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  • 1.
    Bydler, Charlotte
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Isaac Julien skuggboxas mot exotismens spöke2006In: Paletten, ISSN 0031-0352, Vol. 265, no 3, 26-33 p.Article in journal (Other (popular science, discussion, etc.))
  • 2.
    Bydler, Charlotte
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Pax Anglo-Americana: A plea for a cosmopolitan history of contemporary art2006In: Ethnic marketing / [ed] Tirdad Zolghadr, Zurich: JRP/Ringier , 2006Chapter in book (Other (popular science, discussion, etc.))
  • 3.
    Bydler, Charlotte
    Södertörn University, Institutionen för medier, konst och filosofi, Art history.
    The Art world and the collected knowledge of the world’s art = Konstvärlden och det samlade vetandet om världens konst2005In: Samtidskonst för lärare och andra intresserade / [ed] Karin Malmquist, Matilda Olof-Ors, Stockholm: Lärarförbundets förlag , 2005Chapter in book (Other (popular science, discussion, etc.))
  • 4.
    Bydler, Charlotte
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    The Global Art World Inc.: On the globalization of contemporary art2004Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This study examines certain segments of the art world-system in which geographical distances seemed to vanishing as a result of faster and more intense interaction levels. This particular art world-system has been conceptualized in contradictory ways. It has been called a “global village”, and has been seen as homogenized and diversified, as well as both expanding, and contracting. Experiences of mutual understanding and shared artistic values underly the possibilities of particular art world expanding. This premise was identified as a “western art concept”, so-called institutional art theory. However, the expectations of audiences, critics, and artists are changing. The widening cultural labour-market supplies new and unfamiliar historical references to the authoritative literature and artworks of the “western art concept”. I have sought out both shared and diverse authorities through case studies of contemporary art biennials held in Venice, Havana, Istanbul, and Kwangju, as well as the itinerant Manifesta. All of the above constitute an important labour-market for the increasing numbers of freelancing art world professionals.

    The thesis derived from these examples is that the identification of the art concept as a western phenomenon, which is based on claiming the origins and even the ownership of practices represented within historical (historicist) institutions, is untenable. The avant-garde art world, in contrast, attempts to globally break with art concepts. It seeks out resistance to art world discourse, that which sits on the walls of educational institutions, museums, and the knowledge represented therein. Art worlds, however, are connected regionally. They are not stable, and are even less identifiably western. It is thus difficult to historicize the art concept in order to create this resistance. Nevertheless, it may be legitimate to attempt this, in order to provide a means of inspection and comparison. Individuals within the art world-system are nevertheless interpelled as subjects of history in reference to institutionalized precedents. This calls for a re-writing of art history, taking into account multiple discontinuities instead of relying on chronology.

  • 5.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Art of illusion: the representation of art history in nineteenth-century Germany and beyond2004 (ed. 1. uppl.)Book (Other academic)
  • 6.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Don’t Believe what you Read: The Critical Suicide of Hans Haacke2003In: Merge : sound, thought, image, ISSN 1402-6570, no 2Article in journal (Other (popular science, discussion, etc.))
  • 7.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Ett lågt perspektiv på konstvetenskap och pedagogik på högskolan2003In: Valör, ISSN 0283-751X, no 4Article in journal (Other academic)
  • 8.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Icons and Idols: On the Role of Representation in the Practice of Interpretation2003In: Subjectivity and methodology in art history / [ed] Margaretha Rossholm Lagerlöf, Dan Karlholm, Stockholm: Konstvetenskapliga institutionen, Univ. , 2003, 33-44 p.Chapter in book (Other academic)
  • 9.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Konstmuseets bild: om bildskapande på Nationalmuseum från Friedrich August Stüler till Richard Bergh2002In: Konst kräver rum: Nationalmusei historia och framtid : en bok i anslutning till samlingsutställningen Konst kräver rum 13.6 2002-16.2 2003 / [ed] Mikael Ahlund, Stockholm: Nationalmuseum , 2002Chapter in book (Other (popular science, discussion, etc.))
  • 10.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Preziosi's Proper Position: [review of] Donald Preziosi: Brain of the Earth's Body: Art, Museums, and the Phantasms of Modernity, and Donald Preziosi & Claire Farago (eds): Grasping the World: The Idea of the Museum2006In: Oxford art journal, ISSN 0142-6540, E-ISSN 1741-7287, Vol. 29, no 1, 145-149 p.Article, book review (Other academic)
  • 11.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Reality Art: the Case of Oda Projesi2005In: Leitmotiv: motivi di estetica e filosofia delle arti, ISSN 1720-3716, Vol. 5, 115-124 p.Article in journal (Other academic)
  • 12.
    Karlholm, Dan
    Södertörn University, Institutionen för medier, konst och filosofi, Art history.
    Visuella kulturstudier: betraktelse över ett expanderande forskningsfält2003In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 72, no 3, 186-205 p.Article in journal (Refereed)
  • 13.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Anteckningar kring Olle Baertlings öppna form2003In: Baertling, Halmstad: Mjellby konstgård , 2003Chapter in book (Other (popular science, discussion, etc.))
  • 14.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Charlotte Gyllenhammar2004In: Charlotte Gyllenhammar / [ed] Magnus Jensner, Evalena Lidman, Stockholm: Carlsson , 2004Chapter in book (Other (popular science, discussion, etc.))
  • 15.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Figuring the recognizable2005In: Xavier Veilhan: le plein emploi, Strasbourg: Musées de Strasbourg , 2005Chapter in book (Other (popular science, discussion, etc.))
  • 16.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Konsten med nya medier2005In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 74, no 4, 198-208 p.Article in journal (Refereed)
  • 17.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Lars Arrhenius: Coming to Terms with the Eternal Return2005In: Merge : sound, thought, image, ISSN 1402-6570, 26-27 p.Article in journal (Other (popular science, discussion, etc.))
  • 18.
    Nilsson, Håkan
    Södertörn University, Institutionen för medier, konst och filosofi, Art history.
    Mari Rantanen: skiktningar och sammanflätningar2005In: Mari Rantanen: svenska bilder = Swedish pictures, Mari Rantanen , 2005, 6-13 p.Chapter in book (Other (popular science, discussion, etc.))
  • 19.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Originella kopior2004In: Falskt och äkta / [ed] Görel Cavalli-Björkman, Stockholm: Nationalmuseum , 2004Chapter in book (Other (popular science, discussion, etc.))
  • 20.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Svar, frågor och tro2005In: Anders Widoff: (att) bära sig / [ed] Mårten Castenfors, Anders Widoff, Stockholm: Liljevalchs konsthall , 2005, 39-50 p.Chapter in book (Other (popular science, discussion, etc.))
  • 21.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Xavier Veilhan: connecting things2004In: Merge : sound, thought, image, ISSN 1402-6570, no 13, 38-46 p.Article in journal (Other (popular science, discussion, etc.))
  • 22. Rossholm Lagerlöf, Margaretha
    et al.
    Karlholm, DanSödertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Subjectivity and methodology in art history2003Collection (editor) (Other academic)
1 - 22 of 22
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