sh.sePublications
Change search
Refine search result
12 1 - 50 of 71
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Oldest first
  • Newest first
Select all
  • 1.
    Ahrens, Åsa
    Södertörn University, School of Culture and Communication, Art history.
    Fittja Open 2011: Platsspecifik konst och (re)presentation2011Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This essay explores how artwork in the public space can be analysed, conceptualized and described by bringing attention to site. Through an analysis of artworks in the yearly art exhibition of Fittja Open 2011, the essay draws attention to site-specific art and structures of power. The principal aim is to present not only the exhibition of Fittja Open 2011 but also other artwork in the public sphere in Fittja, a suburb to Stockholm. From this point of departure other interests evolve that concerns the "image" of Fittja. The analysis, based on research in art history, architecture, ethnology and philosophy as well as qualitative interviews, also focuses on understanding the role of site and the relations between art practice, institutions and site.

    The result shows that there are problems with a ruptured interface between the artwork and site. The claim made throughout the thesis is that artwork in the public sphere of Fittja need to be sensitive to the conflicted issue of public space in order not to reproduce stereotypes. Despite the knowledge and insight about its local art situation, the study also points out certain insensibility on behalf of Botkyrka konsthall as regards social status and class.

  • 2. Bull, Håkan
    et al.
    Karlholm, DanSödertörn University College, School of Culture and Communication, Art history.
    Offentlig konst i Flemingsberg2007Collection (editor) (Other (popular science, discussion, etc.))
  • 3.
    Bydler, Charlotte
    Södertörn University, School of Culture and Communication, Art history.
    Pengarnas ikonografi2006In: Ord och bild, ISSN 0030-4492, no 5, 80-85 p.Article in journal (Other (popular science, discussion, etc.))
  • 4.
    Bydler, Charlotte
    Södertörn University, School of Culture and Communication, Art history.
    Postkolonial klagan2008In: 00tal : litteratur, konst, samtidsdebatt, ISSN 1404-823X, Vol. 27, 58-61 p.Article in journal (Other academic)
  • 5.
    Bydler, Charlotte
    Södertörn University, School of Culture and Communication, Art history.
    Hoppa hage2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull och Dan Karlholm, Huddinge: Huge fastigheter , 2007, 82-84 p.Chapter in book (Other (popular science, discussion, etc.))
  • 6.
    Bydler, Charlotte
    Södertörn University, School of Culture and Communication, Art history.
    Signora Canedottos VII:e sortering i XXVI:e uppordningen av all världens ting och företeelser2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull och Dan Karlholm, Huddinge: Huge fastigheter , 2007, 72-75 p.Chapter in book (Other (popular science, discussion, etc.))
  • 7.
    Bydler, Charlotte
    Södertörn University, School of Culture and Communication, Art history.
    Global contemporary?: The global horizon of art events2010In: Globalization and Contemporary Art / [ed] Jonathan Harris, Chichester: Wiley-Blackwell , 2010, 464-478 p.Chapter in book (Other academic)
  • 8.
    Bydler, Charlotte
    Södertörn University, School of Culture and Communication, Art history.
    A local global art history2007In: Is art history global? / [ed] James Elkins, New York: Routledge , 2007, 316-322 p.Conference paper (Other academic)
  • 9.
    Bydler, Charlotte
    Södertörn University, School of Culture and Communication, Art history.
    Klingon och Dammen2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull och Dan Karlholm, Huddinge: Huge fastigheter , 2007, 1, 68-69 p.Chapter in book (Other (popular science, discussion, etc.))
  • 10.
    Kapari, Maria
    Södertörn University, School of Culture and Communication, Art history.
    Dans som utställningsobjekt: Upplevelser och erfarenheter av tid och rörele i Dansmuseets permanenta utställning2010Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay concerns dance as an exhibition object by examining the permanent exhibition at The Museum of Dance in Stockholm, Dansmuseet. Due to its dependence on the temporality and movement of the lived body, dance does not easily lend itself to being exhibited in a traditional exhibition display; and since the live dance performance itself is ostensibly absent at the exhibition display, other means of representation must be relied upon in order to evoke the exhibition visitors’ experiences of time and movement as well as the feeling of dance. Starting from a phenomenological first-person perspective, as an exhibition visitor, I present three ways in which such experiences may come about. The cross-section of the experience evoked and the means that trigger them are intermedial, spatial, and performative taking their departure in the visitor’s pre-understanding of dance.

  • 11.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    [Review of] e-flux journal What is Contemporary Art? + Lind & Velthuis (eds.), Contemporary Art and its commercial markets2012In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 81, no 3, 188-193 p.Article, book review (Other academic)
  • 12.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Misery, Beauty, and Other Issues: Linda Nochlin in Conversation with Dan Karlholm2012In: The Art Bulletin, ISSN 0004-3079, E-ISSN 1559-6478, Vol. 94, no 2, 187-198 p.Article in journal (Other academic)
  • 13.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Action Drawing: Notes on the (dis)Revelatory Nature of Drawing2009In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 78, no 2, 92-103 p.Article in journal (Refereed)
    Abstract [en]

    The article discusses some basic elements of drawing, along with some equally basic behavior with respect to drawing. Considering one of the most repeated assumptions or stereotypes of the Western drawing discourse, namely that drawings are characterized, and cherished, by their potential for revelation, i.e. to disclose something beside them, something other than and prior to them, which may account for their appearance, I sketch an argument away from that assumption. To regard a drawing as revealing is to charge it or have it re-enact itself, although any attempt to ontologize drawing through a distinction between a previous act and a posthumous fact is too simplistic. By considering the ways in which drawing has been compared to painting and photography, how it relates to shadows and projection, I bring up a number of issues of relevance in coming to terms with drawing: lines and dots, signs and marks, figure and ground, space and erasure. Examples range from van Gogh and Rembrandt to Oldenburg, Michaux and Rauschenberg. Action drawing applies, most Importantly to Our interpretative activities faced with the drawing as a fact, although no clean temporal or conceptual cut exists between act and fact; the act is still there in the result.

  • 14.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Surveying Contemporary Art: Post-War, Postmodern, and then what?2009In: Art History, ISSN 0141-6790, E-ISSN 1467-8365, Vol. 32, no 4, 712-733 p.Article in journal (Refereed)
    Abstract [en]

    This article looks at influential survey texts on world art history since c. 1980, and considers how they have dealt with the art nearest to them in time. I examine the terminology used, and problems of classification, periodization, and history writing at large. In order to describe how these texts struggle with the terms contemporary and postmodern, I focus on their treatment of conceptual art and two artists: Joseph Beuys and Cindy Sherman. The symbolic and economic consolidation of contemporary art during the last decade or so prompts me to establish a broader frame of understanding, linking it to constructions of the contemporary in the nineteenth century and to the idea of co-existing temporalities for art.

  • 15.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    [Recension av] Ludwig Qvarnström. Vigselrummet i Stockholmsrådhus och det tidiga 1900-taletsmonumentalmåleri: historia, reception, historiografi: Diss. (Acta Universitatis Upsaliensis),Ars Suetica 22, Uppsala, 2010, 511 s.ISBN 978-91-554-7872-82011In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 80, no 1, 49-52 p.Article, book review (Other academic)
  • 16.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    [Recension av] Helen Fuchs. Glasmåleri, modernitet, modernism: studier i glasmåleriets (konst)historia 1851–1955. Lund 2005.242 s. ISBN 91-628-6677-X.2007In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 76, no 3, 168-173 p.Article, book review (Other academic)
  • 17.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Developing the Picture: Wölfflin's Performance Art2010In: Photography and Culture, ISSN 1751-4517, Vol. 3, no 2, 207-215 p.Article in journal (Refereed)
  • 18.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Studio Space and Gallery Time: The Cube reconsidered: [Review of Brain O'Doherty, Studio and Cube: On the relationship between where art is made and where art is displayed]2007In: SITE, ISSN 1650-7894, no 21, 4- p.Article, book review (Other (popular science, discussion, etc.))
  • 19.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Questionnare: Hva er visuell kultur?2010In: Ekfrase: nordisk tidsskrift for visuell kultur, ISSN 1891-5752, Vol. 1, no 1, 30-43 p.Article in journal (Refereed)
  • 20.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Södertörn läser lusen av konstkritiken i svensk press2009In: Paletten, ISSN 0031-0352, no 2, 6-8 p.Article in journal (Other (popular science, discussion, etc.))
  • 21.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Estetisk rensning2007In: Dagens Nyheter, ISSN 1101-2447, no 9 decemberArticle in journal (Other (popular science, discussion, etc.))
  • 22.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Tradition and Visual Culture in the Face of Contemporary Art2006In: NORDIK 2006, Webpublikasjon: Tradition and visual culture, 2006, -12 p.Conference paper (Other academic)
  • 23.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    The New Neues Museum in Berlin: Accumulating Narratives2012In: The Museum Beyond the Nation / [ed] Johan Hegardt, Stockholm: Historiska museets förlag, 2012, 1, 113-124 p.Chapter in book (Other academic)
  • 24.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Surveying Contemporary Art: Post-War, Postmodern, and then What?2010In: Art History: Contemporary Perspectives on Method / [ed] Dana Arnold, John Wiley & Sons, 2010, 56-77 p.Chapter in book (Other academic)
  • 25.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Konstnären som verket och andra postmoderna verkningar2009In: Svar på frågan: Vad var det postmoderna? / [ed] Sven-Olov Wallenstein, Stockholm: Axl Books , 2009, 59-78 p.Chapter in book (Other academic)
  • 26.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Moas stenar: granit och trä, 2002, Claes Hake, ägare: Statens konstråd2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, 66- p.Chapter in book (Other (popular science, discussion, etc.))
  • 27.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Vandring i markerna: bildvävnad, 1971-72, Ingegerd Möller, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, 48- p.Chapter in book (Other (popular science, discussion, etc.))
  • 28.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Natt och Dag: lackerad järnplåt, 2002, P. O. Ultvedt, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, 54- p.Chapter in book (Other (popular science, discussion, etc.))
  • 29.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Gijsbrechts baksida2010In: Det åskådliga och det bottenlösa: tankar om konst och humaniora tillägnade Margaretha Rossholm Lagerlöf / [ed] Tomas Björk, Lempi BorgWik m.fl., Stockholm: Konstvetenskapliga institutionen, Stockholms universitet , 2010Chapter in book (Other academic)
  • 30.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Does it Work?: A Note on Pragmatic Pars and Global Wholes2007In: Is art history global? / [ed] James Elkins, New York: Routledge , 2007, 227-232 p.Conference paper (Other academic)
  • 31.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Learning by Looking (with Words): Wölfflin’s Legacy2009In: Towards a science of art history: J. J. Tikkanen and art historical scholarship in Europe : the acts of an international conference, Helsinki, December 7.-8. 2007 / [ed] Johanna Vakkari, Helsinki: Taidehistorian seura , 2009Conference paper (Other academic)
  • 32.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    On the Historical Representation of Contemporary Art2011In: Rethinking Time: Essays on History, Memory, and Representation / [ed] Hans Ruin, Andrus Ers, Huddinge: Södertörns högskola , 2011, 19-28 p.Chapter in book (Other academic)
  • 33.
    Karlholm, Dan
    et al.
    Södertörn University, School of Culture and Communication, Art history.
    Dam Christensen, Hans
    Danmarks biblioteksskole.
    Rampley, Matthew
    University of Birmingham.
    Art History in the Nordic Countries2012In: Art History and Visual Studies in Europe: Transnational Discourses and National Frameworks / [ed] Matthew Rampley, Thierry Lenain, Hubert Locher, Andrea Pinotti, Charlotte Schoell-Glass & Kitty Zijlmans, Leiden: Brill Academic Publishers, 2012, 421-438 p.Chapter in book (Refereed)
  • 34.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Machine Head: On the art of Robert Henke2010Other (Other (popular science, discussion, etc.))
  • 35.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Clay Ketter: Faux terrain2010Other (Other (popular science, discussion, etc.))
  • 36.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Eva Sjöberg2009Book (Other (popular science, discussion, etc.))
  • 37.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    I blickfånget: om skärningspunkten mellan det offentliga och det privata i Charlotte Gyllenhammars konst2007In: Katalog 36: Statens konstråd 2006, Stockholm: Statens konstråd , 2007, 169-175 p.Chapter in book (Other (popular science, discussion, etc.))
  • 38.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history.
    Platsens kommentator2009In: Katalog 38: Statens konstråd 2008, Stockholm: Statens konstråd , 2009, 145-149 p.Chapter in book (Other (popular science, discussion, etc.))
  • 39.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Hertha Hanson. Poetisk pragmatik – pragmatisk poetik2012Other (Other (popular science, discussion, etc.))
  • 40.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Det mediespecifika i ett postmedialt tillstånd: Om fotografins roll hos tre svenska konstnärer2012In: Det åskådliga och det bottenlösa: tankar om konst och humaniora tillägnade Margaretha Rossholm Lagerlöf / [ed] Thomas Björk, Stockholm: Konstvetenskapliga institutionen, Stockholms universitet , 2012Chapter in book (Other academic)
  • 41.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Krig mot helheten: Phauss/Radium 226.052010In: Omskakade spelplan: Konsten i Göteborg under 1980 och 1990talen / [ed] Kristoffer Arvidsson & Jeff Werner, Göteborg: Göteborgs konstmuseum , 2010, 64-84 p.Chapter in book (Other academic)
  • 42.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Learning education2012In: What do Artists Know? / [ed] James Elkins, University Park, Pennsylvania: The Pennsylvania State University Press , 2012, 186-188 p.Chapter in book (Refereed)
  • 43.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Sinnenas måleri2012In: Haptiska blickar / [ed] Birgitta Burling, Stockholm: Birgitta Burling , 2012Chapter in book (Other (popular science, discussion, etc.))
  • 44.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    De rätta proportionerna2007In: Olle Baertling: en modern klassiker / [ed] John Peter Nilsson, Øystein Ustvedt, Marianne Yvenes, Stockholm: Moderna museet , 2007Chapter in book (Other (popular science, discussion, etc.))
  • 45.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Hans Isaksson2006In: Hans Isaksson: Works 1998-2006, Stockholm: Roger Björkholmen Galleri , 2006Chapter in book (Other (popular science, discussion, etc.))
  • 46.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Det magiska finns kvar2006In: Me myself and I, Stockholm: Artplattform , 2006Chapter in book (Other (popular science, discussion, etc.))
  • 47.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Without a trace2008In: Maria Friberg, Stockholm: Maria Friberg , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 48.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Tre steg från det obestämda: målat plexiglas, Gert Marcus, 2002, ägare: Huge fastigheter AB2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, 20- p.Chapter in book (Other (popular science, discussion, etc.))
  • 49.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Färgrum och gränslinjer: målad metall, 1997, Gert Marcus, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Hudding: Huge fastigheter , 2007, 46- p.Chapter in book (Other (popular science, discussion, etc.))
  • 50.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Taken from behind/In Front: färgfotografi, 2004, Maria Hedlund, ägare: Statens konstråd2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, 70- p.Chapter in book (Other (popular science, discussion, etc.))
12 1 - 50 of 71
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf