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  • 51.
    Bolin, Göran
    Södertörn University College, Avdelning 3, Media and Communication Studies.
    Nationsmarknadsföring: Eurovisionsschlagerfestivalen som modern världsutställning2002In: Hello Europe! Tallinn calling!: Eurovision Song Contest 2002 som mediehändelse / [ed] Staffan Ericson, Huddinge: Medie- och kommunikationsvetenskap , 2002, 1, p. 33-42Chapter in book (Other academic)
  • 52.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Northern Lights: [Special Issue:] Age, Generation and the Media2013Collection (editor) (Refereed)
  • 53.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Notes From Inside the Factory: The Production and Consumption of Signs and Sign Value in Media Industries2005In: Social Semiotics, ISSN 1035-0330, E-ISSN 1470-1219, Vol. 15, no 3, p. 289-306Article in journal (Refereed)
    Abstract [en]

    This article aims at giving some theoretical reflections and possible clarifications to theories on production and consumption of symbolic goods and commodities. It is argued that the production of sign commodities generate various kinds of values, which also differ from those produced in material commodity production. With the example of the television audience this article puts forth the idea of the audience as a pure sign commodity, a commodity solely made up of sign structures, produced by semiotic labour.

  • 54.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Passion and Nostalgia in Generational Media Experiences2016In: European Journal of Cultural Studies, ISSN 1367-5494, E-ISSN 1460-3551, Vol. 19, no 3, p. 250-264Article in journal (Refereed)
    Abstract [en]

    One component in the generational experience strongly related to media is the intimate and often passionate relation that is developed towards media technologies and content from one’s formative youth period: musical genres and stars, as well as reproduction technologies such as the vinyl record, music cassette tapes, comics and other now dead media forms. Passion, however, is a dialectic concept that not only refers to the joyful desire and intense emotional engagement of cherished objects but also includes its dialectic opposite in the form of pain and suffering. This passion, it is argued in the article, is activated by the nostalgic relationships to past media experiences, the bittersweet remembrances of media habits connected to earlier life phases of one’s own. Taking its point of departure in generational theory of Mannheim and others, this article analyses a series of focus group interviews with Swedish and Estonian media users tentatively belonging to four different generations. Based on the analysis of these interviews, it is suggested that passion and nostalgia are produced, first, in relation to old technologies, second, in relation to childhood memories and, third, at the limits of shared intergenerational experience, that is, at the moment when one realises that one’s own experiences of past media forms cannot be shared by younger generations, and especially one’s own children.

  • 55.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Personal and Mobile Media in the Digital Economy2012Conference paper (Refereed)
    Abstract [en]

    This paper analyses how mobile phone owners turn from being regarded by the industry as users of an interpersonal medium, to a mass audience along some of the principles for how this “audience commodity” has been constructed in previous mass media settings, centering on the radio, television and the press. One purpose is to critically examine the relation between interpersonal and mass media, such as how technological developments connected to digitization has altered the market for media commodities and contributed to the development of new business models. The second purpose is to discuss the consequences of this shift, and its consequences for our ontological understanding of what it means to use a mobile phone.

  • 56.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Personal Media in the Digital Economy2012In: Moving data: the iphone and the future of media / [ed] Snickars, Pelle ; Vonderau, Patrick, New York: Columbia University Press, 2012, p. 91-103Chapter in book (Other academic)
  • 57.
    Bolin, Göran
    Södertörn University, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Portraying the Media Landscape: Time/Space Articulations of Eastern European Media Landscapes2005Conference paper (Refereed)
  • 58.
    Bolin, Göran
    Södertörn University College, Avdelning 3, Media and Communication Studies.
    Public service är bara två ord: TV-produktion med maktrelation2002In: Fjernsyn mellom høy og lav kultur / [ed] Staffan Ericson & Espen Ytreberg, Kristiansand: Høyskoleforlaget , 2002, p. 159-174Chapter in book (Other academic)
  • 59.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Questioning Entertainment Value: Moments of Disruption in the History of Swedish Entertainment Television2013Conference paper (Refereed)
    Abstract [en]

    In the early 1920’s John Reith of the BBC summarized the goals that the organization still adhere to: ‘To enrich people's lives with programmes and services that inform, educate and entertain’. This chapter deals with the last of these three ambitions, and in a historically informed genre-analytical manner describes the history of Swedish television entertainment. The focus is on four important moments of disruption, and their consequences for larger generic trends. The paper exemplifies with some such productions that have been generically important and/or specific for their time (e.g. the launch of reality series Expedition: Robinson in 1997, and the start of the reality drama).

  • 60.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Questioning Entertainment Value: Moments of Disruption in the History of Swedish Television Entertainment2013In: A History of Swedish Broadcasting: Communicative Ethos, Genres and Institutional Change / [ed] Djerf-Pierre, Monika ; Ekström, Mats, Göteborg: Nordicom, 2013, p. 261-281Chapter in book (Other academic)
  • 61.
    Bolin, Göran
    Södertörn University College, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Spaces of television: The structuring of consumers in a Swedish shopping mall2004In: MediaSpace: place, scale and culture in a media age / [ed] Nick Couldry & Anna McCarthy, London: Routledge , 2004, p. 126-144Chapter in book (Other academic)
  • 62.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Stabila mobila trender2005In: Lyckan kommer, lyckan går: trettio kapitel om politik, medier och samhälle : SOM-undersökningen 2004 / [ed] Sören Holmberg & Lennart Weibull, Göteborg: SOM-institutet, Göteborgs universitet , 2005, p. 329-342Chapter in book (Other academic)
  • 63.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Symbolic Production and Value in Media Industries2009In: Journal of Cultural Economy, ISSN 1753-0350, E-ISSN 1753-0369, Vol. 2, no 3, p. 345-361Article in journal (Refereed)
    Abstract [en]

    This article discusses value creation within the fields of cultural production. It departs from Bourdieu's field model, and seeks to develop it to fit unrestricted cultural production, for example television production. Bourdieu for the most part discussed the production of value (or forms of capital) in relation to fields of restricted cultural production, that is, within the fine arts (e.g. art, literature). Although one of his best known works dealt with television, one cannot say that he used the possibilities inherent in his own theory thoroughly enough to analyse this field of mass production. This article builds on recent discussions on the role of field theory in media studies, and seeks to contribute to the development of a theory of value production in fields of large-scale or unrestricted cultural production. It is argued that the conflation of commercial value with other kinds of value is more intense in the subfield of unrestricted cultural production, as production in this part of the field needs to obey outer demand in a way that production at the pole of restricted production does not.

  • 64.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Symbolic Production and Value in the Media Industries2008Conference paper (Refereed)
  • 65.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Television Journalism, Politics and Entertainment: Power and Autonomy in the Field of Television Journalism2012Conference paper (Refereed)
    Abstract [en]

    This paper discusses two trends in the debates about contemporary television journalism. Firstly, journalism is said to be increasingly subsumed an economic logic, privileging entertainment before serious journalistic practices. Most often this is framed as if entertainment is eating its way into serious journalism, affecting it negatively and thus being detrimental for the political public sphere and political reasoning. Secondly, it is often pointed to a changed relation between journalism and politicians, where the latter have lost some of their power, for example political debates. This paper relates these two trends and argue, against a field model inspired by Bourdieu, that it is not entertainment that is eating its way into journalism, but the other way around: Rather than having been absorbed by entertainment, journalism has differentiated, become more autonomous as a sub-field of cultural production, and has gradually come to dominate both factual and entertainment television.

  • 66.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Television Journalism, Politics, and Entertainment: Power and Autonomy in the Field of Television Journalism2014In: Television and New Media, ISSN 1527-4764, E-ISSN 1552-8316, Vol. 15, no 4, p. 336-349Article in journal (Refereed)
    Abstract [en]

    This article discusses two trends in the debates about contemporary television journalism. First, journalism is said to be increasingly subsumed an economic logic, privileging entertainment before serious journalistic practices. Most often, this is framed as if entertainment is eating its way into serious journalism, affecting it negatively and thus being detrimental for the political public sphere and political reasoning. Second, it is often pointed to a changed relation between journalism and politicians, where the latter have lost some of their power, for example, in political debates. This article relates these two trends and argues, against a field model inspired by Bourdieu, that it is not entertainment that is eating its way into journalism, but the other way around: Rather than having been absorbed by entertainment, journalism has differentiated, become more autonomous as a subfield of cultural production, and has gradually come to dominate both factual and entertainment television.

  • 67.
    Bolin, Göran
    Södertörn University, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Television Narratives in the Making: The Approximation of Factual and Entertainment Narration2006Conference paper (Refereed)
  • 68.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Television Textuality: Textual Forms in Live Television Programming2009In: Nordicom Review, ISSN 1403-1108, E-ISSN 2001-5119, Vol. 30, no 1, p. 37-53Article in journal (Refereed)
    Abstract [en]

    The article discusses the production of live television formats, as they have developed in Europe during the past decade. The analytical examples are taken from entertainment as well as factual television, and from public service as well as commercial contexts. In the article, it is argued that there has been an approximation between the textual features and generic and narrative structures of entertainment and factual live television, and a model is presented that is supposed to account for these narrative patterns.

  • 69.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Death of the Mass Audience Reconsidered: Business Models for the Digital Media Economy2010Conference paper (Refereed)
  • 70.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    The Death of the Mass Audience Reconsidered: From Mass Communication to Mass Personalisation2014In: Fernsehen: Europäische Perspectiven: Festschrift Prof. Dr. Lothar Mikos / [ed] Eichner, Susanne & Prommer, Elizabeth, Konstanz & München: UVK Verlagsgesellschaft, 2014Chapter in book (Other academic)
  • 71.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Forms of Value: Problems of Convertibility Between Fields of Cultural Production2011Conference paper (Refereed)
    Abstract [en]

    Media production in late capitalism is often measured in terms of economic value. If value is defined as the worth of a thing, a standard or measure, being the result of social praxis and negotiation, it follows that this worth can be of other kinds than the mere economic. This is, for example, the reasoning behind field theory (Bourdieu), where the generation of field-specific capital (value) can be converted between fields. The full extent of the consequences of such a theory of convertibility between fields of cultural production, centred on different forms of value, is, however yet to be explored. This is the task of this paper. Especially is focussed on how value is constructed differently depending on the relations of the valuing subject to the production process, something that becomes highly relevant in digital media environments, where users are increasingly drawn into the production process.

  • 72.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Forms of Value: Problems of Convertibility in Field Theory2012In: tripleC (cognition, communication, co-operation): Journal for a Global Sustainable Information Society / Unified Theory of Information Research Group, ISSN 1726-670X, E-ISSN 1726-670X, Vol. 10, no 1, p. 33-41Article in journal (Refereed)
    Abstract [en]

    Media production in late capitalism is often measured in terms of economic value. If value is defined as the worth of a thing, a standard or measure, being the result of social praxis and negotiation between producers and consumers in various combinations, it follows that this worth can be of other kinds than the mere economic. This is, for example, the reasoning behind field theory (Bourdieu), where the generation of field-specific capital (value) is deeply dependent on the belief shared by the competing agents within the field. The full extent of the consequences of such a theory of convertibility between fields of cultural production, centred on different forms of value, is, however yet to be explored. This is the task of this article. It especially focuses on how value is constructed differently depending on the relations of the valuing subject to the production process, something that becomes highly relevant in digital media environments, where users are increasingly drawn into the production process.

    Download full text (pdf)
    fulltext
  • 73.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Labour of Media Use: The Two Active Audiences2011Conference paper (Refereed)
    Abstract [en]

    The 'active audience' has theoretically been conceptualised from two perspectives: in political economy, from Smythe to Andrejevic it is suggested that television audiences work for the networks while watching. Although contested it has survived among television scholars, also feeding into the discussion on web surveillance techniques. The other conceptualisation comes from reception theory, where the interpretive work by audiences is seen as resulting in identities, taste cultures and social difference. This paper relates these perspectives by considering audiences as involved in two production-consumptions circuits: [1] the viewer activities produces social difference (identities, cultural meaning) in a social and cultural economy, which is then [2] made the object of productive consumption as part of the activities of the media industry, the end product being economic profit. The paper argues for the relevance of analysing these as separate circuits, and that recent debate on the active audience has misrecognised the difference.

  • 74.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    The Labour of Media Use: The Two Active Audiences2012In: Information, Communication and Society, ISSN 1369-118X, E-ISSN 1468-4462, Vol. 15, no 6, p. 796-814Article in journal (Refereed)
    Abstract [en]

    The ‘active audience’ has theoretically been conceptualized from two perspectives: in political economy, it is suggested that television audiences work for the networks while watching and that they contribute to the valorization process with their labour. Although contested, it has survived among media scholars, also feeding into the discussion on web surveillance techniques. The other conceptualization comes from reception theory, media ethnography and cultural studies, where the interpretive work by audiences is seen as productive and resulting in identities, taste cultures and social difference. This article relates these perspectives by considering audiences as involved in two production–consumptions circuits: (1) the viewer activities produce social difference (identities and cultural meaning) in a social and cultural economy, which is then (2) made the object of productive consumption as part of the activities of the media industries, the end product being economic profit.This article argues for the relevance of analysing these as separate circuits, with different kinds of labour at their centre, and that recent debates on the active audience often misrecognize the difference.

  • 75.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    The Marketing of Nations: The Eurovision Song Contest as Modern World’s Fair2006In: After EU enlargement: Changes and Challenges in the Baltic Sea Region / [ed] Mai-Brith Schartau & Helmut Müssener, Huddinge: Centrum för Tysklandsstudier, Södertörns högskola , 2006, p. 26-38Chapter in book (Other academic)
  • 76.
    Bolin, Göran
    Södertörn University College, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    The media landscape of Södertörn 2002: media use, values and everyday life in southern Stockholm2005Collection (editor) (Other academic)
  • 77.
    Bolin, Göran
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    The Politics of Cultural Production: The Journalistic Field, Television and Politics2007In: Politicotainment: Television’s Take on the Real / [ed] Kristina Riegert, New York: Peter Lang , 2007, p. 59-82Chapter in book (Other academic)
  • 78.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    The Rhythm of Ages: Analysing Mediatization through the Lens of Generations Across Cultures2016In: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, p. 5252-5269Article in journal (Refereed)
    Abstract [en]

    A criticism raised about mediatization research is that although the concept of mediatization presupposes a long-term temporal perspective, there are few projects that have studied the process methodologically over time. This article argues that a generational approach can serve as one suggested analytical solution to the problem of studying long-term social, cultural, and societal change. The article describes a recently finished project on media generations in Sweden and Estonia and discusses overcoming the problem of conducting research on mediatization as a long-term process. Through intergenerational and cross-cultural analysis, the article shows how media memories from childhood and the formative years of youth can reveal specific traits in the historical process and how the role of the media has changed over time in the minds of different generations. The article focuses on four generations that had their formative years during significant historical moments in the late 20th century; these formative moments were marked by specificities both in the respective national media landscapes and in the vast historical and geopolitical differences between the two countries.

  • 79.
    Bolin, Göran
    Södertörn University, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    The value of being public service: The shifting of power relations in Swedish television production2004In: Media Culture and Society, ISSN 0163-4437, E-ISSN 1460-3675, Vol. 26, no 2, p. 277-287Article in journal (Refereed)
  • 80.
    Bolin, Göran
    Södertörn University College, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Themed section introduction: Research on youth and youth cultures2004In: Young - Nordic Journal of Youth Research, ISSN 1103-3088, E-ISSN 1741-3222, Vol. 12, no 3, p. 237-243Article in journal (Other academic)
  • 81.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Value and the Media: Cultural Production and Consumption in Digital Markets2011Book (Other academic)
  • 82.
    Bolin, Göran
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Value production in media industries and everyday life2019In: Making Media: Production, Practices, and Professions / [ed] Mark Deuze and Mirjam Prenger, Amsterdam: Amsterdam University Press, 2019, p. 111-119Chapter in book (Other academic)
  • 83.
    Bolin, Göran
    Södertörn University College, Avdelning 3, Media and Communication Studies.
    Variations, media landscapes, history: frameworks for an analysis of contemporary media landscapes2003Report (Other academic)
  • 84.
    Bolin, Göran
    Södertörn University, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Visions of Europe: Cultural technologies of nation-states2006In: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 9, no 2, p. 189-206Article in journal (Refereed)
    Abstract [en]

    With the expansion of the European Union eastwards,nations have adopted various strategies for being included in the Europeancommunity. This article discusses examples of cultural technologies used bypost-communist countries in aligning with Western Europe. It is argued that thephenomenon is in fact not new, as the marketing of nations has occurred since atleast the World’s Fairs of the 19th century. However, while the World’s Fairsaddressed the nation-states of high industrialism, cultural technologies are thefeatures used in a post-industrialized context, where it is more important toimpress with abilities of symbolic production rather than with traditionalindustrial production. In terms of modernization processes, it can be argued thatthe increased emphasis on symbolic production indicates a shift fromtechno-industrial modernization to techno-cultural modernization.

  • 85.
    Bolin, Göran
    Södertörn University, School of Culture and Communication, Media and Communication Studies.
    Ökande mobilkommunikation2010In: Nordiskt ljus / [ed] Holmberg, Sören; Weibull, Lennart, Göteborg: SOM-Institutet, Göteborgs universitet , 2010, p. 443-451Chapter in book (Other academic)
  • 86.
    Bolin, Göran
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Heuristics of the Algorithm. Big Data, User Interpretation and Translation Strategies2015In: Big Data and Society, ISSN 2053-9517, E-ISSN 2053-9517, Vol. 2, no 2, p. 1-12Article in journal (Refereed)
    Abstract [en]

    Intelligence on mass media audiences was founded on representative statistical samples, analysed by statisticians at the market departments of media corporations. The techniques for aggregating user data in the age of pervasive and ubiquitous personal media (e.g. laptops, smartphones, credit cards/swipe cards and radio-frequency identification) build on large aggregates of information (Big Data) analysed by algorithms that transform data into commodities. While the former technologies were built on socio-economic variables such as age, gender, ethnicity, education, media preferences (i.e. categories recognisable to media users and industry representatives alike), Big Data technologies register consumer choice, geographical position, web movement, and behavioural information in technologically complex ways that for most lay people are too abstract to appreciate the full consequences of. The data mined for pattern recognition privileges relational rather than demographic qualities. We argue that the agency of interpretation at the bottom of market decisions within media companies nevertheless introduces a ‘heuristics of the algorithm’, where the data inevitably becomes translated into social categories. In the paper we argue that although the promise of algorithmically generated data is often implemented in automated systems where human agency gets increasingly distanced from the data collected (it is our technological gadgets that are being surveyed, rather than us as social beings), one can observe a felt need among media users and among industry actors to ‘translate back’ the algorithmically produced relational statistics into ‘traditional’ social parameters. The tenacious social structures within the advertising industries work against the techno-economically driven tendencies within the Big Data economy.

  • 87.
    Bolin, Göran
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Bjur, Jakob
    Overcoming the Barriers of Access, Newsworthiness and Organisational Forms of Academy and Stakeholders: Report from the Stakeholder­Academy Deliberations on 19 September, 20132014In: Building Bridges: Pathways to a Greater Societal Significance for Audience Research / [ed] Geoffroy Patriarche, Helena Bilandzic, Nico Carpentier, Cristina Ponte, Kim Schrøder & Frauke Zeller, Brussels: COST , 2014, p. 30-33Chapter in book (Other academic)
  • 88.
    Bolin, Göran
    et al.
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Ericson, Staffan
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Lindholm, Tommy
    Rörliga bilder i rörelse: Bildkulturens utveckling i det mobila samhället2010In: Medie-Sverige: statistik och analys. 2010 / [ed] Ulla Carlsson & Ulrika Facht, Göteborg: NORDICOM-Sverige , 2010, p. 9-16Chapter in book (Other academic)
  • 89.
    Bolin, Göran
    et al.
    Södertörn University, Avdelning 3, Media and Communication Studies.
    Forsman, Michael
    Södertörn University, Avdelning 3, Media and Communication Studies.
    Bingolotto: produktion, text, reception2002Book (Other academic)
    Download full text (pdf)
    Bingolotto: produktion, text, reception
  • 90.
    Bolin, Göran
    et al.
    Södertörn University College, Avdelning 3, Media and Communication Studies.
    Forsman, Michael
    Södertörn University College, Avdelning 3, Media and Communication Studies.
    Medien- und Kommunikationswissenschaft in Schweden: Zergliederung oder Ko-Existenz?2000In: Montage/AV. Zeitschrift für Theorie und Geschichte audiovisueller Kommunikation, ISSN 0942-4954, Vol. 9, no 1, p. 187-201Article in journal (Other academic)
  • 91.
    Bolin, Göran
    et al.
    Södertörn University College, Avdelning 3, Media and Communication Studies.
    Forsman, Michael
    Södertörn University College, Avdelning 3, Media and Communication Studies.
    Video2002In: Medie-Sverige: statistik och analys. 2001/2002 / [ed] Ulla Carlsson & Ulrika Facht, Göteborg: NORDICOM-Sverige , 2002, p. 281-310Chapter in book (Other academic)
  • 92.
    Bolin, Göran
    et al.
    Södertörn University, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Hammer, MonicaSödertörn University, School of Life Sciences.Kirsch, Frank-MichaelSödertörn University, School of Language and Culture, German language.Szrubka, WojciechSödertörn University, School of Political Science, Economics and Law, Political science.
    The challenge of the Baltic sea region: culture, ecosystems, democracy2005Collection (editor) (Other academic)
    Abstract [en]

    Since the collapse of the Soviet Union the Baltic Sea Region and Eastern Europe have attracted increasing interest from researchers from various disciplines. This book gathers researchers from the humanities, the social and natural sciences, who in their respective ways, and from a wide range of perspectives, attempt to come to grips with the challenges that the region poses for research.

  • 93.
    Bolin, Göran
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Hepp, Andreas
    University of Bremen, ZeMKI, Germany.
    The Complexities of Mediatization: Charting the Road Ahead2017In: Dynamics of Mediatization: Institutional Change and Everyday Transformations in a Digital Age / [ed] Driessens, Olivier; Bolin, Göran; Hjarvard, Stig; Hepp, Andreas, London: Palgrave Macmillan, 2017, p. 315-332Chapter in book (Refereed)
  • 94.
    Bolin, Göran
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Jerslev, A.
    University of Copenhagen, Copenhagen, Denmark.
    Surveillance through media, by media, in media2018In: Northern Lights, ISSN 1601-829X, E-ISSN 2040-0586, Vol. 16, no 1, p. 3-21Article in journal (Other academic)
    Abstract [en]

    Following the spread of digital media, the interdisciplinary field of surveillance studies has gained prominence, engaging scholars from the humanities and the social sciences alike. This introductory article aims to map out the main terrain of surveillance through, by and in the media. First, we discuss the phenomenon of, and the scholarly work on, surveillance through and by media, taking into consideration both state and corporate surveillance and how these activities have grown with the new digital and personal media of today. We then discuss surveillance as the phenomenon is represented in the media and how representations relate to surveillance practices. We conclude by presenting the articles of this special issue.

  • 95.
    Bolin, Göran
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Jordan, Paul
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Ståhlberg, Per
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    From Nation Branding to Information Warfare: The Management of Information in the Ukraine–Russia Conflict2016In: Media and the Ukraine Crises: Hybrid media practice and narratives of conflict / [ed] Mervi Pantti, New York: Peter Lang Publishing Group, 2016, p. 3-18Chapter in book (Refereed)
    Abstract [en]

    Scholarly attention regarding the conflict between Russia and Ukraine has mainly concentrated on so-called Russian propaganda, directed both towards Russian-speaking populations and the international public, but less attention has been paid to the management of information from Ukraine. In this chapter is proposed that the conflict between Ukraine and Russia has engaged an entirely new set of actors engaged in the management of information, most notably from PR and nation branding activities, as well as journalists, oligarchs and various individuals with an interest in Ukraine’s international image. These new actors bring with them competences, ideologies and practices from their field of origin which impact on the practice and expressive character of information warfare. In this chapter we analyse three domains of communication used by Ukraine to address external audiences; the Ukraine Crisis Media Centre (UCMC), the English language news channel Ukraine Today and the fact checking website StopFake. With a focus on both individuals as well as the institutions they represent, this chapter explores the way in which actors in Ukraine have attempted to shape the content of the messages communicated.

  • 96.
    Bolin, Göran
    et al.
    Södertörn University College, School of Culture and Communication, Media and Communication Studies.
    Lindholm, Tommy
    Film, video och DVD2007In: Medie-Sverige: statistik och analys. 2007 / [ed] Ulla Carlsson & Ulrika Facht, Göteborg: NORDICOM-sverige , 2007, p. 273-315Chapter in book (Other academic)
  • 97.
    Bolin, Göran
    et al.
    Södertörn University College, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Lindholm, Tommy
    Film, video och DVD2004In: Medie-Sverige: statistik och analys. 2004 / [ed] Ulla Carlsson & Ulrika Facht, Göteborg: NORDICOM-sverige , 2004, p. 325-385Chapter in book (Other academic)
  • 98.
    Bolin, Göran
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Miazhevich, G.
    University of Leicester, UK.
    The soft power of commercialised nationalist symbols: Using media analysis to understand nation branding campaigns2018In: European Journal of Cultural Studies, ISSN 1367-5494, E-ISSN 1460-3551, Vol. 21, no 5, p. 527-542Article in journal (Refereed)
    Abstract [en]

    Since the late 1990s, nation branding has attracted a lot of attention from academics, professional consultants and government actors. The ideas and practices of nation branding are frequently presented by branding advocates as necessary and even inevitable in the light of changing dynamics of political power and influence in a globalised and media-saturated world. In this context, some have argued that nation branding is a way to reduce international conflict and supplant ethno-nationalism with a new form of market-based, national image management. However, a growing body of critical studies has documented that branding campaigns tend to produce ahistorical and exclusionary representations of the nation and advance a form of ‘commercial nationalism’ that is problematic. Importantly, the critical scholarship on nation branding has relied primarily on sociological and anthropological theories of nationhood, identities and markets. By contrast, the role of the media – as institutions, systems and societal storytellers – has been undertheorised in relation to nation branding. The majority of the existing literature tends to treat the media as ‘neutral’ vehicles for the delivery of branding messages to various audiences. This is the guest editors’ introduction to the Special Issue ‘Theorizing Media in Nation Branding’, which seeks to problematise this overly simplistic view of ‘the media’ and aims to articulate the various ways in which specific media are an integral part of nation branding. It adopts an interdisciplinary approach and problematises both the enabling and the inhibiting potentialities of different types of media as they perpetuate nation branding ideas, images, ideologies, discourses and practices.

  • 99.
    Bolin, Göran
    et al.
    Södertörn University College, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Notini, Agnes
    Södertörn University College, Institutionen för medier, konst och filosofi, Media and Communication Studies.
    Character of Sample and Responses2005In: The media landscape of Södertörn 2002: media use, values and everyday life in southern Stockholm / [ed] Göran Bolin, Huddinge: Medie- och kommunikationsvetenskap, Södertörns högskola , 2005, 1, p. 57-76Chapter in book (Other academic)
  • 100.
    Bolin, Göran
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Skogerbø, Eli
    University of Oslo.
    Age, Generation and the Media2013In: Northern Lights, ISSN 1601-829X, E-ISSN 2040-0586, Vol. 11, no 1, p. 3-14Article in journal (Refereed)
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