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  • 301.
    Nilsson, Håkan
    Södertörn University College, School of Culture and Communication, Art history.
    Without a trace2008In: Maria Friberg, Stockholm: Maria Friberg , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 302.
    Nilsson, Håkan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Xavier Veilhan: connecting things2004In: Merge : sound, thought, image, ISSN 1402-6570, no 13, p. 38-46Article in journal (Other (popular science, discussion, etc.))
  • 303.
    Nilsson, Håkan
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    You can Ride my Tail Anyday2015In: The Great Runaway, Uppsala: Uppsala konstmuseum , 2015, , p. 24Chapter in book (Other (popular science, discussion, etc.))
  • 304.
    Nilsson, Håkan
    et al.
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Lindstrand, Tor
    KTH.
    Sous les Pavés, les Pavés2016In: Hjärnstrom, ISSN 0348-6958, no 123-124, p. 44-50Article in journal (Other (popular science, discussion, etc.))
  • 305.
    Nolin, Catharina
    Stockholms universitet, Sverige.
    Landskapsarkitektur och hållbarhet i ett långt tidsperspektiv2024In: Ekologisk konstvetenskap / [ed] Anna-Maria Hällgren; Dan Karlholm, Huddinge: Södertörns högskola, 2024, p. 155-173Chapter in book (Refereed)
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    Landskapsarkitektur och hållbarhet i ett långt tidsperspektiv
  • 306.
    Nordström, Joel
    Södertörn University College, The School of Culture and Communication.
    Att måla med ord: En analys av Bengt Emil Johnsons användning av orden som visuellt medel i verket "Omkoppling. (Till Öyvind Fahlström.)"2007Student paper second term, 5 points / 7,5 hpStudent thesis
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    FULLTEXT01
  • 307.
    Nordvall, Maria
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Samiska ceremonitrummors inre och yttre värld: En studie av två goavdát och deras museala representation2017Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This essay examines the represention of sami drums (goavdát) at museums in Sweden. I performed a case study of two exhibitions at different museums, focusing especially on one drum in each. The museums consisted of Nordiska museet in Stockholm and Ájtte – Swedish mountain and sami museum in Jokkmokk. The purpose was to examine them from a viewpoint based on the perception of a both historical and ongoing situation of colonialism of the sami people. The motivation to study museums derives from the idea that museum possesses an ability to create value. In combination with the exhibition I also studied the original function of the drums and interpreted the images on them. The investigation showed diffrent problematic issues in the exhibitions: Ájtte has a deficiency of space which complicates a dialog between the drum and the visitor. Nordiska museet creates a conception of the drums as reduced to a central object in a colonial process without any concerns of the native use. This results in an urge to either establish new exhibitions or updated the ones that already exist since the museums are part of creating a picture of sami identity for the public and therefore - creates value.

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  • 308.
    Nystedt, Helena
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Tävlingen som uteblev: Om urvalet till monumentet över Fredrika Bremer i Humlegården 19272021Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    A monument over the Swedish early women’s rights protagonist Fredrika Bremer (1801- 1865) was raised in 1927 at Humlegården in Stockholm. The project with the monument lasted for many years and was subject to debates in the public press. The idea was a competition, but it was never announced. The purpose with this essay is to increase knowledge and understanding of the selection for the monument over Fredrika Bremer. I have performed image analysis of the proposals for the monument that a group of experts were requested to review by the committee for raising of the statue in late 1924 before a decision was made by them in early 1925, and I have exposed and analysed the review statements from the group of experts regarding the proposals. In my investigations it became clear that the proposals for the monument were made in a time when innovative classicism meets modernism, i.e. Rodin versus Bourdelle. I also concluded that character, monumentality and expression are phrases that the group of experts used in their opinions on the proposals as statements without specifying in detail. Their writing of the words implicitly uncovers a breakthrough of modernist style for monuments over a person, thereby adding to attributing the terms character, monumentality and expression a new modernist discourse regarding monuments over a person.

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  • 309.
    Odebrant, Joel
    Södertörn University, School of Culture and Education, History and Theory of Art. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    Spår, kropp, tid: En undersökning av den måleriska gestens materialitet 1952–19652024Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation examines the materiality of the painterly gesture in painting associated with abstract expressionism and art informel. A recurring feature in the descriptions of this art is that it is said to point to, or be about, the individual artist; either as an expression of the inner life of the artist through the free, improvised strokes on the canvas, or in relation to social and historical contexts where individuality have been understood as suppressed by the effects of industrialism or by collectivist state policy. In this study, the perspective is instead directed towards the painterly gesture and its materiality. Style labels and historical explanatory models are put in brackets and the focus is instead on the painterly gesture as such. The painterly gesture is the overarching analytical concept from which the artworks are analyzed, and throughout the analytical chapters the concept is developed and deepened in an accumulative process. The aim of the thesis is to develop concepts and methods for describing and interpreting the painterly gesture from a materiality perspective. This is done by examining fifteen paintings from the late 1950s and early 1960s by nine artists from Sweden, Poland and former Czechoslovakia. The study concentrates on close analyses of the paintings with a focus on the materiality of the artworks. The analyses establish and discuss concepts and perspectives on the paintings, which represent different material, formal and theoretical aspects of the painterly gesture. The aspects of the painterly gesture treated are the painterly gesture as an abductive index; the painterly gesture as an expression of corporeality; the painterly gesture as visualizing heterochrony, i.e. a perception of time as multiple. The study suggests that the painterly gesture can be understood a material node, i.e. a branching point, which intertwines absent and present bodies, spaces and temporalities. The meaning structure of the painterly gesture is polysemic and depends on the way the materiality is included in relations both within and outside the structure of the artworks.   

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    Spår, kropp, tid: En undersökning av den måleriska gestens materialitet 1952–1965
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  • 310.
    Olsson, Daniel
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Sosaku hanga på Östasiatiska museet idag och imorgon2020Student paper other, 5 credits / 7,5 HE creditsStudent thesis
    Abstract [sv]

    Den japanska träsnittsrörelsen sosaku hanga utgör ett betydande men föga uppmärksammat konsthistoriskt kapitel. Under dess aktiva år från 1900-talets början fram till 1960-talet, introducerade den radikala förändringar hos Japans träsnittspraktik, samt kom att ur flera aspekter exemplifiera världshistorisk växelverkan. Östasiatiska museets drygt femtio sosaku hanga-föremål utgör en av de få offentliga samlingarna av rörelsen i Sverige. Kunskapen om och förmedlingen av denna samling har dock varit begränsade. I denna vetenskapliga rapport presenteras därför en grundlig studie av museets sosaku hanga-samling; dess omfattning, förvärv och proveniens, samt nyligen utförda exponeringar. Studien lägger således en grund för en framtida aktivering av samlingen som kan gynna institutionens uppdrag och vision. Rapporten utfördes i samband med en praktik på Östasiatiska museet under hösten 2020.

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  • 311.
    Olsson, Daniel
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Vad är sosaku hanga?: En studie av den japanska träsnittsrörelsens ankomst till Sverige under 1950- och 1960-talen2019Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    Sosaku hanga was a Japanese woodblock print movement active during the first half of the 20th century. Described by many as ”modern japanese prints”, the movement introduced radical changes to the woodblock printmaking of the Edo era, many of which were the result of its influences from European modernism. During the 1950s and 1960s it received international success and reached several countries across the world, including Sweden. This thesis examines how sosaku hanga was received and treated by various Swedish art institutions during this time. The study looks at, among other things, how these institutions relate themselves to the movement’s different elements, and in a broader sense how Sweden as a western country relates itself to the woodblock prints as non-western objects. The driving issue revolves around what sosaku hanga becomes at a certain place, depending on the qualities of the place as well as itself.

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  • 312.
    Parnemar, Susanne
    Södertörn University College.
    Järnboden: ett postindustriellt utställningsrum2007Independent thesis Basic level (university diploma), 5 credits / 7,5 HE creditsStudent thesis
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    FULLTEXT01
  • 313.
    Pergefors, Johanna
    Södertörn University College, The School of Culture and Communication.
    Konstvägen Sju Älvar: Monumentalitet i Norrlands skogar2006Independent thesis Basic level (degree of Bachelor), 20 points / 30 hpStudent thesis
    Abstract [en]

    An analysis of Konstvägen Sju Älvar, an exhibition of modern Nordic sculpture along a road trough the wilderness of Northern Sweden. Konstvägen is a project for public art and contemporary art in northern Sweden. The intention is to see what happens when you exhibit art alongside a road and what function it fills. By comparing the qualities of Konstvägen to the qualities of a monument Konstvägen and it’s exhibitional functions are sought to be understood.

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    FULLTEXT01
  • 314.
    Persson, Allan
    Södertörn University College, The School of Culture and Communication.
    Prins Eugen som monumentalmålare: A study of mural painting as an artform2006Independent thesis Basic level (degree of Bachelor), 10 points / 15 hpStudent thesis
    Abstract [en]

    The aim of this essay is to examine the relationship between picture and room, between wallpainting and architecture. The basis for such exploration is the mural painting in Sweden at the turn of the 20th century, and the artist in focus is Prince Eugen (1865-1947).

    His works "Sommar"(1904), "Rimfrosr"(1909) & "Staden vid vattnet"(1922) and the rooms in which they are in make for an anlysis concerning how the totality of the space is experienced by the viewer.

    The main issue in mentioned expeience is how the mural is perceived with regard to the other elements in the room. And here, the walls' "flatness" enhancing its decorative qualities plays in. The problem with a mural built on the principles of perspective becomes evident when a wall is seen to vanish through the painting of an illusion on it.

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    FULLTEXT01
  • 315.
    Persson, Cornelia
    Södertörn University, School of Culture and Education.
    Konstnärliga uttryck på läktaren: En visuell analys av fyra tifon skapade av Hammarby IF:s supportrar under åren 2021–20232023Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay examines the artistic dimension of supporter culture, with a particular focus on the organized choreographies that take place in football stadiums, commonly known as tifos. The study aims to analyze representations of tifos and the role they play within the supporter culture of the Swedish football team Hammarby IF. The research questions to be explored are: What overarching role does tifo fulfill and in what ways can these created visual elements be linked to and influence identity within the supporter culture of Hammarby IF? To achieve this, I have contacted photographers and selected four different tifos that convey distinct themes and messages. The material is analyzed drawing upon theories such as visual cultural studies, semiotics, and performativity theory. The methodology involves annotating and connotating the visual elements to uncover underlying meanings of what is displayed. As a result, the study reveals how the different tifos primarily represent identity, rivalry, societal critique and homage, thereby contributing to a deeper understanding of the interplay between art, sports, and culture.

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  • 316.
    Pettersson, Jimmy
    Södertörn University College, School of Culture and Communication.
    Analys av meningsskapandet i Hannah Höchs fotomontage Schnitt mit dem küchenmesser Dada durch die letzte weimaren bierbauchkulturepoche Deutschlands2009Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This paper examines Hannah Höchs photomontage Schnitt mit dem Küchenmesser Dada durch die letzte weimaren bierbauchkulturepoche Deutschlands. The paper has as its aims to understand and analyze the predominated allegorical interpretation of Schnitt and to develop a logic how meaning is produced when a viewer look at Schnitts surface. The paper finds that the predominated interpretation has been arbitrarily created out of a specific spectator that acts in a specific context and conclude instead that the predominated interpretation should be understood as a potential interpretation by a potential viewer. The paper continues to create an understanding of Schnitt as a flatbed picture to establish that as a postulate and to use it in the later semiotic dissection of Schnitts surface. The paper then semiotically explains how a viewers meaning is produced by creating a chain with Schnitts photographical fragments and connecting these with syntagmatic relations.

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  • 317.
    Pettersson, Jimmy
    Södertörn University College, School of Culture and Communication.
    Viking Eggeling och Diagonalsymfonin: en dematerialisering av konstobjektet2011Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    The aim of this thesis is to study Viking Eggeling’s artwork Diagonal Symphony together with Eggeling’s own art theoretical writings. This method of reading Eggeling’s art theoretical writings with the aim to try and create a deeper understanding of his art and especially Diagonal Symphony is a new approach in Eggeling’s art historical discourse. The thesis starts with a description of how the field of art history has understood Eggeling and his art primarily through art historical research aimed at Hans Richter. I then argue that the method of understanding Eggeling’s art through his own art historical writings is a way to create an independent understanding about Eggeling’s art away from it’s explanatory relation with Richter. To understand and to analyze the relation between Eggeling’s art and art theoretical writings the thesis theoretical viewpoint are a system theoretical one with a special focus on cybernetics and the terms feedback and control. The thesis then establish that Eggeling, in his art and art theoretical writings, tried to compose his own method for creating the form figures we can see appearing in Diagonal Symphony and that this method of creating form was a way for Eggeling to control his creativity and to build up a structured system of forms. The study then concludes with the statement that Eggeling worked with the movie and the scrolls Diagonal Symphony as artistic material formations of a system of forms called Diagonal Symphony and that the system of forms called Diagonal Symphony is the result of Eggeling’s systematic method to generate form in a structured and organised way. 

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  • 318.
    Qader, Shahram
    Södertörn University, School of Culture and Education.
    Konst och exil: En undersökning av Shirin Neshats fotografi och videokonst i relation till exil2013Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    The Iranian artist Shirin Neshat has been living in self-imposed exile since the late 1970s, as she chose not to return to her home country following the ‘79 Islamic Revolution. Through her works Neshat examines Iran before and after the revolution and follows political and civil transformations through strong photographs of women in her country of birth.  My own use of the term exile deals with the analysis of the state of exile in relation to artistic work as a globalized and underlying motivation for art and artists. The new definition of exile is analyzed in relation with the artist’s photographs and the verbal and visual statements. The verbal and visual photographs in the work of Neshat are related to the term exile through different allegories and metaphors that are to be found in lyricist Rumi’s classical poetry, the Bible and the Quran.

    The artist’s use of the visual photographs where women appear with hijab covering their hair and with weapons in their hands- in some pictures without any audience at all, in others decorated with different calligraphic texts- are combined with the verbal photograph which is created through music (song) and language. The verbal and visual statements complete one another in a united effort to visualize exile as a term, therefore every attempt to separate these two a part, will inevitably deprive the audience of the statement itself, which is in this case the psychoanalytical inner exile. One does not have to be outside her home to feel the state of exile; it can be felt mentally even if one is at home. The inner exile is a global experience. This form of exile is born when the community is categorized from two extremes, with one side of the equation possessing power and the other being classified as weak and ”the other”. I use the status of women in Iran as an example in my investigation, where women are at home but are still very much outside of it, alienated for their gender (sex). 

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  • 319.
    Ragnestam, Maria
    Södertörn University College, The School of Culture and Communication.
    Drapering av en illusion: En komparativ studie med utgångspunkt i fotografierna av Leila Khaled och Shirin Neshat2007Independent thesis Basic level (degree of Bachelor), 10 points / 15 hpStudent thesis
    Abstract [en]

    The aim of this paper is to perform a comparative study between the photography’s of Leila Khaled and Shirin Neshat in order to observe if the woman are able to recede from an conventional formation to become the bearer of the veil and not only reduced to that which

    needs to be concealed. From a feministic perspective I have observed how the symbolic of the veil moulds the woman and how the woman in her context moulds the veil.

    In the description of the news photography of Khaled and the art photography produced by Neshat the mechanisms that lies as a foundation for the modelling of the portraits becomes

    the essays primary entrance. Mechanisms that evolve around the creation of the woman as aconcept, a subject shaped for being looked at and the woman’s self-image through others.

    The textual discourse is visually enhanced through a comparative picture material visually enhanced and explained through photographs by the contemporary artist photographers Cindy Sherman, Catherine Opie, Laurie Simmons, Robert Mapplethorpe and Elin Berge. The visual comparative material also interacts with the essays primary picture material and further expresses the oppression of the woman that occurs irrespective of culture through a patriarch cal gender system.

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  • 320.
    Redin, Staffan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Danska guldåldrar: Iscensättningar av en konstepok på Nationalmuseum 1964 och 20192019Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Danish Golden Age was the title of two exhibitions at Nationalmuseum in Stockholm 1964 and 2019, that exhibited art from the early 19thcentury Denmark. To a large extent the same artworks were included in both exhibitions, but their display and the general presentation were in many respects different. My paper researches how the objects of art were installed and by what means exhibition architecture, wallpaint, scenography and lighting was utilized in the designing of the exhibitions. Apart from the creation of a spatial and scenographic context for the objects of art, the 2019 version presented a lot of informative text within the exhibition. According to the cultural theorist Mieke Bal there is no neutral context for a work of art but an exhibition is always also an argument and a statement. Every single part of the exhibition is a demonstrative utterance. In both exhibitions colour was utilized in order to create both a sentiment and a narrative. Colour evokes emotions and associations founded in both individual and cultural experiences. By using colours that resembled those found in the paintings, the viewer moving through the rooms, was intended to have the experience to be surrounded by ”Golden Age colours”.

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    Danska guldåldrar
  • 321.
    Renkse, Rasmus
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Det surrealistiska bilduttryckets diskurs i konstvetenskaplig kurslitteratur: En historiografisk studie av stilmässig generalisering2020Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The discourse of pictorial surrealistic expressions in art historic course literature – a historiographic study about generalization of style. Through a historiographic perspective and discourse analysis the aim of this study is to uncover the ways art historic course literature make its stylistic categorization. This is done by making a semiotic categorization where three artworks are stipulated into a category called surrealistic pictorial expressions. The result of the semiotic picture analysis show both the semiotic grouping of pictures together and the work of the course literature as somewhat arbitrary, which lead to the questioning of why artworks are considered discursive objects while the course literature is not as well as how the narrative of pictures differs from the narrative of textbooks. The study shows a fundamental difference regarding the structuring of time which lead to a discussion on what might be the consequences for students of the field.

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  • 322. Rodell, Magnus
    Från kungar till klumpar2004In: Forskning och framsteg, ISSN 0015-7937, no 3Article in journal (Other (popular science, discussion, etc.))
  • 323. Rodell, Magnus
    Stari Most: historien, förstörelsen, återinvigningen2008In: Valör, ISSN 0283-751X, Vol. 1, p. 14-23Article in journal (Other academic)
  • 324.
    Rohdin, Mats
    et al.
    Kungliga biblioteket.
    Öhrner, AnnikaUppsala universitet.
    Att alltid göra och tänka det olika: Siri Derkert i 1900-talet2011Collection (editor) (Other academic)
  • 325. Rossholm Lagerlöf, Margaretha
    et al.
    Karlholm, DanSödertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Subjectivity and methodology in art history2003Collection (editor) (Other academic)
  • 326.
    Ruin, Hans
    Södertörn University College, Avdelning 1, Philosophy.
    Konst och forskning2003In: Dokumentation konst och nya media / [ed] Anne Joki-Jakobsson, Stockholm: Konsthögsk. , 2003, p. 81-84Chapter in book (Other academic)
  • 327.
    Rådström, Anna
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Framför kameran med byxorna nere: Om ett självporträtt och en bild som väcks i betraktarens hjärna2023In: Kuvia Lähellä: taidehistoriallisia tulkinioja ja tutkimusasenteita / [ed] Johanna Frigård; Roni Grén; Katve-Kaisa Kontturi; Riikka Niemelä, Tampere: Taidehistorian seura - Föreningen för konsthistoria , 2023Chapter in book (Other academic)
  • 328.
    Rådström, Anna
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Listen!: A Sculpture in the Square and a #MeToo Monument2023In: Renegotiations: The Role of Public Art in the New Millenium / [ed] Håkan Nilsson, Huddinge: Södertörns högskola, 2023, p. 98-119Chapter in book (Refereed)
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    Listen! A Sculpture in the Square and a #MeToo Monument
  • 329.
    Rådström, Anna
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Listen!: En skulptur på torget och ett metoo-monument2021In: Omförhandlingar: Den offentliga konstens roll efter millennieskiftet / [ed] Håkan Nilsson, Huddinge: Södertörns högskola, 2021, p. 85-104Chapter in book (Refereed)
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    Listen! En skulptur på torget och ett metoo-monument
  • 330.
    Rönnberg, Amanda
    Södertörn University, School of Culture and Education.
    Medborgarens inflytande på konstnärlig gestaltning i det gemensamma rummet: En undersökning av medborgarförslag i Huddinge och Botkyrka kommuner under åren 2005-20152015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The purpose of this thesis is to examine how much influence citizens’ can have over public art in their close environment. In order to answer this I have examined all citizens proposals sent to Huddinge and Botkyrka municipality between 2005 and November 2015, in a comprehensive manner in order to contextualize the amount of proposals the municipalities have received and what they concern, beyond that I have examined the proposals that concern public art more profoundly in order to understand how well citizens’ proposals work as a channel for influence of public art in the common space. In the qualitative part of the study I have utilized Pierre Bourdieu’s theories on capital in order to convey the individuals chance to influence. My study shows that all in all there are ten proposals that concern public art. In three of these have decisions yet to be made while the rest have been rejected with the exception of one that is considered reciprocated. My results show that influence of the public art through citizens’ proposals as of now, is insignificant. 

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  • 331.
    Rüdiger, Jytte
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Inspektion av Stadsinspektionen: En analys av Haparanda stads offentliga skulpturer2018Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This thesis focus on Haparanda's historical identity by analyzing 14 public sculptures in Haparanda. The aim is to present a representative picture of the public sculptures and to analyse its historical connection to Haparanda in realtion to a urban view of Haparanda's architecture.

    The first chapter adresses the question of power and identity formation. The second chapter discusses the role of sculptures in the collective view of a particular environment. In the concluding third chapter the sculptures are discussed in relation to the history of the city of Haparanda.

    The conclustion of my thesis suggests that the sculptures are well connected to the history of Haparanda and its close relation to the twin city of Torneå (Finland). It is a story closely connected to Finlands history.

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  • 332.
    Sandahl, Ann-Louise
    Högskolan Dalarna, Sverige.
    Glaciäris, multisensorisk konst och transformativt lärande i antropocen2024In: Ekologisk konstvetenskap / [ed] Anna-Maria Hällgren; Dan Karlholm, Huddinge: Södertörns högskola, 2024, p. 101-123Chapter in book (Refereed)
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    Glaciäris, multisensorisk konst och transformativt lärande i antropocen
  • 333.
    Sandberg, Erik
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Från skiss till skiss: En studie av skissbegreppet och Henri Matisses Chapelle du rosaire2017Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    The aim of this thesis is to bring together two different approaches on the concept of sketches in an attempt to broaden the understanding of what a sketch is and does. The first of these approaches is based on a notion of generative art presented by professor of art history and founder of Skissernas museum in Lund Ragnar Josephson (1891-1966). The second approach is situated in philosopher Marcia Sá Cavalcante Schubacks collection of phenomenological essays Att tänka i skisser: essäer om bildens filosofi & filosofins bilder (2011). By letting these two theories and Henri Matisse’s Chapel du rosaire and some of his sketches speak with each other my thesis establishes that the sketch is a non static motion towards shape.

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  • 334.
    Sandgren, Magda
    Södertörn University, School of Culture and Education.
    »Dansmaskiner - från Léger till Kraftwerk«, Moderna Museet 22 januari - 27 April 2014 och »Sleeping Beauties - Drömmar och kostymer«, Dansmuseet 20142015In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 84, no 3, p. 200-204Article, book review (Other academic)
    Abstract [en]

    While exploring similar themes and materials from the Dansmuseet collection, the two exhibitions are arranged in clearly divergent ways. Taking place in separate institutions, out of different intentions, the exhibitions express themselves in forms whose distinctive features highlight questions concerning the relations between exhibition and viewer. In this review, I am therefore interested not only in the curatorial differences of the two exhibitions, but also in what the differences does to the spectator. Despite the dance theme the exhibition at Moderna museet restrains the movements of the spectators, while the spectator at Dansmuseet is invited to touch and move around more freely in the rooms. This could be understood in relation to the reductive modernist exhibition ideal of the white cube, as described by Brian O'Doherty. Should the viewer be nothing but a viewer, or should she or he participate in more interactive ways? And, further, do questions like this have implications for other contextual matters, such as gender? Despite the radical appearance of the Dansmuseet exhibition, one might wonder which one of the exhibitions that show most awareness of such contextual matters.

  • 335.
    Sandomirskaja, Ekaterina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Hybrida kretsmaskiner: Ulla Wiggens måleri från 1960- och 2010-talet i skärningspunkten mellan kropp och maskin2017Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    The Swedish artist Ulla Wiggen (b. 1942) started her artistic career in the early 1960s with detailed paintings of the insides of early electronic devices. In the early 2010s she turned to the interior of the body in the series Intra where organs and cells are fictionally combined. Here, she used a similar pictorial style as in the electronic paintings. This thesis seeks to analyze the relationships and tensions between body and machine that are found in Wiggen’s works. Questions are posed about the relationship between scientific and artistic imagery, as well as the role that fiction plays in knowledge-producing representation. This thesis looks to Wiggen’s use of the grid and connects it to historical and modernist images by showing its inherited paradoxical relation between rationality and spirituality. Through the anatomical picture, focusing on the Renaissance and Rationalism, this thesis explores the meanings of portraying bodies in cross-section. The role of the opened body has been oscillating between a body filled with spiritual meaning to a divided body, seen as an object for knowledge production. By using Donna Haraway’s figurations of the hybrid and the cyborg, the text proposes to re-think dualistic tensions between the human and the machine, science and fiction, realism and magic in Ulla Wiggen’s works. Through this perspective and post-humanist theory, it becomes clear that these boundaries have always been in flux. Instead of thinking either machines or bodies, the thesis suggests that we see the two series of Ulla Wiggen’s works as hybrid constructions that are both body-machines and machine-bodies.

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    Hybrida Kretsmaskiner_Ulla Wiggen
  • 336.
    Sandström, Kajsa
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Dans och koreografi i konstens rum: En komparativ fallstudie av Trisha Browns koreografier Floor of the Forest och Accumulation i konstfältet på 1970-talet och 2000-talet2020Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Through a comparative case study of Trisha Browns choreographies Floor of the Forest (1970) and Accumulation (1971), presented in a visual arts context in the 1970's and in the 2000's, this paper traces how performative aspects of Browns work has changed over time. 

    Floor of the Forest and Accumulation are analyzed through Erika Fischer-Lichte's theory of performativity in performance and the performing arts. The original choreographies in the 1970's are further contextualized by Browns history and role in the visual arts field in the 1960's and 1970's. Performances of Floor of the Forest and Accumulation in museums in the twentieth century are discussed in relation to Claire Bishops concept dance exhibition. 

    The findings show how the place/site continued to be a central factor in Brown's choreographing also after her site-specific performances in the 1970's. The exhibition of Floor of the Forest and Accumulation in museums took place through an adaptation of the choreographies to the specific site of the museum, in order to enable new performative spaces. An adaptability to the visual arts institution that, according to Bishop, characterizes the phenomenon dance exhibition. 

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    Kajsa Sundström Uppsats
  • 337.
    Sandström, Kajsa
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Min avslöjade kropp visar min bara själ: Adorée Villanys dansturné i Sverige 1914–19202021Independent thesis Advanced level (degree of Master (Two Years)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    In this master’s thesis, the dance artist Adorée Villany's hitherto unexplored performances in Sweden 1914–1920 have been reconstructed and interpreted. Villanys naked dance aroused both interest and a lively debate in the Swedish press. She labelled her art “Reform Dance” and thus formed a part of the emerging modern dance movement. By moving beyond the morality debate surrounding her performances, visual and performative aspects of her dances and photographs are made visible.    In her art, Villany strived to bring dance forms from ancient culture to life. Her embodiment of images from ancient Egypt can be understood employing Warburg's concepts Pathosformula and Nachleben, explaining how art works through artistic imagery and form can resurrect emotions from another time. Villany's dance piece Salome’s dance has been reconstructed and analysed through a joint reading of the source materials film, texts and photographs. Here, Warburg's concept of Denkraum was proven productive as a theory and method.

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    Min avslöjade kropp visar min bara själ: Adorée Villanys dansturné i Sverige 1914–1920
  • 338.
    Schuback, Marcia Sá Cavalcante
    Södertörn University, School of Culture and Education, Philosophy.
    Thinking close to... (painting): Some notes on Jean-Luc Nancy thinking close to Rembrandt2014In: Studio Talks: Thinking through Painting / [ed] Kristina Bength, Jonatan Habib Engqvist, Jan Rydén and Sigrid Sandström, Stockholm: Arvinius + Orfeus , 2014Chapter in book (Other academic)
  • 339.
    Schultz Nybacka, Pamela
    Södertörn University, School of Social Sciences, Business Studies.
    Konsten att skapa omsorg: en fallstudie av Skandionkliniken och arbetet med den konstnärliga gestalningen2014Report (Other academic)
  • 340.
    Schultz Nybacka, Pamela
    Södertörn University, School of Historical and Contemporary Studies, Library and Information Science.
    Omsorgens omförhandlingar: Samtidskonst och forskning i gestaltningsprocessen av en nybyggd vårdmiljö2021In: Omförhandlingar: Den offentliga konstens roll efter millennieskiftet / [ed] Håkan Nilsson, Huddinge: Södertörns högskola, 2021, p. 136-156Chapter in book (Refereed)
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    Omsorgens omförhandlingar: Samtidskonst och forskning i gestaltningsprocessen av en nybyggd vårdmiljö
  • 341.
    Schultz Nybacka, Pamela
    Södertörn University, School of Historical and Contemporary Studies, Library and Information Science.
    The Renegotiation of Care: Contemporary Art and Research on a New Care Environment2023In: Renegotiations: The Role of Public Art in the New Millenium / [ed] Håkan Nilsson, Huddinge: Södertörns högskola, 2023, p. 156-179Chapter in book (Refereed)
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    The Renegotiation of Care: Contemporary Art and Research on a New Care Environment
  • 342.
    Shawky, Sharif
    Södertörn University College, The School of Culture and Communication.
    Relationen mellan Takashi Murakami och den neoliberala ekonomin: konst som varor, varor som konst2006Student paper second term, 5 points / 7,5 hpStudent thesis
    Abstract [sv]

    Med denna uppsats måste jag verkligen betona att jag ökat min förståelse för Takashi Murakami och hans konstnärskap. Gradvis tog jag mig in i hans konstnärskap. Till en början är det väldigt lätt att fastna vid spektakulära uttryck i hans konst och grubblerier kring hur hans varor blivit konst, men glappet däremellan är alldeles för stort för att sådana tankar skall kunna mynna ut i något fruktbart. Men genom att först försöka förstå sig på hans verksamhet mot ljuset av den ekonomiska kontexten framhävdes gradvis detaljerna kring hur hans varor blivit konst. Jag kom fram till att hans konst egentligen handlar om symboler i relation till andra symboler, där spänningen ligger i att Murakamis är beständiga/ fixerade medan de övriga är rörliga/ dynamiska. Utan Murakamis beständiga/ fixerade symboler som retar den så tillsynes naturliga harmonin i det rörliga/ dynamiska hav av övriga ekonomiskt knutna symboler hade jag definitivt inte förstått att dem är rörliga.

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    FULLTEXT01
  • 343.
    Siegel, Isabella
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Att dokumentera förgänglighet för all framtid: En komparativ studie av påverkan på det efemära konstverket vid dokumentering och arkivering2020Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This study investigates effects on the ephemeral artwork and its ephemeral quality when documented and archived. To define the ephemeral artform a definition presented by Mary O’Neill in her thesis Ephemeral Art: Mourning and Loss (2007) is used, and two ephemeral artworks are studied: Zoe Leonard’s Strange Fruit (for David) (1992-1997) and Felix Gonzalez-Torres' ”Untitled” (Portrait of Ross in L.A.) (1991). Results from these case studies are compared to each other and to Peggy Phelan’s critical stance on the possibilities of documenting time-based and performative artforms in Unmarked: The Politics of Performance (1993). Results show that the ephemeral artwork becomes ephemeral through slow degradation and the experience this degradation generates in the observer; processes in time that cannot be documented. However, documentation can affect the observer’s experience of ”here and now,” which may alter the artwork’s communicative abilities and its effectiveness in creating a sense of presence within the passing of time.

  • 344.
    Sjöblom, Matilda
    Södertörn University, School of Culture and Education.
    Greta Knutson och surrealismen: en studie av Greta Knutsons senare stilperiod utifrån verken La Surprise, Feu dans la maison och Det stulna brevet2014Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay examines how Swedish born artist Greta Knutson has been historically canonised in reference to her relationship with the famous Dadaist Tristan Tzara and the French surrealist movement of the 1920’s and 1930’s. Knutson had a long and productive career and the overall purpose of my essay is to change focus from the early days in Paris with the Surrealists into her later artistic period, counted from the late 1960’s until her death in 1983. It is claimed here that she then made a radical change of style into, paradoxically, a more surrealistic artistic expression. Through Griselda Pollock and the term “canonisation” I’m exploring and questioning why Knutson’s later career has gone unnoticed in art history and I’m also looking at Knutson’s relation to surrealism. Through a formalistic analysis the artworks La Surprise, Feu dans la maison and Det stulna brevet are presented, which are representative for Knutson’s later artistic period.

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  • 345.
    Sjöblom, Matilda
    Södertörn University, School of Culture and Education.
    Männen på fältet: En georeferentiell analys av den offentliga konsten i Huddinge kommun2016Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    The men on the field: a georeferential analysis of the public art in the municipality of Huddinge focuses on the public art in the municipality of Huddinge. Who has created the public artworks and for whom were they created? The purpose of the study is to find out if the public art in Huddinge reflects the socioeconomic variations in the municipality. The main part of the essay focuses on the geographical placement of the artworks in relation to the inhabitants of Huddinge. The questions on which I base my analysis are ”By whom and for whom has the public art in the municipality of Huddinge been created?” and ”Are the inhabitants of the municipality represented within the public art?”. The analysis focuses on the geographical placement of the artworks in relation to the inhabitants of Huddinge as well as gender and ethnical backgrounds of the artists. Through Pierre Bourdieus field-, capital- and habitus-concepts i construe the artfield in Huddinge and put forward an explanation of the results of my research. My study shows that different groups of the population in Huddinge have a different levels of access to and impact on the public art in the public space, which is being run by different economical, political and artistic practices, of which structures not all inhabitants are aware of or know how to affect.

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  • 346.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Fallosens tid?2011In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 1, p. 103-107Article in journal (Other academic)
  • 347.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Education, Aesthetics.
    Temporal sensibilities: glissant on filiantion2014In: Regionality/Mondiality: Perspectives on Art, Aesthetics and Globalization / [ed] Charlotte Bydler & Cecilia Sjöholm, Huddinge: Södertörns högskola , 2014, p. 65-81Chapter in book (Refereed)
  • 348.
    Sjöwall, Elina
    Södertörn University, School of Culture and Education.
    Mellan konst och arkitektur: En komparativ studie av Frank Gehrys och Olafur Eliassons konstnärskap2015Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    In this thesis I am studying the phenomenon of contemporary architecture evolving into art and, similarly, how contemporary art seems to evolve towards architecture. The aim of the study is to examine the blurred line between art and architecture that is significant for our century. Besides overall attempting to explain the relation of art and architecture in past, present and prospective, the particular method in my investigation is a comparative study of two main examples. One of these is in the field of artistic architecture (Frank Gehry’s Fondation Louis Vuitton), followed by one from the field of architectural art (Olafur Eliasson’s Inside the Horizon). By using text- and image-based analysis, I am pointing out both similarities and differences in the examples to determine if and where the fading line still appears. By aiming to understand the phenomenon from several viewpoints, I have been able to conclude that the fusion of art and architecture in most cases is a sign of intrinsic artistic progression. Yet the Art-Architecture Complex as an ongoing event seems to be subject to an infinite debate.

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  • 349.
    Snickare, Mårten
    Stockholms universitet, Sverige.
    Konst och konstvetenskap i Kolonicen2024In: Ekologisk konstvetenskap / [ed] Anna-Maria Hällgren; Dan Karlholm, Huddinge: Södertörns högskola, 2024, p. 51-74Chapter in book (Refereed)
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    Konst och konstvetenskap i Kolonicen
  • 350.
    Sorgenfrei, Simon
    Södertörn University, School of Historical and Contemporary Studies, Study of Religions.
    Sufin som sökte enkelheten2016In: Kyrkans Tidning, ISSN 1651-405X, no 6, p. 18-Article in journal (Other (popular science, discussion, etc.))
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