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  • 51.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Immensity and A-subjectivity2009In: Research in Phenomenology, ISSN 0085-5553, E-ISSN 1569-1640, Vol. 39, no 3, p. 344-358Article in journal (Refereed)
    Abstract [en]

    The aim of the present article is to reflect upon comparative procedures at stake in the acknowledgment of differences, following some paths of Husserl's and Heidegger's views on “comparative examination” (vergleichende Betrachtung). Although using the same expression as Husserl, Heidegger presents in this concept, rather, a phenomenology of correspondence. The encounter with otherness is described as correspondence to the immensity of the event of the world in Dasein. From out of a “destruction” of comparative examinations, it becomes possible to seize the a-subjective and ek-static structure of Dasein and claim a corresponding way of encountering otherness. In this corresponding way, the Other appears first as non-otherness, beyond a dialectics of selfhood and otherness.

  • 52.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    In-between Painting and Music-or, Thinking with Paul Klee and Anton Webern2013In: Research in Phenomenology, ISSN 0085-5553, E-ISSN 1569-1640, Vol. 43, no 3, p. 419-442Article in journal (Refereed)
    Abstract [en]

    The present article discusses the relation between painting and music in the work by Paul Klee, bringing it into conversation with the music by Anton Webern. It assumes, as a starting point, that the main question is not about relating painting and music but rather about the relation between moving towards painting and moving towards music, hence the relation between forming forces and not between formed forms. Since for Klee the musical structure of the pictorial is understood as "active linear polyphony," the article develops this notion in conversation with Webern's thoughts on the polyphonic structure of twelve-tone music. The general purpose of the article is to determine what kind of thoughts emerge from the in-between of painting and music.

  • 53.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Inledning2007In: Att läsa Platon / [ed] Carl Cedeberg, Eslöv: Sympoisum , 2007, p. 7-13Chapter in book (Other academic)
  • 54.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Interrupting evil and the evil of interruption: Revisiting the question of freedom2010In: Law and Evil: Philosophy, politics, psychoanalysis / [ed] Ari Hirvonen and Janne Porttikivi, London: Routledge , 2010, p. 41-57Chapter in book (Refereed)
  • 55.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Kommunismens sömn: noter om Platonovs Dzjan2017In: Revolution och existens: läsningar av Andrej Platonov / [ed] Tora Lane, Stockholm: Ersatz , 2017, p. 81-96Chapter in book (Other academic)
  • 56.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Kortandning mellan musik och filosofi2020In: Material: Filosofi, Estetik, Arkitektur: Festskrift till Sven-Olov Wallenstein / [ed] Marcia Sá Cavalcante Schuback; Helena Mattsson; Kristina Riegert; Hans Ruin, Huddinge: Södertörns högskola, 2020, p. 259-270Chapter in book (Other academic)
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    Kortandning mellan musik och filosofi
  • 57.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    La perpléxité de la présence 2002In: Les Etudes philosophiques, ISSN 0014-2166, E-ISSN 2101-0056, Vol. 3, no 62, p. 257-279Article in journal (Refereed)
    Abstract [fr]

    Cet article est une réflexion sur ma traduction brésilienne de être et Temps et, plus spécifiquement, sur la traduction de Dasein par « présence ». Ce choix de traduction est basé sur une critique de la tendance, dominante dans les études heideggériennes, à hypostasier et à substantialiser un concept non métaphysique de Dasein. La traduction de Dasein par « présence » prend pour point de départ le fait que, pour la pensée de Heidegger, Dasein ne signifie pas un substantif mais un verbe, dont le sens temporel ne se définit pas par une chronologie temporelle mais par la temporalité de l’action de l’être. À travers cette décision, on a cherché à répondre linguistiquement au défi de penser, dans la perplexité de la présence, le temps de l’être

  • 58.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Litteraturen i landsflykt från filosofin2004In: Glänta, ISSN 1104-5205, no 4, p. 14-17Article in journal (Other (popular science, discussion, etc.))
  • 59.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Litteraturens akt: Om den omöjliga kärleken mellan filosofi och litteratur2023In: Med kärlek: En festskrift till Claudia Lindén / [ed] Eva Jonsson, Ann-Sofie Lönngren, Mattias Pirholt, Oscar von Seth, Huddinge: Södertörns högskola, 2023, 1, p. 237-243Chapter in book (Other academic)
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    Litteraturens akt: Om den omöjliga kärleken mellan filosofi och litteratur
  • 60.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Lovtal till intet: essäer om filosofisk hermeneutik2006Book (Other academic)
  • 61.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Maulwerke: om musikens skrik2007In: Kulturen, ISSN 2000-7086Article in journal (Other (popular science, discussion, etc.))
  • 62.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Memory in Exile2017In: Research in Phenomenology, ISSN 0085-5553, E-ISSN 1569-1640, Vol. 47, no 2, p. 175-189Article in journal (Refereed)
    Abstract [en]

    In this article, a discussion about memory in exile is presented that takes up the thesis that exile is a condition of post-existence and afterness. The main claim is that exile is not only existence after a cut and separation but is an existing as afterness, in a "present tension" of being with the without and without a with. It reveals a sense of the present and of presence as multi-directed movements, as clusters of echoes and delayings. In exile, memories are not the continuous simultaneity of double images but are rather "photisms," shimmering between images, the coming and going between languages, experiences, a longing back and forth. Exilic memory is the experience that bears witness to the present as the movement of presencing, of appearing while sliding away.

  • 63.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Mito e arte ou do pensar sem pensamentos: a contribuição de Schelling2005In: Sofia. Revista semestral de filosofia, ISSN 1676-417X, Vol. 10, no 13-14, p. 203-229Article in journal (Other academic)
  • 64.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Mot en förmodernitetens hermeneutik2009In: Omodernt: människor och tankar i förmodern tid / [ed] Mohammad Fazlhashemi & Eva Österberg, Lund: Nordic Academic Press , 2009, p. 47-63Chapter in book (Other academic)
  • 65.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Nelly Sach's Chorus Poetics2019In: Words, Bodies, Memory: A Festschrift in honor of Irina Sandomirskaja / [ed] Lars Kleberg; Tora Lane; Marcia Sá Cavalcante Shuback, Huddinge: Södertörns högskola, 2019, p. 125-139Chapter in book (Other academic)
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  • 66.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Notes on Abstract Hermeneutics2011In: Research in Phenomenology, ISSN 0085-5553, E-ISSN 1569-1640, Vol. 41, no 1, p. 45-59Article in journal (Refereed)
    Abstract [en]

    Using abstract art as a paradigm, this paper attempts to think, in a provisional manner, the parameters of what the author calls 'abstract hermeneutics'-a way of thinking capable of responding to the withdrawing, or abstracting, movement of Being. Such abstract thinking which is an abstracting thinking of the abstract aims to step beyond objectivity precisely in order to return to phenomenological concreteness. Through an engagement with Heidegger's understanding of the formal indicative role of the human being as sign (Zeichen), the affinity, between the abstracting gestures of abstract art, and the absenting characteristic of human existence, is explored.

  • 67.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Nunc et in aevum: Reflections on St. Augustine: time, music and theology2009In: Sapientia et eloquentia: meaning and function in liturgical poetry, music, drama, and biblical commentary in the Middle Ages / [ed] Gunilla Iversen and Nicolas Bell, Turnhout: Brepols , 2009, p. 95-114Chapter in book (Other academic)
  • 68.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Några sover på saken, andra på grekerna: Foucault och den grekiska drömmen2017In: Foucault och antiken / [ed] Johan Sehlberg & Sven-Olov Wallenstein, Hägersten: TankeKraft Förlag , 2017, p. 343-359Chapter in book (Other academic)
  • 69.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Några tankar kring förhållandet teknik och natur2008In: Tankar: tillägnade Sören Stenlund / [ed] Niklas Forsberg, Sharon Rider, Pär Segerdahl, Uppsala: Department of Philosophy, Uppsala University , 2008, p. 299-312Chapter in book (Other academic)
  • 70.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    O fascismo da ambiguidade: um ensaio conceitual2021Book (Other academic)
  • 71.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    O medieval e o saber da abnegação2004In: Scintilla. Revista de Filosofia e Mistica Medieval, ISSN 1806-6526, Vol. 1, no 1, p. 35-50Article in journal (Other academic)
  • 72.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    O nada da arte e o todo da natureza: Uma reflexão sobre a reciprocidade do aparecer da natureza e da natureza do aparecer, segundo alguns acenos de Schelling à luz de Hölderlin2006In: Arte no Pensamento / [ed] Fernando Pessoa, Vitória: Seminários Internacionais Museu Vale do Rio Doce , 2006, p. 139-181Chapter in book (Other (popular science, discussion, etc.))
  • 73.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    O que é filosofia? Uma conversa entre Edmund Husserl e Tomás de Aquino: [översättning av:] Edith Stein: Was ist Philosophie? Ein Gespräch zwischen Edmund Husserl und den hl. Thomas von Aquino2005In: Scintilla. Revista de Filosofia e Mística Medieval, ISSN 1806-6526, Vol. 2, no 2, p. 301-332Article in journal (Other (popular science, discussion, etc.))
  • 74.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Object-oriented Philosophy, Money, and Politics2020In: Artful objects: Graham Harman on art and the business of speculative realism / [ed] Isak Nilson; Erik Wikberg, Stockholm: Stockholm School of Economics , 2020Chapter in book (Other academic)
  • 75.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Offer och räddning: Jan Patockas läsning av Heideggers Frågan om tekniken2011In: Fenomenologi, teknik och medialitet / [ed] Leif Dahlberg, Hans Ruin, Huddinge: Södertörns högskola , 2011, p. 143-160Chapter in book (Refereed)
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    Offer och räddning: Jan Patockas läsning av Heideggers Frågan om tekniken
  • 76.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Om ljudkonst2007In: Nutida Musik, ISSN 1652-6082, p. 39-47Article in journal (Other (popular science, discussion, etc.))
  • 77.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Om nyttan och onyttan med humaniora för livet: En annan humaniora – en annan tid2010In: En annan humaniora - en annan tid = Another humanities - another time / [ed] Carl Cederberg & Hans Ruin, Huddinge: Södertörns högskola , 2010, p. 65-70Chapter in book (Other academic)
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    Om nyttan och onyttan med humaniora för livet: En annan humaniora – en annan tid
  • 78.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    On Enthusiasm2015In: Madness, Religion, and the Limits of Reason / [ed] Jonna Bornemark & Sven-Olov Wallenstein, Huddinge: Södertörns högskola , 2015, p. 41-51Chapter in book (Refereed)
  • 79.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    On Immensity2010In: Phenomenology and Religion: New Frontiers / [ed] Jonna Bornemark, Hans Ruin, Huddinge: Södertörns högskola , 2010, p. 243-266Chapter in book (Other academic)
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    On Immensity
  • 80.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, Avdelning 1, Philosophy.
    Para ler os medievais: Ensaio de hermenêutica imaginativa2000Book (Other academic)
  • 81.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Penser, esquisser: la limite illimiteé entre philosophie et littérature2012In: Limite-illimité, questions au présent / [ed] Susanna Lindberg & Gisèle Berkman, Nantes: Éditions nouvelles Cécile Defaut , 2012, p. 227-249Chapter in book (Refereed)
  • 82. Schuback, Marcia Sá Cavalcante
    Person, personne, persona: anmärkningar om Heideggers kritik av begreppet ”person”2007In: Det främmande i det egna: filosofiska essäer om bildning och person / [ed] Jonna Bornemark, Huddinge: Södertörns högskola , 2007, p. 107-123Chapter in book (Other academic)
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    Person, personne, persona – anmärkningar om Heideggers kritik av begreppet ”person”
  • 83.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Philosophie et Religion2005In: L’Orient des dieux, ISSN 1609-9427, Vol. 5, p. 5-18Article in journal (Other academic)
  • 84.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Philosophy and Religion2002In: Svensk teologisk kvartalskrift, ISSN 0039-6761, Vol. 78, p. 98-106Article in journal (Other academic)
  • 85.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Poesia sempre: Antologia da poesia sueca2006Conference proceedings (editor) (Other (popular science, discussion, etc.))
  • 86.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Poesia sueca: Poética do quase ser2006In: Poesia sempre, ISSN 0104-0626, Vol. 13, no 25, p. 127-130Article in journal (Other (popular science, discussion, etc.))
  • 87.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Rhythm and Existence2018In: Research in Phenomenology, ISSN 0085-5553, E-ISSN 1569-1640, Vol. 48, no 3, p. 318-330Article in journal (Refereed)
    Abstract [en]

    The present article proposes a reflection on the relation between music and language setting out from the experience of listening to words and listening to music. It relies to a certain extent upon an existential-phenomenological approach and develops the distinction between the sounding of sounds (sounding words) and the sound of sounding (musical sounds). From this distinction, a redefinition of rhythm is suggested based on the experience of listening and on the close listening to some pieces of music.

  • 88.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Sacrifice and Salvation: Jan Patočka’s Reading of Heidegger on the Question of Technology2011In: Jan Patočka and the Heritage of Phenomenology Centenary Papers / [ed] Erica Abrams, Ivan Chvatik, Dordrecht: Springer Netherlands, 2011, Vol. 61, no 1, p. 23-37Chapter in book (Refereed)
    Abstract [en]

    The aim of this article is to present Jan Patočka’s reading of Heidegger concerning the issue of technology as a key for understanding Patočka’s phenomenology of appearing in relation to Heidegger’s phenomenology of the unapparent. Assuming the essence of technology, defined by Heidegger as Gestell, to be considered as an ontology of sacrifice and salvation, Patočka shows that appearing as such implies a sacrifice. This sacrifice can be called a “phenomenological sacrifice.” The ensuing reflection is divided into three parts: (1) a summary of Patočka’s understanding of the difference between Husserl and Heidegger as regards the phenomenological question of technology; (2) a general discussion on the question of technology as a question of Being qua appearing and the unapparent; (3) an outline of what I call “phenomenological sacrifice” as the sacrifice of appearing, through a discussion of both Heidegger’s and Patočka’s views on the essence of sacrifice.

  • 89.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Sancta sonantia: Reflections on sounding and meaning2009In: Sapientia et eloquentia: meaning and function in liturgical poetry, music, drama, and biblical commentary in the Middle Ages / [ed] Gunilla Iversen and Nicolas Bell, Turnhout: Brepol , 2009, p. 349-363Chapter in book (Other academic)
  • 90.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Schellings filosofiska konstruktion2021In: Benjamin Höijer: Metafysik, estetik, historia / [ed] Anders Burman; Sven-Olov Wallenstein, Huddinge: Södertörns högskola, 2021, 1, p. 91-102Chapter in book (Refereed)
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    fulltext
  • 91.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    Smärtans närhet och distans2009In: Att tänka smärtan / [ed] Marcia Sá Cavalcante Schuback, Huddinge: Södertörns högskola , 2009, 1, p. 137-155Chapter in book (Other academic)
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    Smärtans närhet och distans
  • 92.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Sobre o axé da arkhé2022In: Muniz Sodré: uma escola disruptiva / [ed] Zilda Martins, Marcello Gabbay, Rio de Janeiro: MAUAD X , 2022, p. 325-335Chapter in book (Other academic)
    Abstract [pt]

    Muniz Sodré: uma escola disruptiva é afeto, homenagem, reconhecimento. Mas é também Filosofia, Comunicação, Antropologia e Cultura. O objetivo do livro é oferecer um múltiplo olhar sobre Muniz Sodré, o pensador natural, como diz Gilberto Gil. Além de ser considerado pelos pares como o maior teórico da Comunicação no Brasil, aquele que enxerga o comum para além da racionalidade ocidental, Sodré chega aos 80 anos propondo uma nova epistemologia. Defende a ciência como ponte por onde os atores sociais possam passar, trocar, construir e incorporar conhecimento em ampla dimensão, desde saberes ancestrais até as mais novas descobertas tecnológicas

  • 93.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    (S)om en metafor2021In: Divan, ISSN 1101-1408, Vol. 1-2, p. 46-54Article in journal (Other academic)
  • 94.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Communication, Philosophy.
    Still/Encore2012In: Existential Utopia: New Perspectives on Utopian Thought / [ed] Patricia Vieira and Michael Marder, London: Continuum, 2012, p. 51-62Chapter in book (Refereed)
  • 95.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Tankar om universitets politiska roll idag2020In: En plats för tänkande: Essäer om universitetet och filosofin / [ed] Anders Burman, Marcia Sá Cavalcante Schuback, Synne Myreböe, Huddinge: Södertörns högskola, 2020, p. 289-305Chapter in book (Refereed)
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    Tankar om universitets politiska roll idag
  • 96.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    The Arrow of Thought: Some Notes on Ari Hirvonen’s the Ethics of Tragedy: Symposium 7 July 2022 – zoom/Perugia2023In: Law and Critique, ISSN 0957-8536, E-ISSN 1572-8617, Vol. 34, no 3, p. 397-400Article in journal (Refereed)
  • 97.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    The experience of history2005In: The past's presence: essays on the historicity of philosophical thinking / [ed] Marcia Sá Cavalcante Schuback & Hans Ruin, Huddinge: Södertörns högskola , 2005, p. 93-109Chapter in book (Other academic)
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    The Experience of History
  • 98.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    The Eye and The Spirit of Nature: Some Reflections on Merleau-Ponty's Reading of Schelling Concerning the Relationship between Art and Nature2013In: The Barbarian Principle: Merleau-Ponty, Schelling and the Question of Nature / [ed] Jason M. Wirth; Patrick Burke, New York: State University of New York Press , 2013, p. 307-320Chapter in book (Refereed)
  • 99.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Nancy, Jean-Luc (Author of introduction, etc.)
    The fascism of ambiguity: a conceptual essay2022Book (Other academic)
    Abstract [en]

    "This book contributes to the work of elucidating the new forms of fascism and authoritarianism that arise today in intimate relation with new mediatic and information technologies. It presents elements of the connection between capitalism and fascism and makes clear how fascism today uses the ambiguity of senses and meanings as its most efficient way of infiltrating our reality and thereby becoming unequivocal. The fascism of ambiguity is a fascism that grows the more the ambiguities and paradoxical dimensions of the contemporary situation become explicit. It departs from some lessons of history regarding both historical fascism and some of the main critical lines and thoughts produced in the beginning of the 20th Century. It shows what is new in today's form of fascism, discussing its connection to techno-mediatic capitalism, to the dynamics of emptying meanings and senses through a technique of rendering them ambiguous and exacerbated. It outlines some guiding thoughts regarding the question of ambiguity and metapolitics today and concludes by proposing two exercises of precision, through the lenses of poetry and music, as a way to resist and counter-act the fascist metapolitics of the ambiguity of meanings and senses"--

  • 100.
    Schuback, Marcia Sá Cavalcante
    Södertörn University College, School of Culture and Communication, Philosophy.
    The gift of joy: Marina Cvetaeva and the phenomenology of joy2004In: Telling forms: 30 essays in honour of Peter Alberg Jensen / [ed] Karin Grelz & Susanna Witt, Stockholm: Almqvist & Wiksell International , 2004, p. 362-375Chapter in book (Other academic)
123 51 - 100 of 142
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