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  • 201.
    Hegardt, Johan
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Konstvetenskap.
    Lundemo, Trond
    Inledning2016Inngår i: Historiens hemvist III: Minne, medier och materialitet / [ed] Johan Hegardt & Trond Lundemo, Göteborg: Makadam Förlag, 2016, s. 15-30Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 202.
    Hellman, Sona
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Så som bara den som bedragits kan älska: En narratologisk och semiosfärisk undersökning av Per Anders Fogelströms Mina Drömmars Stad2019Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The aim of this essay, As only the deceived one can love, is to investigate the city character in the book Mina drömmars stad (City of dreams) by swedish author Per Anders Fogelström. I will do this by using narratology and making a narrative analysis of the city as a protagonist, with help from Jimmy Vulovic’s Narrativanalys (”narrative analysis”) and Claes Göran Holmberg’s & Anders Ohlssons Epikanalys – En introduktion (”epic analysis – an introduction”). All of these three theorists use the narratological tool-box of Gérard Genette, and I will use his tools in this essay as well. By doing this I will try to point out what this kind of personification of the city does to the story, and how it affects the readers point of view. One of the steps of the narrative analysis is to seek for information about the protagonist in its own environment, to see if there are any hidden clues about the identity of their character. In his book A universe of the mind – A semiotic theory of culture, Jurij M. Lotman writes about the semiosphere of the home, and how the ultimate place to seek for details about someone’s character is in someone’s home environment or surroundings. He demonstrates his thesis by analyzing the meaning of different homes in Michail Bulgakov’s The Master and Margarita. Even if I try to read the city as a main character in City of dreams, it is inevitable that the city is also a stage, a scene and the environment where the story takes place. In the end of my analysis I will look to the environment of the city to try to draw conclusions about who this city of dreams really is.

    Fulltekst (pdf)
    Så som bara den som bedragits kan älska
  • 203.
    Hellman Vold, Anne
    Södertörns högskola, Institutionen för genus, kultur och historia.
    Adaption och subversion: Återbruk, mening och nonsens i Block av Ulf Karl Olov Nilsson2008Independent thesis Basic level (degree of Bachelor)Oppgave
    Abstract [en]

    The Swedish contemporary poet Ulf Karl Olov Nilsson (UKON) creates his poems by recycling and manipulating existing material. Though the overall opinion of his work has been positive, the idea that experimental poetry focus shape on the expense of content has led critics to either interpret the nonsensical and absurd aspects of UKON’s poetics as a consequence of the technical methods he uses to create his poetry, or to look beyond the nonsensical and absurd aspects to focus the fact that the poems creates meaning at all. The poems of UKON’s sixth collection of poems, Block (2005), differ from each other in many ways: some poems are lists and other revolves around a person – their content and construction vary and they can hardly be read as an expression of one persons thought. Still, the homogenous visual form creates a sense of uniformity – all the poems are shaped like blocks in different sizes, it has no page numbers and no names has been given the individual poems. By focusing the nonsensical and absurd aspects of UKON’s collection Block, and at the same time read the poetry through the light of the poetic context that UKON is connected to, this essays shows that UKON destroys and creates meaning in a way that is similar to the techniques used by the Victorian nonsense literature. As the Victorian nonsense literature make use of the language’s grammatical rules and genres to give the nonsense text a structure, UKON stages a reciprocal action between making use of and exceeding the conventional use of different language-contexts (e.g. erotic language or expressions such as “one must…”). Thus, the nonsensical aspects of UKON’s poetry are exposed as a consequent course of action to create and destroy meaning and Block can be read as a way to disclose how the language creates and maintains cultural clichés.

    Fulltekst (pdf)
    FULLTEXT01
  • 204.
    Hellström, Madelaine
    Södertörns högskola, Institutionen för kultur och lärande.
    I Norrland kan ingen höra dig skrika: En postkolonial läsning av Stefan Spjuts Stallo2014Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The northern province of Sweden has in both literature and film been depictured as something foreign and mythical, unlike the rest of the country. It has been my purpose to show in this essay that the systematic categorization of Norrland and its literature reveals multiple criteria known to define the colonial era. By reading the novel Stallo by author Stefan Spjut with postcolonial structures in mind I aim to show how the author uses Swedish mythology and through the presence of The Other criticizes colonial structures in place to this day. By examining the gothic atmosphere I intend to indicate how the trolls in the novel figures as both a horror element as well as a representation of nature itself. It is my belief that the author by further reinforcing the mythological in relation to Norrland addresses the problem at hand. That Norrland is still to this day a colony within its own country.

    Fulltekst (pdf)
    fulltext
  • 205.
    Helsing, Sophie
    Södertörns högskola, Institutionen för kultur och lärande.
    Doktor Moreau och jakten på den etiska figuren: Från misslyckat människoskapande till respektfulla relationer2015Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
    Abstract [en]

     “Doctor Moreau and The Hunt for The Ethical Figure. From unsuccessful man-making to respectful relations with Jacques Derrida, Donna Haraway and H. G. Wells”

    In H. G. Wells’ science fiction novel, The Island of Doctor Moreau (1896), a scientist on a remote island in the Pacific Ocean attempts to create humans from animals. Wells draws on Charles Darwin’s theories on the origins of species and the descent of man to create a horror story in which the uniqueness of the human is called into question.

    This study uses the novel to investigate the re-emergent interest in human-animal relations, within the natural sciences as well as the arts and humanities, in the past twenty years. In what is often termed “the Animal Turn,” theorists such as Jacques Derrida and Donna Haraway, who are at the centre of this study, have dedicated a significant amount of their work to the animal question and in particular to the ethics of inter-species relationships.

    Furthermore this essay stages the interaction of fiction and theoretical discourse in an analysis that probes challenges inherent to the relations of humans to other species, such as the practice of eating meat, the killing of animals, and animal rights. Moreover, it considers how the figure of the animal has been used to define the human, as well as to dehumanize people in the justification of abuse and persecution. However, human-animal ethics also has positive connotations, discussed through the figures of positivity and possibility in play, sharing, contact and responsive responsibility.

    Taking its inspiration from Karen Barad’s method of diffraction, this study foregrounds new pattern-making while exploring how Derrida’s and Haraway’s strategies for formulating a new ethics are present in their use of tropes and figures. 

    Fulltekst (pdf)
    fulltext
  • 206.
    Helsing, Sophie
    Södertörns högskola, Institutionen för genus, kultur och historia.
    Inför den Andre är jag dum: om dumhet, etik och kreativitet i Samuel Becketts pjäs Slutspel2006Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This study constitutes an attempt to bring the notion of stupidity into relation with ethics and creativity, through a reading of Samuel Beckett's Endgame. Employing Emmanuel Lévinas' theories on ethics - the responsible responsiveness in regard to the Other and the concept of the Face - the objective is to demonstrate how stupidity, conceived as lack of control and knowledge, functions as a precondition for the ethical relation between humans, as well as that of the individual to her creativity.

    Fulltekst (pdf)
    FULLTEXT01
  • 207.
    Hermansson, Johnny
    Södertörns högskola, Institutionen för genus, kultur och historia.
    "En inställd spelning är en spelning det också...": Ulf Lundells olika realiteter och identiteter i romanerna Jack, En varg söker sin flock och Värmen2009Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    Ulf Lundell is one of the most famous songwriters and authors in Sweden. He has written fifteen works of fiction and they’ve all same theme – a lonely man trying to look into his own past life. They are all built on a character, writing from an I-perspective, having a bit of Lundells own biography in there’s personality.

     The aim of his thesis is to find out how Ulf Lundell presents him self in his fictive characters, and will trace the authors development from a psychological point of view. The theoretic starting points are Lacans Freudian concepts “idealego”, “egoideal” and “the superego”, describing the psychological alteration at the author.                   

    The examination contains an analysis of Lundells novels Jack, En varg söker sin flock and Värmen, and throws light on the relationship between the author and his characters, and how it developes and changes with Lundells literary development. In this consideration are narrative theories a basic factor.  

    This work will also try to illustrate what has inspired Lundell in creating his fiction figures, and finally how he creates his own lived life on these literary characters.

    Fulltekst (pdf)
    FULLTEXT01
  • 208. Hestetun, Øyunn
    Excursions into the Literary Territories of the Other2008Inngår i: Neither East Nor West: Postcolonial Essays on Literature, Culture and Religion / [ed] Kerstin W. Shands, Huddinge: Södertörns högskola , 2008, s. 43-52Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    Excursions into the Literary Territories of the Other
  • 209.
    Hjalmarson, Karin
    Södertörns högskola, Institutionen för genus, kultur och historia.
    ”[…] hon var ingenting annat än mor nu”: En feministisk studie av Anne Charlotte Lefflers noveller ”En bal i societeten” och ”I krig med samhället”2008Independent thesis Advanced level (degree of Magister), 15 poäng / 22,5 hpOppgave
    Abstract [en]

    In this essay I study two novellas by Anne Charlotte Leffler, “En bal i societeten” and “I krig med samhället”. In order to do this, I use some of the differences between male and female writing that Ingeborg Nordin Hennel discusses in her study “Ämnar kanske fröken publicera något?”: Kvinnligt och manligt i 1880-talets novellistik. For the analysis of “I krig med samhället” I also use the text “Stabat mater” by Julia Kristeva. Anne Charlotte Leffler describes femininity both as a shortcoming and as a possibility in her authorship. In this essay I focus on femininity as a shortcoming. In my opinion “shortcoming” is not the proper description. I have therefore introduced the term “novella of disillusionment” to describe the novellas. My idea is that the female protagonist through disillusionment comes to the understanding of the double standards and limiting conventions of women. This is the insight that underlies femininity as a possibility.

    I want to show how the two novellas lead to disillusionment for Arla. In “En bal i societeten”, the young Arla’s disillusionment is about romantic love. The novella criticizes bourgeois matrimony. It also discusses authorship and theatrical art. The novella is impressionistic. I examine the portrayed women because they give a voice to and criticize double standards. Another distinct theme is the relationship between mothers and daughters as part of the oppressive patriarchal system. The men appearing in the novella are more of stereotypes. Their primary interest is in their relationship to Arla. The narrator uses often a double gaze where the second look is female and antipatriarcal.

    In the analysis of “I krig med samhället” I focus on Arla’s development. The main male character is a young radical writer, typical of male writers in the 1880s. My interest is solely in his relationship to Arla. His radical ideas do not include the emancipation of women and the companionate marriage proves to be disillusionment for Arla. His view of women is influenced by the ideals of the discourse of the Madonna. This both restricts Arla, and gives her a possible way of life, based on a feminine experience. I also discuss the perspective of the narrator that confronts the views of Lefflers male colleagues. I also discuss the complex relationship between Arla and her teenage daughter.

    In the final part of the essay I clarify the disillusionment by comparing Arla’s fate with some works by Leffler that can better be categorized as describing femininity as a possibility, in particular, the novel “En sommarsaga”. In my opinion “I krig med samhället” is the precursor of the novel.

    Fulltekst (pdf)
    FULLTEXT01
  • 210.
    Hjalmarson, Karin
    Södertörns högskola, Institutionen för genus, kultur och historia.
    Nya kvinnor och ny samhällskritik: en feministisk läsning av Anne Charlotte Lefflers Tre komedier2007Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    My essay is about the latter period of Anne Charlotte Leffler’s authorship. In Part I of my essay, I describe her path from the 1880s, where she described femininity as a shortcoming, as writes Ingeborg Nordin-Hennel, towards the 1890s and towards describing femininity as a possibility. This development took place on two levels – on an outer level, where all the woman writers in the late 1880s were influenced and where they were pushed out by the male writers, and on an inner level with Leffler herself.

    Her late literary works depict new and more independent types of women, and eroticism is given a more prominent position. In Part II, I study Tre komedier (Three Comedies) which was published in 1891 and which includes the plays Den kärleken (Love is Strange), Familjelycka (Family Happiness), and Moster Malvina (Aunt Malvina). In my opinion, they are early expressions of the New Woman fiction. For my analysis, I use the criteria of genre for the New Woman fiction that is defined by Ebba Witt-Brattström. New Woman fiction is a lost link between the literature of social protest of the 1880s and female modernism. That characterizes, among other things, a new type of woman, who is intellectually and sexually aware. The plot is often contradictory and open-ended which allows scope for interpretation. The protagonist usually has a girlfriend or another woman, whom she can use as a mirror, and there is a new women’s “sistership” emerging, and the urban setting is yet another characteristic. The protagonist often stays at a boarding house or is out on a journey. The new male character is a weakling as opposed to the bourgeois masculinity. These features are distinct in Tre komedier. However, I have discovered a few more criteria.

    I also discuss how Leffler, in the comedic form, delivers a pronounced criticism of society. In Tre komedier, the bourgeois matrimony, the bourgeois family, and the treatment of unmarried women are focused upon and criticized. The three plays differ very much from one another in the dramatic forms. Lynn R Wilkinson considers that they are among the first modernistic comedies, and they point forward to authors such as Wilde, Shaw, and Chekhov.

    Fulltekst (pdf)
    FULLTEXT01
  • 211.
    Hjelm Sandqvist, Carl
    Södertörns högskola, Institutionen för kultur och lärande.
    Fantomen: Från ungkarl till hemmaman: Genuskonstruktioner i äventyrsserien Fantomen av Lee Falk2013Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    In this essay I analyse the constructions of gender in the series The Phantom by Lee Falk. I apply David Tjeders readings of the bourgouise masculinity, its sensitive character and great risk of falling into unmanliness, when discussing The Phantom’s masculine development. I have analysed three adventures of The Phantom from the years 1937, 1977 and 1996, all authored by original creator Lee Falk. I argue that The Phantom increases his use of violence, therefore risking a loss of character. The stories re-establishes his masculinity by portraying the villains more monstrously. My thesis is that The Phantom's need  to maintain a bourgeouis masculinity ceases as the popular culture has developed new masculine ideals.

    Fulltekst (pdf)
    fulltext
  • 212.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    [Avhandlingsrecension] Erik van Ooijen, The Mold of Writing. Style and Structure in Strindberg’s Chamber Plays. (Örebro Studies in Literary History and Criticism 10). Örebro 20102010Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 131, s. 372-377Artikkel, omtale (Annet vitenskapelig)
  • 213.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    Berättandets (ir-)rationalitet: Exemplet Gökboet2006Inngår i: Berättelse och kunskap / [ed] Sten Dahlstedt, Huddinge: Södertörns högskola , 2006, s. 38-74Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 214.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, historia, litteratur och religion, Litteraturvetenskap.
    Emigrant i moderniteten: Vilhelm Mobergs mansfantasier2005Bok (Annet vitenskapelig)
  • 215.
    Holmgren, Ola
    Södertörns högskola.
    Exil und Diaspora als Ausdruck von Krise und Neubeginn bei Peter Weiss2014Inngår i: Skandinavien als Zuflucht für jüdische Intellektuelle 1933-1945 / [ed] Izabela A. Dahl, Jorunn Sem Fure, Berlin: Metropol Verlag, 2014, s. 81-91Kapittel i bok, del av antologi (Fagfellevurdert)
  • 216. Holmgren, Ola
    Frihetens vägar1976Inngår i: Ord och bild, ISSN 0030-4492, E-ISSN 1402-2508, Vol. 85, nr 4/5, s. 243-250Artikkel i tidsskrift (Annet vitenskapelig)
  • 217.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    Himmel, helvete och humor: inledningen till August Strindbergs Dödsdansen I2009Inngår i: Till och svar: studier tillägnade Beata Agrell / [ed] Jenny Bergenmar, Mats Jansson, Johanna Lundström Gonduin, Mats Malm, Stockholm: Brutus Östlings bokförlag Symposion , 2009, s. 337-347Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 218. Holmgren, Ola
    Ivar Lo-Johansson: frihetens väg1998Bok (Annet vitenskapelig)
  • 219.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    Kairos: det rätta tillfället2006Inngår i: Berättelse och kunskap / [ed] Sten Dahlstedt, Huddinge: Södertörns högskola , 2006, s. 106-114Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 220. Holmgren, Ola
    Kärlek och ära: en studie i Ivar Lo-Johanssons Måna-romaner1978Doktoravhandling, monografi (Annet vitenskapelig)
  • 221.
    Holmgren, Ola
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Peter Weiss i transit: från fängslande modersmål till frigörande författarskap2014Bok (Annet vitenskapelig)
  • 222.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, historia, litteratur och religion, Litteraturvetenskap.
    [Recension av] Egil Törnqvist, "Strindberg som TV-dramatiker" 20042005Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 126, s. 458-460Artikkel, omtale (Annet vitenskapelig)
  • 223.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    [Recension av] Henrik Jonsson "Strindberg och skräcken. Skräckmotiv och identitetstematik i August Strindbergs författarskap"2009Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 130, s. 227-232Artikkel, omtale (Annet vitenskapelig)
  • 224.
    Holmgren, Ola
    Södertörns högskola, Avdelning 1, Litteraturvetenskap.
    [Recension av] Wirmark, Margareta: Noras systrar : nordisk dramatik och teater 1879-992002Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 122, s. 205-207Artikkel, omtale (Annet vitenskapelig)
  • 225.
    Holmgren, Ola
    Södertörns högskola, Institutionen för genus, historia, litteratur och religion, Litteraturvetenskap.
    Strindbergs mansdrama i tre läsakter: från Fadren Till Damaskus längs Stora landsvägen2006Bok (Annet vitenskapelig)
  • 226.
    Holmgren Troy, Maria
    et al.
    Karlstads universitet.
    Kella, Elizabeth
    Södertörns högskola, Institutionen för kultur och lärande, Engelska.
    Wahlström, Helena
    Uppsala University.
    Making Home: Orphanhood, kinship, and cultural memory in contemporary American novels2014 (oppl. 1)Bok (Fagfellevurdert)
    Abstract [en]

    Making Home explores the figure of the orphan child in a broad selection of contemporary US novels by popular and critically acclaimed authors Barbara Kingsolver, Linda Hogan, Leslie Marmon Silko, Marilynne Robinson, Michal Cunningham, Jonathan Safran Foer, John Irving, Kaye Gibbons, Octavia Butler, Jewelle Gomez and Toni Morrison. The orphan child is a continuous presence in US literature, not only in children’s books and nineteenth-century texts, but also in a variety of genres of contemporary fiction for adults. Making Home examines the meanings of this trope in the contexts of American literary history, social history and ideologies of family, race and nation. It argues that contemporary orphan characters function both as links to literary history and as figures around which authors can critique the limits of literary history, family identity and national belonging.

  • 227.
    Holmqvist, Jenny
    Södertörns högskola, Institutionen för genus, kultur och historia.
    Varianter och versioner: Repetition i Marguerite Duras Älskaren och Monika Fagerholms Den amerikanska flickan2011Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This essay examines the role of repetition in the two novels Älskaren (The Lover) by Marguerite Duras and Den amerikanska flickan (The American Girl) by Monika Fagerholm, through a thematic and comparative reading. The study mainly uses Bruce F. Kawin’s analysis of repetition in literature and language as well as it refers to Cathy Jellenik and her analysis of rewriting in the works of Duras. The study also takes into Julia Kristeva’s idea of Duras as a writer lacking of catharsis. Furthermore, the essay analyses both novels by applying Sigmund Freud’s term “repetition compulsion”.

    The essay shows how Fagerholm and Duras both use permissive writing, which means that the authors boldly write clichéd replications in their texts. Both writers practice what Kristeva calls “an aesthetics of awkwardness”. Aswell, the authors both question whether a story at all is able to be told: they work with what Jellenik calls “an aesthetics of doubt”, but in different ways. Moreover, by using the work of Kawin, the essay shows how the authors have different ways of handling time. The study shows indications of repetition compulsion in the characters and also exemplifies instances of what Kristeva calls “reduplication”. Through this a fragmentary and Nietzschean perspective of the self is displayed in the novels. The study review how Duras can be said to be a writer lacking of catharsis, while Fagerholm on the other hand liberates one of her protagonists from repetition compulsion by allowing the character to undergo a catharsis.

    Finally, the essay conclusion points out that Duras and Fagerholm are postmodern writers who know how to challenge the concept of truth. Even if they are different writers in many aspects, they both use repetition as a method to express something unspeakable. They can be said to write also by an aesthetics of search for the truth; a search for an origin tale which they both argue as biased and is therefore impossible to capture.

    Fulltekst (pdf)
    fulltext
  • 228.
    Holmqvist, Moa
    Södertörns högskola, Institutionen för genus, kultur och historia.
    En välsignelse på jorden: Det goda äktenskapet som normaltillstånd och mål i tre romaner från 1860-talet2007Independent thesis Advanced level (degree of Magister), 15 poäng / 22,5 hpOppgave
    Abstract [en]

    The aim of this study is to examine marriage as something both desirable and normal in three popular novels from the 1860s about marriage: Rosa Carlén’s Agnes Tell: en äktenskapshistoria (1860), Marie Sophie Schwartz’s Alma eller De moderna äktenskapen (1860) and Sara Pfeiffer’s Aurora Trampe (1867). Using a theoretical perspective from Michel Foucault and Judith Butler, I have analysed the novels as being producers of, and resistance against, norms.

    The good marriage is partly depicted as a utopian vision in the novels, which therefore functions as fantasies for the readers. But it is also depicted as a realistic possibility. Though difficult to achieve, the main characters reach the goal through individual improvement towards correct behaviour.

    The question for the main characters is not whether they are going to marry or not, but how to make their marriages good ones. Other options than marriage are ignored or described as faulty. At the same time, alternatives and resistance to the description of the good marriage and the roles of husband and wife are shown through distortions and discords. This can reveal the good marriage as a constructed ideal. Failure to conform to the expected roles and people standing outside the marital discourse, are ridiculed and described as deviant; but the mere existence of these failures makes the ideal seem less natural.

    Fulltekst (pdf)
    FULLTEXT01
  • 229.
    Holmqvist, Moa
    Södertörns högskola, Institutionen för genus, kultur och historia.
    Omstörtande och återupprättelse: begärsstrukturer och budskap i Aurora Ljungstedts En jägares historier2005Independent thesis Basic level (degree of Bachelor)Oppgave
    Abstract [en]

    The aim of this study is to examine how the Swedish writer Aurora Ljungstedt describes relations and desire in her En jägares historier, and what political message she tries to send her audience through that description.

    I have applied Eve Kosofsky Sedgwick’s theory of erotic triangles to the relationships in En jägares historier and found that they are structured in the way Sedgwick describes. The structure works to uphold and, when needed, re-establish patriarchal order in the book. Most female characters in En jägares historier are – also in line with Sedgwick’s theory – no more than articles of trade between men. Only one woman surpasses this female role, and she is also the only main character in the book who is not involved in any triangular desire.

    Ljungstedt uses a male perspective, the flaneur, to tell her story, which gives her opportunity to speak ironically of the male view on women. Still, her view on patriarchy and women’s liberation is ambivalent – the fall of patriarchy is connected with revolutionary tendencies that she clearly dislikes – instead, her political message becomes clear in the constantly underlying motives of devotion and commitment. These motives are most clearly illustrated in the recurrent motive of parents abandoning their children. The positive change from passivity and indifference to involvement and responsibility pervades the entire book.

    Fulltekst (pdf)
    FULLTEXT01
  • 230.
    Holmqvist, Sam
    Södertörns högskola, Institutionen för kultur och lärande, Genusvetenskap.
    En svensk fransk roman: Främlingskap och svenskhet i Aurora Ljungstedts Jernringen2017Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 38, s. 104-122Artikkel i tidsskrift (Fagfellevurdert)
  • 231.
    Hushidari, Maliheh
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Midlife Crisis or Male Wound?: A Psychoanalytical Study of the Protagonist’s Behaviour as Midlife Crisis in J M Coetzee’s Disgrace2007Independent thesis Basic level (degree of Bachelor)Oppgave
    Fulltekst (pdf)
    FULLTEXT01
  • 232.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Auschwitz mitt ibland oss: Om Peter Weiss "Min hemvist" och Rannsakningen. Oratorium i 11 sånger2016Inngår i: Aiolos - tidskrift för litteratur, teori och estetik, ISSN 1400-7770, nr 52-53, s. 131-142Artikkel i tidsskrift (Annet vitenskapelig)
    Fulltekst (pdf)
    fulltext
  • 233.
    Huss, Markus
    Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Det slutna rummets utopi2012Inngår i: Subaltern, ISSN 1652-7046, nr 1, s. 29-36Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 234.
    Huss, Markus
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    En estetisk fundamentalist besatt av ytan2011Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 25.05Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 235.
    Huss, Markus
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Exilens ljudspår: Mot en intermedial tolkning av Peter Weiss litterära verk med utgångspunkt i Der Schatten des Körpers des Kutschers2009Inngår i: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, nr 3/4, s. 67-79Artikkel i tidsskrift (Fagfellevurdert)
  • 236.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Främlingskapets grammatik: Om några rader hos Nelly Sachs och Peter Weiss2013Inngår i: Ny Tid, ISSN 1456-0518, nr 35, s. 10-12Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 237.
    Huss, Markus
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    Hinter schwedischen Sprachgittern. Peter Weiss in Stockholm2012Inngår i: Jahrbuch / Deutsche Akademie für Sprache und Dichtung, ISSN 0070-3923, nr 2011, s. 82-86Artikkel i tidsskrift (Annet vitenskapelig)
  • 238.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap. Södertörns högskola.
    Läsning som en form av delad sårbarhet: recension av Elisabeth Hjorth, Förtvivlade läsningar. Litteratur som motstånd & läsning som etik2015Inngår i: Tidskriften Respons, ISSN 2001-2292, nr 4, s. 66-67Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
    Fulltekst (pdf)
    fulltext
  • 239.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Stockholms universitet.
    Motståndets akustik: Språk och (o)ljud hos Peter Weiss 1946–19602014Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This study explores how language is thematized in a selection of literary texts written in Swedish and German by Peter Weiss between 1946 and 1960. The textual interpretations seek to establish how Weiss’s literary work forms a multifaceted reflection on language and its cultural, historical and material preconditions. The various literary conceptualizations of language in Weiss’s texts are shown to be intimately linked to historical processes, where early postwar Germany plays a crucial role as a contextual framework. The study demonstrates how the texts explore an acoustic dimension of language, where non-articulatory sounds and noises oscillate between two poles: they either pose a threat to the narrator, or form a promise of a future emancipatory linguistic expression beyond a territorializing and violent language. Furthermore, the study argues that the sounds and noises permeating Weiss’s literary work form a soundtrack of past violence haunting the present. Finally, this soundtrack is shown to undermine a German postwar literary discourse that postulates a historical break after the Second World War (Stunde Null) as well as a new German literary language cleansed of Nazi contamination (Kahlschlag).

    The study draws its theoretical framework mainly from research concerned with mono- and multilingualism in literature, as well as from intermedial studies examining the interaction between literary texts and other artistic media such as the visual arts and music.

    The material examined in the study consists of six short stories in Swedish published between 1946 and 1953 in the literary journals 40-tal, Prisma and All världens berättare; the prose manuscript “Der Vogelfreie” (1947), later published as Der Fremde. Erzählung (1980); as well as the “micro novel” Der Schatten des Körpers des Kutschers (1960). Aside from these literary texts, Weiss’s documentary film Enligt lag (1957) and his feature film Hägringen (1959) are also analyzed.

  • 240. Huss, Markus
    Nazitysklands militära ledning skildrad inifrån: [Recension av] Söhnke Neitzel: Tapping Hitler's generals: transcripts of secret conversations, 1942-452008Inngår i: Axess, ISSN 1651-0941, nr 6, s. 63-64Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 241.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Peter Weiss i språkets kalhygge2014Inngår i: Provins. Norrländsk litterär tidskrift, ISSN 0280-9974, Vol. 33, nr 4, s. 17-20Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 242.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Recension av Sara Danius, Husmoderns död och andra texter2015Inngår i: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, nr 2-3, s. 122-124Artikkel, omtale (Annet vitenskapelig)
  • 243.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    The Grammar of Being Foreign2016Inngår i: Home of the World / Världens hem / [ed] David Svensson, Älmhult: The Wanås Foundation , 2016, s. 51-57Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 244.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    The Linguistic Outlaw: Peter Weiss’s Return to German as Literary Language2013Inngår i: Languages of Exile: Migration and Multilingualism in Twentieth-Century Literature / [ed] Axel Englund & Anders Olsson, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang Publishing Group, 2013, 1, s. 243-260Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    fulltext
  • 245.
    Huss, Markus
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    The Soundtrack of Exile: Towards an Intermedial Interpretation of Peter Weiss's Literary Works2012Inngår i: Time and Space in Words and Music: Proceedings of the 1st Conference of the Word and Music Association Forum, Dortmund, November 4-6, 2010 / [ed] Mario Dunkel, Emily Petermann, Burkhard Sauerwald, Frankfurt am Main: Peter Lang Publishing Group, 2012, s. 73-85Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 246.
    Huss, Markus
    et al.
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES). Södertörns högskola, Institutionen för genus, kultur och historia, Litteraturvetenskap.
    Kaakinen, Kaisa
    Department of Comparative Literature, Cornell University.
    Willner, Jenny
    Insitut für allgemeine und vergleichende Literaturwissenschaft, Ludwig-Maximilians-Universität München.
    Dislocating literature: Transnational literature and literary studies in the Baltic Sea region2012Inngår i: Baltic Worlds, ISSN 2000-2955, Vol. 5, nr 2, s. 20s. 11-31Artikkel i tidsskrift (Annet vitenskapelig)
  • 247.
    Huss, Markus
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Tidigs, Julia
    University of Helsinki.
    The Reader as Multilingual Soloist: Linguistic and Medial Transgressions in the Poetry of Cia Rinne2015Inngår i: Rajojen dynamiikkaa, Gränsernas dynamik, Borders under Negotiation, Grenzen und ihre Dynamik: VAKKI-symposiumi XXXV. Vaasa 12.-13.2.2015 / [ed] Daniel Rellstab & Nestori Siponkoski, Stockholm: University of Vaasa , 2015, Vol. 4, s. 16-24Konferansepaper (Fagfellevurdert)
    Abstract [de]

    Der vorliegende Beitrag untersucht den Lyrikband notes for soloists (2009) der transnationalen Lyrikerin Cia Rinne mit einem besonderen Schwerpunkt auf der Frage der literarischen Vielsprachigkeit und der Intermedialität des Textes. Mit Ausgangspunkt in Naoki Sakais Verständnis von Übersetzung als bordering (Sakai 2009) wird die Rolle des Lesers von notes for soloists als Erzeuger sprachlicher Grenzen hervorgehoben. Hierbei funktioniert Rinnes mehrsprachiger und intermedialer Text als eine Art Partitur, die Leser verschiedener Sprachkompetenz auf unterschiedliche Weise realisieren. Es wird veranschaulicht, wie die Dynamik zwischen dem gedruckten Text und den verschiedenen artikulatorischen Möglichkeiten des Textes die Leser in eine Sphäre zwischen Sonorität und sprachlicher Artikulation versetzt; eine Sphäre, die normalerweise kleinen Kindern, die noch keine Sprache beherrschen, vorbehalten ist. Dabei wird die Kontingenz sprachlicher Grenzen ins Auge gefasst, zugleich werden jedoch auch mögliche Verbindungen zwischen verschiedenen für die Leser unbekannten bzw. bekannten Sprachen vorgeführt.

    Fulltekst (pdf)
    fulltext
  • 248. Hübinette, Tobias
    Adoption ur ett koreanskt och ett svenskt perspektiv2005Inngår i: Barnboken, ISSN 0347-772X, E-ISSN 2000-4389, nr 2, s. 23-32Artikkel i tidsskrift (Fagfellevurdert)
  • 249.
    Hübinette, Tobias
    Södertörns högskola, Institutionen för kultur och kommunikation, Pedagogik.
    Att leva i den andres kropp: Om rasifierade erfarenheter och transrasiala identifikationer i utlandsadopterades självbiografier2006Inngår i: Locus, ISSN 1100-3197, Vol. 18, nr 4, s. 16-31Artikkel i tidsskrift (Fagfellevurdert)
  • 250.
    Ignatius, Henni
    Södertörns högskola, Institutionen för kultur och lärande.
    Den (o)synliga Briseis: En komparativ litteraturanalys av relationen mellan Akilles, Patroklos och Briseis i Homeros Iliaden och Pat Barkers The Silence of the Girls2019Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The (in)visible Briseis. A comparative literary analysis of the relationship between Achilles, Patroclus and Briseis in Homer’s Iliad and Pat Barker’s The Silence of the Girls

    The purpose of this essay is to compare the relationship between Achilles and Patroclus in Homer’s Iliad (700s BC) and Pat Barker’s The Silence of the Girls (2019), while also looking into the role of Briseis and how the story differs when it is told from her point of view. Through the analysis I find that the relationship between Achilles and Patroclus have always been intense. I argue, however, that the intensity is given more depth and meaning when described from different perspectives, such as that of Briseis and Achilles himself, as is done in The Silence of the Girls. With the help of Kevin Goddard’s theory of the male gaze, the perspective of both Briseis and Achilles become invaluable for interpreting the relationship between the characters, as well as the characters themselves. For Achilles, the gaze of his mother influences him in a negative way in his relationship with Briseis, while the gaze of Patroclus causes changes in his mentality. I argue that this has to do with the Oedipus complex. For once, Briseis is not invisible and even though she continues to be the slave everyone expects her to be, she is, through the gaze, able to create her own story once that of Achilles ends. It is still the story of the great Achilles, but one in which he is also human.

    Fulltekst (pdf)
    Den (o)synliga Briseis
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