sh.sePublications
Change search
Refine search result
1234567 151 - 200 of 499
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • sodertorns-hogskola-harvard.csl
  • sodertorns-hogskola-oxford.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 151.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Icons and Idols: On the Role of Representation in the Practice of Interpretation2003In: Subjectivity and methodology in art history / [ed] Margaretha Rossholm Lagerlöf, Dan Karlholm, Stockholm: Konstvetenskapliga institutionen, Univ. , 2003, p. 33-44Chapter in book (Other academic)
  • 152.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Is History To Be Closed, Saved, or Re-Started?: Considering Efficient Art History2018In: Time in the History of Art: Temporality, Chronology, and Anachrony / [ed] Dan Karlholm & Keith Moxey, New York & Abingdon, Oxon: Routledge, 2018, 1, p. 13-25Chapter in book (Other academic)
    Abstract [en]

    Rather than recourse to historicism’s investments in determinative causes, “efficient” history, it is argued, should take its cue from the after-life or the history of the artwork following its creation at a specific moment in time. The perceived temporal crisis of art history today has much to do with developments on the scene of contemporary art related to the idea of contemporaneity more broadly. Post-history and post-future are criticized here for their rather facile dismissal of history. Whereas post-history is predicated upon a teleological philosophy of history, post-future is ultimately indebted to the concept of history it purports to abandon. The concept of the past is turned on its heels and used to characterize the present, which withers away, while the past remains and accumulates into a “present past.” Martin Heidegger and Gilles Deleuze, alongside Bruno Latour, are mobilized to form a future-oriented history model, in which anachronic quasi-objects are traced, linked, and associated in actual patterns of interconnection, in part reminiscent of the model set by the catalogue raissonné rather than the established developmental narrative of the history of art.

  • 153.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Kanon och den estetiska erfarenhetens gåta2022In: Respons : recensionstidskrift för humaniora & samhällsvetenskap, ISSN 2001-2292, no 2, p. 8-12Article in journal (Other academic)
  • 154.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Konstmuseets bild: om bildskapande på Nationalmuseum från Friedrich August Stüler till Richard Bergh2002In: Konst kräver rum: Nationalmusei historia och framtid : en bok i anslutning till samlingsutställningen Konst kräver rum 13.6 2002-16.2 2003 / [ed] Mikael Ahlund, Stockholm: Nationalmuseum , 2002Chapter in book (Other (popular science, discussion, etc.))
  • 155.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Konstnären som verket och andra postmoderna verkningar2009In: Svar på frågan: Vad var det postmoderna? / [ed] Sven-Olov Wallenstein, Stockholm: Axl Books , 2009, p. 59-78Chapter in book (Other academic)
  • 156.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Konstverksamhet i den offentliga tiden: En studie av Skogen kallar, Ställbergs gruva och Evig anställning2021In: Omförhandlingar: Den offentliga konstens roll efter millennieskiftet / [ed] Håkan Nilsson, Huddinge: Södertörns högskola, 2021, p. 62-84Chapter in book (Refereed)
    Download full text (pdf)
    Konstverksamhet i den offentliga tiden: En studie av Skogen kallar, Ställbergs gruva och Evig anställning
  • 157.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Kontemporalism: Om samtidskonstens historia och framtid2014Book (Other academic)
  • 158.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Learning by Looking (with Words): Wölfflin’s Legacy2009In: Towards a science of art history: J. J. Tikkanen and art historical scholarship in Europe : the acts of an international conference, Helsinki, December 7.-8. 2007 / [ed] Johanna Vakkari, Helsinki: Taidehistorian seura , 2009Conference paper (Other academic)
  • 159.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Literature: Mårten Arndtzén, Konsten är vi2023In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 92, no 3, p. 237-240Article, book review (Other academic)
  • 160.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Misery, Beauty, and Other Issues: Linda Nochlin in Conversation with Dan Karlholm2012In: The Art Bulletin, ISSN 0004-3079, E-ISSN 1559-6478, Vol. 94, no 2, p. 187-198Article in journal (Other academic)
  • 161.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Moas stenar: granit och trä, 2002, Claes Hake, ägare: Statens konstråd2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 66-Chapter in book (Other (popular science, discussion, etc.))
  • 162.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Måleriets ursprung: kärlek2023In: Med kärlek: En festskrift till Claudia Lindén / [ed] Eva Jonsson, Ann-Sofie Lönngren, Mattias Pirholt, Oscar von Seth, Huddinge: Södertörns högskola, 2023, 1, p. 109-131Chapter in book (Other academic)
    Download full text (pdf)
    Måleriets ursprung: kärlek
  • 163.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Natt och Dag: lackerad järnplåt, 2002, P. O. Ultvedt, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 54-Chapter in book (Other (popular science, discussion, etc.))
  • 164.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    När konsten blev subjekt2017In: Samtider: Perspektiv på 2000-talets idéhistoria / [ed] Anders Burman & Lena Lennerhed, Göteborg: Daidalos, 2017, p. 37-58Chapter in book (Other academic)
  • 165.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Objects/Subjects, Infinite Multiplication: An Introduction2013In: The challenge of the object / [ed] G. Ulrich Großmann und Petra Krutisch, Nürnberg: Verlag des Germanischen Nationalmuseums , 2013, 1, p. 768-770Conference paper (Other academic)
    Abstract [en]

    Introduction to the Section (11) The Artefact and its Representations/Das Kunstwerk und seine Repräsentationen

  • 166.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    On the Historical Representation of Contemporary Art2011In: Rethinking Time: Essays on History, Memory, and Representation / [ed] Hans Ruin, Andrus Ers, Huddinge: Södertörns högskola , 2011, p. 19-28Chapter in book (Other academic)
    Download full text (pdf)
    On the Historical Representation of Contemporary Art
  • 167.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Postcritical or Acritical? Twelve Steps for Art History Writing in the Anthropocene2020In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 89, no 2, p. 150-164Article in journal (Refereed)
    Abstract [en]

    Looking at both critique and postcritique in relation to art history, in general, and art historiography, in particular, this article suggests that art history’s critical heritage runs longer and deeper than a “hermeneutics of suspicion” signals, and that this state of affairs is therefore a deeper and wider problem than how to overcome and replace critique. The latter term, for art history, is of a piece with the modernity/modernism/avant-gardism of this discipline, which–despite declarations to the contrary–is not over, and which therefore makes today’s critical (in the sense of dangerous and urgent) situation of imminent climate disaster even harder to come to terms with. What our discipline is arguably in need of in the epoch of the Anthropocene–save for contributing to saving the world–is a new way of composing histories of art. In search of such a more unbiassed model I will discuss temporal conceptions, including the Anthropocene itself as well as Francois Hartog’s ideas on “presentism”, and draw on Piotr Piotrowski’s attempt to construct a spatially extended “horizontal art history”, as opposed to the hierarchical West-centered one, in order, finally, to propose the outlines of an alternative, inspired by Bruno Latour–a twelve-step sketch that is horizontal in a more neutral and material sense, and which responds to the keywords anachronic, amodern and acritical.

    Download full text (pdf)
    fulltext
  • 168.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Preziosi's Proper Position: [review of] Donald Preziosi: Brain of the Earth's Body: Art, Museums, and the Phantasms of Modernity, and Donald Preziosi & Claire Farago (eds): Grasping the World: The Idea of the Museum2006In: Oxford art journal, ISSN 0142-6540, E-ISSN 1741-7287, Vol. 29, no 1, p. 145-149Article, book review (Other academic)
  • 169.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Questionnare: Hva er visuell kultur?2010In: Ekfrase: nordisk tidsskrift for visuell kultur, ISSN 1891-5752, Vol. 1, no 1, p. 30-43Article in journal (Refereed)
  • 170. Karlholm, Dan
    Reading the virtual museum of general art history2001In: Art History, ISSN 0141-6790, E-ISSN 1467-8365, Vol. 24, no 4, p. 552-577Article in journal (Refereed)
    Abstract [en]

    The representation of general art history in the nineteenth century is the centre of attention of this essay. It examines, in particular, the structural characteristics from 1845 to 1856 of Denkmaler des Kunst (Monuments of Art), a collection of engravings which constitutes the visual supplement to the first text of general art history, Handbuch der Kunstgeschichte (1841-42) by Franz Kugler. The impact of this largely neglected pictorial 'atlas', early on metaphorized as a 'museum'. is connected to comparable visual regimes of a later date, especially Malraux's photographic 'museum without walls', but also Warburg's Memory Atlas, the open-ended possibilities of the post-photographic practices and the web. Intersected is an argument with Danto's Hegelian 'end of art' thesis, ushering in a more closely contextualized reading of the 'end' of art history from a contemporary, media-saturated viewpoint. It all begins, and ends, with Warhol's postmodern version of Raphael's vision: the Sistine Madonna.

  • 171.
    Karlholm, Dan
    Södertörn University College, Institutionen för medier, konst och filosofi, Art history.
    Reality Art: the Case of Oda Projesi2005In: Leitmotiv: motivi di estetica e filosofia delle arti, ISSN 1720-3716, Vol. 5, p. 115-124Article in journal (Other academic)
  • 172.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    [Recension av] Helen Fuchs. Glasmåleri, modernitet, modernism: studier i glasmåleriets (konst)historia 1851–1955. Lund 2005.242 s. ISBN 91-628-6677-X.2007In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 76, no 3, p. 168-173Article, book review (Other academic)
  • 173.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    [Recension av] Ludwig Qvarnström. Vigselrummet i Stockholmsrådhus och det tidiga 1900-taletsmonumentalmåleri: historia, reception, historiografi: Diss. (Acta Universitatis Upsaliensis),Ars Suetica 22, Uppsala, 2010, 511 s.ISBN 978-91-554-7872-82011In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 80, no 1, p. 49-52Article, book review (Other academic)
  • 174. Karlholm, Dan
    [Review of] Christopher S. Wood ed, The Vienna SchoolReader: Politics and Art Historical Methodin the 1930s.: Zone Books, New York, 2000,485 pp. ISBN 1-890951-14-5.2002In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 71, no 1-2, p. 58-62Article, book review (Other academic)
  • 175.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    [Review of] e-flux journal What is Contemporary Art? + Lind & Velthuis (eds.), Contemporary Art and its commercial markets2012In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 81, no 3, p. 188-193Article, book review (Other academic)
  • 176. Karlholm, Dan
    [Review of] Gillmore, Jonathan. The Life of a Style: Beginnings and Endings in the Narrative History of Art2002In: Journal of Aesthetics and Art Criticism, ISSN 0021-8529, E-ISSN 1540-6245, Vol. 60, no 4, p. 360-361Article, book review (Other academic)
  • 177. Karlholm, Dan
    [Review of] Hubert Locher, Kunstgeschichte als historische Theorie der Kunst 1750-19502002In: CAA Reviews, ISSN 1543-950X, no JanuaryArticle, book review (Other (popular science, discussion, etc.))
  • 178. Karlholm, Dan
    [Review of] James J. Sheehan, Museums in the German Art World: From the End of the Old Regime to the Rise of Modernism2001In: CAA Reviews, ISSN 1543-950X, no DecemberArticle, book review (Other (popular science, discussion, etc.))
  • 179. Karlholm, Dan
    [Review of] Jonathan Crary. Suspensions of Perception:Attention, Spectacle, and Modern Culture.: AnOCTOBER Book. The MIT Press, Cambridge,Massachusetts & London, England 1999. 397 pp,107 ill. ISBN 0-262-03265-1.2000In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 69, no 3-4, p. 233-235Article, book review (Other academic)
  • 180. Karlholm, Dan
    [Review of] Wyss, Beat. Hegel's Art History and the Critiqueof Modernity.: Trans. by Caroline DobsonSaltzwedel. Cambridge: Cambridge UniversityPress, 1999, xv + 288 pp., 60 b&w illus., $60.00cloth2001In: Journal of Aesthetics and Art Criticism, ISSN 0021-8529, E-ISSN 1540-6245, Vol. 59, no 1, p. 105-106Article, book review (Other academic)
  • 181.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Rörelse i konsten och statisk energi2021In: Blick, rörelse, röst: Festskrift till Cecilia Sjöholm / [ed] Katz Thor, Rebecka; Wallrup, Erik, Huddinge: Södertörns högskola, 2021, p. 137-146Chapter in book (Other academic)
    Download full text (pdf)
    fulltext
  • 182.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Studio Space and Gallery Time: The Cube reconsidered: [Review of Brain O'Doherty, Studio and Cube: On the relationship between where art is made and where art is displayed]2007In: SITE, ISSN 1650-7894, no 21, p. 4-Article, book review (Other (popular science, discussion, etc.))
  • 183.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Suecia hodierna antiqua est: nuet är det förflutna2014In: Suecia contemporare / [ed] Pontus Raud, Kalmar: Kalmar konstmuseum , 2014, 1, p. 22-28Chapter in book (Other (popular science, discussion, etc.))
  • 184.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Surveying Contemporary Art: Post-War, Postmodern, and then What?2010In: Art History: Contemporary Perspectives on Method / [ed] Dana Arnold, John Wiley & Sons, 2010, p. 56-77Chapter in book (Other academic)
  • 185.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    Surveying Contemporary Art: Post-War, Postmodern, and then what?2009In: Art History, ISSN 0141-6790, E-ISSN 1467-8365, Vol. 32, no 4, p. 712-733Article in journal (Refereed)
    Abstract [en]

    This article looks at influential survey texts on world art history since c. 1980, and considers how they have dealt with the art nearest to them in time. I examine the terminology used, and problems of classification, periodization, and history writing at large. In order to describe how these texts struggle with the terms contemporary and postmodern, I focus on their treatment of conceptual art and two artists: Joseph Beuys and Cindy Sherman. The symbolic and economic consolidation of contemporary art during the last decade or so prompts me to establish a broader frame of understanding, linking it to constructions of the contemporary in the nineteenth century and to the idea of co-existing temporalities for art.

  • 186.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Södertörn läser lusen av konstkritiken i svensk press2009In: Paletten, ISSN 0031-0352, no 2, p. 6-8Article in journal (Other (popular science, discussion, etc.))
  • 187.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Terminality2021In: TERMS: CIHA Journal of Art History, Vol. 1, no 1, p. 179-189Article in journal (Refereed)
    Download full text (pdf)
    fulltext
  • 188.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The Canon of Contemporary Art: From Popular to Academic2017In: Marburger Jahrbuch für Kunstwissenschaft, ISSN 0342-121X, Vol. 44, p. 319-327Article in journal (Other academic)
  • 189.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The Last Book on Installation Art?2017In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 86, no 2, p. 134-137Article, book review (Other academic)
  • 190.
    Karlholm, Dan
    Södertörn University, School of Culture and Communication, Art history.
    The New Neues Museum in Berlin: Accumulating Narratives2012In: The Museum Beyond the Nation / [ed] Johan Hegardt, Stockholm: Historiska museets förlag, 2012, 1, p. 113-124Chapter in book (Other academic)
  • 191.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The ‘now’ and the ‘then’: Temporal implications of anachronic art history and presentism2023In: kunsttexte.de, E-ISSN 1618-8101, no 2, p. 1-8Article in journal (Refereed)
    Download full text (pdf)
    fulltext
  • 192.
    Karlholm, Dan
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Too Much and Not Enough: The Installation of Anton Henning at Magasin 3 in Stockholm2015In: Paradigmen der Kunstbetrachtung: Aktuelle Positionen der Rezeptionsästhetik und Museumspädagogik / [ed] Peter J. Schneemann, Bern: Peter Lang Publishing Group, 2015, p. 29-40Chapter in book (Other academic)
  • 193.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Tradition and Visual Culture in the Face of Contemporary Art2006In: NORDIK 2006, Webpublikasjon: Tradition and visual culture, 2006, p. -12Conference paper (Other academic)
  • 194. Karlholm, Dan
    [Utställnings recension] Renässansteckningar från Florens ur Giorgio Vasaris samling: Nationalmuseum, Stockholm23 mars-10 juni 20012001In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 70, no 4, p. 244-246Article, book review (Other academic)
  • 195.
    Karlholm, Dan
    Södertörn University, School of Culture and Education.
    Vad är samtidskonst?2014In: Konstperspektiv, ISSN 0347-4453, no 3, p. 31-32Article in journal (Other (popular science, discussion, etc.))
  • 196.
    Karlholm, Dan
    Södertörn University College, School of Culture and Communication, Art history.
    Vandring i markerna: bildvävnad, 1971-72, Ingegerd Möller, ägare: Stockholms läns landsting2007In: Offentlig konst i Flemingsberg / [ed] Håkan Bull, Dan Karlholm, Huddinge: Huge fastigheter , 2007, p. 48-Chapter in book (Other (popular science, discussion, etc.))
  • 197. Karlholm, Dan
    Vetenskapens vardag2000In: 8 kapitel om konsthistoriens historia i Sverige / [ed] Britt-Inger Johansson, Hans Pettersson, Stockholm: Raster , 2000Chapter in book (Other academic)
  • 198.
    Karlholm, Dan
    Södertörn University, Institutionen för medier, konst och filosofi, Art history.
    Visuella kulturstudier: betraktelse över ett expanderande forskningsfält2003In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 72, no 3, p. 186-205Article in journal (Refereed)
  • 199.
    Karlholm, Dan
    et al.
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Moxey, K.
    Barnard College / Columbia University.
    Introduction: Telling art’s time2018In: Time in the History of Art: Temporality, Chronology and Anachrony / [ed] D. Karlholm & K. Moxey, New York & Abingdon, Oxon: Routledge, 2018, p. 1-10Chapter in book (Other academic)
    Abstract [en]

    Art history as we know it is regarded by many actors in the art world as obsolete. Today, it seems contemporaneity rules in a “post-historical” situation, where art history seems deprived of a future. Some two decades or more after the heyday of postmodernism, it is time to reconsider what kinds of historical claims can still be made for the field of art history and visual studies. If the very word “history” is laden with antiquated expectations of “objectivity” as the discipline goes about its customary business of putting objects back into their chronological place, then the concept of temporality opens up fresh approaches to the temporal organization of the discipline. What if visual art is in a position to explain and expand history rather than vice versa? What if the artwork grounds history? What if the work does not necessarily belong to its own time, but was born prematurely or belatedly, disjointed with respect to a chronological axis? Art historical approaches are still possible, indeed needed, but they do look a little different from those to which we have become accustomed.

  • 200.
    Karlholm, Dan
    et al.
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Moxey, KeithBarnard College/ Columbia University.
    Time in the History of Art: Temporality, Chronology, and Anachrony2018Collection (editor) (Other academic)
1234567 151 - 200 of 499
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • sodertorns-hogskola-harvard.csl
  • sodertorns-hogskola-oxford.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf