN)
Forskningsfinansiär
Swedish Research Council, 2017-01072
Tilgjengelig fra: 2022-11-25 Laget: 2022-11-25 Sist oppdatert: 2022-11-29bibliografisk kontrollert
Edling, M. & Öhrner, A. (2022). Entanglements and Cross-Border Connectivity of the Nordic-Baltic Region. Artl@s Bulletin, 11(2), 4-6, Article ID 1.
Åpne denne publikasjonen i ny fane eller vindu >>Entanglements and Cross-Border Connectivity of the Nordic-Baltic Region
2022 (engelsk)Inngår i: Artl@s Bulletin, ISSN 2264-2668, Vol. 11, nr 2, s. 4-6, artikkel-id 1Artikkel i tidsskrift, Editorial material (Annet vitenskapelig) Published
Abstract [en]

At the center of attention of this issue is trans-local, transnational, regional, and worldwide contacts inside and outside the Nordic-Baltic region from the late 1800s to the late 1900s. As an introduction, this text attempts to give an overview of some of its major themes and findings. It highlights how the interactive function of cross-border contacts is demonstrated by cases of art and design transfers, artistic travels, Scandinavian intellectual contacts, and cross-border connections over 100 years. Together, the texts published in this issue reflect the interdependent nature of international relations and the vital function of intermediate positions.

sted, utgiver, år, opplag, sider
Purdue University Press, 2022
HSV kategori
Forskningsprogram
Kritisk kulturteori; Östersjö- och Östeuropaforskning
Identifikatorer
urn:nbn:se:sh:diva-50269 (URN)
Forskningsfinansiär
Swedish Research Council, 2017-01072
Tilgjengelig fra: 2022-11-25 Laget: 2022-11-25 Sist oppdatert: 2022-11-29bibliografisk kontrollert
Wadstein MacLeod, K., Edling, M. & Myrstener, P. (2022). Exhibiting Art in a European Periphery?: International Art in Sweden during the Cold War. Artl@s Bulletin, 11(2), 127-132, Article ID 10.
Åpne denne publikasjonen i ny fane eller vindu >>Exhibiting Art in a European Periphery?: International Art in Sweden during the Cold War
2022 (engelsk)Inngår i: Artl@s Bulletin, ISSN 2264-2668, Vol. 11, nr 2, s. 127-132, artikkel-id 10Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War aimed to investigate international exhibitions in Sweden during the postwar period from circa 1945 to the end of the 1980s. The main objective was to find information beyond preconceived ideas of what is important, interesting, or simply good art. In this article, we present our method for searching through the archives and some of the findings and insights generated.

sted, utgiver, år, opplag, sider
Purdue University Press, 2022
HSV kategori
Forskningsprogram
Kritisk kulturteori; Östersjö- och Östeuropaforskning
Identifikatorer
urn:nbn:se:sh:diva-50271 (URN)
Forskningsfinansiär
Swedish Research Council, 2017-01072
Tilgjengelig fra: 2022-11-25 Laget: 2022-11-25 Sist oppdatert: 2022-11-29bibliografisk kontrollert
Edling, M. & Öhrner, A. (Eds.). (2022). Nordic-Baltic Cross-Border Connectivity. Purdue University Press
Åpne denne publikasjonen i ny fane eller vindu >>Nordic-Baltic Cross-Border Connectivity
2022 (engelsk)Collection/Antologi (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Purdue University Press, 2022. s. 149
Serie
Artl@s Bulletin, ISSN 2264-2668 ; Vol 11(2)
HSV kategori
Forskningsprogram
Östersjö- och Östeuropaforskning
Identifikatorer
urn:nbn:se:sh:diva-50292 (URN)
Merknad

Guest editors for Atl@s Bulletin Volume 11, Issue 2 (2022) Nordic-Baltic Cross-Border Connectivity

Tilgjengelig fra: 2022-11-29 Laget: 2022-11-29 Sist oppdatert: 2022-11-29bibliografisk kontrollert
Edling, M. (2022). Utforskandet av det observerbara: Om verklighetsavbildning före och efter 1839 (1ed.). In: Anna Näslund Dahlgren (Ed.), Fotografihistorier: Fotografi och bildbruk i Sverige från 1839 till idag (pp. 24-31). Stockholm: Natur och kultur
Åpne denne publikasjonen i ny fane eller vindu >>Utforskandet av det observerbara: Om verklighetsavbildning före och efter 1839
2022 (svensk)Inngår i: Fotografihistorier: Fotografi och bildbruk i Sverige från 1839 till idag / [ed] Anna Näslund Dahlgren, Stockholm: Natur och kultur, 2022, 1, s. 24-31Kapittel i bok, del av antologi (Fagfellevurdert)
sted, utgiver, år, opplag, sider
Stockholm: Natur och kultur, 2022 Opplag: 1
HSV kategori
Forskningsprogram
Kritisk kulturteori
Identifikatorer
urn:nbn:se:sh:diva-50338 (URN)9789127177000 (ISBN)
Tilgjengelig fra: 2022-12-08 Laget: 2022-12-08 Sist oppdatert: 2022-12-13bibliografisk kontrollert
Edling, M. (2020). Building New Collaborations With Old Networks: The Early Years 1945-59. In: Björn Norberg, Camilla Larsson & Jonatan Habib Engqvist (Ed.), 75 YEARS – The Nordic Art Association’s Swedish Section: (pp. 17-21). Stockholm: Orfeus Publishing
Åpne denne publikasjonen i ny fane eller vindu >>Building New Collaborations With Old Networks: The Early Years 1945-59
2020 (engelsk)Inngår i: 75 YEARS – The Nordic Art Association’s Swedish Section / [ed] Björn Norberg, Camilla Larsson & Jonatan Habib Engqvist, Stockholm: Orfeus Publishing, 2020, s. 17-21Kapittel i bok, del av antologi (Annet vitenskapelig)
sted, utgiver, år, opplag, sider
Stockholm: Orfeus Publishing, 2020
HSV kategori
Forskningsprogram
Kritisk kulturteori
Identifikatorer
urn:nbn:se:sh:diva-42479 (URN)978-91-89270-06-0 (ISBN)
Forskningsfinansiär
Swedish Research Council, 2017-01072
Tilgjengelig fra: 2020-12-07 Laget: 2020-12-07 Sist oppdatert: 2020-12-09bibliografisk kontrollert
Edling, M. (2019). From Margin to Margin?: The Stockholm Paris Axis 1944–1953. Konsthistorisk Tidskrift, 88(1), 1-16
Åpne denne publikasjonen i ny fane eller vindu >>From Margin to Margin?: The Stockholm Paris Axis 1944–1953
2019 (engelsk)Inngår i: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 88, nr 1, s. 1-16Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

The historical study of art in relation to geographical space has for a long time been biased by the “canonical logic” of the centre–periphery narrative. This text takes as its starting point a methodological critique of this binary framework by using an example from Swedish art history, namely the art historical narrative of 1950s Sweden as a slumbering Nordic province slowly being awoken by the heroic and foresighted efforts of the Swedish curator Pontus Hultén. The text analyses two local contexts between 1944 and 1953: a presumed periphery, Stockholm, Sweden, and a presumed centre, Paris, France, and the collaboration between individuals in these two spaces. In focus is a 1953 exhibition in Paris of Swedish abstract art from 1913 to 1953. The text concludes with a methodological discussion arguing that by considering “the material conditions of encounters and exchange”, it becomes clear that the transnational contacts in these cases were spurred by local competition and that they were mutually dependent, rather than a product of diffusions of aesthetic innovation from centre to periphery.

sted, utgiver, år, opplag, sider
Routledge, 2019
HSV kategori
Forskningsprogram
Kritisk kulturteori
Identifikatorer
urn:nbn:se:sh:diva-37909 (URN)10.1080/00233609.2019.1576764 (DOI)000462374200001 ()2-s2.0-85061717959 (Scopus ID)
Forskningsfinansiär
Swedish Research Council, 2017-01072
Tilgjengelig fra: 2019-03-27 Laget: 2019-03-27 Sist oppdatert: 2022-07-05bibliografisk kontrollert
Edling, M. (2019). Symfonimusikens institutionalisering i Stockholm: Mia Kuritzén Löwengart, En samhällelig angelägenhet [Review]. Historisk Tidskrift, 139(1), 117-122
Åpne denne publikasjonen i ny fane eller vindu >>Symfonimusikens institutionalisering i Stockholm: Mia Kuritzén Löwengart, En samhällelig angelägenhet
2019 (svensk)Inngår i: Historisk Tidskrift, ISSN 0345-469X, E-ISSN 2002-4827, Vol. 139, nr 1, s. 117-122Artikkel, omtale (Annet vitenskapelig) Published
sted, utgiver, år, opplag, sider
Stockholm: Svenska Historiska Föreningen, 2019
HSV kategori
Forskningsprogram
Historiska studier
Identifikatorer
urn:nbn:se:sh:diva-37922 (URN)000462100100010 ()
Merknad

Avhandlingsrecension

Tilgjengelig fra: 2019-03-30 Laget: 2019-03-30 Sist oppdatert: 2022-05-10bibliografisk kontrollert
Edling, M. (2018). Nils Wedel: Från avantgarde till formgivning - den mångsidige Nils Wedel. In: Lena Boëthius, Björn Fredlund och Gudrun Nyberg (Ed.), En ny frihet: Sjutton konstnärer. Hundra år i Göteborg. Stockholm: Carlsson Bokförlag
Åpne denne publikasjonen i ny fane eller vindu >>Nils Wedel: Från avantgarde till formgivning - den mångsidige Nils Wedel
2018 (svensk)Inngår i: En ny frihet: Sjutton konstnärer. Hundra år i Göteborg / [ed] Lena Boëthius, Björn Fredlund och Gudrun Nyberg, Stockholm: Carlsson Bokförlag, 2018Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
sted, utgiver, år, opplag, sider
Stockholm: Carlsson Bokförlag, 2018
HSV kategori
Identifikatorer
urn:nbn:se:sh:diva-37292 (URN)9789173319249 (ISBN)
Tilgjengelig fra: 2019-01-16 Laget: 2019-01-16 Sist oppdatert: 2021-06-08bibliografisk kontrollert
Edling, M. (2015). A Radical Academy of Fine Art?: Power and social dimensions in recruitment to the fine art professorships at the Royal College of Art in Stockholm, Sweden 1938-2000. Passepartout - Skrifter for kunsthistorie (36), 117-138
Åpne denne publikasjonen i ny fane eller vindu >>A Radical Academy of Fine Art?: Power and social dimensions in recruitment to the fine art professorships at the Royal College of Art in Stockholm, Sweden 1938-2000
2015 (engelsk)Inngår i: Passepartout - Skrifter for kunsthistorie, ISSN 0908-5351, nr 36, s. 117-138Artikkel i tidsskrift (Fagfellevurdert) Published
HSV kategori
Forskningsprogram
Kritisk kulturteori
Identifikatorer
urn:nbn:se:sh:diva-26756 (URN)
Forskningsfinansiär
Riksbankens Jubileumsfond, P10-0651:1
Tilgjengelig fra: 2015-03-29 Laget: 2015-03-29 Sist oppdatert: 2021-06-08bibliografisk kontrollert
Prosjekter
Högre konstnärlig utbildning och de kulturella produktionsfälten. Historiska och sociologiska perspektiv. Nordiskt forskarseminarium Uppsala Universitet 5-7 maj 2010. [2010-00021_VR]; Uppsala universitetKonst, karriär och kön. En studie av manliga och kvinnliga konstnärers meriteringsvägar och rekryteringen till professurer och högre lärartjänster 1945-2000 [P10-0651:1_RJ]; Uppsala universitetKonstutställningar i en Europeisk periferi? Internationell konst i Sverige under kalla kriget [2017-01072_VR]; Södertörns högskola; Publikasjoner
Wadstein MacLeod, K. (2023). Curating Contrasts: Retrieving Solidarity from the Archives. In: Malene Vest Hansen; Kristian Handberg (Ed.), Curating the Contemporary in the Art Museum: (pp. 214-226). London: RoutledgeWadstein MacLeod, K. (2022). Art contre/against Apartheid at Lunds Konsthall: an Entangled History of Art and Solidarity from Paris to Pretoria. Artl@s Bulletin, 11(2), Article ID 8. Edling, M. (2022). Art for All! : Nordic Art and Cultural Democracy, 1945–1959. Artl@s Bulletin, 11(2), 56-69, Article ID 5. Edling, M. & Öhrner, A. (2022). Entanglements and Cross-Border Connectivity of the Nordic-Baltic Region. Artl@s Bulletin, 11(2), 4-6, Article ID 1. Wadstein MacLeod, K., Edling, M. & Myrstener, P. (2022). Exhibiting Art in a European Periphery?: International Art in Sweden during the Cold War. Artl@s Bulletin, 11(2), 127-132, Article ID 10. Wadstein MacLeod, K. (2021). Troubling Peripheries: Pierre Restany and Superlund. Konsthistorisk Tidskrift, 90(1), 13-24Edling, M. (2020). Building New Collaborations With Old Networks: The Early Years 1945-59. In: Björn Norberg, Camilla Larsson & Jonatan Habib Engqvist (Ed.), 75 YEARS – The Nordic Art Association’s Swedish Section: (pp. 17-21). Stockholm: Orfeus PublishingEdling, M. (2019). From Margin to Margin?: The Stockholm Paris Axis 1944–1953. Konsthistorisk Tidskrift, 88(1), 1-16
Organisasjoner
Identifikatorer
ORCID-id: ORCID iD iconorcid.org/0000-0003-4434-3198