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  • 1.
    Adving, Nicolina
    Södertörns högskola, Institutionen för kultur och lärande.
    Konsten under jorden: En analys av Ulrik Samuelsons konst i Kungsträdgårdens tunnelbanestation2012Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This study examines the work of art in the underground station Kungsträdgården in Stockholm and discusses the observers interpretation of the art in the station. When the artist Ulrik Samuelson got his commission to shape the station he was influenced by Marcel Duchamp and the concept art. Two themes were integrated in the work of art, the actual culture life and the palace called Makalös, which was situated just above the currant station, three hundred years ago. The station was built in two stages.

    The first part was opened in 1977 and the second part in 1987. Panofsky´s iconographic working method has been used in this essay. Accurate observations of the work of art and relevant literature studies are described in the study. Samuelson’s work has a lot of references to currant culture, social and political life of the time as well as so called ready-mades from Stockholm and artefacts from Makalös.

    The observers understanding of the work of art is dependent on for example the observers age and knowledge. The parts that were present thirty years ago were known by people at that time but are hardly known by anybody nowadays. The modern young observers may not interpret every part of the numerous things and symbols although this will probably not prevent them to enjoy the work of art as a highly artistic production.

  • 2.
    Ahrens, Åsa
    Södertörns högskola, Institutionen för kultur och kommunikation, Konstvetenskap.
    Fittja Open 2011: Platsspecifik konst och (re)presentation2011Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
    Abstract [en]

    This essay explores how artwork in the public space can be analysed, conceptualized and described by bringing attention to site. Through an analysis of artworks in the yearly art exhibition of Fittja Open 2011, the essay draws attention to site-specific art and structures of power. The principal aim is to present not only the exhibition of Fittja Open 2011 but also other artwork in the public sphere in Fittja, a suburb to Stockholm. From this point of departure other interests evolve that concerns the "image" of Fittja. The analysis, based on research in art history, architecture, ethnology and philosophy as well as qualitative interviews, also focuses on understanding the role of site and the relations between art practice, institutions and site.

    The result shows that there are problems with a ruptured interface between the artwork and site. The claim made throughout the thesis is that artwork in the public sphere of Fittja need to be sensitive to the conflicted issue of public space in order not to reproduce stereotypes. Despite the knowledge and insight about its local art situation, the study also points out certain insensibility on behalf of Botkyrka konsthall as regards social status and class.

  • 3.
    Ahrens, Åsa
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Knitting House: Konst, arkitektur och stickning som politisk katalysator2010Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The purpose of this paper is to analyze the project Knitting House using art and architectural theories to question the forms of the project as well as the town planning in the area of Husby, a suburb to Stockholm. In order to stress the architectural issues in the area of Husby, the thesis examines the aim and intention of the project Knitting House. The project explores the standardized architectural form that was used and built under the Miljonprogrammet, through the years of 1960-1970 in the neighborhoods of Järvafältet. The thesis will also investigate some of the problems that arise when attempting to discuss knitting as a method used to perform Knitting House.

     This paper explores the relationships between public and private spaces, the areas in between them and how they interact. The claim made throughout the thesis is that Knitting House can function as a political catalyst by presenting a combined perspective of art, architecture and politics to address the social and ethnic segregation in suburbs like Husby. 

  • 4.
    Alfredsson, Jo
    Södertörns högskola, Institutionen för kultur och lärande.
    Instagram, det nya galleriet: En undersökning av konstbetraktande i sociala medier, med utgångspunkt i Jesper Walderstens Instagramkonto2014Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    In my paper I adress the question of what happens in the relationship between the beholder, the artwork and the artist when they meet in the era of Web 2.0. The new smartphone based medium that I write about is Instagram. The artist i write about is the Swedish illustrator Jesper Waldersten. My purpose with this paper was to explore how the the beholder, pictures and artist relate to one another i relation to Instagram and how the interface of the smartphone and the app affect the beholder in these relationships. I also seek out to understand the difference between how Instagrams interface affect the beholder in comparison to the interface of the artists web page and his book. I use the method of qualitative empiricism to study Walderstens account. I do this study by counting number of pictures, comments, changes, descriptions and overall alterations over a set period of time. What I found out is that Instagram without a doubt is an important cornerstone of our Web 2.0 participatory-culture and that it have created a space in which we can behold art in a new kind of way. This is partly thanks to how the interface affects the picture and the beholder, but most of all because of how the different Instagram users affect each other.

  • 5.
    Alsterdal, Lotte
    Södertörns högskola, Institutionen för kultur och lärande, Centrum för praktisk kunskap.
    Essäskrivande som utforskning2014Inngår i: Konst och lärande: essäer om estetiska lärprocesser / [ed] Anders Burman, Huddinge: Södertörns högskola , 2014, s. 47-73Kapittel i bok, del av antologi (Fagfellevurdert)
  • 6.
    Ambjörnsson, Gunila
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Spela roll: filmregissör: Om tolkning, kommunikation och duktiga flickor2009Independent thesis Advanced level (degree of Master (One Year)), 15 poäng / 22,5 hpOppgave
    Abstract [en]

    This text deals with the shooting of a movie comedy. The author of this text was script writer as well as director. The film was extremely dependent upon the interpretation of the role of the leading female character, but the director and the leading actress, in spite of their willingness to cooperate, were unable to understand each other, and no creative meeting ever occurred.

    The film dealt, in amused distance, with male and female strategies and shortcomings, but the lack of understanding between the director and the leading actress caused the subtleties of the text disappear, so that when the film was ready it was possible to interpret it in a way that partly opposed its intentions.

    From the director’s point of view different aspects of the situation are investigated: what could she /should she have done? What are the obstacles for a better understanding? Is ”understanding” dependant only upon that which is verbal? Should the director not only be a director but also a kind of therapist? What is professional and what is private? Could a director who wasn´t also the script writer have seen other solutions? And how does it affect you as a female director never to have role models, only a very clear idea of what you don’t want your professional role to look like.

    The director thought she was being constantly compromising, but finds out she was not, she had only a different, and in appearance, friendly but manipulative strategy in trying to reach her goal: that of enforcing and implementing her personal interpretation of the script.

    The role of director is also a role, and must be played. Men and women often do it in very different ways. Much more is permitted for men, in the name of”art.” The role of the artist is as such, defined by men. Women are expected to be reasonable and the (their) stage for action appears to be more limited. This is what is expected of them, and is also what many women try to live up to, often in direct conflict with their own interests. It is important to become a less reasonable but clearly defined person.  This often requires training. To become a good director you need knowledge, empathy and experience gained through many mistakes, and not least, you need what Aritsoteles calls fronesis.

  • 7.
    Andersson, Elin
    Södertörns högskola, Institutionen för historia och samtidsstudier.
    Raymond Hains La France déchirée: En receptionshistorisk undersökning2012Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This essay examines how the critical reception of French nouveaux réaliste-artist Raymond Hains 1961 exhibition La France déchirée has been articulated at two historically separate occasions.

    In her 2010 book Nouveau Réalisme, 1960’s France and the Neo-avant-garde, art historian Jill Carrick examines the fundamental impact the founder of nouveau réalisme – French art critic and theorist Pierre Restany – has had on the movement’s historical reception. According to Carrick Restanys writing established an interpretive framework that remained more or less intact for several decades. In addition to a closer analysis of the movement’s critical reception during the 1960s’, Carrick provides a set of new, alternative readings of a number of nouveaux réaliste artworks, which all originates from a position outside of Restanys interpretive framework. However, at no occasion does Carrick show in what way, or to what extent, her theories about the movements reception history applies to artist Raymond Hains or his practise of décollage. Nor has the historical reception of La France déchirée been examined.

    The overall purpose of this essay is to examine whether or not the nature of the critical reception of Raymond Hains 1961 exhibition La France déchirée can be said to fit into the image of the historical reception of nouveau réalisme provided by Carrick. This is done through an analysis of Restanys theorisation of nouveau réalism as provided in the movement’s manifestos. Thereafter follows an examination of in which way and to what extent the critical reception of La France déchirée at two historically separate moments relates to this theorisation. The critical reception of these two moments in time is also compared to each other.

    An analysis of the exhibitions historical reception showed that Carrick’s theory of the movement’s reception history could not entirely account for the different aspects of La France déchirées critical reception. By introducing the exhibitions political context into the examination of its historical reception, a new and valuable perspective became clear. Unlike other nouveax réaliste-artworks, La France déchirée had a distinct political character, which situated its historical reception not only within a cultural context, but more importantly within a political one.

  • 8.
    Andersson, Jenny
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Konst, mångfald och representation: Hur begreppet mångfald manifesteras i och kring konsten vid Södertörns högskola2006Student paper second term, 5 poäng / 7,5 hpOppgave
  • 9.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Popmusikens retroideal har nått vägs ände2011Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 23 novArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 10.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap. Goldsmiths, University of London.
    The metamorphosis of music-listening and the (alleged) obliteration of the aura2010Inngår i: Sounds of the Overground: Selected papers from a postgraduate colloquium on ubiquitous music and music in everyday life / [ed] Nedim Hassan & Holly Tessler, Turku (Åbo): International Institute for Popular Culture , 2010, s. 58-71Kapittel i bok, del av antologi (Fagfellevurdert)
  • 11.
    Andersson, Louise
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Ylva Oglands socialrealism: Att göra det osynliga synligt2006Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The purpose of this paper is to analyse how work by Swedish artist Ylva Ogland (born in 1974) function as an eye-opener for the social marginalisation of people identified with homosexuality, prostitution and drug addiction. Although highly present in reality, these phenomena were historically, and are still today, hidden from view in public discourse. I have focused on the installations Rapture and Silence and Things Seen, and the still-life painting called Xenia. I argue that these artworks carefully represent the above-mentioned marginalised groups, by way of references to comparable motives in the history of art, from neoclassicism in France, to realism and romanticism.

  • 12.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Catering for Whom?: The Problematic Ethos of Audiovisual Distribution Online2015Inngår i: Besides the Screen: Moving Images through Distribution, Promotion and Curation / [ed] Virginia Crisp & Gabriel Menotti Gonring, Palgrave Macmillan, 2015, 1, s. 65-84Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The purpose of this chapter is to make some general conclusions from recently conducted fieldwork on one of the world’s most comprehen- sive, but also selective, communities for film swapping; I have chosen to omit the name of this community out of concern for its members. Specialist torrent sites like these are unregulated in that they are not sanctioned by the copyright industry – yet, internally, they remain highly regulated. The chapter provides an overview and a discussion of these sites, and the way these are integrated in a wider economy of film circulation, user agency, knowledge and affects. In theorizing my findings, I mainly draw on theories of culture and sociality outlined by Pierre Bourdieu. 

  • 13.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Honorability and the Pirate Ethic2015Inngår i: A Reader on International Media Piracy: Pirate Essays / [ed] Tilman Baumgärtel, Amsterdam: Amsterdam University Press, 2015, s. 81-110Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 14.
    Appelsved, Emelie
    Södertörns högskola, Institutionen för kultur och lärande, Konstvetenskap.
    Graffiti på spel: En kvalitativ undersökning, via NUG, om graffitins autonomi2016Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
    Abstract [en]

    Abstract

     

    Comments regarding Swedish graffiti writer NUG’s film Territorial Pissing (2008) express how graffiti and art appear to be two different worlds and when these worlds come together the expression of graffiti seems to transform. This thesis, Graffiti at stake: a qualitative study, via NUG, about the autonomy in graffiti, aims to both examine and bring about a general discussion on whether graffiti is autonomous when it enters the art world. The thesis also discusses transformed content and expression in the works of NUG when performed in a different context; what is exhibited in an institutional art context and what positions does NUG occupy? The French sociologist Pierre Bourdieus conceptions field and autonomy has been used as a theoretical framework, and partly as method as well. By studying the works of NUG another expression has been found within an institutional art context – black irrational lines and cascades. These are interpreted as energy generated from the act of performing graffiti and have been discussed in relation to the graffiti- and art practice as well as the symbolic capital. The thesis argues that the autonomy is situated in what is recognized and acknowledged. The thesis also concludes that NUG is entering into a masculine, conventional and strong artist position, similar to Pollock.

     

  • 15.
    Arendorff Runnerström, Emelie
    Södertörns högskola, Institutionen för kultur och kommunikation. Södertörns högskola.
    Det lågas pånyttfödelse: om renässansens uttryck i det nederländska genremåleriet2010Independent thesis Advanced level (degree of Master (One Year)), 30 poäng / 45 hpOppgave
    Abstract [en]

    The aim of this thesis is to expand the understanding of 16th century Flemish art by approaching paintings by artists Pieter Aertsen (1508-1575), Joachim Beuckelaer (1533-1574) and Pieter Bruegel (c. 1525-1569) from a different perspective. This is done by extending the discourse of art history, into a discourse of literary history and primarily 16th century novels by authors such as François Rabelais and Miguel de Cervantes. The paintings are studied in relation to these 16th century novels, by comparison and as a testament of this specific time period. A widening contextualization is also constructed in which a connection to the expression of the carnivals ambivalent form, as well as the notion of lower classes is explored.       These alternative readings utilize a theoretical basis in Michail Bachtin, Svetlana Alpers and Walter Gibson, among others. The thesis also sets out from a hermeneutic point of view as well as a critical analysis of the discourse of art history. The general understanding of these paintings, formed through the discourse of art history, is questioned and revaluated in the meeting and clash between art and literature. The thesis concludes that the ways these paintings have been viewed and understood, in studies of art history, have been too narrow to produce a full understanding of these diverse expressions of an equally diverse period in time. A foundation for a new conception of the renaissance is thereby formed; a conception that promotes further studies.The aim of this thesis is to expand the understanding of 16th century Flemish art by approaching paintings by artists Pieter Aertsen (1508-1575), Joachim Beuckelaer (1533-1574) and Pieter Bruegel (c. 1525-1569) from a different perspective. This is done by extending the discourse of art history, into a discourse of literary history and primarily 16th century novels by authors such as François Rabelais and Miguel de Cervantes. The paintings are studied in relation to these 16th century novels, by comparison and as a testament of this specific time period. A widening contextualization is also constructed in which a connection to the expression of the carnivals ambivalent form, as well as the notion of lower classes is explored.       These alternative readings utilize a theoretical basis in Michail Bachtin, Svetlana Alpers and Walter Gibson, among others. The thesis also sets out from a hermeneutic point of view as well as a critical analysis of the discourse of art history. The general understanding of these paintings, formed through the discourse of art history, is questioned and revaluated in the meeting and clash between art and literature. The thesis concludes that the ways these paintings have been viewed and understood, in studies of art history, have been too narrow to produce a full understanding of these diverse expressions of an equally diverse period in time. A foundation for a new conception of the renaissance is thereby formed; a conception that promotes further studies.

  • 16.
    Arketeg, Åsa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Poetics and Contemporaneity2018Inngår i: Conference Aesthetics, Contemporaneity, Art, Aarhus: Aarhus Institute of Advanced Studies , 2018, s. 31-Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In this talk, I will address aspects of temporality in poetics. I will argue, that temporality characterizes a certain use of poetics that seems to be the opposite of poetics as it ap- pears for example in literary theory. I will argue, however, that while feminist criticism sometimes use poetics as a means to oppose encompassing theoretical frameworks, it nevertheless integrates the traditional use of poetics since self-reflexivity is an important aspect here. In this regard, poetics rather emerges as a framework for thinking than a framework that defines thinking. In this sense poetics takes place in the contemporary, that is, in the making of theoretical and artistic practices. In the first part of the talk, I will discuss how the self-reflexive aspect unfolds in relation to the rejection of encompassing theoreti- cal frameworks in feminist criticism. In the second part of the talk, I will address the Ameri- can poet Lyn Hejinian’s notion of a poetics that is characterized as ”a thinking on”. This characterization is based on the stress on form in poetic language that Hejinian traces back to Russian formalism. I will claim, that this is another example of the temporal aspect of poetics, as this ”thinking on” takes place in the contemporary.

  • 17.
    Arketeg, Åsa
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Freyr, Kamilla
    Textuální prezentace a umění v reálném čase2014Inngår i: Výtvarná výchova, ISSN 1210-3691, nr 1, s. 227-238Artikkel i tidsskrift (Fagfellevurdert)
  • 18.
    Arketeg, Åsa
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Freyr, Kamilla
    Oslo Metropolitan University, Norge.
    Tonight no poetry will serve – A Memory Wound2018Inngår i: NSEParis 2018 Abstracts, 2018Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The title of our paper alluds to a poem by the American writer Adrienne Rich. The poem suggests the sublime capacity of art to effect change, while at the same time acknowledging that art also can be ineffectual in the face of despair. The history of public art is fraught with controversy, and this fact is also addressed by a number of researchers in our field. As the philosopher Hilde Hein writes ”we go to private art, but public art is come upon,” referring to public art as ”unwanted art” (2006, 55). Our project is not concerned with the controversy of public art, but with a topic that we believe is under-theorized in our field, namely how the social and ethical meaning of memorials and public art are reproduced as a discourse. We argue, that there is a Post Witness Art discourse that reproduce the idea that art must bear wittness to catastrophic events, even when the people that are effected by these events opposes the very existence of art. We will argue, that to look at Post Witness Art as part of a discourse that defines art as remembrance and mourning, means that we have to acknowledge that this discourse carries a certain language, words that in themselves manifest power. In our paper we ask, what does claims of democracy and inclusiveness mean when the art world is faced with opposition? What if there are situations were art simply is not the answer, as the title of Rich´s poem suggests? We will address these matters with a specific case in mind, namely Memory Wound. This is a memorial design by the Swedish artist Jonas Dahlberg, commisioned by Public Art Norway, in the aftermath of the horrific attacks at the government buildings and Utøya in Norway on the 22 of July 2011. The attacks claimed a total of 77 lives and hundreds were injured. With a ”wound that can never be healed” Dahlberg intended the design to “reflect the abrupt and permanent loss.” Dahlbergs design illustrates the loss in the presence of a cut – like an injury – and has a site/non-site logics that is a recurrent image in many contemporary memorials. In our paper, we will adress the collision between the people that live in the proximity to where Memory Wound were to be situated, and the advocators for the memorial, namely the art world. In an open letter an international group of acclaimed artists and curators appealed to the Norwegian government to ”be brave and allow Memory Wound to become a dignified place of healing”. This letter exhibits what we will adress as a tacit understanding of how public art should function, as a mediator between the private and the public. The arguments in favour of Memory Wound that came from the art world show, that there is an underlying assumption that art has a democratic and healing function, that is reflected by the words that are used. We will discuss the advocator’s arguments in the context of a post-habermasian notion of modernity and a “progressive reading on history” where freedom, autonomy and emancipation will be the result. In this research project we work together as a collaborative duo called arketeg.freyr, and this talk will consequently be presented as a combined effort.

  • 19.
    Axelsson, Karl
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Flodin, Camilla
    Uppsala University.
    Contemplation or Manipulation?: Aesthetic Perspectives on Nature and Animals from Shaftesbury to Bio-art2017Inngår i: Retracing the Past: Historical Continuity in Aesthetics from a Global Perspective, Santa Cruz, California: International Association for Aesthetics , 2017, s. 29-41Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 20.
    Bachelder, Miranda
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Graffiti: kontextualitet, platsbundenhet och innehåll2010Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The focus of this essay is to investigate if there lies a difference between graffiti art that is placed in the public spaces and graffiti art that is sited in an institutional art setting; in this essay exemplified in a gallery space. My thesis is that graffiti art derives a great deal of its meaning and substance from its situation consequently making a change of cultural context also a change of connotation and understanding of the graffiti art itself.  Meaning that graffiti art situated in a communal space is different from graffiti art situated in the gallery space. They share aesthetic expression but their connotations differ; i.e. one being illegal and the other permissible making their meanings dissimilar. I have used a comparison between site-specific art and graffiti art to further strengthen my thesis concerning the importance of understanding how a change of context critically changes the substance of graffiti art.

  • 21.
    Berg, Erik
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Den Osynliga målarboken i Tensta: I Skuggan av Debatten2006Student paper second termOppgave
  • 22.
    Berg, Erik
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Interaktionens pris: Mot en ny konstkritik2007Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The paper discusses the problems contemporary Swedish art criticism faces when judging performance art and interactive art. Problems include among others that performance art is collectively ignored in Swedish newspaper art criticism. This prevents art critics from fair contextualising of contemporary performance art. Down in the rabbit hole, performance by Tris Vonna-Michell and its reception exemplifies these problems. Performance and interactive art seems to be disturbing art critics. Works of art which demands the viewer to take active part in its realisation makes it hard – not to say impossible - to maintain an objective point of wiew. Objectivity has been a condition to be able to judge a work of art since Kant’s theories 1791. In order to isolate all the problems concerning performance art and interactive art, the conditions of contemporary Swedish newspaper art criticism are described. To show that the general conditions and its problems have been discussed earlier, the paper also includes the latest big debate about Swedish art criticism. The paper shows that the problem for art critics to remain objective and independent from the work of art presented is not exclusive for performance and interactive art. It is an emblematic problem for Swedish art criticism 2006. This problem includes economic and careerist opportunities witch makes it hard for Swedish art critics to remain independent.

  • 23.
    Bergslätt, Emelie
    Södertörns högskola, Institutionen för kultur och lärande.
    Föreningen Svenska Konstnärinnor och de svenska Matisseeleverna: En historiografisk och genusteoretisk studie av ett föregivet orsakssamband i konsthistorien2014Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [sv]

    Jag har studerat grunden till Föreningen Svenska Konstnärinnors bildande för att undersöka ifall antagandet att föreningen instiftades som en reaktion mot den manliga konstnärsgruppen De unga och deras första utställning på Hallins konsthandel 1909 stämmer. Jag har vidare undersökt ifall det finns något samband mellan grundandet av föreningen och de kvinnliga Matisseelevernas uteslutande ur De unga. Genom en historiografisk undersökning samt Griselda Pollocks genusteori har jag med kvantitativa studier kommit fram till att Föreningen Svenska Konstnärinnor grundades då enskilda kvinnor inte hade rätten att ställa ut sin konst. Föreningens bildande grundar sig i de kvinnliga konstnärernas önskan om förbättrade juridiska rättigheter. Genom den statistik jag fört fram i detta arbete kan jag också konstatera att det inte finns något samband mellan föreningens bildande och de kvinnliga Matisseelevernas uteslutande ur De unga, detta då de kvinnliga Matisseelevernas deltagande i Föreningen Svenska Konstnärinnors utställningar är allt för lågt för att kunna ha haft någon påverkan. 

  • 24. Billing, Cecilia
    et al.
    Berge, Gunnel
    Granath, Sara
    Märta Weiss-Lars Forsberg, Jänken1975Inngår i: Roman blir film / [ed] Ingvar Holm, Lund: Cavefors , 1975, s. 109-118Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 25. Billing, Cecilia
    et al.
    Berge, Gunnel
    Granath, Sara
    Olle Hedberg-Alf Sjöberg, Iris och löjtnantshjärta1975Inngår i: Roman blir film: studier om filmatiseringen av litterära verk / [ed] Ingvar Holm, Lund: Cavefors , 1975, s. 64-74Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 26.
    Billström, Johan
    et al.
    Södertörns högskola, Institutionen för kommunikation, medier och it.
    Fjellström, Alexander
    Södertörns högskola, Institutionen för kommunikation, medier och it.
    3D-animation i reklamfilm2007Independent thesis Basic level (university diploma), 10 poäng / 15 hpOppgave
    Abstract [en]

    Study objects: Three different productions companies which the authors have chosen to be anonymous. Purpose: The purpose with this study is to examine why production companies choose to use 3D-animations in television commercials, and what different kind of aspects affects their decisions. Theoretical: The theoretical chapter reviews the history of 3D-animation andtelevision commercials and other fields that will be relevant laterin the analysis and discussion. Method: A case study has been made on three different companies, two of the companies are active in post-production and the other one is active in the consulting area. Data was collected through semistructured interviews with two of the companies. The last interview was conducted via e-mail. Conclusions: There were different ground aspects (economy, control, targetaudience, consumer impression) that affected a productioncompany’s decision in whether or not to use 3D-animation in theirproductions of television commercials.

  • 27. Birnbaum, D.
    et al.
    Wallenstein, Sven-Olov
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Spatial thought2018Inngår i: Superhumanity: Design of the Self / [ed] Nick Axel, Beatriz Colomina, Nikolaus Hirsch, Anton Vidokle, Mark Wigley, Minneapolis, MN: University of Minnesota Press, 2018, s. 169-176Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 28. Birnbaum, Daniel
    et al.
    Wallenstein, Sven-Olov
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Figuring the Matrix: Lyotard’s Les Immatériaux, 19852014Inngår i: Place and Displacement: Exhibiting Architecture / [ed] Thordis Arrhenius, Mari Lending, Wallis Miller, Jérémie Michael McGowan, Baden: Lars Müller Publishers , 2014, s. 73-89Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 29. Björck, Amelie
    Dokumentärteaterns ansvar2010Inngår i: Teatertidningen, ISSN 1101-9107, nr 1, s. 39-40Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 30. Björck, Amelie
    Som om öronen blev smutsiga2009Inngår i: Ord och bild, ISSN 0030-4492, E-ISSN 1402-2508, nr 1/2, s. 30-33Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 31. Björck, Amelie
    Vidga scenvärldar2010Inngår i: Teatertidningen, ISSN 1101-9107, nr 4, s. 10-13Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 32.
    Björk, Chanda
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Folksagans prinsessa - en god förebild än idag: ”Prins Hatt under jorden” genom illustrationer av Elsa Beskow2006Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The text discusses the folk-tale princess as a good role model for both children and adults, from a feminist debate concerning this issue. Also an iconographic study, it compares women in folk-tale illustrations with women represented in fin-de-Siècle art concentrating on the Great mother goddess and the femme fatale, finding similarities between folk-tale illustrations and other art. Besides that, the text look at the interest for Swedish folk-tales in the 1890´s, the connection between women as illustrators of children’s books and ideas about nature and womanhood that might have had influence on the Swedish artist Elsa Beskow at the time.

  • 33.
    Björk, Chanda
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Vulvan, förlossningen och mötet med modergudinnan: Om Monica Sjöös målning God giving birth2010Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
    Abstract [en]

    This study is about the artist Monica Sjoo’s (1938-2005) painting God giving birth (1968) that was accused of being blasphemous and obscene in the early 1970s. God giving birth could have had much in common with Niki de Saint-Phalle’s She – a cathedral (1966), both works suggesting a mother goddess image. The main difference however can be found in the fact that Monica Sjoo’s painting had connection to the women’s movement in the 1970s. Monica Sjoo’s artwork responded to other feminist artwork of that period. Among several feminist artists during the period about 1968-1985, an iconography was in use that focused on vulvar imagery, experience of childbirth and goddess images. In particulary the mother goddess was embraced. The female body in art was re-sacred and invested with meaning connected with women’s cycles of birth-death and rebirth and the earth as a mother goddess.

  • 34. Blomberg, Eva
    Filmeländet: att utarbeta en filmpolitik2007Inngår i: Medier & politik: om arbetarrörelsens mediestrategier under 1900-talet / [ed] Mats Jönsson, Pelle Snickars, Stockholm: Statens ljud och bildarkiv , 2007, s. 103-126Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 35. Blomberg, Eva
    Tidens krav är film: Framväxten av arbetarrörelsens filmverksamhet 1900-19402001Inngår i: Arbetarhistoria : Meddelande från Arbetarrörelsens Arkiv och Bibliotek, ISSN 0281-7446, nr 2-3, s. 4-17Artikkel i tidsskrift (Fagfellevurdert)
  • 36. Blomberg, Eva
    Vill ni se en stjärna?: Kön, kropp och kläder i Filmjournalen 1919-19532006Bok (Annet vitenskapelig)
  • 37.
    Boberg, Karin
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Estetiska lärprocesser. Södertörns högskola, Institutionen för kultur och lärande, Lärarutbildningen.
    Högberg, Anna
    Södertörns högskola, Institutionen för kultur och lärande, Estetiska lärprocesser. Södertörns högskola, Institutionen för kultur och lärande, Lärarutbildningen.
    Estetiska lärprocesser i skola och lärarutbildning2014Inngår i: Konst och lärande: essäer om estetiska lärprocesser / [ed] Anders Burman, Huddinge: Södertörns högskola , 2014, s. 75-91Kapittel i bok, del av antologi (Fagfellevurdert)
  • 38.
    Bornemark, Jonna
    et al.
    Södertörns högskola, Institutionen för kultur och kommunikation, Centrum för praktisk kunskap.
    Ekström von Essen, Ulla
    Södertörns högskola, Institutionen för kultur och kommunikation, Centrum för praktisk kunskap.
    Att bli häst och att tämja hästen: en föreställning2010Inngår i: Kentauren: om interaktion mellan häst och människa / [ed] Jonna Bornemark, Ulla Ekström von Essen, Huddinge: Södertörns högskola , 2010, s. 169-195Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 39.
    Bowers, John
    et al.
    KTH / University of Manchester , U.K.
    Hellström, Sten-Olof
    KTH.
    Jää-Aro, Kai-Mikael
    KTH.
    Making Lightwork: The Algorithmic Performance of Virtual Environments1998Inngår i: Constructing and Manipulating the Virtual: Gesture Transformation, Soundscaping and Dynamic Environments for Extended Artistic Performance, Stockholm: NADA, Tekniska högskolan , 1998, , s. 14s. 5-19Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 40.
    Bowers, John
    et al.
    KTH.
    Jää-Aro, Kai-Mikael
    KTH.
    Blink: Exploring and Generating Content for Electronic Arenas1999Inngår i: Production Tools for Electronic Arenas: Event Management and Content Production : eRENA : Deliverable D4.3/4.4, 1999, s. 109-128Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 41.
    Bredberg, Eva
    Södertörns högskola, Institutionen för kultur och lärande, Konstvetenskap.
    Dräkt och pose i porträtt: En analys av posens fiktion och dräktens avbildning i tre porträtt föreställande Herman Wrangel (1584 - 1643)2017Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    This study is concerned with portraiture as a roleplay and a strategy to communicate the sitter´s identity to affect the viewer. Focusing on the sitter´s pose and the depiction of dress, the study examines three portraits between 1624 and the 1630s, representing Herman Wrangel (1584–1643), Field Marshal and Councilor of the Realm. The analysis is based on the concept, the fiction of the pose, developed by Harry Berger Jr. The idea of Theatricality discussed by Hanneke H Grootenboer´s is also used. The results show that dress, details of dress and the pose which are significant for the identity of the sitter are depicted with emphasis. Therefore, the dress and the pose have a key role in the depiction of the sitter acting his identity. The sitter acts before the artist and in the long run before the beholder. The portrait of the nobleman becomes a monologue for the beholder who can confirm the nobility´s role in society.

  • 42. Bull, Håkan
    et al.
    Karlholm, DanSödertörns högskola, Institutionen för kultur och kommunikation, Konstvetenskap.
    Offentlig konst i Flemingsberg2007Collection/Antologi (Annet (populærvitenskap, debatt, mm))
  • 43.
    Burga, E.
    et al.
    Konstfack University College of Arts, Crafts and Design.
    Dusant, Macaraena Olmos
    Södertörns högskola, Institutionen för kultur och lärande, Konstvetenskap.
    Löfgren, I.
    Stockholm University.
    Nuestras Madres: Forming political subjects en la mesa: IDA (Institutet för diaspora och avkolonisering/institute for the decolonization of art)2017Inngår i: Architecture and Culture, ISSN 2050-7828, Vol. 5, nr 3, s. 401-405Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    NUESTRAS MADRES is an artwork by the art collective IDA performed at the AHRA Architecture and Feminisms Conference (2016), which consisted of a collective ritual and a poetry reading. The ritual created a safe space where a group of participants sat around a table taking turns in sharing their stories about their mothers while embroidering their names on a single tablecloth. These were synthesized into a poem and presented the following day. IDA investigates issues in private and public space connected to knowledge production and gender normativity. Even though the role of mothers and their knowledge is usually connected to the private sphere, the knowledge of our mothers and their mothers shared en la mesa - over the table - is important in the construction of political subjects. How has this knowledge helped us survive in society as women, queer, indigenous, working class, Muslim, immigrant - as human beings?

  • 44.
    Burman, Anders
    Södertörns högskola, Institutionen för historia och samtidsstudier, Idéhistoria.
    Den avtäckta sanningen: Hegel, konstbegreppet och estetikens historia2013Inngår i: Löftet om lycka: Estetik, musik, bildning / [ed] Anders Burman, Rebecka Lettevall & Sven-Eric Liedman, Göteborg: Daidalos, 2013, s. 61-84Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 45.
    Burman, Anders
    Södertörns högskola, Institutionen för historia och samtidsstudier, Idéhistoria.
    Det estetiska, kunskapen och lärprocessen2014Inngår i: Konst och lärande: essäer om estetiska lärprocesser / [ed] Anders Burman, Huddinge: Södertörns högskola , 2014, s. 7-28Kapittel i bok, del av antologi (Fagfellevurdert)
  • 46.
    Burman, Anders
    et al.
    Södertörns högskola, Institutionen för historia och samtidsstudier, Idéhistoria.
    Lennerhed, LenaSödertörns högskola, Institutionen för historia och samtidsstudier, Idéhistoria.
    Samtider: Perspektiv på 2000-talets idéhistoria2017Collection/Antologi (Annet vitenskapelig)
  • 47.
    Burman, Anders
    et al.
    Södertörns högskola, Institutionen för historia och samtidsstudier, Idéhistoria.
    Lettevall, RebeckaSödertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES).Liedman, Sven-Eric
    Löftet om lycka: Estetik, musik, bildning : till Sten Dahlstedt2013Collection/Antologi (Annet vitenskapelig)
  • 48.
    Bydler, Charlotte
    Södertörns högskola, Institutionen för kultur och kommunikation, Konstvetenskap.
    A local global art history2007Inngår i: Is art history global? / [ed] James Elkins, New York: Routledge, 2007, s. 316-322Konferansepaper (Annet vitenskapelig)
  • 49.
    Bydler, Charlotte
    Södertörns högskola, Institutionen för kultur och lärande, Konstvetenskap.
    Anders Sunna, Area Infected: Den större bilden2017Inngår i: Avtryck från ovanlandet = Contemporary art from Sápmi / [ed] Sofia Johansson, Umeå: BildMuseet , 2017Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 50.
    Bydler, Charlotte
    Södertörns högskola, Institutionen för kultur och lärande, Konstvetenskap.
    Art, geographies and values: thinking sámi contemporary art archipelagically2014Inngår i: Regionality/Mondiality: Perspectives on Art, Aesthetics and Globalization / [ed] Charlotte Bydler & Cecilia Sjöholm, Huddinge: Södertörns högskola , 2014, s. 153-171Kapittel i bok, del av antologi (Fagfellevurdert)
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