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  • 251.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Jorden, rummet och flätverket: Ulrik Samuelsons tankar om konst2019In: Ulrik Samuelson - Sättarens anmärkning: Tankar om konsten och konstlivet 1962-2016 / [ed] Dan Karlholm, Stockholm: Arvinius + Orfeus Publishing , 2019, 1, p. 215-237Chapter in book (Other (popular science, discussion, etc.))
  • 252.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Konstmuseets bild: om bildskapande på Nationalmuseum från Friedrich August Stüler till Richard Bergh2002In: Konst kräver rum: Nationalmusei historia och framtid : en bok i anslutning till samlingsutställningen Konst kräver rum 13.6 2002-16.2 2003 / [ed] Mikael Ahlund, Stockholm: Nationalmuseum , 2002Chapter in book (Other (popular science, discussion, etc.))
  • 253.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Konstnären som verket och andra postmoderna verkningar2009In: Svar på frågan: Vad var det postmoderna? / [ed] Sven-Olov Wallenstein, Stockholm: Axl Books , 2009, p. 59-78Chapter in book (Other academic)
  • 254.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Kontemporalism: Om samtidskonstens historia och framtid2014Book (Other academic)
  • 255.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Learning by Looking (with Words): Wölfflin’s Legacy2009In: Towards a science of art history: J. J. Tikkanen and art historical scholarship in Europe : the acts of an international conference, Helsinki, December 7.-8. 2007 / [ed] Johanna Vakkari, Helsinki: Taidehistorian seura , 2009Conference paper (Other academic)
  • 256.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Misery, Beauty, and Other Issues: Linda Nochlin in Conversation with Dan Karlholm2012In: The Art Bulletin, ISSN 0004-3079, E-ISSN 1559-6478, Vol. 94, no 2, p. 187-198Article in journal (Other academic)
  • 257.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Moas stenar: granit och trä, 2002, Claes Hake, ägare: Statens konstråd2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 66-Chapter in book (Other (popular science, discussion, etc.))
  • 258.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Natt och Dag: lackerad järnplåt, 2002, P. O. Ultvedt, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 54-Chapter in book (Other (popular science, discussion, etc.))
  • 259.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    När konsten blev subjekt2017In: Samtider: Perspektiv på 2000-talets idéhistoria / [ed] Anders Burman & Lena Lennerhed, Göteborg: Daidalos, 2017, p. 37-58Chapter in book (Other academic)
  • 260.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    On the Historical Representation of Contemporary Art2011In: Rethinking Time: Essays on History, Memory, and Representation / [ed] Hans Ruin, Andrus Ers, Huddinge: Södertörns högskola , 2011, p. 19-28Chapter in book (Other academic)
  • 261.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Preziosi's Proper Position: [review of] Donald Preziosi: Brain of the Earth's Body: Art, Museums, and the Phantasms of Modernity, and Donald Preziosi & Claire Farago (eds): Grasping the World: The Idea of the Museum2006In: Oxford art journal, ISSN 0142-6540, E-ISSN 1741-7287, Vol. 29, no 1, p. 145-149Article, book review (Other academic)
  • 262.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Questionnare: Hva er visuell kultur?2010In: Ekfrase: nordisk tidsskrift for visuell kultur, ISSN 1891-5752, Vol. 1, no 1, p. 30-43Article in journal (Refereed)
  • 263. Karlholm, Dan
    Reading the virtual museum of general art history2001In: Art History, ISSN 0141-6790, E-ISSN 1467-8365, Vol. 24, no 4, p. 552-577Article in journal (Refereed)
    Abstract [en]

    The representation of general art history in the nineteenth century is the centre of attention of this essay. It examines, in particular, the structural characteristics from 1845 to 1856 of Denkmaler des Kunst (Monuments of Art), a collection of engravings which constitutes the visual supplement to the first text of general art history, Handbuch der Kunstgeschichte (1841-42) by Franz Kugler. The impact of this largely neglected pictorial 'atlas', early on metaphorized as a 'museum'. is connected to comparable visual regimes of a later date, especially Malraux's photographic 'museum without walls', but also Warburg's Memory Atlas, the open-ended possibilities of the post-photographic practices and the web. Intersected is an argument with Danto's Hegelian 'end of art' thesis, ushering in a more closely contextualized reading of the 'end' of art history from a contemporary, media-saturated viewpoint. It all begins, and ends, with Warhol's postmodern version of Raphael's vision: the Sistine Madonna.

  • 264.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Reality Art: the Case of Oda Projesi2005In: Leitmotiv: motivi di estetica e filosofia delle arti, ISSN 1720-3716, Vol. 5, p. 115-124Article in journal (Other academic)
  • 265.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    [Recension av] Helen Fuchs. Glasmåleri, modernitet, modernism: studier i glasmåleriets (konst)historia 1851–1955. Lund 2005.242 s. ISBN 91-628-6677-X.2007In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 76, no 3, p. 168-173Article, book review (Other academic)
  • 266.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    [Recension av] Ludwig Qvarnström. Vigselrummet i Stockholmsrådhus och det tidiga 1900-taletsmonumentalmåleri: historia, reception, historiografi: Diss. (Acta Universitatis Upsaliensis),Ars Suetica 22, Uppsala, 2010, 511 s.ISBN 978-91-554-7872-82011In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 80, no 1, p. 49-52Article, book review (Other academic)
  • 267.
    Karlholm, Dan
    Södertörn University, School of Culture and Education.
    Restless Culture Syndrome (RCS): On the Old Demand for the New2014In: What Are You Working On? / [ed] Jacquelyn Davis, Stockgholm: Valeveil Press , 2014, 1, p. 171-184Chapter in book (Other academic)
  • 268. Karlholm, Dan
    [Review of] Christopher S. Wood ed, The Vienna SchoolReader: Politics and Art Historical Methodin the 1930s.: Zone Books, New York, 2000,485 pp. ISBN 1-890951-14-5.2002In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 71, no 1-2, p. 58-62Article, book review (Other academic)
  • 269.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    [Review of] e-flux journal What is Contemporary Art? + Lind & Velthuis (eds.), Contemporary Art and its commercial markets2012In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 81, no 3, p. 188-193Article, book review (Other academic)
  • 270. Karlholm, Dan
    [Review of] Gillmore, Jonathan. The Life of a Style: Beginnings and Endings in the Narrative History of Art2002In: Journal of Aesthetics and Art Criticism, ISSN 0021-8529, E-ISSN 1540-6245, Vol. 60, no 4, p. 360-361Article, book review (Other academic)
  • 271. Karlholm, Dan
    [Review of] Hubert Locher, Kunstgeschichte als historische Theorie der Kunst 1750-19502002In: CAA Reviews, ISSN 1543-950X, no JanuaryArticle, book review (Other (popular science, discussion, etc.))
  • 272. Karlholm, Dan
    [Review of] James J. Sheehan, Museums in the German Art World: From the End of the Old Regime to the Rise of Modernism2001In: CAA Reviews, ISSN 1543-950X, no DecemberArticle, book review (Other (popular science, discussion, etc.))
  • 273. Karlholm, Dan
    [Review of] Jonathan Crary. Suspensions of Perception:Attention, Spectacle, and Modern Culture.: AnOCTOBER Book. The MIT Press, Cambridge,Massachusetts & London, England 1999. 397 pp,107 ill. ISBN 0-262-03265-1.2000In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 69, no 3-4, p. 233-235Article, book review (Other academic)
  • 274. Karlholm, Dan
    [Review of] Wyss, Beat. Hegel's Art History and the Critiqueof Modernity.: Trans. by Caroline DobsonSaltzwedel. Cambridge: Cambridge UniversityPress, 1999, xv + 288 pp., 60 b&w illus., $60.00cloth2001In: Journal of Aesthetics and Art Criticism, ISSN 0021-8529, E-ISSN 1540-6245, Vol. 59, no 1, p. 105-106Article, book review (Other academic)
  • 275.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Studio Space and Gallery Time: The Cube reconsidered: [Review of Brain O'Doherty, Studio and Cube: On the relationship between where art is made and where art is displayed]2007In: SITE, ISSN 1650-7894, no 21, p. 4-Article, book review (Other (popular science, discussion, etc.))
  • 276.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Suecia hodierna antiqua est: nuet är det förflutna2014In: Suecia contemporare / [ed] Pontus Raud, Kalmar: Kalmar konstmuseum , 2014, 1, p. 22-28Chapter in book (Other (popular science, discussion, etc.))
  • 277.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Surveying Contemporary Art: Post-War, Postmodern, and then What?2010In: Art History: Contemporary Perspectives on Method / [ed] Dana Arnold, John Wiley & Sons, 2010, p. 56-77Chapter in book (Other academic)
  • 278.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Surveying Contemporary Art: Post-War, Postmodern, and then what?2009In: Art History, ISSN 0141-6790, E-ISSN 1467-8365, Vol. 32, no 4, p. 712-733Article in journal (Refereed)
    Abstract [en]

    This article looks at influential survey texts on world art history since c. 1980, and considers how they have dealt with the art nearest to them in time. I examine the terminology used, and problems of classification, periodization, and history writing at large. In order to describe how these texts struggle with the terms contemporary and postmodern, I focus on their treatment of conceptual art and two artists: Joseph Beuys and Cindy Sherman. The symbolic and economic consolidation of contemporary art during the last decade or so prompts me to establish a broader frame of understanding, linking it to constructions of the contemporary in the nineteenth century and to the idea of co-existing temporalities for art.

  • 279.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Södertörn läser lusen av konstkritiken i svensk press2009In: Paletten, ISSN 0031-0352, no 2, p. 6-8Article in journal (Other (popular science, discussion, etc.))
  • 280.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The Canon of Contemporary Art: From Popular to Academic2017In: Marburger Jahrbuch für Kunstwissenschaft, ISSN 0342-121X, Vol. 44, p. 319-327Article in journal (Other academic)
  • 281.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The Last Book on Installation Art?2017In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 86, no 2, p. 134-137Article, book review (Other academic)
  • 282.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    The New Neues Museum in Berlin: Accumulating Narratives2012In: The Museum Beyond the Nation / [ed] Johan Hegardt, Stockholm: Historiska museets förlag, 2012, 1, p. 113-124Chapter in book (Other academic)
  • 283.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Too Much and Not Enough: The Installation of Anton Henning at Magasin 3 in Stockholm2015In: Paradigmen der Kunstbetrachtung: Aktuelle Positionen der Rezeptionsästhetik und Museumspädagogik / [ed] Peter J. Schneemann, Bern: Peter Lang Publishing Group, 2015, p. 29-40Chapter in book (Other academic)
  • 284.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Tradition and Visual Culture in the Face of Contemporary Art2006In: NORDIK 2006, Webpublikasjon: Tradition and visual culture, 2006, p. -12Conference paper (Other academic)
  • 285.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Ulrik Samuelson. Sättarens anmärkning: Texter om konsten och konstlivet 1962-20162019Collection (editor) (Other (popular science, discussion, etc.))
  • 286. Karlholm, Dan
    [Utställnings recension] Renässansteckningar från Florens ur Giorgio Vasaris samling: Nationalmuseum, Stockholm23 mars-10 juni 20012001In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 70, no 4, p. 244-246Article, book review (Other academic)
  • 287.
    Karlholm, Dan
    Södertörn University, School of Culture and Education.
    Vad är samtidskonst?2014In: Konstperspektiv, ISSN 0347-4453, no 3, p. 31-32Article in journal (Other (popular science, discussion, etc.))
  • 288.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Vandring i markerna: bildvävnad, 1971-72, Ingegerd Möller, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 48-Chapter in book (Other (popular science, discussion, etc.))
  • 289. Karlholm, Dan
    Vetenskapens vardag2000In: 8 kapitel om konsthistoriens historia i Sverige / [ed] Britt-Inger Johansson, Hans Pettersson, Stockholm: Raster , 2000Chapter in book (Other academic)
  • 290.
    Karlholm, Dan
    Södertörn University, Institutionen för medier, konst och filosofi, Art history.
    Visuella kulturstudier: betraktelse över ett expanderande forskningsfält2003In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 72, no 3, p. 186-205Article in journal (Refereed)
  • 291.
    Karlholm, Dan
    et al.
    Södertörn University, School of Culture and Communication, Art history.
    Dam Christensen, Hans
    Danmarks biblioteksskole.
    Rampley, Matthew
    University of Birmingham.
    Art History in the Nordic Countries2012In: Art History and Visual Studies in Europe: Transnational Discourses and National Frameworks / [ed] Matthew Rampley, Thierry Lenain, Hubert Locher, Andrea Pinotti, Charlotte Schoell-Glass & Kitty Zijlmans, Leiden: Brill Academic Publishers, 2012, p. 421-438Chapter in book (Refereed)
  • 292.
    Karlholm, Dan
    et al.
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Moxey, K.
    Barnard College / Columbia University.
    Introduction: Telling art’s time2018In: Time in the History of Art: Temporality, Chronology and Anachrony / [ed] D. Karlholm & K. Moxey, New York & Abingdon, Oxon: Routledge, 2018, p. 1-10Chapter in book (Other academic)
    Abstract [en]

    Art history as we know it is regarded by many actors in the art world as obsolete. Today, it seems contemporaneity rules in a “post-historical” situation, where art history seems deprived of a future. Some two decades or more after the heyday of postmodernism, it is time to reconsider what kinds of historical claims can still be made for the field of art history and visual studies. If the very word “history” is laden with antiquated expectations of “objectivity” as the discipline goes about its customary business of putting objects back into their chronological place, then the concept of temporality opens up fresh approaches to the temporal organization of the discipline. What if visual art is in a position to explain and expand history rather than vice versa? What if the artwork grounds history? What if the work does not necessarily belong to its own time, but was born prematurely or belatedly, disjointed with respect to a chronological axis? Art historical approaches are still possible, indeed needed, but they do look a little different from those to which we have become accustomed.

  • 293.
    Karlholm, Dan
    et al.
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Moxey, KeithBarnard College/ Columbia University.
    Time in the History of Art: Temporality, Chronology, and Anachrony2018Collection (editor) (Other academic)
  • 294.
    Katz Thor, Rebecka
    Södertörn University, School of Culture and Education, Aesthetics.
    Beyond the Witness: Holocaust Representations and the Testimony of Images2018Doctoral thesis, monograph (Other academic)
    Abstract [en]

    In a time when the very last Holocaust witnesses will soon be gone, a possible route for commemoration is to ask what testimony images can give. This book seeks to answer the question of how images can bear witness by examining them as multifaceted entities produced, reproduced, and resituated in conflicting political and historical situations. In three archive-based films by Harun Farocki, Yael Hersonski, and Eyal Sivan, the moving image is reactivated and reinterpreted. Footage produced as internal Nazi propaganda and the video recordings of a politically charged trial in the aftermath of the Holocaust have accrued new meaning. The archival status, context, and conditions for production, and the means of representation, offer a framework for an analysis through which the testimony of images can be understood. 

  • 295.
    Kaur, Diana
    Södertörn University, School of Culture and Education.
    Seth Siegelaub´s manifesto: A discourse analysis of The Artist’s Reserved Rights Transfer and Sale Agreement2015Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    In early 1971, a year before he abandoned the art world, the American art dealer and independent curator Seth Siegelaub (1941-2013) published The Artist’s Reserved Rights Transfer and Sale Agreement (ARRTSA) in New York. Its stated aim was to change the power relations on the art market more in favor of the artists. This study departs from the observation that despite being a seemingly ideal way to assert artist’s rights, ARRTSA has only been used by a few artists. While the reason for this reluctance has not been sufficiently researched, my study also shows that there is a lack of academic work that considers this area of research in art history. In order to shed light on this field I am using Fairclough’s theory and by applying his dialectical method of Critical Discourse Analysis, I examine the discourses in which ARRTSA is included as a particular discourse and event.

    The analysis of Siegelaub’s practice and position in combination with a close linguistic analysis of his introductory text highlights aspects and dimensions that have been previously occluded or under- acknowledged. The result of the analysis shows that the discourse stresses solidarity, insistence and consistency for artists and makes a moral appeal to collectors, but the text also reproduces the idiosyncratic energy and ambiguities that was surrounding his driven persona. I argue that despite all the purported benefits of ARRTSA, artists are instilled with a sense of uncertainty and risk, because it becomes apparent how informal and unregulated the art world is and how the art market-logic yields more power than the artist. Hence, the idea of pursuing artist’s rights through the use of written agreements remains largely unexplored. 

  • 296.
    Kella, Elizabeth
    Södertörn University, School of Culture and Education, English language.
    Indian Boarding School Gothic in "Older than America" and "The Only Good Indian"2015In: American Studies in Scandinavia, ISSN 0044-8060, Vol. 47, no 2, p. 5-27Article in journal (Refereed)
    Abstract [en]

    This article examines the appropriation and redirection of the Gothic in two contemporary Native-centered feature films that concern a history that can be said to haunt many Native North American communities today: the history of Indian boarding schools. Georgina Lightning's Older than America (2008) and Kevin Willmott's The Only Good Indian (2009) make use of Gothic conventions and the figures of the ghost and the vampire to visually relate the history and horrors of Indian boarding schools. Each of these Native-centered films displays a cinematic desire to decenter Eurocentric histories and to counter mainstream American genres with histories and forms of importance to Native North American peoples. Willmott's film critiques mythologies of the West and frontier heroism, and Lightning attempts to sensitive non-Native viewers to contemporary Native North American concerns while also asserting visual sovereignty and affiming spiritual values. 

  • 297.
    Kimvall, Jacob
    Södertörn University College, The School of Culture and Communication.
    Skadegörelse klotter nedskräpning förbjuden: Graffitiborttagning som ikonoklasm2006Independent thesis Basic level (degree of Bachelor), 10 points / 15 hpStudent thesis
    Abstract [en]

    This essay concerns graffiti, and in particular graffiti removal regarded as iconoclasm.

    Graffiti is described as a visual symbol laden with both negative and positive values, and sometimes as a meaningful expression in the urban public space. One problem with graffiti as a field of study is the diversity of both the meaning of the term as well as the diversity of the phenomenon itself. Therefore I have defined the term graffiti as follows: words and images painted on public walls by a person usually in an unauthorised manner. Specific examples of graffiti and related phenomena are presented. Within the Swedish anti-graffiti discourse the pejorative term klotter (scribbling) is used to describe what I above define as graffiti. A short analysis of this discourse is followed by case studies of specific examples of graffiti removal that can be regarded as iconoclasm.

  • 298.
    Kleberg, Lars
    Södertörn University College, Centre for Baltic and East European Studies (CBEES).
    Kritik av stalinismen år 1950: André Bazins analys av Stalintidens sovjetiska film2008In: Terminal Øst: Totalitære og posttotalitære diskurser / [ed] Ingunn Lunde og Susanna Witt, Bergen: Spartacus , 2008, p. 250-267Chapter in book (Other academic)
  • 299.
    Kleberg, Lars
    Södertörn University College, Centre for Baltic and East European Studies (CBEES).
    När Coltrane chockade Sverige2010In: Orkester-Journalen, ISSN 1102-7428, no 2, p. 22-25Article in journal (Other (popular science, discussion, etc.))
  • 300.
    Kleberg, Lars
    Södertörn University.
    Repins Golgatatriptyk2014In: Med blicken österut: hyllningsskrift till Per-Arne Bodin / [ed] Per Ambrosiani, Elisabeth Löfstrand, Ewa Teodorowicz-Hellman, Skellefteå: Artos & Norma, 2014, p. 173-182Chapter in book (Other academic)
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