sh.sePublications
Change search
Refine search result
12 51 - 71 of 71
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 51.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history.
    Platsens kommentator2009In: Katalog 38: Statens konstråd 2008, Stockholm: Statens konstråd , 2009, p. 145-149Chapter in book (Other (popular science, discussion, etc.))
  • 52.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    På drift2008In: Lena Gustavsson: konst 1991-2006 / [ed] Elisabeth Westerlund, Stockholm: Konstnärsnämnden , 2008, p. 58-60Chapter in book (Other (popular science, discussion, etc.))
  • 53.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Sinnenas måleri2012In: Haptiska blickar / [ed] Birgitta Burling, Stockholm: Birgitta Burling , 2012Chapter in book (Other (popular science, discussion, etc.))
  • 54.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Sofia Änghede2008In: Sofia Änghede # 1- 28, Stockholm: Galleri Mårtensson & Persson , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 55.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Taken from behind/In Front: färgfotografi, 2004, Maria Hedlund, ägare: Statens konstråd2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 70-Chapter in book (Other (popular science, discussion, etc.))
  • 56.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Tre steg från det obestämda: målat plexiglas, Gert Marcus, 2002, ägare: Huge fastigheter AB2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 20-Chapter in book (Other (popular science, discussion, etc.))
  • 57.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Without a trace2008In: Maria Friberg, Stockholm: Maria Friberg , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 58.
    Strandroth, Cecilia
    Södertörn University College, School of Culture and Communication, Art history.
    På resande fot i det digitala bildarkivet: ett brukarperspektiv2009In: I bildarkivet: om fotografi och digitaliseringens effekter / [ed] Anna Dahlgren, Pelle Snickars, Stockholm: Kungl. biblioteket , 2009, p. 91-120Chapter in book (Other academic)
  • 59.
    Strandroth, Cecilia
    Södertörn University College, School of Culture and Communication, Art history.
    The "New" History?: Notes on the Historiography of Photography2009In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 78, no 3, p. 142-153Article in journal (Refereed)
    Abstract [en]

    The French anthology Nouvelle Histoire de la Photographie, published in 1994 under the editorship of Michel Frizot and translated into English in 1998, has been recognized as presenting a new way of writing the history of photography. Its precursors were surveys of the development of photography as an art, imbued by a modernist aesthetics of media specificity. Conversely, Nouvelle Histoire de la Photographie is generally acknowledged as having illuminated more aspects of the multifaceted medium of photography, used for many ends other than art. While this article recognizes the book's departure from the model once provided by the histories of art, it claims that it has not similarly departed from the modernist evolutionary tendencies of its earlier precursors. In renouncing the influences from the history of art, it has in fact made these even stronger, turning the book into a celebration of the medium in itself.

  • 60.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Att måla med det vita bläcket: Monica Sjöö och Kosmos inom hennes livmoder2012In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 4, no 4, p. 105-128Article in journal (Refereed)
    Abstract [en]

    The article grapples with the painting Cosmos in her Womb from 1971, by the Swedish artist and British resident Monica Sjöö (1938-2005), which was recently acquired by the Museum of Modern Art in Stockholm. Sjöö is an artist that is both at the centre of feminist art history and somewhat kept to one side; her work is often included in larger surveys of feminist art, yet rarely interpreted. The article argues that in order to approach the painting, one has to look at it from within its own time and the women’s movement in the 1970’s in which the artist was heavily involved.

    In her article from 1975 Hélèn Cixous calls for women to start writing in white ink, an ink that is coloured by the experience of being born in a woman’s body. Sjöö’s painting was created a few years before and also Sjöö was, during her whole career, engaged with the idea of the “woman’s experience”. 

    The article argues that in whichever way this painting is approached, by understanding it’s figure, it’s symbolism, or even the roughness of the placard-like material (paint on masonite), it all falls back on the political and spiritual quest of Monica Sjöö. There can be no analysis of this work without taking into account the political situation and the need for expressing the woman’s experience during the late 1960s and early 1970s.  The article is a close study of this particular piece which is approached from a four different points of view: the historical context of the painting within the women’s movement; the need to speak from a woman’s experience; the political and theoretical differences of representing the woman’s body in art and lastly the idea of protest presented through the painting. 

  • 61.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Att se eller se för mycket2011In: Meta Isæus-Berlin: lockrop och dess efterskalv : Olle Nymans ateljé, Saltsjö-Duvnäs 13 maj-14 augusti 2011, Stockholm: Kajsa och Olle Nymans Stiftelse , 2011Chapter in book (Other (popular science, discussion, etc.))
  • 62.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Den tillgängliga otillgängligheten2010In: Evert Lundquist / [ed] Fredrik Liew, Stockholm: Moderna museet , 2010Chapter in book (Other academic)
  • 63.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Disrupted Perspectives: Interpreting "Friends" by Hanna Hirsch-Pauli2011In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 80, no 3, p. 153-167Article in journal (Refereed)
    Abstract [en]

    This article interprets the disrupted perspectives in Hanna Hirsch-Pauli's large scale painting Vanner (Friends) from 1900-1907. When Hirsch-Pauli turns to her living room in 1900 as a setting for her painting several agents are at play. The scene is staged in the Pauli's living room, where friends have gathered around Ellen Key, and the home is presented as a place for intellectual debate. It is a scene deeply embedded in the surrounding cultural and political life. The article looks into the importance of the home as a scene both within the picture and in society at large at the turn of the twentieth century. The article also argues that the setting in the home and the painting's twarthed compositions are related to the formation of identity. By identifying different types of perspectives such as the artist's presence in the image, or the direction of the gazes, certain aspects of otherness are discussed. Furthermore, through the social, historical and compositional setting of this painting some aspects of Hanna Hirsch-Pauli's disrupted perspectives are uncovered.

  • 64.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Envis överlevare som inspirerat generationer2010In: Svenska Dagbladet, ISSN 1101-2412, no 3 juni, p. 9-Article in journal (Other (popular science, discussion, etc.))
  • 65.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Fortsatt implementering av ett kritiskt genusperspektiv2012In: Genuspedagogiska gärningar: Subversiv och affirmativ aktion / [ed] Katarina Wadstein MacLeod, Maria Carlgren, Linda Fagerström, Johanna Rosenqvist, Vulkan förlag , 2012, p. 71-80Chapter in book (Other academic)
  • 66.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Hemmet som konstmotiv bär på sprängkraft2010In: Svenska dagbladet, ISSN 1101-2412, no 11 juli, p. 17-Article in journal (Other (popular science, discussion, etc.))
  • 67.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Intellektuell och ömsint konstmoder2010In: Svenska dagbladet, ISSN 1101-2412, no 22 oktober, p. 20-Article in journal (Other (popular science, discussion, etc.))
  • 68.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Människan, maskinen och måleriet: en tolkning av Trelleborgs hamns historia2009In: Monumentalmålningarna i Trelleborgs hamn / [ed] Johan Falkman, Malmö: Johan Falkman , 2009Chapter in book (Other (popular science, discussion, etc.))
  • 69.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Remebering Home2012In: Semi-Detached: Writing, Representation and Criticism in Architecture / [ed] Naomi Stead, Melbourne Australia: Uro Media , 2012, p. 139-151Chapter in book (Refereed)
  • 70.
    Wadstein MacLeod, Katarina
    Södertörn University College, School of Culture and Communication, Art history.
    Schneemann med rätta förargad2009In: Svenska dagbladet, ISSN 1101-2412, no 9 oktober, p. 21-Article in journal (Other (popular science, discussion, etc.))
  • 71.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Tårar, vatten, färg2010In: Reminiscenser ; Orfeus, Stockholm: Galleri Andersson Sandström , 2010, p. 4-9Chapter in book (Other (popular science, discussion, etc.))
12 51 - 71 of 71
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf