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  • 351. Myrstener, Pella
    En orientalisk fantasi: om illustrationerna till Lennart Hellsings Kanaljen i Seraljen från 19562016In: Opsis barnkultur, ISSN 0283-653X, no 1, p. 42-46Article in journal (Other (popular science, discussion, etc.))
  • 352. Myrstener, Pella
    Giorgio de Chirico och motivet Piazza d'Italia2017In: Romhorisont, ISSN 0349-5590, no 66, p. 13-14Article in journal (Other (popular science, discussion, etc.))
  • 353.
    Myrstener, Pella
    Södertörn University, School of Culture and Education.
    Liss Eriksson, Arne Jones, Knut-Erik Lindberg och "1947 års män": En kultursociologisk studie av vägval och karriärer2013Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    I have studied the Swedish artist formation ”1947 års män” with a sociological perspective based on the ideas of Pierre Bourdieu. I initially made a study of the group as a whole, and after that I chose to focus on the sculptors Liss Eriksson, Arne Jones and Knut-Erik Lindberg. I have examined why some of the artists in the formation became more successful than others. My results show that the ones who were versed in culture or came from an economically or intellectually stronger background also were considered to be the most pioneering artists. These artists also were the ones who became noticed by the art critics at their break-through exhibition in Stockholm in 1947. The art critics’ reviews likely had an impact on the future careers of the artists, as well as on the extent of which they came to be reminded today. 

  • 354.
    Myrstener, Pella
    Uppsala universitet.
    Porten till Österlandet: Exotism och fantasi i Lennart Hellsings vers "Istanbul" med illustration av Stig Lindberg2016In: Dragomanen: Årsskrift utgiven av Svenska Forskningsinstitutet i Istanbul, ISSN 1402-358X, Vol. 18, p. 61-71Article in journal (Other academic)
  • 355.
    Nagano Holm, Maya
    Södertörn University, School of Culture and Education.
    Konstruktioner av "Kina" genom typografi: En analys av exotypsnitt och filmaffischen Charlie Chan i Kina (1935)2018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay examines a typeface used for Roman letters meant to connote ”China” as an exotic and foreign place, within Swedish visual culture history. I examine this typeface using Swedish film posters by Eric Rohman (1891-1949) from the Charlie Chan-series from the years 1934-1940, focusing on the poster Charlie Chan i Kina (1935). The purpose is to examine constructions of ”the Chinese” and ”China” in these posters, and how this specific typeface has been used in these depictions as well as been constructed in relation to these ideas. Through a semiotic model for image analysis and the appliance of postcolonial studies, critical race theory and visual culture studies, I arrive at several conclusions. By imitating Chinese calligraphic visual elements, the typeface in Charlie Chan i Kina has the ability to connote ”China” as an exotic, traditional and foreign place, for a white Swedish audience. The analysis discusses the semiotic functions of the typeface in relation to contexts of the film poster, Swedish visual culture history and discourses concerning race in Sweden.

  • 356.
    Neuhauser, Charlott
    Stockholms universitet.
    Fruktansvärd, ospelad och nyskriven - kriser och konflikter kring ny svensk dramatik: från Gustav III:s originaldramatik till dagens beställningsdramatik2016Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The issue of this thesis concerns a selection of historical debates in which new Swedish drama is under discussion. The studied debates take place in the cultural and political fields and within the fields of theater and literature and deal with a recurring assumption in Swedish theatre history – that new Swedish drama is insufficient. The primary object of this thesis is to find explanations to: why is the Swedish new drama so often described as defective? The following questions, guiding the analysis, are: How are the crises described? What are the stakes? How has the dramatic text been influenced by being judged either as literary product or a product for the stage? How is the playwright’s role described, and perhaps changed, in the crises? The aim of the analysis is to understand how traditions and conventions are shaping the debates and contribute to perpetrate the myth of the malfunctioning Swedish new play.

    In a historical perspective several attempts have been made to govern new Swedish drama by legislative and political power. New Swedish drama has, for example, been viewed as a possible expression of the nation, as part of shaping the Swedish Welfare state or creating interactive communication with the audience. Despite its many uses, new Swedish drama continues to be describes as flawed.

    The study starts with King Gustav III:s Swedish theatre where the purpose was to produce Swedish original plays. The study ends with an analysis of a new government grant for new Swedish drama, which was installed in 1999. The chosen debates are analyzed with the help of concepts borrowed from the French sociologist Pierre Bourdieu, looking at each historical situation as a possible moment for the establishment of the field ”new Swedish drama”. The survey ends with eight interviews with playwrights, who are active today.

    The conditions for the new Swedish drama are the guiding line in this thesis. These conditions are found in the cultural, social and historical contexts that cooperate when a taste or convention is being shaped. They are part of the discourses in the field, where criteria for the new Swedish drama is formulated. In order to understand the significance of, for example, the expression, ”the newly written Swedish drama” research has been pursued in biographical material, historical surveys, and debates in the daily press and in professional journals.

    Without being a full bourdieuan analysis, the thesis is using concepts from Bourdieu. The work of British feminist theatre historian Tracy C Davis inspires the critical historic perspective.

  • 357.
    Neuhauser, Charlott
    Stockholms universitet.
    Minnesplatsen som process och performace: Det urbana konstverket2012In: Peripeti, ISSN 1604-0325, E-ISSN 2245-893X, no 18, p. 35-44Article in journal (Refereed)
  • 358.
    Neuhauser, Charlott
    Stockholms universitet.
    New swedish plays: A new genre?2013In: Text in Coontemporary Theatre: The Baltics within the World Experience / [ed] Guna Zeltina, Cambridge: Cambridge Scholars Publishing, 2013, p. 98-106Chapter in book (Refereed)
  • 359.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Abstraktion för demokrati: Gert Marcus i Huddinge2016In: Konsten på Södertörn: Art at Södertörn University / [ed] Annika Öhrner, Huddinge: Södertörns högskola, 2016, p. 8-29Chapter in book (Other academic)
  • 360. Nilsson, Håkan
    Annika Larsson: dominance and submission2002In: Parkett, ISSN 0256-0917, no 64, p. 144-152Article in journal (Other (popular science, discussion, etc.))
  • 361.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Anteckningar kring Olle Baertlings öppna form2003In: Baertling, Halmstad: Mjellby konstgård , 2003Chapter in book (Other (popular science, discussion, etc.))
  • 362.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Artistic research and the grammar of painting2014In: Studio Talks: Thinking Through Painting / [ed] Bength, Kristina, Stockholm: Arvinius + Orfeus , 2014, p. 155-168Chapter in book (Other academic)
  • 363.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Beyond the Borders: Elgaland-Vargaland and Association for Temporary Art2017In: A Cultural History of the Avant-Garde in the Nordic Countries, Vol. 4, 1975-2000 / [ed] Benedikt Hjartarson, Camilla Skovbjerg Paldam, Laura Schultz and Tania Ørum, Rodopi, 2017Chapter in book (Refereed)
  • 364.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Bilder av verkligheten2007In: Anna Kleberg, Uppsala: Uppsala konstmuseum , 2007, p. 47-50Chapter in book (Other (popular science, discussion, etc.))
  • 365. Nilsson, Håkan
    Bortom gott och ont2000In: Flown Over by an Old King, Stockholm: Färgfabriken , 2000Chapter in book (Other (popular science, discussion, etc.))
  • 366.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Charlotte Gyllenhammar2004In: Charlotte Gyllenhammar / [ed] Magnus Jensner, Evalena Lidman, Stockholm: Carlsson , 2004Chapter in book (Other (popular science, discussion, etc.))
  • 367.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Clay Ketter: Faux terrain2010Other (Other (popular science, discussion, etc.))
  • 368. Nilsson, Håkan
    Clay Ketter: Materializing the context2002In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 71, no 1-2, p. 39-44Article in journal (Refereed)
  • 369.
    Nilsson, Håkan
    Stockholms universitet.
    Clement Greenberg och hans kritiker2000Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation, using a genealogical perspective, examines American art critic Clement Greenberg and why he has become the foremost representative of modernism in much of contemporary, postmodern art criticism. The minimalist break with Greenbergian modernism (esthetic/formalism) during the Sixties has played, and continues to play, an important role in art theory. The break meant a shift from the esthetic/formalist concept that states that works of art can only be judged a media's specific standards-and that this is what makes it possible to talk about "quality"-to the less static concept of "interest," allowing for a pluralistic art scene. What is most important in this context is that minimalism brought about this change by building on a conflict inherent in the esthetic/formalist conception of art-that conflict being between the avant-garde's dynamic need for development, and the static notion of quality. Minimalism, then, transgressed modernism by embracing avant-garde's need for progress. And it is Greenberg's definition of modernism that eventually made this conflict appear.

    Minimalism's break with modernism is still of great importance in two ways. First, it provides arguments in defense of the pluralism of the Sixties against those who have claimed that this pluralism was only a vague copy of the avant-garde during the early twentieth century. It also allows for arguments in favor for certain expressions and against others in the pluralistic art filed-pluralism does not mean that anything goes.

    The notion of avant-garde is of great significance in this dissertation. It is the conflict between Greenberg's understanding of avant-garde and its need for development, and the static idea of the media-specific, that in the end allows minimalism to transgress modernism. The way in which minimalism transgresses modernism allows the "neo-avant-garde" of the Sixties to reconnect to the practices of the "historical" avant-garde from the early twentieth century. It remains important, even in the pluralistic art field, to differ between "true" and "false" avant-garde. All these arguments point to the importance of Greenberg, a figure so important that had he not existed, he would have to have been invented.

  • 370.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Collective Modernism: Synthesising the Arts, Engaging in Society2017In: Art in Transfer in the Era of Pop: Curatorial Practices and Transnational Strategies / [ed] Annika Öhrner, Huddinge: Södertörns högskola, 2017, p. 289-319Chapter in book (Refereed)
  • 371.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    De rätta proportionerna2007In: Olle Baertling: en modern klassiker / [ed] John Peter Nilsson, Øystein Ustvedt, Marianne Yvenes, Stockholm: Moderna museet , 2007Chapter in book (Other (popular science, discussion, etc.))
  • 372.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Den som söker dragga: Om Helena Brunius2017In: Helena Brunius Homeward Bound, Stockholm: Cornelia Sojdelius Gallery , 2017, , p. 2p. -2Chapter in book (Other (popular science, discussion, etc.))
  • 373. Nilsson, Håkan
    Den totala revolutionen = The Total revolution2001In: Erfarenhet - upplösning: [Göteborgs internationella konstbiennal 9 juni-16 september 2001] / [ed] Annika Öhrner, Peter Samuelsson, Göteborg: Göteborgs internationella konstbiennal , 2001, p. 13-17Chapter in book (Other (popular science, discussion, etc.))
  • 374.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Det magiska finns kvar2006In: Me myself and I, Stockholm: Artplattform , 2006Chapter in book (Other (popular science, discussion, etc.))
  • 375.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Det mediespecifika i ett postmedialt tillstånd: Om fotografins roll hos tre svenska konstnärer2012In: Det åskådliga och det bottenlösa: tankar om konst och humaniora tillägnade Margaretha Rossholm Lagerlöf / [ed] Thomas Björk, Stockholm: Konstvetenskapliga institutionen, Stockholms universitet , 2012Chapter in book (Other academic)
  • 376.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Ett fiktivt landskap2018In: Danstidningen, ISSN 1102-0814, no 2, p. 22-23Article in journal (Other (popular science, discussion, etc.))
  • 377.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Ett sorgearbete: Om Kajsa Breitholtz2018In: Kajsa Breitholtz: lost time (insearchofeldorado), Stockholm: Cornelia Sojdelius Gallery , 2018, , p. 4Chapter in book (Other (popular science, discussion, etc.))
  • 378.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Eva Kerek En dag en vecka: [i utställningskatalog]2014Other (Other (popular science, discussion, etc.))
  • 379.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Eva Sjöberg2009Book (Other (popular science, discussion, etc.))
  • 380.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Figuring the recognizable2005In: Xavier Veilhan: le plein emploi, Strasbourg: Musées de Strasbourg , 2005Chapter in book (Other (popular science, discussion, etc.))
  • 381.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Färgrum och gränslinjer: målad metall, 1997, Gert Marcus, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Hudding: Huge fastigheter , 2007, p. 46-Chapter in book (Other (popular science, discussion, etc.))
  • 382.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Gert Marcus: Konstformernas fenomenologi2013In: Gert Marcus: Distansens förvandling / [ed] Françoise Ribeyrolles-Marcus, Stockholm: Carlsson Bokförlag, 2013, p. 87-104Chapter in book (Other (popular science, discussion, etc.))
  • 383.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Hans Isaksson2006In: Hans Isaksson: Works 1998-2006, Stockholm: Roger Björkholmen Galleri , 2006Chapter in book (Other (popular science, discussion, etc.))
  • 384.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Helena Isoz: Svävar, Driver2013In: Katalog 42: statens konstråd 2013, Stockholm: Statens konstråd , 2013Chapter in book (Other (popular science, discussion, etc.))
  • 385.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Hertha Hanson. Poetisk pragmatik – pragmatisk poetik2012Other (Other (popular science, discussion, etc.))
  • 386.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Horisontella berättarplan: Om Cecillia Hultman2016In: Som ur hål funna principer: Cecilia Hultman, Stockholm: Cornelia Sojdelius Gallery , 2016, , p. 24Chapter in book (Other (popular science, discussion, etc.))
  • 387.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    I blickfånget: om skärningspunkten mellan det offentliga och det privata i Charlotte Gyllenhammars konst2007In: Katalog 36: Statens konstråd 2006, Stockholm: Statens konstråd , 2007, p. 169-175Chapter in book (Other (popular science, discussion, etc.))
  • 388.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Ingela Palmertz2015In: Artwork / Ingela Palmertz, Göteborg: Ingela Palmertz , 2015Chapter in book (Other (popular science, discussion, etc.))
  • 389.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Kobro & Strzemiński: New Art in Turbulent Time: Malmö, Moderna Museet, 10/3-2/9, 20182019In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 88, no 1, p. 54-57Article, book review (Refereed)
  • 390.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Konsten med nya medier2005In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 74, no 4, p. 198-208Article in journal (Refereed)
  • 391.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Krig mot helheten: Phauss/Radium 226.052010In: Omskakade spelplan: Konsten i Göteborg under 1980 och 1990talen / [ed] Kristoffer Arvidsson & Jeff Werner, Göteborg: Göteborgs konstmuseum , 2010, p. 64-84Chapter in book (Other academic)
  • 392.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Lars Arrhenius: Coming to Terms with the Eternal Return2005In: Merge : sound, thought, image, ISSN 1402-6570, p. 26-27Article in journal (Other (popular science, discussion, etc.))
  • 393.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Learning education2012In: What do Artists Know? / [ed] James Elkins, University Park, Pennsylvania: The Pennsylvania State University Press , 2012, p. 186-188Chapter in book (Refereed)
  • 394.
    Nilsson, Håkan
    Södertörn University, School of Culture and Communication, Art history. Konstfack.
    Machine Head: On the art of Robert Henke2010Other (Other (popular science, discussion, etc.))
  • 395.
    Nilsson, Håkan
    Södertörn University, Institutionen för medier, konst och filosofi, Art history.
    Mari Rantanen: skiktningar och sammanflätningar2005In: Mari Rantanen: svenska bilder = Swedish pictures, Mari Rantanen , 2005, p. 6-13Chapter in book (Other (popular science, discussion, etc.))
  • 396. Nilsson, Håkan
    Maria Hedlund2002In: Oito relatos nórdicos: Santiago de Compostela : 11 de xullo - 15 de setembro de 2002 / [ed] Isabel Méndez, Santiago de Compostela: Xunta de Galicia , 2002Chapter in book (Other (popular science, discussion, etc.))
  • 397.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Mellan det individuella och det generella2006In: Konstruktiv tendens 25 / [ed] Françoise Ribeyrolles-Marcus, Stockholm: Konstruktiv tendens , 2006, p. 6-7Chapter in book (Other (popular science, discussion, etc.))
  • 398.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Måleriets rum2009Book (Other academic)
  • 399.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Nätverksteoretikern2018In: Kunstkritikk.no, ISSN 1504-0925, E-ISSN 1504-0925, no 2 novemberArticle in journal (Other (popular science, discussion, etc.))
  • 400.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Originella kopior2004In: Falskt och äkta / [ed] Görel Cavalli-Björkman, Stockholm: Nationalmuseum , 2004Chapter in book (Other (popular science, discussion, etc.))
567891011 351 - 400 of 715
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