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  • 1.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The quiet agglomeration of data: How piracy is made mundane2012In: International Journal of Communication, ISSN 1932-8036, Vol. 6, no 1, 585-605 p.Article in journal (Refereed)
    Abstract [en]

    This article conceptually outlines P2P-based file-sharing as a totality, a mass utility, and a backdrop to everyday cultural life. It elaborates on a recent study of Swedish file-sharers to sketch some important constituents of what would constitute a "piracy culture." It shows that the actual file-sharer argumentation is not fully synonymous with established notions of "piracy" but rather reveals the complexity of the phenomenon and how the discourse invoking it relies on modes of justification that are not entirely commensurable. Moreover, the file-sharer rhetoric is contingent on a range of entities and infrastructures that condition actual usage. Noting the institutionalized, semi-anonymous, and depersonalized elements to file-sharing, I propose a different interpretation than regarding it as a "gift economy" like the tight-knit communities Mauss described in 1923. Instead, I propose a metaphor borrowed from Titmuss' example of blood donors that acknowledges the perceived "need" for culture and the associated "right" to access content that file-sharers are exercising.

  • 2.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Gör känslor bäst nytta på arbetsplatsen?2011In: Svenska Dagbladet, ISSN 1101-2412, no 28 febArticle in journal (Other (popular science, discussion, etc.))
  • 3.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Sociala spel förtydligas i Chatroulette2010In: Svenska Dagbladet, ISSN 1101-2412, no 14 sepArticle in journal (Other (popular science, discussion, etc.))
  • 4.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Popmusikens retroideal har nått vägs ände2011In: Svenska Dagbladet, ISSN 1101-2412, no 23 novArticle in journal (Other (popular science, discussion, etc.))
  • 5.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Learning from the file-sharers: Civic modes of justification versus industrial ones2012In: Arts Marketing: An International Journal, ISSN 2044-2084, Vol. 2, no 2, 104-117 p.Article in journal (Refereed)
    Abstract [en]

    Purpose – The purpose of this paper is to better understand the world-view of cultural consumers who download and share copyrighted content for free.

    Design/methodology/approach – By utilizing a critical discourse analysis of the arguments given by file-sharers in online forums and in interviews, focusing on the arguments which arise for justifying certain everyday uses, and contrasting these with their material and structural conditions, a critical approach is sought, inquiring on the validity of certain tropes. Particularity was achieved by making a geographically delimited case study.

    Findings – The case study helps to conceptualize online sociality, with wider application than this geographical setting only. As BitTorrent technology makes every downloader share his/her files while downloading, file-sharing is found to accommodate individual opportunism, and a world-view that puts the consumer at the centre of agency, in turn reinforcing the civic idea of cultural access and diversity as a human right.

    Research limitations/implications – Previous findings have correlated heavy file-sharing with heavy consumption of culture. However, given the greater ability of previewing material and of acquiring more obscure content, how have the habits and consumption patterns changed among media consumers who routinely file-share? More detailed studies are needed, on how individual users come to question their own role, and the impact of their own actions – and what the level of awareness actually is (in different geographical/demographic settings) of the conditions for cultural production, distribution and consumption. A range of potential new research areas and scenarios is listed.

    Practical implications – Given the common constituents seen in the world-views of file-sharers, this civic approach to intellectual property could prompt professional producers, distributors, rights holders and regulators to consider the actual visibility of potential impacts of file-sharing. The civic approach suggests that file-sharers can reconcile with individual authors or artists, as long as these are found to have precarious economic conditions, and not be affiliated with an industrial mode of reasoning. Cultural producers that are seen to adhere to a civic (amateur- or fan-like) mode of reasoning – rather than an industrial (professional) one – are met with more sympathy among consumers.

    Originality/value – The paper is of interest for media sociology, cultural studies, and policymaking within the cultural industries.

  • 6.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The origins and impacts of the Swedish file-sharing movement: A case study2011In: Critical Studies in Peer Production (CSPP), Vol. 1, no 1, 1-18 p.Article in journal (Refereed)
    Abstract [en]

    If it is possible to speak of a coherent file-­sharing movement in Sweden, what are the principal societal factors shaping it? This paper contextualises the recent history of Swedish peer­-to-­peer­-based file­sharing as forming part of a wider shift in politics towards a late-modern collective ethic. Everyday file-­sharers operate as ‘occasional activists’, as pirate institutions not only speak for, but also run and build the networks. Such institutions ­ The Pirate Bay, Piratbyrån, and The Pirate Party ­ cannot be explained by invoking market logics, online communitarianism, or political motivation alone. The cyberliberties activism animating these hubs is connected to the larger framework of balancing utilitarianism, nationalism, individual autonomy and collectivism in Sweden. Further, the emergent Swedish file­-sharing justificatory regime hinges on a general view of what the internet is, what it is good for, and how it should look in the future, as the file-­sharer argumentation rests on the inevitability of unrestricted file exchange on the internet, while the industrialist concerns of the cultural industries emphasize instead how exchange should be regulated and sanctioned by accountable providers.

  • 7.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    It takes (at least) two to tango2011In: Re-Public: Re-Imagining Democracy, ISSN 1791-857X, no 6 febArticle in journal (Other (popular science, discussion, etc.))
  • 8.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies. Goldsmiths, University of London.
    The metamorphosis of music-listening and the (alleged) obliteration of the aura2010In: Sounds of the Overground: Selected papers from a postgraduate colloquium on ubiquitous music and music in everyday life / [ed] Nedim Hassan & Holly Tessler, Turku (Åbo): International Institute for Popular Culture , 2010, 58-71 p.Chapter in book (Refereed)
  • 9.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Det dumma nätet2010In: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, 49-72 p.Chapter in book (Refereed)
  • 10.
    Andersson, Jonas
    et al.
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Snickars, Pelle
    Nätanonymitet ett demokratiskt värde2011In: Svenska Dagbladet, ISSN 1101-2412, no 6 augArticle in journal (Other (popular science, discussion, etc.))
  • 11.
    Andersson, Jonas
    et al.
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Snickars, Pelle
    Introduktion: Efter The Pirate Bay2010In: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, 9-48 p.Chapter in book (Refereed)
  • 12.
    Andersson, Linus
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Mediemaktens utmanare: alternativa medier och sociala rörelser2006In: Locus, ISSN 1100-3197, no 2, 20-28 p.Article in journal (Refereed)
    Abstract [sv]

    Linus Andersson belyser relationen mellan medier och samhällets unga medborgare i denna text. Han menar att aktivister förhåller sig till medier på ett annat sätt idag än vad de gjorde för ett fåtal decennier sedan. Nu finns mer oberoende förhållningssätt där egna mediekanaler har fått en utökad betydelse. Proteströrelser kan genom dem ta en aktiv del i den politiska offentligheten.

  • 13.
    Andersson, Linus
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Medieförändring och samhällsförändring: Glasnost, massmedier och sociala rörelser2009In: Nordisk Østforum, ISSN 0801-7220, Vol. 23, no 4, 355-371 p.Article in journal (Refereed)
  • 14.
    Andersson, Linus
    Södertörn University, School of Culture and Communication, Media and Communication Studies. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    There is No Alternative: The Critical Potential of Alternative Media in the Face of Neoliberalism.2012In: tripleC (cognition, communication, co-operation): Journal for a Global Sustainable Information Society / Unified Theory of Information Research Group, ISSN 1726-670X, Vol. 10, no 2, 752-764 p.Article in journal (Refereed)
    Abstract [en]

    This article was written in order to contribute to a discussion about a critical definition of alternative media. Askingwhat role alternative media could play in challenging neoliberal discourse in an age where capitalism have become immune to criticism, it elaborates on the concept of “the alternative” and the media through three sections. The first section discusses neoliberalism and the connection between neoliberal doctrine and mainstream media. This connection is described as promoting “public amnesia”, financialization and economization of news journalism. The second section discusses alternative media from the perspective of new social movements and symbolic resistance, claiming that the symbolic resistance framework undermines the critical potential of alternative media, it also comments on some recent critical literature on neoliberalism and capitalism. The third section takes examples from artistic explorations of capitalism and television to propose how a distinction between social and formalist aspects of “the alternative” could inform a critical notion of alternative media.

  • 15.
    Andersson, Linus
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    What Linus Reckons: Does Indymedia have a Future?2007In: Communication and new media: from broadcast to narrowcast / [ed] Martin Hirst, John Harrison, Oxford: Oxford University Press , 2007, 355-356 p.Chapter in book (Other academic)
  • 16.
    Andersson, Linus
    Södertörn University, School of Culture and Communication, Media and Communication Studies. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    Alternativ television: former av kritik i konstnärlig TV-produktion2012Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation analyses social critique, communication critique and aestheticalcritique in television produced by artists. Theoretically it draws on researchon alternative media, TV studies, especially genre analysis and narratology,and media aesthetics. It conducts a text-production study of three examplesof alternative television from the period 2004-2008: ContemporaryArt Center TV (CAC TV): A show produced by the CAC in Vilnius, Lithuaniaand aired on a commercial TV-channel; Good TV who aired video art ona local public access channel in Stockholm, Sweden; and Candyland TV, apirate transmission from an art gallery in central Stockholm.Empirically it builds on TV-texts, web sites and documents, as well asinterviews with participants. Through a study of form and stylistics, relationto conventional genres and modes of narration, it engages in a discussionabout the features of a critical, alternative media text.The study shows how these televisions work in a tradition of alternativetelevision and connects them to tactics and aesthetical forms as found inhistorical examples, but also how this type of formalist media critiquemight inform an understanding of alternative media. From the analysis ofrelations between social and formalist aspects of alternative television, adistinction between alternative as ”alternative worldview” and as ”alternativeexpressions” is suggested, a distinction that contributes to the developmentof theory in the study of alternative media.

  • 17.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Symbolic spaces of everyday life: work and leisure at home2006In: Nordicom Review, ISSN 1403-1108, Vol. 27, no 2, 119-132 p.Article in journal (Refereed)
    Abstract [en]

    This article presents an analysis of the role of the media in the symbolic construction of work and leisure at home. Dealing with individuals who represent a post-industrial and cultural labour market and who work mainly at home, the analysis focuses upon the ritual transformations of everyday life and the role of the media within it. Leaning on social interactionist Erwin Goffman and his concepts of regions and frames, as well as a dimension of the materiality of culture, this analysis combines a perspective on media use as ritual, transformations in everyday life and the organization of material space. From this perspective, the discussion penetrates the symbolic dimension of media use in defining borders of behaviour and activities in relations to work and leisure at home.

  • 18.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Ungdomskulturens don Quijote-dimension: medier och kulturell smak i Estland och Sverige2006In: Locus, ISSN 1100-3197, no 1, 19-31 p.Article in journal (Other academic)
    Abstract [sv]

    På samma sätt som skillnaden mellan hur don Quijote såg på världen och hur den verkligen var beskaffad, finns en skillnad i ungdomskulturen mellan föreställningar om verkligheten och verkligheten som den faktiskt ser ut. Artikelförfattaren tar avstamp i Pierre Bourdieus tankar om hur smak för viss slags kultur kan dröja kvar trots att samhället förändras radikalt. En sådan förändring kan dagens ungdomar i Estland sägas ha varit med om. De var barn när helt andra förutsättningar rådde för medier och kultur i deras land. Vad tycker då ungdomar i Estland är bra film och litteratur? Och hur förhåller sig deras smak till svenska ungdomars preferenser?

  • 19.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Temporalt limbo: ESC 2002 och tiden2002In: Hello Europe! Tallinn calling!: Eurovision Song Contest 2002 som mediehändelse / [ed] Staffan Ericson, Huddinge: Södertörns högskola , 2002, 1 uppl., 81-95 p.Chapter in book (Other academic)
  • 20.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Vardagens symboliska rum: hemmet, medierna och vardagens transformationer2007In: Nordicom-information, ISSN 0349-5949, no 4, 35-46 p.Article in journal (Other academic)
  • 21.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Språken förenar (ännu) på nordisk konferens2005In: JMG årsbok: 2005, Göteborg: Institutionen för journalistik och masskomminikation (JMG) vid Göteborgs universitet , 2005Chapter in book (Other (popular science, discussion, etc.))
  • 22.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Disputationen som akademisk ritual2008In: JMG årsbok: 2007, Göteborg: Institutionen för journalistik och masskomminikation (JMG) vid Göteborgs universitet , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 23.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies. Södertörn University, Centre for Baltic and East European Studies (CBEES).
    Virtual nation branding: The Swedish embassy in Second Life2011In: Journal of Virtual Worlds Research, ISSN 1941-8477, Vol. 4, no 2, 1-26 p.Article in journal (Refereed)
  • 24.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies. Södertörn University, Centre for Baltic and East European Studies (CBEES).
    Imagined used modes: Media morality in everyday life2012In: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 15, no 2, 181-196 p.Article in journal (Refereed)
  • 25.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Imagined user modes and the moral of everyday life2008Conference paper (Refereed)
  • 26.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Medier i vardagen - relationen till arbete och fritid2002In: Det våras för politiken: trettiotvå artiklar om politik, medier och samhälle : SOM-undersökningen 2001 / [ed] Sören Holmberg och Lennart Weibull, Göteborg: SOM-institutet, Univ. , 2002, 275-289 p.Chapter in book (Other academic)
  • 27.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The uncomfortable TV-viewer: on work, identity and watching television2002In: Fjernsyn mellom h¢y og lav kultur / [ed] Staffan Ericson & Espen Ytreberg, Kristiansand: Høyskoleforlaget , 2002, 205-232 p.Chapter in book (Other academic)
  • 28.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Framing space: media and the intersection of work and leisure2006In: Geographies of communication: the spatial turn in media studies / [ed] Jesper Falkheimer & André Jansson, Göteborg: Nordicom , 2006, 189-204 p.Chapter in book (Other academic)
  • 29.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Etnografi online: Att förstå och analysera Internetkulturer2011In: Många möjliga metoder / [ed] Katrine Fangen, Ann-Mari Sellerberg, Lund: Studentlitteratur , 2011, 1, 117-128 p.Chapter in book (Other academic)
  • 30.
    Bengtsson, Stina
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Virtual Technologies of the Nation-State: State Administration in Second Life2012In: Cultural Technologies: The Shaping of Culture in Media and Society / [ed] Göran Bolin, London: Routledge, 2012, 170-188 p.Chapter in book (Other academic)
  • 31.
    Bengtsson, Stina
    et al.
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Lundgren, Lars
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The cultural logic of youth: media use and cultural preferences among students in Estonia and Sweden2005In: The Challenge of the Baltic Sea Region: culture, ecosystems, democracy / [ed] Göran Bolin, Monica Hammer, Frank-Michael Kirsch & Wojciech Szrubka, Huddinge: Södertörns högskola , 2005, 57-74 p.Chapter in book (Other academic)
  • 32.
    Bengtsson, Stina
    et al.
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Lundgren, Lars
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Don Quixote of youth culture: media use and cultural preferences among students in Estonia and Sweden2005Book (Other academic)
    Abstract [en]

    How should youth culture be understood in the globalised world of today? How do patterns of cultural taste develop in societies undergoing fundamental change? This book presents a comparative analysis of media use and cultural preferences among students at the University of Tartu in Estonia and at Södertörn University College in Sweden. In some respects, the patterns found in the two countries converge, in others they diverge. Explanations for this are to be found both in the present living conditions and in social norms from the past.

  • 33.
    Bjur, Jakob
    et al.
    JMG.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Review of Existing and Emerging Audience Research in Sweden2011In: Overview of European Audience Research: Research Report of the COST Action IS0906 Transforming Audiences, Transforming Societies / [ed] Bilandzic, Helena ; Carpentier, Nico ; Patriarche, Geoffroy ; Ponte, Cristina ; Schrøder, Kim ; Vossen, Emilie; Zeller, Frauke, Brussels: COST , 2011, 150-156 p.Chapter in book (Other academic)
  • 34.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Medieforskningens möjligheter: Fältdominans, gränsöverskridanden och konsolidering inom medie- och kommunikationsvetenskapen2010In: Nordicom Information, ISSN 0349-5949, Vol. 32, no 4, 3-7 p.Article in journal (Other academic)
  • 35.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Labour of Media Use: The Two Active Audiences2012In: Information, Communication and Society, ISSN 1369-118X, E-ISSN 1468-4462, Vol. 15, no 6, 796-814 p.Article in journal (Refereed)
    Abstract [en]

    The ‘active audience’ has theoretically been conceptualized from two perspectives: in political economy, it is suggested that television audiences work for the networks while watching and that they contribute to the valorization process with their labour. Although contested, it has survived among media scholars, also feeding into the discussion on web surveillance techniques. The other conceptualization comes from reception theory, media ethnography and cultural studies, where the interpretive work by audiences is seen as productive and resulting in identities, taste cultures and social difference. This article relates these perspectives by considering audiences as involved in two production–consumptions circuits: (1) the viewer activities produce social difference (identities and cultural meaning) in a social and cultural economy, which is then (2) made the object of productive consumption as part of the activities of the media industries, the end product being economic profit.This article argues for the relevance of analysing these as separate circuits, with different kinds of labour at their centre, and that recent debates on the active audience often misrecognize the difference.

  • 36.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Forms of Value: Problems of Convertibility in Field Theory2012In: tripleC (cognition, communication, co-operation): Journal for a Global Sustainable Information Society / Unified Theory of Information Research Group, ISSN 1726-670X, Vol. 10, no 1, 33-41 p.Article in journal (Refereed)
    Abstract [en]

    Media production in late capitalism is often measured in terms of economic value. If value is defined as the worth of a thing, a standard or measure, being the result of social praxis and negotiation between producers and consumers in various combinations, it follows that this worth can be of other kinds than the mere economic. This is, for example, the reasoning behind field theory (Bourdieu), where the generation of field-specific capital (value) is deeply dependent on the belief shared by the competing agents within the field. The full extent of the consequences of such a theory of convertibility between fields of cultural production, centred on different forms of value, is, however yet to be explored. This is the task of this article. It especially focuses on how value is constructed differently depending on the relations of the valuing subject to the production process, something that becomes highly relevant in digital media environments, where users are increasingly drawn into the production process.

  • 37.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Domesticating the Mobile in Estonia2010In: New Media and Society, ISSN 1461-4448, E-ISSN 1461-7315, Vol. 12, no 1, 55-73 p.Article in journal (Refereed)
    Abstract [en]

    This article compares the dissemination and usage of mobile phones in post-Soviet, transitional Estonia with patterns in Sweden (a long-time Western democracy). Using a domestication perspective, the study examines the use of voice calls compared with texting by youths (aged 18—24) to probe the role of Estonia’s transition from a state-controlled to a market economy in shaping mobile usage. Results show that while the dissemination of mobiles among young Swedes and Estonians is similar, the patterns of texting and calling are not. In Sweden (as in Japan and even the USA), young people text more than they call, while the reverse is true in Estonia. These findings reflect the fact that unlike Swedes, many Estonians obtained mobile phones before getting landlines, and again unlike Swedes, Estonians are likely to give up landlines in favour of mobiles.

  • 38.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Kulturinstitution, medium, arkiv: Bibliotekets symboliska betydelse i kultur och samhälle2009In: En bok om böcker och bibliotek: tillägnad Louise Brunes, Huddinge: Södertörns högskola , 2009, 13-20 p.Chapter in book (Other academic)
  • 39.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Notes From Inside the Factory: The Production and Consumption of Signs and Sign Value in Media Industries2005In: Social Semiotics, ISSN 1035-0330, E-ISSN 1470-1219, Vol. 15, no 3, 289-306 p.Article in journal (Refereed)
    Abstract [en]

    This article aims at giving some theoretical reflections and possible clarifications to theories on production and consumption of symbolic goods and commodities. It is argued that the production of sign commodities generate various kinds of values, which also differ from those produced in material commodity production. With the example of the television audience this article puts forth the idea of the audience as a pure sign commodity, a commodity solely made up of sign structures, produced by semiotic labour.

  • 40.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Television Textuality: Textual Forms in Live Television Programming2009In: Nordicom Review, ISSN 1403-1108, Vol. 30, no 1, 37-53 p.Article in journal (Refereed)
    Abstract [en]

    The article discusses the production of live television formats, as they have developed in Europe during the past decade. The analytical examples are taken from entertainment as well as factual television, and from public service as well as commercial contexts. In the article, it is argued that there has been an approximation between the textual features and generic and narrative structures of entertainment and factual live television, and a model is presented that is supposed to account for these narrative patterns.

  • 41.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Digitization, Multiplatform Texts, and Audience Reception2010In: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 8, no 1, 72-83 p.Article in journal (Refereed)
    Abstract [en]

    This article reflects on the consequences of digitization for multiplatform television/media production, the ways in which it affects textual expressions, and how this might have a bearing on changing audience roles. It takes its departure empirically from two Swedish examples of multiplatform production: The Truth About Marika and Labyrint, produced by SVT and TV4, respectively. It is argued that multiplatform media texts challenge our conceptions of categories such as work, text, program, etc., and, following from that, also challenge our notions of audience activity and engagement.

  • 42.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Symbolic Production and Value in Media Industries2009In: Journal of Cultural Economy, ISSN 1753-0350, Vol. 2, no 3, 345-361 p.Article in journal (Refereed)
    Abstract [en]

    This article discusses value creation within the fields of cultural production. It departs from Bourdieu's field model, and seeks to develop it to fit unrestricted cultural production, for example television production. Bourdieu for the most part discussed the production of value (or forms of capital) in relation to fields of restricted cultural production, that is, within the fine arts (e.g. art, literature). Although one of his best known works dealt with television, one cannot say that he used the possibilities inherent in his own theory thoroughly enough to analyse this field of mass production. This article builds on recent discussions on the role of field theory in media studies, and seeks to contribute to the development of a theory of value production in fields of large-scale or unrestricted cultural production. It is argued that the conflation of commercial value with other kinds of value is more intense in the subfield of unrestricted cultural production, as production in this part of the field needs to obey outer demand in a way that production at the pole of restricted production does not.

  • 43.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    The Marketing of Nations: The Eurovision Song Contest as Modern World’s Fair2006In: After EU enlargement: Changes and Challenges in the Baltic Sea Region / [ed] Mai-Brith Schartau & Helmut Müssener, Huddinge: Centrum för Tysklandsstudier, Södertörns högskola , 2006, 26-38 p.Chapter in book (Other academic)
  • 44.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Från gungstolen vid fönstret2011In: Hälsingeboken: min plats i Hälsingland / [ed] Maj-Britt Andersson, Hudiksvall: Artes Movendi , 2011, 370-373 p.Chapter in book (Other academic)
  • 45.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Audience Activity as Co-Production of Cross-Media Content2012In: Crossmedia Innovations: Texts, Markets, Institutions / [ed] Indrek Ibrus & Alberto Scolari, Frankfurt am Main: Peter Lang Publishing Group, 2012, 147-159 p.Chapter in book (Other academic)
  • 46.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Cultural Technologies in Cultures of Technology2012In: Cultural Technologies: The Shaping of Culture in Media and Society / [ed] Bolin, Göran, New York: Routledge, 2012, 1-15 p.Chapter in book (Other academic)
  • 47.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Value and the Media: Cultural Production and Consumption in Digital Markets2011Book (Other academic)
  • 48.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Mobila generationer i skilda världar2008In: Skilda världar: trettioåtta kapitel om politik, medier och samhälle : SOM-undersökningen 2007 / [ed] Sören Holmberg & Lennart Weibull, Göteborg: SOM-institutet, Göteborgs universitet , 2008, 435-444 p.Chapter in book (Other academic)
  • 49.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Mobilanvändningens tilltagande komplexitet2009In: Svensk höst: trettiofyra kapitel om politik, medier och samhälle : SOM-undersökningen 2008 / [ed] Sören Holmberg & Lennart Weibull, Göteborg: SOM-institutet, Göteborgs universitet , 2009, 399-406 p.Chapter in book (Other academic)
  • 50.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Bildspråk och berättarform: Narrativa framställningar i multimediala miljöer2008In: Mediernas språk / [ed] Mats Ekström, Malmö: Liber , 2008, 40-60 p.Chapter in book (Other (popular science, discussion, etc.))
12345 1 - 50 of 240
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