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  • 151.
    Lalander, Rickard
    et al.
    University of Helsinki, Helsinki, Finland / Stockholms universitet.
    Ospina Peralta, Pablo
    Universidad Andina Simón Bolívar, Quito.
    Movimiento Indígena y Revolución Ciudadana en Ecuador2012Inngår i: Cuestiones políticas, ISSN 0798-1406, Vol. 28, nr 48, s. 13-50Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article highlights the relationship between the Ecuadorian indigenous movement and the progressive government of Rafael Correa and his PAIS Movement.The objective is to examine why the indigenous movement has decided to oppose the Correa government, despite initial common political concerns. To explain this paradox, both the recent political history of the indigenous movementas well as the attitudes and politics applied by the Correa administration are analyzed. Five fields of political discrepancy and differentiation are offered as probable explanations for the conflictive relationship between the indigenous organizationsand the Correa government. These interconnected themes that seek to explain the distancing are: an intercultural dilemma, opposition to extractivism,different attitudes toward social mobilization, agrarian policies and finally, the state policy labelled de-sectorization.

  • 152.
    Leijnse, Simon
    Södertörns högskola, Institutionen för svenska, retorik och journalistik.
    Det är liv i burken: om 80-talsdatorn Commodore 64 och de glada amatörerna med en relation till den2006Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
  • 153.
    Lunt, Peter
    et al.
    University of Leicester, United Kingdom .
    Kaun, Anne
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Pruulmann-Vengerfeldt, Pille
    University of Tartu, Estonia .
    Stark, Birgit
    University of Mainz, Germany .
    Van Zoonen, Liesbet
    Erasmus University Rotterdam, Netherlands.
    The mediation of civic participation: Diverse forms of political agency in a multimedia age2013Inngår i: Audience Transformations: Shifting Audience Positions in Late Modernity / [ed] Nico Carpentier, Kim Christian Schrøder, Lawrie Hallett, London: Routledge, 2013, s. 142-156Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 154.
    Lönn, Maria
    Södertörns högskola, Institutionen för kultur och lärande, Genusvetenskap.
    Den brutna vithetens opacitet: om femininitetens renhet och färgskala2016Inngår i: Lambda Nordica: Tidskrift om homosexualitet, ISSN 1100-2573, nr 1-2, s. 46-79Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    White femininity embodies a complex position. It manages to occupy the presumed empty, universal position, which is held to be racially unmarked, untouched, and clean, meanwhile whiteness is always already articulated from a somatechnical knowledge and practice. This article discusses how “natural” makeup acts as an (in)visible extension (and enabling) of white (un)clean Russian and Swedish femininity, and also as a way to establish boundaries between “natural” and “artificial” white bodies. Makeup, as an extension of the white femininity, sculptures temporal fantasies about the present and the past, as well as fantasies of modern and outmoded bodies. These kinds of separations allow for a structuring of asymmetric differences between white modern/“civilized” and non-modern/“non-civilized” femininities. The idea of natural/clean bodies (and their practice of modification) privileges some white femininities over others, through the way that artificial/“impure” expressions are associated with the part of whiteness that is “marked” by devalued class and race expressions. This infected forms of whiteness thus acts as the Other in relation to the clean subjectivity of whiteness and operates as a flexibility that keeps the radiance of whiteness intact and unchallenged. Based on this paradox the article wishes to show how white femininity should be understood in terms of a fantasm and construction, and it is as a fantasm the opportunity arises to reject various forms of femininities, meanwhile the fantasm have different components depending on where it is formulated.

  • 155.
    Mbuyi, Ruddy
    Södertörns högskola, Institutionen för ekonomi och företagande, Turismvetenskap.
    Svenskars resemotiv till Egypten och Thailand2010Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    Purpose: My purpose of this study was to examine the factors that motivate Swedes to travel to Egypt and Thailand. To answer the question, I have used two questions.

    1. What are the factors that motivate Swedes to travel to Egypt and Thailand?
    2. What is the motive for Swedes choose to travel to destinations such as Egypt and Thailand?

    Method: The method I am using  is the qualitative method. The qualitative method has been processed through interviews of Swedish travelers, the Swedish travel agencies as well as Egypt and Thailand tourist agencies specializing in trips to Egypt and Thailand via phone and e-mail.

    Theory: The theory I am using are motivators and push-pull factors in achieving an understanding of the factors that influence choice for Swedes to travel to destinations such as Egypt and Thailand.

    Empiricism: The goal was to get a much more qualitative data from the response from the Swedish travel agencies, Egypt and Thailand tourist agency and Swedish travelers who have traveled to both of these destinations.

    Result: What I have come up with in my study is that the factors that motivate Swedish travelers to travel to Egypt and Thailand, is the warm climate, sun and sea, culture, variety, the cheap price situation and that there are activities for different age groups. This has led to the heat in both Egypt and Thailand has attracted Swedish travelers to travel to both destinations. The reason for this is due to the bad weather here in Sweden which includes the winter and snow.

  • 156.
    Musial, Kazimierz
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES). Södertörns högskola, Institutionen för kultur och lärande, Svenska.
    Benevolent assistance and cognitive colonisation: Nordic involvement with the Baltic states since the 1990s2015Inngår i: Histories of Public Diplomacy and Nation Branding in the Nordic and Baltic Countries: Representing the periphery / [ed] L. Clerc, N. Glover, P. Jordan, Leiden, Boston: Brill Academic Publishers, 2015, s. 257-279Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    In recent years there has been increased political attention paid to the uses of public diplomacy by different countries for improving their economies, projecting identity, and achieving other policy goals. Within this framework this chapter seeks to explain Nordic involvement in/with the Baltic States in the past two decades. The communicative practice, interactions and building relations among these states provides a case that can be studied with respect to how states or associations of states understand cultures, attitudes and behaviour, build and manage relationships, and influence opinions and actions, which more or less intentionally advance their interests and values.

    The analysis in this chapter is anchored in the domain of international relations, with focus on the interdependencies created by the development aid and assistance that the Nordic states granted to Estonia, Latvia and Lithuania when they broke free from the Soviet Union. The increasing tendency on the part of the Nordic states to act as agenda setters in the Baltic region is also discussed, which  allows for viewing their actions as active international policy or, to use more contemporary terminology, as skilfully exercised public diplomacy. It proved all the more successful as the Baltic republics desired international recognition and longed to become fully-fledged parts of the West.

    The analysis of how norms and agendas propagated by the Nordic countries have become accepted in the Baltic states is pursued here with a working hypothesis claiming that the assumed civilizational achievement of the allegedly superior Western standards, gained from the cooperation with the Nordic states, made the Baltic actors readily accept the infusion of local institutions with Nordic norms, values and practices. The process was rapid and mostly one- directional to the extent that instead of mutual learning, typical for partners that cooperate on equal footing, the Nordic countries carried out an action that I describe as cognitive colonisation of the Baltic elites and publics. This meant that the political landscape and the decision makers’ agendas have been saturated with institutional structures, metaphors and other discursive short-cuts favourable to the Nordic countries – which represented Western Europe – to the extent that they became parts of the taken-for-granted cognitive schemas.Their institutional embeddedness was possible because a symbolic system, garnished with the English language functioning as a lingua francaof the Western civilisation, was transmitted along with the Nordic assistance, which consisted of patterns of behaviour, signs and meanings, delivered together with modes of their interpretation.

  • 157.
    Nord, Iwo
    Södertörns högskola, Institutionen för kultur och lärande, Genusvetenskap.
    Translation and Translocality in Gin Müller's Trans Gender Moves2016Inngår i: Transgender Studies Quarterly, ISSN 2328-9252, E-ISSN 2328-9260, Vol. 3, nr 3-4, s. 611-617Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    This article reviews Gin Müller's play Trans Gender Moves, arguing that it has translation, on several levels and in its broadest sense, at the core of its themes and aesthetics. Based on the performers’ real-life stories, Trans Gender Moves is about what it might mean to live in transition between and across genders, but also languages, cultures, and times. With a departure from their own translational experience as an audience member, the author looks at how the play connects translation to interpretation and discusses how the stage is crafted into a “translation site,” or “translocality,” where the overlapping places, times, and languages of the performers’ everyday lives are explored. It is crucial to the politics of Trans Gender Moves that all the actors, as well as the director, have themselves experienced living trans lives and that the play, by telling the life stories in the words of the people who lived them, brings trans voices into the realm of authority. Moreover, it is especially noteworthy that the performers and the audience are involved in a form of engagement that begins from multiplicity. The author suggests that the play might be used to further reflect on the challenge of how we are to escape monolingualism in transgender studies.

  • 158.
    Nyman, Vilja
    Södertörns högskola, Institutionen för kultur och lärande.
    "Varför gav ni mig ett könsneutralt namn era jäkla queertroll?": En kvalitativ undersökning om hur lesbiska föräldrar förhåller sig till samtida genusnormer i uppfostran av sina barn2019Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    In this thesis, I explore how lesbian parents in Sweden relate to norms about gender expression and identity when parenting their children. Through semi-structured interviews with six lesbian parents on their gendered parenting practices I explore how norms regarding gender expression and gender identity are present in and affect the choices they make when raising their children. The reflexive, thematic analysis relies on feminist and queer theories such as Yvonne Hirdman’s gender system (genussystemet) and Judith Butler’s heterosexual matrix as well as performativity theory. The study shows that nearly all interviewees dissociate from normative femininity regardless of their children’s sex, although for various reasons. The study also shows that the interviewees renegotiate contemporary norms regarding gender expression and gender identity, by not letting their children be limited by the strict unwritten rules which these norms consist of.

  • 159.
    Olsson, Susanne
    Södertörns högskola, Institutionen för historia och samtidsstudier, Religionsvetenskap.
    Fotboll: att underhålla hjärtat och träna för jihad2014Inngår i: Zlatan Frälsaren och andra texter om religion och idrott: en festskrift till David Westerlund / [ed] Susanne Olsson, Olof Sundqvist & David Thurfjell, Farsta: Molin & Sorgenfrei , 2014, s. 203-217Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 160.
    Olsson, Susanne
    et al.
    Södertörns högskola, Institutionen för historia och samtidsstudier, Religionsvetenskap.
    Sundqvist, OlofStockholms universitet / Högskolan i Gävle.Thurfjell, DavidSödertörns högskola, Institutionen för historia och samtidsstudier, Religionsvetenskap.
    Zlatan Frälsaren och andra texter om religion och idrott: en festskrift till David Westerlund2014Collection/Antologi (Annet vitenskapelig)
  • 161.
    Petrov, Kristian
    Södertörns högskola, Institutionen för kultur och kommunikation, Idéhistoria. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Från blodbesudlat kolonialsocker till livsviktigt blodsocker: Svensk-europeiska teman i sockrets globala kulturhistoria2012Inngår i: RIG: Kulturhistorisk tidskrift, ISSN 0035-5267, E-ISSN 2002-3863, Vol. 95, nr 3, s. 129-154Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    "From Blood-Stained Colonial Sugar to Life-Essential Blood Sugar: Swedish-European Themes in the Global Cultural History of Sugar"

    Drawing on material cultural studies and classical intellectual history, a cultural history of sugar in Sweden and Europe is reconstructed. The aim is to identify the modern conceptualisations of sugar and historically analyse their dialectical sympathies and antipathies. What are the historical reasons for eating—or not eating—sugar, and how are these actualised today? Sugar’s history is followed from antiquity, the middle ages and the Enlightenment up till the present. Sugar was spread in wider European circles only from the 1600s onwards, which triggered various conflicts that in many respects are still current. Was sugar a medicine or a poison, essential or fatal? Sugar played a powerful role in the creation of European wealth and has become intrinsically connected to Western modernity. With a contrastive departure in Mintz (1986) it is shown how the conceptualisations of sugar have changed from signifying an exclusive medicine, spice and sweetener to an omnipresent food (more recently, it might also be referred to as a drug). Cookbooks indicate that sugar in Sweden was transformed into a mass-consumed food during the 1830s. One hundred years later sugar was among Swedish bureaucrats elevated into the utmost important foodstuff of the future, to which the country had committed itself. Increasing the prevalence and consumption of cheap, energy-rich and chemically pure sugar was considered modern, rational and ethical. By eating sugar a Swede could literally eat happiness, freedom and modernity. Even critics of sugar consumption have since the 18th century associated modernity with sugar. Sugar crystals embodied civilization’s inequality and degeneration. When scientists in the 1840s enthusiastically discovered that sugar in humans was transformed into ‘blood sugar’, a poetical motive from 1700s slavery criticism was ironically recycled, in which ‘sugar’ had been attributed with ‘blood’ in order to discourage people’s consumption. The medical identification of sugar (sucrose) and blood sugar (glucose) meant that sucrose increasingly was regarded as essential, which gradually helped to consolidate the prevailing idea of ​​carbohydrates as the primary energy source. Although preference for sweetness is genetic, cultural circumstances determine the forms and scope of sugar consumption. If sugar previously was a status marker of the aristocracy, it has accompanied by new medical discoveries increasingly become emblematic for the junk food of the underprivileged. Sugar’s white colour, purity, status of ‘blood sugar’, ethereal lightness and historic significance for national growth and autarky, are, however, examples of cultural factors which still legitimise sugar’s omnipresence in society. In today’s polarised debate about possible threshold values or penalty taxes, many opinions ventilated even in commercial, medical and public health discourses implicitly relate to older religious and cultural ideas and practices.

  • 162.
    Pettersson, Lucas
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Changing images of the USA in German media discourse during four American presidencies2011Inngår i: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 14, nr 1, s. 35-51Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article presents a study of how images of the United States have changed in German media discourse since the end of the Cold War. Two leading German news papers, Frankfurter Allgemeine Zeitung and Suddeutsche Zeitung, have been analysed during four time periods - from 1984 to 2009 - covering four American presidencies. The results show that the image of the USA was far more critical in 2004, during the Bush era than during the other presidencies, where positive and trustful images had a more prominent place in the discourse. Even anti-American images were found. However, the critical images were, in general, more focused on what the USA does, not what it is - even during the Bush era. Furthermore, the relationship between the USA and Germany was portrayed as being close and friendly - like a father-son relationship - with the exception of 2004, when relations were presented as somewhat strained.

  • 163. Pripp, Oscar
    Kulturarvsbruk i Botkyrka2006Inngår i: NoBo: boken om Norra Botkyrka / [ed] Vendela Heurgren, Leif Magnusson, Tumba: Mångkulturellt centrum , 2006Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 164.
    Pripp, Oscar
    Södertörns högskola, Institutionen för språk och kultur, Etnologi.
    Mångfald i kulturlivet2004Collection/Antologi (Annet vitenskapelig)
  • 165.
    Pripp, Oscar
    et al.
    Södertörns högskola, Institutionen för språk och kultur, Etnologi.
    Plisch, Emil
    Printz Werner, Saara
    Tid för mångfald: en studie av de statligt finansierade kulturinstitutionernas arbete med etnisk och kulturell mångfald, genomför av Mångkulturellt centrum, Botkyrka, på uppdrag av Kulturdepartementet2005Bok (Annet vitenskapelig)
  • 166.
    Quirico, Monica
    et al.
    Södertörns högskola, Institutionen för historia och samtidsstudier, Samtidshistoriska institutet.
    Ragona, G.
    University of Turin, Italy.
    Beyond utopia: Building socialism within and after capitalism2018Inngår i: Culture Unbound. Journal of Current Cultural Research, ISSN 2000-1525, E-ISSN 2000-1525, Vol. 10, nr 2, s. 263-279Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The article focuses on several figures who are particularly interesting when it comes to develop a radical critique of capitalism that does not shrink from the possibility of designing and imaging a different future. Following Michael Löwy, in our study we have identified relationships of 'elective affinity' between figures who might appear different and dissimilar, at least at first glance: the Bolshevik Alexandra Kollontai, the German communist Paul Mattick, the Italian Socialist Raniero Panzieri and the French social scientist Alain Bihr. After providing some biographical information, we analyze their respective paths to a socialism based on, and achieved through, self-organization and self-government.We do not intend to build a new tradition with this review of thinkers, most of whom were also political militants; rather, more modestly, we hope to suggest a path forward for both research and political activism. In order to show how significant the questions raised by these four intellectuals-militants still are even today, in the Conclusions we analyze the social and political experiment carried out by the Movement for a Democratic Society of the Rojava region in Syrian Kurdistan.

  • 167. Riegert, Kristina
    et al.
    Pettersson, Lucas
    Södertörns högskola, Institutionen för kultur och kommunikation.
    'It's complicated' European media discourse on the USA from Reagan to Obama2011Inngår i: International journal of cultural studies, ISSN 1367-8779, E-ISSN 1460-356X, Vol. 14, nr 1, s. 3-14Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Media debates after the invasion of Iraq suggested that there was a growing anti-Americanism in Europe and that this contributed to an increasing sense of European identity as representing values that differed from that of the USA. But what if this anti-Americanism was really anti-Bushism, and how shared are the shared values on the European side when it comes to representation of the USA as Other? The articles in this Special Issue focus on the discursive image of the USA in the elite media of five European countries at points in time from a particularly frosty Cold War period under President Reagan until six months after the installation of President Obama. Taken together, there are broad similarities in the paradigms and characteristics used to depict the USA from the post-Cold War period, especially in French, Finnish, Swedish and German media. Below the surface, however, the narratives reveal that each country's commentators are mainly interested in the USA in relation to domestic concerns or as a prism for its relationships with other countries on the world stage. There is a stark focus on the US presidents as symbols through which the USA as a whole is seen. Both Democratic and Republican presidents are likened to Rambo, the 'space cowboy', the 'trade and cultural warrior', or Hollywood 'stars', which could be interpreted as a measure of cultural disdain towards American popular culture and militarism.

  • 168.
    Rindzeviciute, Egle
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Constructing Soviet Cultural Policy: Cybernetics and Governance in Lithuania after World War II2008Doktoravhandling, monografi (Annet vitenskapelig)
  • 169.
    Rindzeviciute, Egle
    Centre d’Études Européennes at Sciences Po, France.
    Exhibiting Soviet Deportations in the Lithuanian Museums2013Konferansepaper (Annet vitenskapelig)
  • 170. Rindzeviciute, Egle
    Geopolitics of Distinction: Negotiating Regional Spaces in the Baltic Museums2013Inngår i: Performing Nordic Heritage / [ed] Peter Aronsson, Lizette Gradén, Aldershot: Ashgate, 2013, s. 221-246Kapittel i bok, del av antologi (Fagfellevurdert)
  • 171.
    Rindzeviciute, Egle
    Södertörns högskola, Institutionen för ekonomi och företagande, Företagsekonomi.
    Hegemony or Legitimacy?: Assembling Soviet Deportations in Lithuanian Museums2012Inngår i: Maps of Memory: Trauma, Identity and Exile in Deportation Memoirs from the Baltic States / [ed] Violeta Davoliute, Tomas Balkelis, Vilnius: Institute of Lithuanian Literature and Folklore , 2012, s. 153-177Kapittel i bok, del av antologi (Fagfellevurdert)
  • 172. Rindzeviciute, Egle
    Institutional Entrepreneurs of a Difficult Past: The Organisation of Knowledge Regimes in Post-Soviet Lithuanian Museums2013Inngår i: European Studies, ISSN 1568-1858, E-ISSN 1875-8150, Vol. 30, s. 65-93Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This chapter responds to recent critiques of the public uses of histories of the Holocaust and communist crimes in Lithuania by exploring the creation of the Museum of Genocide Victims and Vilna Gaon Jewish Museum in Vilnius. It has become a cliche to argue that Lithuanian public sector organisations, particularly museums, emphasise the terrible legacy of communist crimes and that they tend to forget - and even actively avoid making public - information about the killings of Lithuania's Jews. Participation of ethnic Lithuanians in the Holocaust, such critiques argue, is particularly obscured. This study provides empirical data which questions this view: it brings to attention the history of Vilna Gaon Jewish Museum, the existence of which has so far been overlooked by many scholars. In addition, this chapter suggests that in order to better understand the development of museum exhibitions about difficult periods in Lithuania's past, the Holocaust and communist crimes, it is necessary to go beyond the prevailing theoretical framework which analyses museum exhibitions as representations. Given that museums are highly heterogeneous organisations, which function as a result of collaboration (but not necessarily consensus) among many different actors, it is useful to study them as public knowledge regimes, a theoretical perspective developed by Michel Foucault and his followers. This Foucauldian approach is enriched with the organisational theory of 'institutional entrepreneurs', promoted by Paul DiMagio, which focuses particularly sharply on the potentially controversial role of individuals in creating and institutionalising organisations.

  • 173.
    Rindzeviciute, Egle
    Södertörns högskola, Institutionen för samhällsvetenskaper, Företagsekonomi.
    The Geopolitics of Distinction: How Regional Past is Accommodated in Museums in the Baltic States2013Konferansepaper (Annet vitenskapelig)
  • 174.
    Rizgar, Shahyan
    Södertörns högskola, Institutionen för kultur och lärande.
    The Crisis of Identity in a Multicultural Society: A Multicultural Reading of Zadie Smith’s White Teeth2016Independent thesis Advanced level (degree of Master (One Year)), 15 poäng / 22,5 hpOppgave
    Abstract [en]

    This essay, on Zadie Smith’s White Teeth, deals with the characters’ identities and the influences of multiculturalism on their complex identities. It also discusses the role of the characters roots and history in constructing their identities and how they have made life problematic for the characters in multicultural London. The roots and history of the first generation of immigrants make problematic identities for the second generation in the novel. The main aim of this essay is to demonstrate the instability of identity as depicted in the novel. The characters in the novel cannot ‘’plan’’ their identities because it is a process which continues in all stages of life. Though the first generation of immigrants want to ‘’plan’’ an identity for their children (the second generation of immigrants), they are not successful. Because identity is a process and it is changeable based on place and time. The second generation of immigrants, who live in London, tries to mix the dominant culture (English culture) with their familial culture in order to have a different identity. They also want to escape from their family’s roots and history but it is difficult, because leaving roots is not an easy process. 

  • 175. Rodell, Magnus
    Den offentliga nationen: Statyer och visuell kultur i Sverige 1850-19002003Inngår i: Minnets miljöer: Rapport från de museivetenskapliga dagarna 21-22 november 2002 / [ed] Lennart Palmqvist, Saltsjöbaden: Akantus , 2003, s. 104-109Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 176. Runefelt, Leif
    En idyll försvarad: ortsbeskrivningar, herrgårdskultur och den gamla samhällsordningen 1800-18602011Bok (Annet vitenskapelig)
  • 177. Runefelt, Leif
    Ett svenskt Arkadien: landskapet i svenska ortsbeskrivningar 1800-18602010Inngår i: Bebyggelsehistorisk tidskrift, ISSN 0349-2834, Vol. 59, s. 82-98Artikkel i tidsskrift (Fagfellevurdert)
  • 178.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    A Glossolalic Glasnost and the Re-Tuning of the Soviet Subject: Sound Performance in Kira Muratova's Asthenic Syndrome2008Inngår i: Studies in Russian and Soviet Cinema, ISSN 1750-3132, Vol. 2, nr 1, s. 63-83Artikkel i tidsskrift (Annet vitenskapelig)
    Abstract [en]

    This article attempts to interpret Kira Muratova's Asthenic Syndrome (1989) from the point of view of the director's work with sound. I suggest that in composing the sound for the film, Muratova seeks to dissect the filmic convention that treats sound merely as an additional element, which is supposed to support the illusionism of the realistic visual image by complementing it with the illusion of an accompanying realistic audio image. In order to subvert this false motivation of sound by visuality, to highlight sound as an independent agent in the construction of meaning, and to emphasize the explosive critical potential of film sound, Muratova employs techniques of sound performance art and sound installation. She uses the medium of sound to make visible those politics of speaking and hearing that constitute the USSR in crisis, a society that imagines itself through audio metaphors: glasnost, related to the Russian word golos (voice), and perestroika, related to the Russian term nastroika, tuning (of a musical instrument or an acoustic device). As a result, heteroglossy receives a literal implementation in the spoken word, which is acutely and irreparably out of tune, alienated from itself and polytonal in a freakish, morbid and perversely pleasurable way. These effects are achieved through the use of non-professional actors, the use of voices with substandard articulation, the emphasis on hybrid or dialectal prosody and phonation, amateur declamations and recitals and other manipulations of the Soviet norms of high diction. I also explore the genealogy of Muratova's technology in terms of the principles of manipulating the viewer's sensitivity and perception as invented by the Soviet film avant-garde (Eisenstein and Vertov) and contemporary critical theory (Benjamin and Adorno). I thus understand Asthenic Syndrome not only as political critique, but also as a meta-filmic analysis, an allegory of mourning and a diagnosis of asthenia in both film as technology and in the (collective perception of the) USSR as the symbolic product of film technologies

  • 179.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande.
    Allt kunde ha varit annorlunda2013Inngår i: Glänta, ISSN 1104-5205, nr 2-3Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 180. Sandomirskaja, Irina
    Antropofagi utan metaforer: fallet Leningrad2005Inngår i: Glänta, ISSN 1104-5205, nr 3Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 181. Sandomirskaja, Irina
    Blind, Mute, Dead, and Melancholy2001Inngår i: Bra mot melankoli = remedy for melancholy / [ed] Anders Kreuger & Evaldas Stankevičius, Sollentuna: Edsviks konst och kultur , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 182. Sandomirskaja, Irina
    Der politisch-ökonomische Aspekt der russischen Geduld: Und für den Kefir ein Extra-Dankeschön an alle2000Inngår i: Podium: Literaturzeitschrift, nr 113/114Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 183.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Derrida on the Poetics and Politics of Witnessing2011Inngår i: Rethinking Time: Essays on History, Memory, and Representation / [ed] Hans Ruin, Andrus Ers, Huddinge: Södertörns högskola , 2011, s. 247-255Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 184.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Disoriented Names: Benjamin and Kierkegaard on Politics and History in Language2015Inngår i: Dis-orientations: Philosophy, Literature, and the Losr Grounds of Modernity / [ed] Marcia Sa Cavalcante Schuback & Tora Lane, London: Rowman & Littlefield Publishers, 2015, s. 187-218Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    A comparative reading of Walter Benjamin's linguistic theology and Sören Kirkegaard's theory of the revolutionary age.

  • 185. Sandomirskaja, Irina
    Dressing, Undressing, Cross-Dressing2000Annet (Annet (populærvitenskap, debatt, mm))
  • 186.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande.
    End of la Belle Époque2013Inngår i: Misha Pedan: The End of La Belle Époque, Stockholm: Khimaira förlag , 2013Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 187. Sandomirskaja, Irina
    Heimatbegriff in der sowjetischen und postsowjetischen diskursiven Praxis2002Inngår i: Europa und die Grenzen im Kopf / [ed] Kaser, Karl; Gramshammer-Hohl, Dagmar; Pichler, Robert, Klagenfurt: Wieser-Verlag , 2002, s. 395-415Kapittel i bok, del av antologi (Fagfellevurdert)
  • 188. Sandomirskaja, Irina
    Ikea i Moskva2000Inngår i: Moderna tider, ISSN 1101-6396, Vol. 121, nr November, s. 54-57Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 189. Sandomirskaja, Irina
    [Introduction]: Two Empires and the Sea: Change and Exchange in Search of an Order2004Inngår i: In Search of an Order: Mutual representations in Sweden and Russian during the early age of reason / [ed] Ulla Birgegård & Irina Sandomirskaja, Huddinge: Södertörn University , 2004, s. 7-20Kapittel i bok, del av antologi (Fagfellevurdert)
  • 190.
    Sandomirskaja, Irina
    Södertörns högskola, Avdelning 1, Ryska.
    Kniga o rodine: opyt analiza diskursivnykh praktik = Книга о родине : опыт анализа дискурсивных практик2001Bok (Annet vitenskapelig)
  • 191. Sandomirskaja, Irina
    Moscovia Felix: An Obscene Discourse about an Abscene Place2001Inngår i: Yearbook / Konsthögskolan i Malmö - Malmö Art Academy, Malmö: Konsthögskolan i Malmö (Malmö Art Academy) , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 192. Sandomirskaja, Irina
    Old Wives’ Tales: Notes on the Rhetoric of the Post-Soviet Intelligentsia1995Inngår i: Intelligentsia in the interim: recent experiences from Central and Eastern Europe / [ed] Fiona Björling, Lund: Slaviska inst., univ. , 1995Kapittel i bok, del av antologi (Fagfellevurdert)
  • 193. Sandomirskaja, Irina
    Proletarian Tourism: Incorporated History and Incorporated Rhetoric1998Inngår i: Soviet Civilization Between Past and Present / [ed] Mette Bryld & Eric Kulavig, Odense: Odense Univ. Press , 1998Kapittel i bok, del av antologi (Fagfellevurdert)
  • 194. Sandomirskaja, Irina
    “Public Artist, Go Away”: Pathfinding in the Citadel of Necessity2001Inngår i: Konst på SÖS: essäer om konst på sjukhus och i annan institutionsmiljö / [ed] Susanne Andersson, Ann Magnusson, Ulla Parkdal, Stockholm: Konstnämnden, Stockholms läns landsting , 2001Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 195.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Return to the Motherland2010Inngår i: The Russia reader: history, culture, politics / [ed] Barker, Adele Marie ; Grant, Bruce, Durham: Duke University Press , 2010, s. 735-742Kapittel i bok, del av antologi (Fagfellevurdert)
  • 196.
    Sandomirskaja, Irina
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    Scattering, collecting, and scattering again: The invention and management of national heritage in the USSR2018Inngår i: Baltic Worlds, ISSN 2000-2955, E-ISSN 2001-7308, Vol. XI, nr 1, s. 48-52Artikkel i tidsskrift (Annet vitenskapelig)
  • 197. Sandomirskaja, Irina
    Self-critical Narcissus: on language and power in the mode of seduction1999Annet (Annet (populærvitenskap, debatt, mm))
  • 198. Sandomirskaja, Irina
    Tedium Vitae, Curriculum Vitae2004Annet (Annet (populærvitenskap, debatt, mm))
  • 199.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    The Leviathan, or Language in Besiegement: Lydia Ginzburg’s Prolegomena to Critical Discourse Analysis2012Inngår i: Lydia Ginzburg's Alternative Literary Identities: a Collection of Articles and New Translations, Oxford [u.a.]: Peter Lang Publishing Group, 2012, s. 193-234Kapittel i bok, del av antologi (Fagfellevurdert)
  • 200.
    Sandomirskaja, Irina
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).
    The New Leviathan: Malignant Governmentality and the Biopolitics of Besiegement (Re Reading Lidia Ginzburg)2012Annet (Annet vitenskapelig)
    Abstract [en]

    An allegory of the omnipotent state, the Leviathan occurs in Lidia Ginzburg’s notes from 1943-44 and in the context of her reflections on the experiences of surviving in, and living on after, the unprecedented human catastrophe of the siege of Leningrad. Ginzburg describes her time as the “era of great experiences and tests” which started in 1914: the era of world wars with their “maximum non-freedom” and the “absolute non-freedoms” imposed by the all-powerful state, the Leviathan. The siege of Leningrad is not an exception from such a history, but a culmination of the “non-freedoms” of Soviet and, more broadly, European modernity of the twentieth century. All of these events/experiences produced a generation that “became history’s experimental material. And history burned it and disemboweled it and minced it into a bloody mess.” In the siege of Leningrad, various dimensions of “non-freedom”— total mobilization and total war, state terror, and mass death – culminate, converge, and confirm one another.  In the struggle for survival amidst destruction, repression, and starvation, Ginzburg tries to understand the Leviathan, the omnipotent state that sanctions and orchestrates the massive obliteration of life. The new Leviathan emerges as a complex aggregate of different power technologies involving various aspects of life and, hence, producing different overlapping regimes of “non-freedoms.”

    According to Ginzburg, the subject is involved in the workings of the Leviathan in many ways. Moreover, as exemplified by the experience of the civilian in the siege, the individual depends on the Leviathan for elementary survival. This political and biopolitical complexity makes Ginzburg’s critique more challenging than the trivial understanding of “non-freedom” as a mere deprivation of rights. Matters of life and death in the siege, as Ginzburg’s witness account shows, are deeply politicized, and the power to administer and distribute life and death constitute the foundation of the New Leviathan’s omnipotence. The New Leviathan’s three vectors of power – repression, discipline, and biopower — each in their own way contribute to the destruction of the human and usher a new, post-human historical subject summed up in the figure of distrofik (a patient of starvation disease in the terminal stage) overpowered by the total indifference between life and death, between living and surviving. I propose to look at the strategies and politics involved in such a subjectivity, with a special emphasis on the “choreography” of besiegement: its spatio-temporal structure, its corporeality, and strategies of surviving its post-human condition, as well as the dilemmas of living on “ever after”.

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