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  • 251.
    Andersson Schwarz, Jonas
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Twittertyckarna sväljer kamelerna: Makthavare måste stå immuna mot Twitter2014In: Expressen, ISSN 1103-923X, no 9 aprArticle in journal (Other (popular science, discussion, etc.))
  • 252.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Burkart, Patrick
    Texas A&M University.
    Introduction: Piracy and Social Change2015In: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, no 1, p. 1-5Article in journal (Refereed)
  • 253.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Burkart, PatrickTexas A&M University.
    Special Issue: Piracy and Social Change2015Collection (editor) (Refereed)
  • 254.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Burkart, Patrick
    Texas A&M University.
    Aufderheide, Patricia
    American University.
    Jaszi, Peter
    American University.
    Kelty, Christopher
    University of California, Los Angeles.
    Coleman, Gabriella
    McGill University.
    Piracy and Social Change: Roundtable Discussion2015In: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, no 1, p. 87-99Article in journal (Refereed)
    Abstract [en]

    This roundtable discussion draws together researchers with an interest of overcoming purely juridical treatment of piracy in their work. Christopher Kelty and Gabriella Coleman consider the aspects of cyberculture, which conflictually engage with intellectual property rights, through various communities of technology practice, including hackers. Patricia Aufderheide and Peter Jaszi’s work on fair use addresses the growing opportunities for creators in the United States to utilize the tradition in their creative fields. Jonas Andersson Schwarz and Patrick Burkart, co-editors of this special issue, have researched user motivations and political activism around copyright and software patent reforms, partially explaining the emergence of dozens of European Pirate Parties, beginning with the Swedish Pirates in 2006.

  • 255.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Hammarlund, Johan
    Kjellberg, Magnus
    di Grado, Stefan
    ”Åsikter på sociala medier är inte den allmänna opinionen”2014In: Dagens Nyheter, ISSN 1101-2447, no 25 december, p. 5-Article in journal (Other (popular science, discussion, etc.))
  • 256.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Larsson, Stefan
    Lunds Universitet.
    The justifications of piracy: Differences in conceptualization and argumentation between active uploaders and other file-sharers2014In: Piracy: Leakages from Modernity / [ed] Martin Fredriksson & James Arvanitakis, Los Angeles, CA: Litwin Books , 2014, p. 217-239Chapter in book (Refereed)
    Abstract [en]

    By employing a mix between qualitative and quantitative methods, we explored the ways in which file sharers themselves conceive of the future of “piracy.” A content analysis of a selection of open answers from the Research Bay study (a global file sharing survey conducted in collaboration with file-sharing site The Pirate Bay in April, 2011, with more than 75,000 respondents) revealed significant differences between active uploaders and the much larger group of respondents who regularly download files but never upload. Tropes of “community” were not particularly abundant in this corpus. The biggest singular tropes were those of unstoppability/technical resilience (“File-sharing won’t be stopped”); convenience/availability/supply; skepticism/hostility towards governmental intrusion; and—surprisingly—the trope that file sharing will eventually be integrated with the market. This latter trope was particularly common among the non-uploaders (representing the majority of Pirate Bay users) compared to the dedicated uploaders. The non-uploaders also appeared to be more disposed towards a generic belief in the progress, evolution, and a potential convergence/assimilation of technology.

  • 257.
    Andersson Schwarz, Jonas
    et al.
    Södertörn University, School of Culture and Education, Media and Communication Studies.
    Palmås, Karl
    Introducing the panspectric challenge: A reconfiguration of regulatory values in a multiplatform media landscape2013In: Central European Journal of Communication, ISSN 1899-5101, Vol. 6, no 2, p. 219-233Article in journal (Refereed)
    Abstract [en]

    Taking Sweden as a case study, the role of public service broadcasting (PSB) is explored, with a focus on issues of data retention and innovation that accompany web distribution. The issue of predicting audience preferences by means of data retention is investigated, and the related problem of organizational autonomy when interacting with commercial actors in the digital sphere. We hypothesize that previous tendencies towards paternalism might be equally supplemented by tendencies towards so-called “panspectric” surveillance and tracking, given a technological environment where such practices are increasingly common. We argue that the absence of advertising partially helps keep these broadcasters from panspectric temptation. Still, practices such as Facebook integration entail a panspectric element. We ask whether the potential increase in the efficacy of targeting audiences promised by panspectric practices might be offset by its negative impact on civic accountability. Is there a possibility for a “benign,” democratically accountable panspectrocism?

  • 258.
    Andersson Serreli, Cornelia
    Södertörn University, School of Culture and Education.
    Skuggliv: En queer läsning av Maria Gripes Skuggserie2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    My intention with this paper is to look at the possibility of same sex desire in the first three novels of Maria Gripe’s Skuggserie (the shadow series, written in the 1980’s), by doing a queer reading of the texts. The analysis is based on Judith Butlers well known concept “the heterosexual matrix”, which explains how we, when we are forced into a specific sex and gender, obligate ourselves to a specific (hetero)sexuality. Butler also explains how sex and gender are connected and appear in relation to each other. I have analyzed the relations between the characters Berta, Arild, Rosilda and Leónie and the protagonist Carolin (who sometimes dresses and acts like a man, Carl). The conclusion of my analysis is that Skuggserien contain some scenes that can be viewed as queer, for example there is a brief sight of homosexual desire between Rosilda and Carolin/Carl, and Arild and Carolin/Carl. Carolin’s way of changing sex/gender role is also to be understood as a queer act. However, in the third book, Carolin decides to leave her alter ego Carl behind, and my final conclusion is that the novels open up for a queer reading, but in the end return, and thereby adapt themselves, to the hetero sexual matrix.

  • 259.
    Andersson, Sofia
    Södertörn University, School of Culture and Education, Comparative Literature.
    Vem, hur, vad och varför?: En narratologisk analys av Stephen Kings skräckroman Dimman2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essays content is about a narratological analysis of “The Mist”, written by Stephen King, with a focus on who, how, and what in relationship with the story. It also contains a deeper analysis on chosen characters and the meaning behind them. The analysis also takes a look on why King has chosen to use them and their specific details.

    By mainly using Shlomith Rimmon-Kenan and Jimmy Vulovic I manage to find the voice of the story, how it’s told and what it contains. There is a deeper meaning behind the details that King has selected for his story, for example the colors is not randomly chosen but have a point and a deeper sense behind them. The characters all have a meaning, big and small. The three main characters becomes pillars of the story where they give it and eachother balance with the ir significant roles as hero, villain and helper. It also turns out that the extraterrestrial beings are not the biggest threat of the story, the humans are.

  • 260. Andersson, Sofia
    et al.
    Deckel, Per
    Rönnby, Johan
    Södertörn University, Avdelning 3, Underwater archaeology.
    Medeltidsarkeologi vid och i vatten2001In: Möten med forntiden: arkeologiska fynd år 2000 / [ed] Flodin, Lena & Modig, Agneta,, Stockholm: Riksantikvarieämbetet, 2001, p. 30-32Chapter in book (Other (popular science, discussion, etc.))
  • 261.
    Andersson, Tommy
    Södertörn University, School of Culture and Education.
    Livets skillnader: Heidegger, djuret och vetenskapen2014Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This essay constitutes an attempt to expose, with reference to contemporary animal research, the limits of Martin Heidegger’s concept of the being of animality in Die Grundbegriffe der Metaphysik (1929/30) and to propose some possible ways to think, within the philosophical style of this particular work, the being of those animals that most distinctly transcends Heidegger’s concept. The essay seeks to address the following question: Do the results of contemporary animal research expose ways of being within animality that withdrawal from Heidegger’s concept of the being of animality in general, and if so, how should we think these new ways of animal being? The motivation to ask this question, I argue, are immanent to Heidegger’s thinking in at least three ways: 1) Because of his standpoint that philosophy cannot, in any meaningful way, create an ontological concept of animality without an orientation towards the results of the positive sciences; 2) Because of the unfinished and tentative character of Heidegger’s analysis, a character that is such that it should be seen, according to Heidegger himself, as an essential point of departure for further thinking; 3) Because of Heidegger’s view that the being of the animal are such that it involves the withdrawal of this very being from any originary access, a withdrawal that necessitates an infinite return to the question concerning the being of the animal. The essay wants to be a continuation of lines that are present in Heidegger’s open-ended thought on this theme rather than to be an external critique that approach the text, which is most often the case, as a closed point of view which we are forced to affirm or reject. Motivated by these immanent reasons, I attempt to set up a dialogue between Heidegger’s way of thinking the animal and that scientific evidence that has become available since Heidegger wrote his text in the late 20s’. The paradigmatic change in the scientific view of animals that constitute this time period has philosophical consequences, I argue, and I attempt to flesh them out as follows: Contemporary animal research motivates the ontological conclusion that many species withdrawal from the meaning of Heidegger’s concept of the animal in general, and thereby necessitates a philosophical response to this, namely to create – at least as a first step toward a full-blown philosophical and ontological recognition of the differentiated animality of animals – a new concept of the being of those particular animals who most clearly show themselves, both in the new scientific evidence and to our phenomenological experience, as being different to that Heidegger claim them to be. I suggest, with reference to Heidegger’s thesis of the animal as ”poor in world”, that the being of these animals is better understood as otherworldly worlds within the world of human world forming. The being of these animals are to be seen as otherworldly worlds insofar they are what they seem to be, namely alien subject’s that have some sort of access to being, an access that differs from the openness of human Dasein in some profound and ungraspable sense, but that nonetheless suggests itself in the results of contemporary research. In this way I seek to sketch out a thought that let the otherness of these animals shine forth in a radicalized manner from out of their very nearness to the human way of being. The ontological recognition of these beings, I can thus conclude, enrich our world with their woundrous presence while at the same time exposing, with novel acuteness, the finitude of this world. Uttermost, I propose in an forward-looking reflection, these animals turn us toward the discovery of that world that we share with them, here named as the elemental world, as an crucial question for philosophy today and as a theme for further research.

  • 262.
    Andersson, Tommy
    Södertörn University.
    Otherworldly worlds: Rethinking animality with and beyond Martin Heidegger2017In: Studia Phænomenologica, ISSN 1582-5647, E-ISSN 2069-0061, Vol. 17, p. 57-81Article in journal (Refereed)
    Abstract [en]

    By setting up a dialogue with contemporary animal research the essay attempts, on the one hand, to expose the limits of Martin Heidegger's concept of animality in The Fundamental Concepts of Metaphysics, and, on the other hand, to propose some new ways of thinking the being of those animals that most distinctly show themselves as being other than Heidegger's claims. I suggest, with reference to Heidegger's thesis of the animal as "poor in world," that the being of the cognitively most complex animals is better understood in terms of otherworldly worlds within the world of human world forming. With this concept I aim to develop and continue, rather than criticize, Heidegger's way of thinking the being of animals and deepen the productive relationship between science and philosophy that Heidegger proposed in this work.

  • 263.
    Andersson, Tove
    Södertörn University College, The School of Culture and Communication.
    In Control or In Despair: Protagonist Analysis of David Lurie in Disgrace and Okonkwo in Things Fall Apart2007Independent thesis Basic level (degree of Bachelor), 20 points / 30 hpStudent thesis
  • 264. Andersson, Ulla
    et al.
    Elisson, GöranThurfjell, DavidSödertörn University, Avdelning 3, Study of religions.
    Vi har ju mötts förr2003Collection (editor) (Other (popular science, discussion, etc.))
  • 265.
    Andersson, Viktor
    Södertörn University, School of Gender, Culture and History.
    FN:s Miljökonferens 1972 i Stockholm: En studie av svensk dagspress2011Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
  • 266.
    Andic, Eda
    et al.
    Södertörn University, School of Natural Sciences, Technology and Environmental Studies, Tourism Studies.
    Englund, Kim
    Södertörn University, School of Natural Sciences, Technology and Environmental Studies, Tourism Studies.
    När fantasin om paradis ön möter verkligheten: En studie om de sociokulturella effekter av turismen på Mallorca2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The purpose of this thesis is to examine the socio-cultural impacts that tourists and locals in Mallorca are experiencing. We want to study the locals’ and tourists' perceptions and impact they have on each other. Qualitative interviews have been conducted for this thesis, in which two different interview forms were used. One interview form was used to interview locals and another for tourists, and a total of 11 people were interviewed. The study is based on theories that includes socio-cultural impacts, cultural shock, Doxey's irridex model and codes of conduct.

    The result of this study is that both locals and tourists had in general positive perceptions of the socio-cultural effects. The positive effects they experienced was cultural- and knowledge exchange, create networks with tourists from around the world and to have multicultural meetings. It was only locals who felt the negative socio-cultural effects of tourism, and these effects were that tourists litter the streets, drinks a lot of alcohol, creates high noise levels and that tourism affects the traditions and local language.

  • 267.
    Andreasson, Linnéa
    Södertörn University.
    Icke-mänskligt subjekt i Virginia Woolfs Flush2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This essay contains a literary analysis of Virginia Woolf’s Flush: A Biography (1933) where I have used animal studies to analyse the novel and the animal protagonist. First and foremost I have looked at the moral tendencies of the animal mind and the animal subject and by which means Woolf have worked to make him a dog, and not a human speaking for a dog. In my analysis I have used contemporary research in animal studies and literary studies to back up my claims.

  • 268.
    Andreasson, Linnéa
    Södertörn University, School of Culture and Education, Comparative Literature.
    Icke-verbal kommunikation mellan människa och djur i litteratur: En interdisciplinär studie om hur David Wroblewskis The Story of Edgar Sawtelle rekonstruerar förhållandet mellan djuriskhet och funktionshinder2018Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    In reading The story of Edgar Sawtelle, this essay applies posthuman studies with animal studies and disability studies to analyse how the communication between species occur and how boundaries are expanded. Non-verbal language is closely examined and argued to be just as viable as verbal language in the making of relationships and subjects in literature. By applying posthumanism, biological research and a non-anthropocentric way of thinking one can evolve from the notion that humans are the only subjects which matter, something that has been verified because non-human animals never have been given a voice or an acknowledgment of a language. What happens in a novel when the main protagonist is lacking the ability to speak verbally, when verbal language is what has constructed human exceptionalism over all the other species?

  • 269. Andrén, Elinor
    et al.
    Shimmield, Graham
    Brand, Timothy
    Environmental changes of the last three centuries indicated by siliceous microfossil records from the southwestern Baltic Sea1999In: The Holocene, ISSN 0959-6836, E-ISSN 1477-0911, Vol. 9, p. 25-38Article in journal (Refereed)
    Abstract [en]

    Four short sediment cores from the southwestern Baltic Sea were analysed with respect to their content of siliceous microfossils. The aim was to detect and date changes in the composition of the diatom flora and to link these changes to variations in the anthropogenic load of nutrients during the last century. The study shows that the most significant change in the diatom assemblages occurred 130-140 years ago. The change is recorded in the sediments as a shift from periphytic diatom taxa to a predominance of planktonic taxa. This indicates that the photic layer has decreased in depth, probably due to eutrophication of the Baltic Sea, which consequently began to affect the area investigated approximately AD 1850. To support the results of a changing ratio of periphytic to planktonic diatoms, diatom accumulation rates were calculated In general, the diatom accumulation rate data show a decrease in the periphytic accumulation rates and an increase in the planktonic accumulation rates towards the sediment surface. Some indications of a colder climate are recorded in the sediments approximately 230 years ago. These results are in accordance with the record of maximum extent of sea ice in the same area and are suggested to represent a late stage in the ‘Little Ice Age’.

  • 270.
    Andrén, Thomas
    et al.
    Stockholm University.
    Andrén, Elinor
    Södertörn University, School of Life Sciences.
    Berglund, Björn E.
    Lund University.
    Yu, Shi-Yong
    University of Minnesota.
    New insights on the Yoldia Sea low stand in the Blekinge archipelago, southern Baltic Sea2007In: GFF, ISSN 1103-5897, E-ISSN 2000-0863, Vol. 129, no 4, p. 277-285Article in journal (Refereed)
    Abstract [en]

    One sediment core from the Jarnavik bay in Blekinge archipelago has been investigated for its content of pollen and diatoms and its chemical properties. Two levels were also dated by radiocarbon. Based on the results the sediment sequence analysed has been divided into three environmental units largely corresponding to the lithology of the sequence. A lowermost unit consisting of weakly varved and homogeneous clay was deposited during the end of the brackish phase of the Yoldia Sea at a moderate water depth. On top of this unit a gyttja-clay unit was deposited. The onset of the deposition of this unit has been dated to c. 11 100 cal. yrs. BP. An increasing organic production and increased terrestrial influence is recorded in the chemical data and a very shallow water depth is indicated in the pollen and diatom flora. These results point to conditions in a bay probably isolated from the Yoldia Sea. A local tentative shore displacement curve have been constructed and it is proposed that this unit represents the low stand at c. -18 m during the Yoldia Sea stage in this part of the Baltic Sea basin. The uppermost unit consists of homogeneous clay with a low content of organic carbon. An increasing water depth is indicated by the composition of both pollen and diatoms. The diatom flora also displays an increase in freshwater species. This environmental change was probably the result of a transgression in the beginning of the Ancylus Lake stage.

  • 271.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Aesthetics.
    Avant-propos: Pour une phénoménologie du langage : le primat ontologique de la parole2020In: Le problème de la parole: cours au Collège de France: notes 1953-1954 / [ed] Lovisa Andén, Emmanuel de Saint Aubert & Franck Robert, Genéve: MētisPresses , 2020, p. 9-32Chapter in book (Other academic)
  • 272.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Philosophy. Uppsala University.
    Language and Tradition in Merleau-Ponty’s Reading of Husserl and Saussure2018In: Studia Phænomenologica, ISSN 1582-5647, E-ISSN 2069-0061, Vol. XVIII, p. 183-205Article in journal (Refereed)
    Abstract [en]

    In this paper I examine how Merleau-Ponty develops Husserl’s genetic phenomenology through an elaboration of language, largely influenced by Saussure’s linguistics. Specifically, my focus will be on the unpublished notes to the course Sur le problème de la parole (On the Problem of Speech). I show how Merleau-Ponty recasts Husserl’s notion of the historicity of truth by means of an inquiry into the relation between truth and its linguistic expression. The account that Merleau-Ponty offers differs from Husserl’s in two important respects. Firstly, whereas Husserl describes a regressive inquiry of truth, Merleau-Ponty describes a regressive movement of truth, where every acquired truth seizes the tradition that precedes it. Secondly, this new notion of truth, and its dependency on its proper expression, opens up for a new understanding of literature.

  • 273.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Aesthetics.
    Literature and the Expressions of Being in Merleau-Ponty’s Unpublished Course Notes2019In: Journal of the British Society for Phenomenology, ISSN 0007-1773, E-ISSN 2332-0486, Vol. 50, no 3, p. 208-219Article in journal (Refereed)
    Abstract [en]

    In this article I examine Merleau-Ponty’s understanding of the relation between literature, being and perception. I focus especially on two of Merleau-Ponty’s courses at Collège de France: the first course, Le monde sensible et le monde de l’expression, and the unpublished course Sur le problème de la parole. In the former Merleau-Ponty presents a new understanding of perception, according to which being is expressed in perception through the style of movement of the perceived phenomenon. In the latter he advances a notion of literary writing as an expression of the being that is itself expressed to us in perception. Through a reading of Proust’s work, he discusses how the literary writer makes his experience expressive by means of a stylization of what is experienced. Hence, literature expresses perception through an enhancement of the expressiveness that it already contains. This capacity of literature will be the main focus of my investigation. 

  • 274.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Philosophy. Uppsala University.
    Litteratur och erfarenhet i Merleau-Pontys filosofi2018In: Salongen – nettidsskrift for filosofi og idéhistorie, no 5 majArticle in journal (Other (popular science, discussion, etc.))
  • 275.
    Andén, Lovisa
    Södertörn University, School of Culture and Education, Philosophy. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Uppsala universitet.
    Litteratur och erfarenhet i Merleau-Pontys läsning av Proust, Valéry och Stendhal2017Doctoral thesis, monograph (Other academic)
    Abstract [en]

    The aim of this thesis is to explore the relation between literary expression and experience in Merleau-Ponty’s philosophy. The principal focus is Merleau-Ponty’s investigations into literature, in two of his first courses at Collège de France, 1953- 1954: Sur le problème de la parole (On the Problem of Speech) and Recherches sur l’usage littéraire du langage (Research on the Literary Use of Language). While the former remains unpublished, the latter was finally published in 2013. At the time of his premature death, Merleau-Ponty left thousands of pages of working notes. They were supposed to contribute to a major philosophical work, the planned title of which was Être et monde (Being and world). Merleau-Ponty had planned to undertake an extensive examination of language in the last part of the work. However, in the absence of this text, the courses on literary language afford us the possibility of sketching the direction that this research might have taken.

    The examination of literary language use is, for Merleau-Ponty, made possible by an understanding of language found in Ferdinand de Saussure’s linguistics. Merleau-Ponty’s interpretation of Saussurean linguistics anticipates the structuralist reading that was later to dominate the intellectual scene. Instead of reading the linguistics of Saussure in opposition to phenomenology, he finds in the former an ally that allows him to think Husserlian phenomenology further.

    In the course notes, Merleau-Ponty explores the relation between sensible experience and linguistic expressions through close readings of Proust, Valéry and Stendhal. In the writing of Marcel Proust, he finds a writer that perpetually examines his experience, searching for expressions that are capable of bringing it forth. In Stendhal’s writing, Merleau-Ponty finds a literary method that makes the world appear through the “small true facts” that describe it. Finally, in Paul Valéry’s poetic writing he finds a writer superimposing words over other words, in order to create new significations. In their literary writing he finds a capacity to seize the world anew, beyond our habitual preconceptions of it, thus bringing us closer to the experience we already perceive.

  • 276.
    Andén, Lovisa
    et al.
    Södertörn University, School of Culture and Education, Aesthetics.
    Robert, Franck
    Introduction: Le problème de la parole, extrait de la leçon du 25 février 1954. Proust et la littérature2019In: Chiasmi International, ISSN 1637-6757, E-ISSN 2155-6415, Vol. 21, p. 25-28Article in journal (Refereed)
  • 277.
    Angelöv, Auguste
    Södertörn University, School of Culture and Education, Comparative Literature.
    Att leka life? - en undersökning av makt, lekt och berättande i tv-spel2017Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    This is a paper concerning storytelling in video games. It’s based on the assumption that power gives people the possibility to tell stories. We will have a look at what that means when in contact in video games, as the interaction between player and story world may result in creation of a story. Aim will be taken at three categories: agency, power and communication. Communication is of great importance in video games, as one of very few mediums that allows agency and communication within the actual story world. One can look at it as agency being the possibility to demonstrate power, whilst power is through which means the player can express their agency. This will be analysed through different parts of what constitutes a video game, such as rules, characters, space and game world.

  • 278.
    Anjum, Ali
    Södertörn University College, School of Communication, Media and it.
    Virtual size measurement for garments and fashion industry: Selection of right size at the online fashion buyers2010Independent thesis Advanced level (degree of Master (One Year)), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    Internet is one of the major achievements of 21 century by human kind. Retailers have moved their business towards a global market through internet. Human computer interaction is getting enhanced in different contexts. Consumers can now access the global markets online for the sake of shopping. Fashion industry is getting tremendous popularity in an online environment. Fashion is transformed into digital fashion where people from all over the world have easy access to the world of fashion and can interact and get hands on every piece of art. They can simply buy any fashion product anywhere in the world. The most important part in this domain is the interaction of the consumer with the media for the sake of spending money for goods having a fashion designer at the back end. So here the interaction needs to be precise and specific, especially when it comes to the sizing phase of the activity called shopping garments online. This paper investigates the current sizing trends offered by online fashion retailers and proposes the preferred state interface in order to discover the facts that enables consumers to finalize perfect size for them. The focus is on female users. The results will lead to understanding of the cause of confusion that consumer faces in selecting right size while shopping garments online.

  • 279.
    Annell, Cecilia
    Södertörn University, School of Culture and Education, Comparative Literature. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Stockholms universitet.
    Begärets politiska potential: Feministiska motståndsstrategier i Elin Wägners Pennskaftet, Gabriele Reuters Aus guter Familie, Hilma Angered-Strandbergs Lydia Vik och Grete Meisel-Hess Die Intellektuellen2016Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation investigates the way that feminist resistance is expressed in two Swedish and two German so-called New Woman novels from the turn of the twentieth century: Elin Wägner’s Pennskaftet (1910, Penwoman), Gabriele Reuter’s Aus guter Familie (1895, From a Good Family), Hilma Angered-Strandberg’s Lydia Vik (1904), and Grete Meisel-Hess’s Die Intellektuellen (1911).

    The theoretical apparatus is comprised by the work of Michel Foucault, Judith Butler, Jacques Lacan, and Jessica Benjamin. By introducing a psychoanalytic and feminist perspective, this dissertation seeks to develop the possibilities for agency and resistance within the framework of Foucault’s theories. It investigates four textual and contextually grounded strategies of resistance that are prominent in these novels: individuality, openness, desire, and eugenics.

    This study demonstrates how Gabriele Reuter, Grete Meisel-Hess, and  Hilma Angered-Strandberg, inspired by the ideas of Friedrich Nietzsche and Ellen Key, depict feminine individuality in relation to a scientific and philosophical discourse that specifically denied women individuality. The authors anchor individuality in a corporality that was similarly denied to women by a bourgeois and dogmatic Christian discourse.

    Openness and wit function as resistance strategies in Elin Wägner’s Pennskaftet. Humorous rejoinders and narrative comments can disarm a conservative. An open attitude towards the emancipation project could also help to resolve the conflicts between different feminist positions and between different women.

    Desire functions as an important resistance strategy in each of the novels examined. It is variously represented as a vital instinct, a desire for knowledge, and a sexual desire, as in Gabriele Reuter’s Aus guter Familie – or as a desire for suffrage, as in Pennskaftet, or for maternity legislation, as in Grete Meisel-Hess’s Die Intellektuellen. By formulating a notion of feminine desire, turn-of-the-century feminists were able both to seize control of sexuality from the church and to wrest morality from the grasp of the bourgeoisie. These resistance strategies could also have a biopolitical character: in Grete Meisel-Hess’s Die Intellektuellen, woman is placed at the service of humanity on eugenicist grounds, and her good qualities are seen as capable of promoting humanity’s progress.

    This dissertation shows that in these novels desire at the individual level serves to reinforce feminine subjectivity. Love is seen as associated with an intensified sense of life and as a precondition of creativity. At the social level, desire also functions as the basis for a feeling of solidarity among women that instils in them courage and an urge to persevere in the suffrage struggle, this latter a highly protracted process. In this way desire acquires political potential.

    A framing chapter on context provides the intellectual and philosophical backgrounds of the various strategies of resistance. It is followed by four analytical chapters, each of which addresses one novel.

  • 280.
    Antar, Susan
    Södertörn University, School of Culture and Education.
    Kristen ortodoxi i svenska läroböcker: En analys av framställningen av ortodoxi i fyra läroböcker innan den nya läroplanen. LGR11 och GY11 och fyra efter2014Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [en]

    The purpose of this study was to gain understanding of orthodox Christianity in Swedish educational material. The aim was to compare the presentation of orthodox Christianity towards pupils before the new curriculum and after. With the help of an analytical approach by Bergström and Boreu ́s and the interpretation strategy by Quentin Skinner, I have studied material used in school for the subject religion. I have limited my educational material in one way. The material that I have chosen is produced from the year 2003 until 2012. The goal is to recognize how orthodox Christianity is presented to Swedish pupil ́s. The result will contain a discussion about the ways a specific religion is represented in school, what kind of picture is created for this religion and if there is a difference in these presentations in a period of time.

  • 281.
    Anz, Christoph
    Södertörn University.
    "Störst, störst och störst..." Schwedische Blicke auf Berlin im Sommer 19362000In: Nachbarn im Ostseeraum unter sich: Vorurteile, Klischees und Stereotypen in Texten / [ed] Helmut Müssener, Frank-Michael Kirsch, Charlotta Brylla, Ursula Naeve-Bucher, Huddinge: Södertörns högskola , 2000, Vol. S. 203-225, p. 163-169Chapter in book (Other academic)
  • 282.
    Appelgren, Ester
    et al.
    Södertörn University, School of Communication, Media and it, Journalism.
    Hüttenrauch, Helge
    Södertörn University, School of Communication, Media and it, Informatics.
    Nygren, Gunnar
    Södertörn University, School of Communication, Media and it, Journalism.
    Data Journalism: Implications and Opportunities2012In: Digital Humanities Congress 2012, The University of Sheffield / [ed] Clare Mills, Michael Pidd and Esther Ward, Sheffield: HRI Online Publications , 2012, p. 60-Conference paper (Other academic)
    Abstract [en]

    Data journalism is a form of storytelling where elements of text, interactive graphics and datasets are often combined into one interactive journalistic project or service. In addition, the general public are often encouraged to submit their own data for publication within the service. Data journalism is not a new field, but due to the expensive production process and the advanced skills needed by journalists, it is still relatively uncommon in the Swedish media landscape. This study is based on a joint research project together with SVT Pejl, the data journalism department at the Sveriges television (SVT). The main aim of this paper is to explore this emerging form of interactive journalism based on public sector data, and how the general public engages with it. This paper is based on a four-month case study in 2011 and 2012 of SVT Pejl and “Brottspejl”one of its data journalism services. An action research approach has been used, and the methods were in-depth interviews and a web-based survey.

  • 283.
    Appelsved, Emelie
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Graffiti på spel: En kvalitativ undersökning, via NUG, om graffitins autonomi2016Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    Abstract

     

    Comments regarding Swedish graffiti writer NUG’s film Territorial Pissing (2008) express how graffiti and art appear to be two different worlds and when these worlds come together the expression of graffiti seems to transform. This thesis, Graffiti at stake: a qualitative study, via NUG, about the autonomy in graffiti, aims to both examine and bring about a general discussion on whether graffiti is autonomous when it enters the art world. The thesis also discusses transformed content and expression in the works of NUG when performed in a different context; what is exhibited in an institutional art context and what positions does NUG occupy? The French sociologist Pierre Bourdieus conceptions field and autonomy has been used as a theoretical framework, and partly as method as well. By studying the works of NUG another expression has been found within an institutional art context – black irrational lines and cascades. These are interpreted as energy generated from the act of performing graffiti and have been discussed in relation to the graffiti- and art practice as well as the symbolic capital. The thesis argues that the autonomy is situated in what is recognized and acknowledged. The thesis also concludes that NUG is entering into a masculine, conventional and strong artist position, similar to Pollock.

     

  • 284.
    Arbelius, Karin
    Södertörn University College, School of Gender, Culture and History.
    För sakens skull: Det omöjliga mötet i Rut Hillarps roman Sindhia - en lacansk läsning2006Independent thesis Basic level (degree of Bachelor), 10 points / 15 hpStudent thesis
    Abstract [en]

    This essay examines the love affair between the two main characters of Rut Hillarp’s novel Sindhia. It draws attention to the schism between the Surrealist version of love as an extatic-religious fusion of the sexes – that in a way marks the relationship – and the yet remarkable coolness between the two lovers.

    With the theories of French psychoanalyst Jacques Lacan, I will show how the man and the woman project their unrealistic individual fantasies on each other, thus rendering impossible the Surrealist Meeting, with its road to an absolute reality. The Surrealist "l’amour fou", I will argue, is trapped in the ritualized "l’amor interruptus"; a lacanian term for a certain kind of love that wishes to conceal the fact that desire will never find its object. It does so by pretending that the object would be found if only love had been consummated (thus the reason love is never consummated, since, as Lacan puts it, the object, or the Thing, is never to be found).

    I will, in brief, argue that the love affair depicted in the novel in different ways tries to deal with the “lack-of-being” that marks the subject according to Lacan; the absolute distance to the desirable Thing.

  • 285.
    Arendorff Runnerström, Emelie
    Södertörn University College, School of Culture and Communication. Södertörn University College.
    Det lågas pånyttfödelse: om renässansens uttryck i det nederländska genremåleriet2010Independent thesis Advanced level (degree of Master (One Year)), 30 credits / 45 HE creditsStudent thesis
    Abstract [en]

    The aim of this thesis is to expand the understanding of 16th century Flemish art by approaching paintings by artists Pieter Aertsen (1508-1575), Joachim Beuckelaer (1533-1574) and Pieter Bruegel (c. 1525-1569) from a different perspective. This is done by extending the discourse of art history, into a discourse of literary history and primarily 16th century novels by authors such as François Rabelais and Miguel de Cervantes. The paintings are studied in relation to these 16th century novels, by comparison and as a testament of this specific time period. A widening contextualization is also constructed in which a connection to the expression of the carnivals ambivalent form, as well as the notion of lower classes is explored.       These alternative readings utilize a theoretical basis in Michail Bachtin, Svetlana Alpers and Walter Gibson, among others. The thesis also sets out from a hermeneutic point of view as well as a critical analysis of the discourse of art history. The general understanding of these paintings, formed through the discourse of art history, is questioned and revaluated in the meeting and clash between art and literature. The thesis concludes that the ways these paintings have been viewed and understood, in studies of art history, have been too narrow to produce a full understanding of these diverse expressions of an equally diverse period in time. A foundation for a new conception of the renaissance is thereby formed; a conception that promotes further studies.The aim of this thesis is to expand the understanding of 16th century Flemish art by approaching paintings by artists Pieter Aertsen (1508-1575), Joachim Beuckelaer (1533-1574) and Pieter Bruegel (c. 1525-1569) from a different perspective. This is done by extending the discourse of art history, into a discourse of literary history and primarily 16th century novels by authors such as François Rabelais and Miguel de Cervantes. The paintings are studied in relation to these 16th century novels, by comparison and as a testament of this specific time period. A widening contextualization is also constructed in which a connection to the expression of the carnivals ambivalent form, as well as the notion of lower classes is explored.       These alternative readings utilize a theoretical basis in Michail Bachtin, Svetlana Alpers and Walter Gibson, among others. The thesis also sets out from a hermeneutic point of view as well as a critical analysis of the discourse of art history. The general understanding of these paintings, formed through the discourse of art history, is questioned and revaluated in the meeting and clash between art and literature. The thesis concludes that the ways these paintings have been viewed and understood, in studies of art history, have been too narrow to produce a full understanding of these diverse expressions of an equally diverse period in time. A foundation for a new conception of the renaissance is thereby formed; a conception that promotes further studies.

  • 286. Arendt, Hannah
    Rätten till rättigheter: politiska texter i urval och med inledning av Anders Burman2017Book (Other academic)
  • 287.
    Arevik, Niklas
    Södertörn University, Department of Gender, Litterature and History.
    Vidriga vuxna och förslagna barn: en studie av det karnevaliska och groteska i Roald Dahls författarskap2004Independent thesis Advanced level (degree of Master (One Year))Student thesis
    Abstract [en]

    The main aim of this study is to analyse the grotesque characterization of adults in four novels by Roald Dahl, from Michail Bachtin’s definition of the carnival-grotesque in Rabelais and his world. From this view I have examined how the conflict between children and adults is described in these books, and to what extent the grotesque motifs have a function in this conflict.

    For this purpose I have applied theories of the literature-grotesque by Michail Bachtin, and of the meaning and function and – in this context – the necessity of fright and horror in children’s fiction, in particular by Bruno Bettelheim and J.A. Appleyard. The result of the analysis suggests that the books contains obvious and distinct grotesque elements and that Dahl’s popularity among children, and opposition among critics, should be due to this elements. Taken together, these circumstances give cause for the epithet “subversive grotesques for children” for Roald Dahl’s children’s books, and that Dahl can be said to deconstruct the conventional perception of childhood.

  • 288. Aristoteles,
    Fysik2017Book (Other academic)
  • 289. Arke, Pia
    et al.
    Jonsson, Stefan
    Scoresbysundhistorier: Fotografier, kolonisering og kortlaeggning2003Book (Other academic)
    Abstract [da]

    Kollage af billeder og vidnesbyrd fra Scoresbysund i Nordøstgrønland, der blev koloniseret i 1924 og befolket i 1925 Med litteraturhenvisninger.

  • 290. Arketeg, Åsa
    An aesthetics of resistance: the open-ended practice of language writing2007Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This dissertation investigates the relation between poetry and theory in the poetic practice of language writing. The topic is approached from the idea that language writing takes place in the tension of an open-ended state. In Chapter 1 it is argued that language writing is constituted in relation to a poetic context, and that it reactivates traits intrinsic to the avant-garde discourse, which corresponds to some characteristics in poststructuralism and critical theory. These perspectives appear in the poetic practice of language writing in terms of a rejection of transparency and separation. The stress on construction in language and writing eliminates the distinction between theory and poetry. It is argued that language writing cannot be seen as a movement in the traditional sense of the word since the poetic work resists aesthetic coherence. The heterogeneity of language writing confirms theory's contribution to the poetic practice but without creating a separation between the two. The first section of Chapter 2 addresses the l=a=n=g=u=a=g=e journal with a focus on a poetological context, avant-garde discourse, theory and criticism. The texts in this journal activate the open-ended state by acknowledging context and theory while they simultaneously reject the conventional style of the essay or the review. In the second section of this chapter, in the analysis of four language writers, Bruce Andrews, Charles Bernstein, Lyn Hejinian and Ron Silliman, it is argued that their poetic practice eliminates the distinction between poetry and poetics since poetry emerges as a critical study in itself, where self-reflexivity prevents the creation of poetry in a conventional sense and prevents a separation from poetics. Although poetry is connected with society, the autonomy of poetry, form and poetic language is stressed as a critical, transgressive potential in relation to conventional distinctions between poetry, theory, poetics and criticism.

  • 291.
    Arketeg, Åsa
    Södertörn University, School of Culture and Education, Aesthetics.
    Poetics and Contemporaneity2018In: Conference Aesthetics, Contemporaneity, Art, Aarhus: Aarhus Institute of Advanced Studies , 2018, p. 31-Conference paper (Other academic)
    Abstract [en]

    In this talk, I will address aspects of temporality in poetics. I will argue, that temporality characterizes a certain use of poetics that seems to be the opposite of poetics as it ap- pears for example in literary theory. I will argue, however, that while feminist criticism sometimes use poetics as a means to oppose encompassing theoretical frameworks, it nevertheless integrates the traditional use of poetics since self-reflexivity is an important aspect here. In this regard, poetics rather emerges as a framework for thinking than a framework that defines thinking. In this sense poetics takes place in the contemporary, that is, in the making of theoretical and artistic practices. In the first part of the talk, I will discuss how the self-reflexive aspect unfolds in relation to the rejection of encompassing theoreti- cal frameworks in feminist criticism. In the second part of the talk, I will address the Ameri- can poet Lyn Hejinian’s notion of a poetics that is characterized as ”a thinking on”. This characterization is based on the stress on form in poetic language that Hejinian traces back to Russian formalism. I will claim, that this is another example of the temporal aspect of poetics, as this ”thinking on” takes place in the contemporary.

  • 292.
    Arketeg, Åsa
    Södertörn University, School of Culture and Education, Aesthetics.
    Världslighet och rumslighet i Jörgen Gassilewskis poesi2013In: OEI, ISSN 1404-5095, no 59, p. 83-85Article in journal (Other (popular science, discussion, etc.))
  • 293.
    Arketeg, Åsa
    et al.
    Södertörn University, School of Culture and Education, Aesthetics.
    Freyr, Kamilla
    Textuální prezentace a umění v reálném čase2014In: Výtvarná výchova, ISSN 1210-3691, no 1, p. 227-238Article in journal (Refereed)
  • 294.
    Arketeg, Åsa
    et al.
    Södertörn University, School of Culture and Education, Aesthetics.
    Freyr, Kamilla
    Oslo Metropolitan University, Norge.
    Tonight no poetry will serve – A Memory Wound2018In: NSEParis 2018 Abstracts, 2018Conference paper (Other academic)
    Abstract [en]

    The title of our paper alluds to a poem by the American writer Adrienne Rich. The poem suggests the sublime capacity of art to effect change, while at the same time acknowledging that art also can be ineffectual in the face of despair. The history of public art is fraught with controversy, and this fact is also addressed by a number of researchers in our field. As the philosopher Hilde Hein writes ”we go to private art, but public art is come upon,” referring to public art as ”unwanted art” (2006, 55). Our project is not concerned with the controversy of public art, but with a topic that we believe is under-theorized in our field, namely how the social and ethical meaning of memorials and public art are reproduced as a discourse. We argue, that there is a Post Witness Art discourse that reproduce the idea that art must bear wittness to catastrophic events, even when the people that are effected by these events opposes the very existence of art. We will argue, that to look at Post Witness Art as part of a discourse that defines art as remembrance and mourning, means that we have to acknowledge that this discourse carries a certain language, words that in themselves manifest power. In our paper we ask, what does claims of democracy and inclusiveness mean when the art world is faced with opposition? What if there are situations were art simply is not the answer, as the title of Rich´s poem suggests? We will address these matters with a specific case in mind, namely Memory Wound. This is a memorial design by the Swedish artist Jonas Dahlberg, commisioned by Public Art Norway, in the aftermath of the horrific attacks at the government buildings and Utøya in Norway on the 22 of July 2011. The attacks claimed a total of 77 lives and hundreds were injured. With a ”wound that can never be healed” Dahlberg intended the design to “reflect the abrupt and permanent loss.” Dahlbergs design illustrates the loss in the presence of a cut – like an injury – and has a site/non-site logics that is a recurrent image in many contemporary memorials. In our paper, we will adress the collision between the people that live in the proximity to where Memory Wound were to be situated, and the advocators for the memorial, namely the art world. In an open letter an international group of acclaimed artists and curators appealed to the Norwegian government to ”be brave and allow Memory Wound to become a dignified place of healing”. This letter exhibits what we will adress as a tacit understanding of how public art should function, as a mediator between the private and the public. The arguments in favour of Memory Wound that came from the art world show, that there is an underlying assumption that art has a democratic and healing function, that is reflected by the words that are used. We will discuss the advocator’s arguments in the context of a post-habermasian notion of modernity and a “progressive reading on history” where freedom, autonomy and emancipation will be the result. In this research project we work together as a collaborative duo called arketeg.freyr, and this talk will consequently be presented as a combined effort.

  • 295.
    Arnberg, Klara
    et al.
    Stockholm University.
    Marklund, Carl
    Södertörn University, Centre for Baltic and East European Studies (CBEES).
    Illegally Blonde: ‘Swedish Sin’ and Pornography in American and Swedish Imaginations, 1950–19712016In: Swedish Cinema and the Sexual Revolution: Critical Essays / [ed] Mariah Larsson, Elisabet Björklund, Jefferson: McFarland, 2016, p. 185-200Chapter in book (Refereed)
  • 296.
    Arnbom, Malin
    Södertörn University, School of Culture and Education, Swedish Language.
    Googleannonser, komprimerad reklam?2016Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
    Abstract [sv]

    Denna studie har i syfte att språkvetenskapligt undersöka hur reklamgenren förädras i ett komprimerat format, formatet googleannonser. För att få fram de språkliga dragen analyseras 30 st googleannonser ur ett genreperspektiv med innehålls-, strukturell och interpersonell analys som metod. Resultatet visar på ett flertal gemensamma drag med traditionell reklamgenre men uppvisar också skillnader. En strukturell skillnad är att googleannonsens rubrikdel tenderar att vara hybrid, de innehåller ofta både information om tjänster och produkter tillsammans med företagsnamn. Andra språkliga drag från materialet är bortprioriteringen av innehållsliga och interpersonella drag annars vanligt återkommande i traditionell reklamgenre. De gemensamma dragen för googleannonserna skulle kunna ingå i en ny modifierad subgenre till traditionell reklam, där nya konventioner för utformingen utvecklats. 

    The purpose of this study is to explore how the advertising genre adapts to a compressed format, from a linguistic perspective. The format being Google ads. 30 Google ads are analyzed with a content, structural and interpersonal method to distinguish linguistic features. The result shows multiple linguistic features related to traditional advertising genre. The study also finds diffrences. One divergent structural feature is the Google ads headline, who tends to have a hybrid function that includes both information about the product and information about the company. The material differ in comparison to traditional advertinsing genre in content and structure features, where some parts have been prioritized due to the limiting format. The new features for the Google advertising genre could be a part of a new modified subgenre, where new conventions has developed.  

  • 297.
    Arnshav, M.
    et al.
    Swedish National Maritime, Museums.
    McWilliams, Anna
    Södertörn University, School of Historical and Contemporary Studies, Archaeology. Södertörn University, School of Historical and Contemporary Studies, MARIS (Maritime Archaeological Research Institute).
    Submarines in the silent world: Exploring films as an archaeological record2017In: Journal of Contemporary Archaeology, ISSN 2051-3429, E-ISSN 2051-3437, Vol. 4, no 1, p. 19-37Article in journal (Refereed)
    Abstract [en]

    The wrecks of two Soviet submarines, the S7 and the SC-305, were discovered by private wreck-searching teams in 1998 and 2007 respectively. For more than half a century the whereabouts of the wrecks had remained a mystery. Drawing from the case of the two sunken Second World War submarines, this paper addresses the archaeological significance of moving-image documentation produced in non-archaeological contexts as a tool for interpreting the sites. What kind of research can archaeologists, denied direct access to a site, conduct through the use of film documentation gathered by nonarchaeologists? Is it possible to use films produced by divers or marine survey teams (non-archaeologists) to interpret underwater sites? Can film be considered an archaeological documentation method, and how can data gathered in this way be handled and interpreted? Moreover, how does the distance created though lack of physical contact with sites and the non-professional gathering of data affect the research and analysis? Our work indicates that using already existing film and photographic material, created for purposes other than archaeological documentation, can be a valuable source material for understanding past events as well as how archaeological sites are experienced today. We found that working with material created by non-archaeologists had limitations, but it also opened up a whole new set of opportunities of viewing and understanding the sites. 

  • 298.
    Arnshav, Mirja
    Södertörn University, School of Historical and Contemporary Studies, MARIS (Maritime Archaeological Research Institute). Swedish National Maritime Museum.
    From Wreck to Heritage – a Matter of Time?2013In: Interpreting Shipwrecks: Maritime Archaeological Approaches / [ed] Jonathan Adams, Johan Rönnby, Southampton: Highfield Press , 2013, p. 140-150Chapter in book (Refereed)
  • 299.
    Arnshav, Mirja
    Södertörn University, School of Culture and Communication, Maritime Archaeological Research Institute.
    Fröken Allards förmenta skor: Marina katastrofer och arkeologiska berättelser2012In: Marinarkeologisk tidskrift, ISSN 1100-9632, no 4, p. 4-10Article in journal (Other academic)
  • 300.
    Arnshav, Mirja
    Södertörn University, School of Culture and Communication, Maritime Archaeological Research Institute.
    Jonathan Benjamin, Clive Bonsall, Catriona Pickard and Anders Fischer (eds): Submerged Prehistory2012In: Norwegian Archaeological Review, ISSN 0029-3652, E-ISSN 1502-7678, Vol. 45, no 2, p. 241-243Article, book review (Other academic)
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