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  • 1.
    Alsterdal, Lotte
    Södertörn University, School of Culture and Education, Centre for Studies in Practical Knowledge.
    Säkerhet och osäkerhet i rörelsen: tankar om förskolepraktik och förskollärarutbildning2016In: Inifrån och utifrån: Om praktisk kunskap på förskolan / [ed] Lotte Alsterdal, Maria Pröckl, Huddinge: Södertörns högskola, 2016, p. 391-419Chapter in book (Other academic)
  • 2.
    Alsterdal, Lotte
    et al.
    Södertörn University, School of Culture and Education, Centre for Studies in Practical Knowledge.
    Pröckl, MariaSödertörn University, School of Culture and Education, Centre for Studies in Practical Knowledge.
    Inifrån och utifrån: Om praktisk kunskap i förskolan2016Collection (editor) (Other academic)
    Abstract [sv]

    Här tecknar studenter på den erfarenhetsbaserade förskollärarutbildningen, och forskare som undervisar på samma utbildning, en bild av förskolepedagogens praktiska kunskap. Texterna rör sig mellan ett förtroget inifrånperspektiv och ett teoretiskt utifrånperspektiv. Boken kombinerar på så vis en djupgående undersökning av dagsaktuella frågor som relationen mellan omsorg och lärande, det ökade antalet diagnostiserade barn, resursbrist, lek och utbildningens betydelse, samtidigt som den sätter dessa frågor i relation till vilken förskola, och vilket samhälle, vi vill ha.

  • 3. Alvares, Claudia
    et al.
    Cardoso, Gustavo
    Dahlgren, Peter
    Erstad, Ola
    Fornäs, Johan
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Golding, Peter
    Nieminen, Hannu
    Sparks, Colin
    Splichal, Slavko
    Xinaris, Charis
    Media in Europe: New questions for research and policy2014Report (Refereed)
  • 4.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Det dumma nätet2010In: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, p. 49-72Chapter in book (Refereed)
  • 5.
    Andersson, Jonas
    Goldsmiths College, University of London.
    For the good of the net: The Pirate Bay as strategic sovereign2009In: Culture Machine, ISSN 1465-4121, E-ISSN 1465-4121, Vol. 10, p. 64-108Article in journal (Refereed)
    Abstract [en]

    In this essay I will argue that as peer-to-peer (p2p)-based file-sharing increasingly becomes the norm for media acquisition among the general Internet public, entities such as The Pirate Bay and associated quasi-institutional entities such as Piratbyrån, Zeropaid, TorrentFreak, etc. have begun to appear less as a reactive force (i.e. ‘breaking the rules’) and more as a proactive one (‘setting the rules’). In providing platforms for sharing and for voicing dissent towards the established entertainment industry, the increasing autonomy gained by these piratical actors becomes more akin to the concept of ‘positive liberty’ than to a purely ‘negative,’ reactive one.1 Rather than complain about the conservatism of established forms of distribution they simply create new, alternative ones. Entities such as The Pirate Bay can thus be said to have effectively had the ‘upper hand’ in the conflict over the future of copyright and digital distribution. They increasingly set the terms with regard to establishing not only technical protocols for distribution but also codes of behaviour and discursive norms. The entertainment industry is then forced to react to these terms. In this sense, the likes of The Pirate Bay become – in the language of French philosopher Michel de Certeau (1984) – strategic rather than tactical. With this, however, comes the added problem of becoming exposed by their opponents as visible perpetrators of particular acts. The strategic sovereignty of sites such as The Pirate Bay makes them appear to be the reason for the wider change in media distribution, not just an incidental side-effect of it.

  • 6.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Gör känslor bäst nytta på arbetsplatsen?2011In: Svenska Dagbladet, ISSN 1101-2412, no 28 febArticle in journal (Other (popular science, discussion, etc.))
  • 7.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    It takes (at least) two to tango2011In: Re-Public: Re-Imagining Democracy, ISSN 1791-857X, no 6 febArticle in journal (Other (popular science, discussion, etc.))
  • 8.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Learning from the file-sharers: Civic modes of justification versus industrial ones2012In: Arts Marketing: An International Journal, ISSN 2044-2084, Vol. 2, no 2, p. 104-117Article in journal (Refereed)
    Abstract [en]

    Purpose – The purpose of this paper is to better understand the world-view of cultural consumers who download and share copyrighted content for free.

    Design/methodology/approach – By utilizing a critical discourse analysis of the arguments given by file-sharers in online forums and in interviews, focusing on the arguments which arise for justifying certain everyday uses, and contrasting these with their material and structural conditions, a critical approach is sought, inquiring on the validity of certain tropes. Particularity was achieved by making a geographically delimited case study.

    Findings – The case study helps to conceptualize online sociality, with wider application than this geographical setting only. As BitTorrent technology makes every downloader share his/her files while downloading, file-sharing is found to accommodate individual opportunism, and a world-view that puts the consumer at the centre of agency, in turn reinforcing the civic idea of cultural access and diversity as a human right.

    Research limitations/implications – Previous findings have correlated heavy file-sharing with heavy consumption of culture. However, given the greater ability of previewing material and of acquiring more obscure content, how have the habits and consumption patterns changed among media consumers who routinely file-share? More detailed studies are needed, on how individual users come to question their own role, and the impact of their own actions – and what the level of awareness actually is (in different geographical/demographic settings) of the conditions for cultural production, distribution and consumption. A range of potential new research areas and scenarios is listed.

    Practical implications – Given the common constituents seen in the world-views of file-sharers, this civic approach to intellectual property could prompt professional producers, distributors, rights holders and regulators to consider the actual visibility of potential impacts of file-sharing. The civic approach suggests that file-sharers can reconcile with individual authors or artists, as long as these are found to have precarious economic conditions, and not be affiliated with an industrial mode of reasoning. Cultural producers that are seen to adhere to a civic (amateur- or fan-like) mode of reasoning – rather than an industrial (professional) one – are met with more sympathy among consumers.

    Originality/value – The paper is of interest for media sociology, cultural studies, and policymaking within the cultural industries.

  • 9.
    Andersson, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Not necessarily an intervention: The Pirate Bay and the case of file-sharing2013In: Media Interventions / [ed] Kevin Howley, New York, NY: Peter Lang Publishing Group, 2013, p. 302-320Chapter in book (Refereed)
  • 10.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Popmusikens retroideal har nått vägs ände2011In: Svenska Dagbladet, ISSN 1101-2412, no 23 novArticle in journal (Other (popular science, discussion, etc.))
  • 11.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Sociala spel förtydligas i Chatroulette2010In: Svenska Dagbladet, ISSN 1101-2412, no 14 sepArticle in journal (Other (popular science, discussion, etc.))
  • 12.
    Andersson, Jonas
    Goldsmiths, University of London.
    The fantasy of cultural control, and the crisis of distribution2008In: Deptford.TV Diaries, volume II: Pirate Strategies / [ed] Adnan Hadzi et al., London: Openmute , 2008, p. 101-108Chapter in book (Refereed)
  • 13.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies. Goldsmiths, University of London.
    The metamorphosis of music-listening and the (alleged) obliteration of the aura2010In: Sounds of the Overground: Selected papers from a postgraduate colloquium on ubiquitous music and music in everyday life / [ed] Nedim Hassan & Holly Tessler, Turku (Åbo): International Institute for Popular Culture , 2010, p. 58-71Chapter in book (Refereed)
  • 14.
    Andersson, Jonas
    Goldsmiths, University of London.
    The Pirate Bay and the ethos of sharing2006In: Deptford.TV Diaries / [ed] Adnan Hadzi et al., London: Openmute , 2006, p. 69-75Chapter in book (Refereed)
  • 15.
    Andersson, Jonas
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The quiet agglomeration of data: How piracy is made mundane2012In: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 6, no 1, p. 585-605Article in journal (Refereed)
    Abstract [en]

    This article conceptually outlines P2P-based file-sharing as a totality, a mass utility, and a backdrop to everyday cultural life. It elaborates on a recent study of Swedish file-sharers to sketch some important constituents of what would constitute a "piracy culture." It shows that the actual file-sharer argumentation is not fully synonymous with established notions of "piracy" but rather reveals the complexity of the phenomenon and how the discourse invoking it relies on modes of justification that are not entirely commensurable. Moreover, the file-sharer rhetoric is contingent on a range of entities and infrastructures that condition actual usage. Noting the institutionalized, semi-anonymous, and depersonalized elements to file-sharing, I propose a different interpretation than regarding it as a "gift economy" like the tight-knit communities Mauss described in 1923. Instead, I propose a metaphor borrowed from Titmuss' example of blood donors that acknowledges the perceived "need" for culture and the associated "right" to access content that file-sharers are exercising.

  • 16.
    Andersson, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Hammarlund, Johan
    M-Brain AB.
    Kontextförlust och kontextkollaps: Metodproblem vid innehållsanalys av sociala medier2016In: Nordicom Information, ISSN 0349-5949, Vol. 38, no 3, p. 41-55Article in journal (Refereed)
    Abstract [en]

    The article proposes that social media platforms enable large volumes of user-driven circulation of media content, and argues for a combination of qualitative and quantitative considerations when analysing data from such platforms. Issues of context are vital; context must be understood both qualitatively (cultural setting) and quantitatively (statistical reference points for comparison). The authors emphasise that the possibilities of ‘big data’ should not tilt analyses so that sensitivities to subtler meanings are lost. By examining a recent research project of our own, examples are given of how topological network analysis can be successfully combined with close readings of strategically selected parts of the data and how, by doing so, context shifts can be identified that increase the reliability of the analysis. Consequently, it is recommended that mere number crunching is not enough, and that questions of ‘how,’ ‘why,’ and ‘whether’ are required in order to understand the phenomena in their societal settings. 

  • 17. Andersson, Jonas
    et al.
    Snickars, Pelle
    Efter The Pirate Bay2010 (ed. 1)Book (Refereed)
    Abstract [sv]

    En bok om fildelningens teknik, politik, juridik och moral. Hur ska vi förhålla oss till vår nya digitala verklighet?

    Förstår vi kraften i Internet bäst genom en uppsättning av illasinnade repressiva förkortningar (Ipred, FRA, Acta) eller genom en förutsättningslös politisk diskussion kring vilket slags lagstiftning som ska gälla för den digitala domänen? De svenska riksdagspartiernas växlande syn på fildelning och upphovsrätt har under de senaste åren flankerats av nya, och mer radikala sätt att betrakta frågan.

    Boken för ett resonemang om vår nya digitala verklighet. Ett antal skribenter nalkas ämnet från olika utgångspunkter och ger en bred bild av vad som är annorlunda i vår tid; efter Pirate Bay. Redaktörer är Jonas Andersson och Pelle Snickars.

  • 18.
    Andersson, Jonas
    et al.
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Snickars, Pelle
    Introduktion: Efter The Pirate Bay2010In: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, p. 9-48Chapter in book (Refereed)
  • 19.
    Andersson, Jonas
    et al.
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Snickars, Pelle
    Nätanonymitet ett demokratiskt värde2011In: Svenska Dagbladet, ISSN 1101-2412, no 6 augArticle in journal (Other (popular science, discussion, etc.))
  • 20.
    Andersson, Linus
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Television sublime: The experimental television of Lithuanian CAC TV2013In: Television Aesthetics and Style / [ed] Jason Jacobs and Steven Peacock, London, New York: Bloomsbury Academic, 2013, 1, p. 269-276Chapter in book (Other academic)
  • 21.
    Andersson, Linus
    Södertörn University, School of Culture and Communication, Media and Communication Studies. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    There is No Alternative: The Critical Potential of Alternative Media in the Face of Neoliberalism.2012In: tripleC (cognition, communication, co-operation): Journal for a Global Sustainable Information Society / Unified Theory of Information Research Group, ISSN 1726-670X, E-ISSN 1726-670X, Vol. 10, no 2, p. 752-764Article in journal (Refereed)
    Abstract [en]

    This article was written in order to contribute to a discussion about a critical definition of alternative media. Askingwhat role alternative media could play in challenging neoliberal discourse in an age where capitalism have become immune to criticism, it elaborates on the concept of “the alternative” and the media through three sections. The first section discusses neoliberalism and the connection between neoliberal doctrine and mainstream media. This connection is described as promoting “public amnesia”, financialization and economization of news journalism. The second section discusses alternative media from the perspective of new social movements and symbolic resistance, claiming that the symbolic resistance framework undermines the critical potential of alternative media, it also comments on some recent critical literature on neoliberalism and capitalism. The third section takes examples from artistic explorations of capitalism and television to propose how a distinction between social and formalist aspects of “the alternative” could inform a critical notion of alternative media.

  • 22.
    Andersson, Linus
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Är du vaken?2013In: Glänta, ISSN 1104-5205, Vol. 13, no 4, p. 13-19Article in journal (Other (popular science, discussion, etc.))
  • 23.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Bloggen som annex till akademin: En skådeplats för kunskapande och vänskapande2015In: Universitetet som medium / [ed] Matts Lindström, Adam Wickberg Månsson, Lund: Mediehistoria, Lunds universitet , 2015, p. 109-134Chapter in book (Refereed)
  • 24.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Catering for Whom?: The Problematic Ethos of Audiovisual Distribution Online2015In: Besides the Screen: Moving Images through Distribution, Promotion and Curation / [ed] Virginia Crisp & Gabriel Menotti Gonring, Palgrave Macmillan, 2015, 1, p. 65-84Chapter in book (Refereed)
    Abstract [en]

    The purpose of this chapter is to make some general conclusions from recently conducted fieldwork on one of the world’s most comprehen- sive, but also selective, communities for film swapping; I have chosen to omit the name of this community out of concern for its members. Specialist torrent sites like these are unregulated in that they are not sanctioned by the copyright industry – yet, internally, they remain highly regulated. The chapter provides an overview and a discussion of these sites, and the way these are integrated in a wider economy of film circulation, user agency, knowledge and affects. In theorizing my findings, I mainly draw on theories of culture and sociality outlined by Pierre Bourdieu. 

  • 25.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    De digitala vidderna styrs från ovan2014In: Svenska Dagbladet, ISSN 1101-2412, no 23 junArticle in journal (Other (popular science, discussion, etc.))
  • 26.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Delningslogik och plattformisering2016In: Människorna, medierna & marknaden: Medieutredningens forskningsantologi om en demokrati i förändring / [ed] Oscar Westlund, Stockholm: Wolters Kluwer, 2016, p. 133-164Chapter in book (Other academic)
  • 27.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Det dolda hotet2014In: Mooria Magasin, Vol. 1, no 1Article in journal (Other (popular science, discussion, etc.))
  • 28.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Honorability and the Pirate Ethic2015In: A Reader on International Media Piracy: Pirate Essays / [ed] Tilman Baumgärtel, Amsterdam: Amsterdam University Press, 2015, p. 81-110Chapter in book (Other academic)
  • 29.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Hur flöden moduleras: vad som hamnar på agendan i sociala medier2015In: Digital Politik: Sociala medier, deltagande och engagemang / [ed] Eric Carlsson, Bo Nilsson, Simon Lindgren, Göteborg: Daidalos, 2015, p. 39-66Chapter in book (Refereed)
  • 30.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Kritiska perspektiv i medieforskningens undervegetation2014Other (Other (popular science, discussion, etc.))
  • 31.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Mastering One’s Domain: Some Key Principles of Platform Capitalism2016In: Future Platforms for Independent Journalism: Tinius Trust Annual Report 2015 / [ed] Sindre Østgård, Helene Melseth Flaaen, Oslo: Tinius Trust , 2016, p. 65-70Chapter in book (Other (popular science, discussion, etc.))
  • 32.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Online File Sharing: Innovations in Media Consumption2014 (ed. 1)Book (Other academic)
    Abstract [en]

    This book summarizes the role that The Pirate Bay has played during the last decade, but also connects the history of this infamous site with the emergence of legal services such as Spotify. The book also serves as an up-to-date summary of various strands of research on file sharing—particularly, user motivation and justification.

     — 

    It is apparent that file sharing on the Internet has become an emerging norm of media consumption—especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) policy issues regarding these practices. Andersson Schwartz critically engages with the justificatory discourses of the actual file-sharers, taking Sweden as a geographic focus. By focusing on the example of Sweden—home to both The Pirate Bay and Spotify—he provides a unique insight into a mentality that drives both innovation and deviance and accommodates sharing in both its unadulterated and its compliant, business-friendly forms.

     — 

    Online file sharing does not only entail music files but movies, software, and e-books alike. The phenomenon has been an integral part of online life for more than a decade. From my own and other researchers' findings it is apparent that unregulated file sharing is an emergent norm—if not even a new condition to media consumption—especially among young people. In countries like the US, the UK, Sweden, and South Korea, access to high-speed broadband is commonplace; both file sharers who I have interviewed and those who speak out in online forums hold that file sharing is as natural an element online as trees would be in the forest. This original and thought-provoking book critically summarizes debates on this topic, on a level which is approachable to undergraduates, yet useful for postgraduates and senior scholars as well. The book is based on a novel approach that fuses close-range, micro observations of user behavior and reasoning with macro perspectives of political economy and infrastructural features of digitization. Through exploring the reflexive management of the self, found among media audiences, insights into more innovative modes of management in the media industries are elicited. Through merging an ontological inquiry (popularized by theorists such as Bruno Latour) with an economics of complexity and networks (popularized by theorists like Manuel Castells) new insights into both online sociality, media anthropology, and modes of accumulation can be sought. The continuity between Spotify and illegal file sharing is explored through a critical account that examines the discourses of both file sharers and industry stalwarts. Tendencies towards "information idealism" and "networked accumulation" are scrutinized; they are found to be endemic among actors striving to extract value from online, granular dissemination. In the first place, the book would suit undergraduates on courses in media and communications—especially undergrad courses in new media, and the sociology of the Internet. The book can be seen as a critical introduction, a historical overview, as well as a case study of file-sharing—explaining the infrastructures, the particular modes of media use involved; ultimately, sketching out a political economy of unregulated file-sharing, based on the current historical record, listing some observed economic repercussions, alongside potential future ones. A major secondary market would be postgraduate students, Ph.D. students, researchers, and lecturers. The great appeal with this book is that it would be of interest to several groups within academia. It would appeal both to scholars of my own subject, media and communications (especially, the history and sociology of new, digital media)—but it would appeal also to scholars of science and technology studies (STS), since the topic raises numerous interesting questions about the nature of technology, the complexity of agency and morality, while simultaneously offering a "case study," and thus some specificity in an otherwise broad, slippery subject.

  • 33.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Plattformarna tar makten2016In: Svenska Dagbladet, ISSN 1101-2412, no 16 jan, p. 34-35Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    En handfull nätjättar, som Facebook och Google, har fått mycket stor makt. Denna plattformisering påverkar hela samhället och ekonomin, och är en förändring jämförbar med fordismen eller taylorismen, skriver medieforskaren Jonas Andersson Schwarz.

    Plattformssamhället, del 1

    Ett fåtal stora aktörer har blivit alltmer dominerande på internet och i människors vardag. SvD Kultur belyser hur utvecklingen påverkar samhället, ekonomin, kulturen och människan.

  • 34.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Public Service Broadcasting and Data-Driven Personalization: A View from Sweden2016In: Television and New Media, ISSN 1527-4764, E-ISSN 1552-8316, Vol. 17, no 2, p. 124-141Article in journal (Refereed)
    Abstract [en]

    Through an interview-based study of Swedish public service broadcasting (PSB) companies, I explore the ways in which these institutions react to and interact with a set of normative conceptions of a contemporary digital media ecology characterized by social networking and personalization of the media experience. The respondents were engaged in negotiations of how to realistically maintain public values in a commercially configured online milieu. The nature of organizational adaptation within PSB is found to be complex. Several elements of the Nordic PSB model appear to counteract acquiescence to algorithmically aided personalization: its majoritarian heritage, its institutional caution toward data positivism, favoring more interpretive editorial audience knowledge, and the high costs and structural consequences of making individual users uniquely identifiable. These organizational ambitions and obstacles are embodied in recent innovations that act to mimic a personalized delivery, however, doing so without utilizing algorithmically aided prediction and instead favoring manual editorial selection.

  • 35.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Twittertyckarna sväljer kamelerna: Makthavare måste stå immuna mot Twitter2014In: Expressen, ISSN 1103-923X, no 9 aprArticle in journal (Other (popular science, discussion, etc.))
  • 36.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Burkart, Patrick
    Texas A&M University.
    Introduction: Piracy and Social Change2015In: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, no 1, p. 1-5Article in journal (Refereed)
  • 37.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Burkart, PatrickTexas A&M University, USA.
    Popular Communication, Piracy and Social Change2016Collection (editor) (Refereed)
    Abstract [en]

    Digital piracy cultures and peer-to-peer technologies combined to spark transformations in audio-visual distribution between the late 1990s and the mid-2000s. Digital piracy also inspired the creation of a global anti-piracy law and policy regime, and counter-movements such as the Swedish and German Pirate Parties. These trends provide starting points for a wide-ranging debate about the prospects for deep and lasting changes in social life enabled by piratical technology practices. This edited volume brings together contemporary scholarship in communication and media studies, addressing piracy as a recombinant feature of popular communication, technological innovation, and communication law and policy. An international collection of contributors highlights key debates about piracy, popular communication, and social change, and provides a lasting resource for global media studies.

  • 38.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Burkart, PatrickTexas A&M University.
    Special Issue: Piracy and Social Change2015Collection (editor) (Refereed)
  • 39.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Burkart, Patrick
    Texas A&M University.
    Aufderheide, Patricia
    American University.
    Jaszi, Peter
    American University.
    Kelty, Christopher
    University of California, Los Angeles.
    Coleman, Gabriella
    McGill University.
    Piracy and Social Change: Roundtable Discussion2015In: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, no 1, p. 87-99Article in journal (Refereed)
    Abstract [en]

    This roundtable discussion draws together researchers with an interest of overcoming purely juridical treatment of piracy in their work. Christopher Kelty and Gabriella Coleman consider the aspects of cyberculture, which conflictually engage with intellectual property rights, through various communities of technology practice, including hackers. Patricia Aufderheide and Peter Jaszi’s work on fair use addresses the growing opportunities for creators in the United States to utilize the tradition in their creative fields. Jonas Andersson Schwarz and Patrick Burkart, co-editors of this special issue, have researched user motivations and political activism around copyright and software patent reforms, partially explaining the emergence of dozens of European Pirate Parties, beginning with the Swedish Pirates in 2006.

  • 40.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Hammarlund, Johan
    Kända men inte erkända: Skildringen av Avpixlat och andra invandringsfientliga nätmedier i fem svenska dagstidningar 2013–20152016In: Migrationen i medierna: men det får en väl inte prata om? / [ed] Lars Truedson, Stockholm: Institutet för mediestudier , 2016, p. 174-191Chapter in book (Other academic)
  • 41.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Hammarlund, Johan
    di Grado, Stefan
    Kjellberg, Magnus
    Opinioner och offentligheter online: Vad gör en politisk utsaga framgångsrik? Den användardrivna kommunikationens villkor. Slutrapport2015Report (Other academic)
    Abstract [sv]

    ”Vad gör en politisk utsaga framgångsrik? Den användardrivna kommunikationens villkor” är ett ettårigt forskningsprojekt delfinansierat av Internetfonden, Riksbankens Jubileumsfond, Retriever AB, M-Brain AB samt Forsman & Bodenfors AB. Projektledare har varit Jonas Andersson Schwarz, som tillsammans med Johan Hammarlund, Stefan di Grado och Magnus Kjellberg har analyserat data från Twitter och rikspress i syfte att skapa ny kunskap om villkoren för politisk kommunikation i de sociala mediernas tidevarv. Huvudfokus har varit att undersöka vilka specifika faktorer som spelar in för delning av politiska tweets samt vilken typ av material från sociala medier som fångas upp av traditionella nyhetsmedier och vice versa. Samspelet mellan sociala medier och massmedier formar de bilder som görs av sociala medier i samhället, och omvänt: det formar de bilder som görs av massmedia likväl.

  • 42.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Hammarlund, Johan
    Kjellberg, Magnus
    di Grado, Stefan
    ”Åsikter på sociala medier är inte den allmänna opinionen”2014In: Dagens Nyheter, ISSN 1101-2447, no 25 december, p. 5-Article in journal (Other (popular science, discussion, etc.))
  • 43.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Larsson, Stefan
    Lunds Universitet.
    The justifications of piracy: Differences in conceptualization and argumentation between active uploaders and other file-sharers2014In: Piracy: Leakages from Modernity / [ed] Martin Fredriksson & James Arvanitakis, Los Angeles, CA: Litwin Books , 2014, p. 217-239Chapter in book (Refereed)
    Abstract [en]

    By employing a mix between qualitative and quantitative methods, we explored the ways in which file sharers themselves conceive of the future of “piracy.” A content analysis of a selection of open answers from the Research Bay study (a global file sharing survey conducted in collaboration with file-sharing site The Pirate Bay in April, 2011, with more than 75,000 respondents) revealed significant differences between active uploaders and the much larger group of respondents who regularly download files but never upload. Tropes of “community” were not particularly abundant in this corpus. The biggest singular tropes were those of unstoppability/technical resilience (“File-sharing won’t be stopped”); convenience/availability/supply; skepticism/hostility towards governmental intrusion; and—surprisingly—the trope that file sharing will eventually be integrated with the market. This latter trope was particularly common among the non-uploaders (representing the majority of Pirate Bay users) compared to the dedicated uploaders. The non-uploaders also appeared to be more disposed towards a generic belief in the progress, evolution, and a potential convergence/assimilation of technology.

  • 44.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Palmås, Karl
    Introducing the panspectric challenge: A reconfiguration of regulatory values in a multiplatform media landscape2013In: Central European Journal of Communication, ISSN 1899-5101, Vol. 6, no 2, p. 219-233Article in journal (Refereed)
    Abstract [en]

    Taking Sweden as a case study, the role of public service broadcasting (PSB) is explored, with a focus on issues of data retention and innovation that accompany web distribution. The issue of predicting audience preferences by means of data retention is investigated, and the related problem of organizational autonomy when interacting with commercial actors in the digital sphere. We hypothesize that previous tendencies towards paternalism might be equally supplemented by tendencies towards so-called “panspectric” surveillance and tracking, given a technological environment where such practices are increasingly common. We argue that the absence of advertising partially helps keep these broadcasters from panspectric temptation. Still, practices such as Facebook integration entail a panspectric element. We ask whether the potential increase in the efficacy of targeting audiences promised by panspectric practices might be offset by its negative impact on civic accountability. Is there a possibility for a “benign,” democratically accountable panspectrocism?

  • 45.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Philosophy. Uppsala University.
    Language and Tradition in Merleau-Ponty’s Reading of Husserl and Saussure2018In: Studia Phænomenologica, ISSN 1582-5647, E-ISSN 2069-0061, Vol. XVIII, p. 183-205Article in journal (Refereed)
    Abstract [en]

    In this paper I examine how Merleau-Ponty develops Husserl’s genetic phenomenology through an elaboration of language, largely influenced by Saussure’s linguistics. Specifically, my focus will be on the unpublished notes to the course Sur le problème de la parole (On the Problem of Speech). I show how Merleau-Ponty recasts Husserl’s notion of the historicity of truth by means of an inquiry into the relation between truth and its linguistic expression. The account that Merleau-Ponty offers differs from Husserl’s in two important respects. Firstly, whereas Husserl describes a regressive inquiry of truth, Merleau-Ponty describes a regressive movement of truth, where every acquired truth seizes the tradition that precedes it. Secondly, this new notion of truth, and its dependency on its proper expression, opens up for a new understanding of literature.

  • 46.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Philosophy. Uppsala University.
    Litteratur och erfarenhet i Merleau-Pontys filosofi2018In: Salongen – nettidsskrift for filosofi og idéhistorie, no 5 majArticle in journal (Other (popular science, discussion, etc.))
  • 47.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Philosophy. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Uppsala universitet.
    Litteratur och erfarenhet i Merleau-Pontys läsning av Proust, Valéry och Stendhal2017Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this thesis is to explore the relation between literary expression and experience in Merleau-Ponty’s philosophy. The principal focus is Merleau-Ponty’s investigations into literature, in two of his first courses at Collège de France, 1953- 1954: Sur le problème de la parole (On the Problem of Speech) and Recherches sur l’usage littéraire du langage (Research on the Literary Use of Language). While the former remains unpublished, the latter was finally published in 2013. At the time of his premature death, Merleau-Ponty left thousands of pages of working notes. They were supposed to contribute to a major philosophical work, the planned title of which was Être et monde (Being and world). Merleau-Ponty had planned to undertake an extensive examination of language in the last part of the work. However, in the absence of this text, the courses on literary language afford us the possibility of sketching the direction that this research might have taken.

    The examination of literary language use is, for Merleau-Ponty, made possible by an understanding of language found in Ferdinand de Saussure’s linguistics. Merleau-Ponty’s interpretation of Saussurean linguistics anticipates the structuralist reading that was later to dominate the intellectual scene. Instead of reading the linguistics of Saussure in opposition to phenomenology, he finds in the former an ally that allows him to think Husserlian phenomenology further.

    In the course notes, Merleau-Ponty explores the relation between sensible experience and linguistic expressions through close readings of Proust, Valéry and Stendhal. In the writing of Marcel Proust, he finds a writer that perpetually examines his experience, searching for expressions that are capable of bringing it forth. In Stendhal’s writing, Merleau-Ponty finds a literary method that makes the world appear through the “small true facts” that describe it. Finally, in Paul Valéry’s poetic writing he finds a writer superimposing words over other words, in order to create new significations. In their literary writing he finds a capacity to seize the world anew, beyond our habitual preconceptions of it, thus bringing us closer to the experience we already perceive.

  • 48.
    Anrup, Roland
    et al.
    Mittuniversitetet.
    Fareld, Victoria
    Stockholms universitet.
    Fornäs, Johan
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Frisk, Syliva
    Göteborgs universitet.
    Fur, Gunlög
    Linnéuniversitetet.
    Ganetz, Hillevi
    Stockholms universitet.
    Gardell, Mattias
    Uppsala universitet.
    Hedman Hvitfeldt, Maria
    Stockholms dramatiska högskola.
    Höghede, Erika
    Stockholms dramatiska högskola.
    Iordanoglou, Dimitrios
    Uppsala universitet.
    Jalmert, Lars
    Stockholms universitet.
    Johansen, Maria
    Göteborgs universitet.
    Jonsson, Stefan
    Linköpings universitet.
    Josephson, Peter
    Uppsala universitet.
    Karlsohn, Thomas
    Göteborgs universitet.
    Laikre, Linda
    Stockholms universitet.
    Larsson, Åsa Bharathi
    Uppsala universitet.
    Lorenzoni, Patricia
    Göteborgs universitet.
    Liedman, Sven-Eric
    Göteborgs universitet.
    Madison, Guy
    Umeå universitet.
    Manga, Edda
    Uppsala universitet.
    Munthe, Christian
    Göteborgs universitet.
    Nilsson, Ulrika
    Stockholms universitet.
    Nylin, Sören
    Stockholms universitet.
    Olsson, Erik J.
    Lunds universitet.
    Peralta, Julia
    Örebro universitet.
    Persson, Mats
    Uppsala universitet.
    Priebe, Gunilla
    Göteborgs universitet.
    Rider, Sharon
    Uppsala universitet.
    Rooke, Tetz
    Göteborgs universitet.
    Rådström, Niklas
    Stockholms dramatiska högskola.
    Söderblom, Staffan
    Göteborgs universitet.
    Sörensen, Jens
    Göteborgs universitet.
    Tydén, Mattias
    Stockholms universitet.
    Zetterholm, Magnus
    Lunds universitet.
    Öberg, Johan
    Göteborgs universitet.
    Centrala universitetsvärden hotas av bolagiseringsidén2013In: Dagens Nyheter, ISSN 1101-2447, no 22 oktober, p. A6-Article in journal (Other (popular science, discussion, etc.))
  • 49.
    Arnberg, Klara
    et al.
    Stockholm University.
    Marklund, Carl
    Södertörn University, Centre for Baltic and East European Studies (CBEES).
    Illegally Blonde: ‘Swedish Sin’ and Pornography in American and Swedish Imaginations, 1950–19712016In: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Mariah Larsson, Elisabet Björklund, Jefferson: McFarland, 2016, p. 185-200Chapter in book (Refereed)
  • 50. Arrnehius, Sara
    et al.
    Bergh, MagnusSjöholm, CeciliaSödertörn University, School of Culture and Communication, Aesthetics.
    Översättbarhet = Translatability2011Collection (editor) (Other (popular science, discussion, etc.))
    Abstract [en]

    In this age of globalization, the question of cultural translation is central. All cultures may seem connected with one another, what is to be considered "original" and what is to be regarded as a translation may no longer seem relevant. All cultures are continuosly being transformed through an ongoing process of translation.

    What is cultural translation? Are there limits to translatability? What kind of resistances to translatability way we encounter? The idea of cultural translation implies that different art forms communicate with one another. However, we must critically engage with remainders that remain resistant to translatability. How are we to understand the cultural context in which an author has developed his language and his art? To what extent can it be transposed into other contexts, and what kind of questions must we take into consideration when we attempt such a transposition?

    The research project Translatability; aesthetics and the transformation of the public sphere in an era of globalization aims to link theories of cultural translation to the practice of exhibition and publishing. Gathering curators, researchers, critics, artists and writers, the question of translatability is examined from a theoretical as well as a practical point of view. The impact of geography, history and politics are among factors that determine the possibilities of cultural translation.

    Translatability; aesthetics and the transformation of the public sphere in an era of globalization is a collaboration between Bonniers Konsthall, Albert Bonnier Publishers and the department of aesthetics at Södertörn University. 

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