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  • 1.
    Fjelkestam, Kristina
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    Allegorizing Modernity: The new Woman and the Metropolis as Metonymies in Djuna Barnes's Nightwood2004In: The new woman and the aesthetic opening: unlocking gender in twentieth-century texts / [ed] Ebba Witt-Brattström, Huddinge: Södertörns högskola , 2004, Vol. S. 215-222, 169-180 p.Chapter in book (Other academic)
  • 2.
    Frisch, Christine
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    Mammakarriär eller karriärmamma?: några funderingar kring mammarollen i dagens Tyskland2006In: Blad till Bladh: en vänbok till Christine våren 2006 / [ed] Monica Einarsson, Robert Sandberg, Kekke Stadin, Martin Wottle, Huddinge: Södertörns högskola , 2006, 89-98 p.Chapter in book (Other academic)
  • 3.
    Frisch, Christine
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    The gendered reception of Liza Marklund and Henning Mankell in Germany (Cinderella and Sophocles as as authors of modern crime fiction)2004In: The new woman and the aesthetic opening: unlocking gender in twentieth-century texts / [ed] Ebba Witt-Brattström, Huddinge: Södertörns högskola , 2004, Vol. S. 215-222, 215-222 p.Chapter in book (Other academic)
  • 4.
    Frisch, Christine
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    Modernes Aschenputtel und Anti-James-Bond: Gender-Konzepte in deutschsprachigen Rezeptionstexten zu Liza Marklund und Henning Mankell2005Book (Other academic)
    Abstract [de]

    Was passiert eigentlich mit Literatur, d.h. mit AutorInnen, ProtagonistInnen und Romanhandlungen, wenn sie neuenKonstruktionen im Rezeptionsprozess ausgesetzt werden? Vor allem, welche Gender-Codes und Gender-Konzepte tretendabei zu Tage? Diesen Fragen ist Christine Frisch am Beispielvon Liza Marklund und Henning Mankell nachgegangen. Sie hatdafür ein umfangreiches Material analysiert, deutschsprachigeRezeptionstexte, die zum einen dem Netz entnommen sind,zum anderen traditionellen Quellen, also Zeitungen undZeitschriften, entstammen.

  • 5.
    Holmgren, Ola
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    [Recension av] Egil Törnqvist, "Strindberg som TV-dramatiker" 20042005In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, Vol. 126, 458-460 p.Article, book review (Other academic)
  • 6.
    Holmgren, Ola
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    Strindbergs mansdrama i tre läsakter: från Fadren Till Damaskus längs Stora landsvägen2006Book (Other academic)
  • 7.
    Holmgren, Ola
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    Emigrant i moderniteten: Vilhelm Mobergs mansfantasier2005Book (Other academic)
  • 8.
    Lindén, Claudia
    Södertörn University College, School of Gender, History, Literature and Religion, Comparative literature.
    Ingen postmodernism utan feminism2006In: Bang, ISSN 1102-4593, no 3, 30-34 p.Article in journal (Other (popular science, discussion, etc.))
  • 9.
    Lindén, Claudia
    Södertörn University College, School of Gender, History, Literature and Religion, Comparative literature.
    Förord2006In: Skönhet för alla / [ed] Ellen Key, Ödeshög: Ellen Keyinstitutet , 2006, 1, 7-23 p.Chapter in book (Other (popular science, discussion, etc.))
  • 10.
    Lindén, Claudia
    Södertörn University College, School of Gender, History, Literature and Religion, Comparative literature.
    Ellen Key, kulturradikal i 1880-talet2006In: Konstnärspar: kring sekelskiftet 1900 / [ed] Margareta Gynning, Stockholm: Nationalmuseum , 2006, 21-52 p.Chapter in book (Other (popular science, discussion, etc.))
  • 11.
    Lindén, Claudia
    Södertörn University College, School of Gender, History, Literature and Religion, Comparative literature.
    Vision och Voyerism: Om Michael Lundbergs konst2006In: The mirror between us / [ed] Mikael Lundberg, Stockholm: Almlöf , 2006, 50-57 p.Chapter in book (Other (popular science, discussion, etc.))
  • 12.
    Lindén, Claudia
    Södertörn University College, School of Gender, History, Literature and Religion, Comparative literature.
    The modern idiom of gender transgression: love and identity in Karen Blixen’s "Carnival" and "On modern language"2004In: The new woman and the aesthetic opening: unlocking gender in twentieth-century texts / [ed] Ebba Witt-Brattström, Huddinge: Södertörns högskola , 2004, Vol. S. 155-168, 155-168 p.Chapter in book (Other academic)
  • 13.
    Lindén, Claudia
    Södertörn University College, School of Gender, History, Literature and Religion, Comparative literature.
    Moderlighetens metaforer hos Ellen Key och Friedrich Nietzsche2005In: Feministiska litteraturanalyser 1972-2002 / [ed] Åsa Arping & Anna Nordenstam, Lund: Studentlitteratur , 2005, Vol. S. 311-338, 311-338 p.Chapter in book (Other academic)
  • 14.
    Wischmann, Antje
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    A Strong Feeling of Her Own Self: The Modeling of the New Woman in Selected Swedish and German Novels, 1920-402004In: The new woman and the aesthetic opening: unlocking gender in twentieth-century texts / [ed] Ebba Witt-Brattström, Huddinge: Södertörns högskola , 2004, Vol. S. 215-222, 193-204 p.Chapter in book (Other academic)
  • 15.
    Witt-Brattström, Ebba
    Södertörn University, School of Gender, History, Literature and Religion, Comparative literature.
    The new woman and the aesthetic opening: unlocking gender in twentieth-century texts2004Collection (editor) (Other academic)
    Abstract [en]

    Is there such a thing as an aesthetic feminism? How has the poetics of gender changed since the beginning of the twentieth century? Starting with the Modern Breakthrough and the fin de siècle and ending with a discussion of contemporary literary feminism, this anthology attempts to redirect the study of the interrelation of aesthetics and gender by giving historical perspective to twentieth-century literary works. Its approach invites a de-centering of modernist aesthetics and a revision of the canon with its persistent cult of the male genius at the expense of the more dialogical model of women´s literature. By following the course of women´s and men´s literature throughout the period, gently unlocking the gridlock of gender and aesthtics in high modernism, it traces a forgotten dialogue between the sexes.

    The New Woman should be understood as a figure connecting nineteenth-century discourses of sexuality and the feminist movement(s) in a discursive response. Her brave redefinition of the gender contract is an indispensable gateway to modern culture. The fin de siècle anticipated postmodernism themes such as unstable male-female identities, the importance of Eros, a queer fantasy of a neuter gender, and the narcissistic game of self-invention as a response to the feeling of loss of collective values.

    This volume works across the east-west divide, discussing texts by Victoria Benedictsson, Lou Andreas-Salomé, Illa Christensen, Selma Lagerlöf, Henrik Ibsen, Knut Hamsun, Karen Blixen, L. Onerva, Elin Wägner, Ida Bäckman, Alexandra Kollontai, Colette, Djuna Barnes, Agnes von Krusenstjerna, Sigfried Siwertz, Karin Boye, Vicki Baum, Tora Dahl, Natasha Goerke, Natasha Tokarczuk, Henning Mankell adn Liza Marklund

1 - 15 of 15
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