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  • 1.
    Adami, Rebecca
    et al.
    Stockholm University, Sweden.
    Hållander, Marie
    Stockholm University, Sweden.
    Testimony and Narrative as a Political Relation: the Question of Ethical Judgment in Education2015Inngår i: Journal of Philosophy of Education, ISSN 0309-8249, E-ISSN 1467-9752, Vol. 49, nr 1, s. 1-13Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this article, we explore the role of film in educational settings and argue that testimony and narrative are dependent upon each other for developing ethical judgments. We use the film 12 Angry Men to enhance our thesis that the emotional response that sometimes is intended in using film as testimonies in classrooms requires a specific listening; a listening that puts pupils at risk when they relate testimonies to their own life narratives. The article raises the importance of listening in training narrative ethos in relation to violence witnessed in film. The article contributes by enhancing an understanding of a relational dimension to testimony and narrative, which, in an Arendtian sense, is also put forward as a political relation.

  • 2. Agamben, Giorgio
    et al.
    Rancière, Jacques
    Badiou, Alain
    Nancy, Jean-Luc
    Bensaid, Daniel
    Zizek, Slavoj
    Brown, Wendy
    Ross, Kristin
    Vad innebär det att vara demokrat?2010Bok (Annet vitenskapelig)
    Abstract [sv]

    Finns det någon mening med att kalla sig "demokrat" i en samtid där praktiskt taget alla kallar sig demokrater? Kan ett begrepp som tycks kunna betyda både allt och inget fortfarande ha ett meningsfullt politiskt innehåll? I föreliggande bok åtar sig några av vår tids mest namnkunniga politiska teoretiker att besvara denna provokativa fråga. Svaren de presenterar formuleras utifrån skilda utgångspunkter och leder i flera fall till helt olika slutsatser. Samtidigt förenas de alla av ett gemensamt grundantagande: "demokrati" kan inte vara namnet på en redan förverkligad samhällsmodell eller en metod för att med jämna mellanrum utse politiska ledare. Tvärtom fortsätter demokratibegreppet att vara föremål för kamp och fungera som kärna åt politikens mest centrala frågor.

  • 3.
    Ahlrot, Axel
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Den egna grundens gränser: Tillvarons grundvaro mellan början och slut, från Martin Heidegger till Adriana Cavarero2018Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The following essay aims to investigate Martin Heidegger’s notion of Dasein in Being and Time by taking into account the therein neglected existential-ontological aspect of birth. The point of departure is the concept of grundsein, i.e. Dasein being handed over itself as itself, groundlessly, with the remaining task of becoming its own basis from which it is able to properly project itself. In Being and Time this is made possible by actively grasping and appropriating ones ’ownmost possibility’ of being-towards-death. The present investigation however, raises the question whether or not Daseins other fundamental limit of being, namely birth, which in Being and Time is continuously disregarded, can provide a different understanding of grundsein; complementing the existing analysis by giving Dasein a more thorough framing. As for the proposed supplementing theory, the essay first turns to the concept of natality as it is developed in Hannah Arendt’s The Human Condition. Thereafter it traces the notion of birth as it unfolds in the work Relating Narratives by the contemporary Italian philosopher Adriana Cavarero, who thematically remains close to Arendt, although not without some crucial differences. With that in mind, the essay finally returns to Heidegger for a critical exploration of the theories opposed. 

    The present investigation aims to show that these theories of birth does in fact offer insights that are foreign to, albeit not irreconcilable with, the framework of Being and Time. Especially regarding that of mitsein, coexistence, which nonetheless also have inevitable consequences for the question of grundsein. By taking birth into consideration existentially, this essay seeks to shed light on what can be considered fundamentally relational aspects of Dasein as it is shown to be constitutively in-front-of, and a being-from-others. Furthermore there is shown to be an aspect of passive reception to Dasein, more specifically the non-negotiable gift of existence at all which unceasingly remains out of it’s reach; that is, arguably, somewhat overlooked in Being and Time (even though the concepts of thrownness and historicity may indicate such a condition). Lastly the author wishes to embed the existential-ontological matter of birth in the pressing planetary crisis of our time, asserting that the question of (human) birth and existence no longer can afford to ignore these biological-ecological aspects that are undeniably of due importance for the question at hand.

    Fulltekst (pdf)
    fulltext
  • 4. Ahlzén, Rolf
    Rapport av den empiriska delen av projektet The Phenomenology of Suffering in Medicine: Explorations in the Baltic Sea Region vid Södertörns högskola2019Rapport (Annet vitenskapelig)
    Abstract [sv]

    Utgångspunkten för det treåriga projektet The Phenomenology of Suffering in Medicine: Explorations in the Baltic Sea Region är den centrala roll lidan­de intar i medicinsk praxis, och därmed också i den medicinska etiken. Den teoretiska grunden för projektet är den breda tradition inom huma­nistisk reflektion och forskning under 1900-talet som innefattar fenome­no­logi, hermeneutik och narrativitet.

    I projektets empiriska del har fem medicinska fakulteter runt Östersjön valts ut, delvis beroende på etablerade kontakter, delvis för att på dessa orter pågår intressant undervisning och forskning inom ovan beskrivna fält. Med hjälp av kontaktpersoner på respektive orter har sedan studiebesök genomförts, med informella samtal och formella inter­vjuer. Intervjuerna har analyserats för teman som belyser forsknings­projektets grundläggande fråga om hur fenomenet lidande upp­märk­sam­mas, tolkas och hanteras inom dels medicinsk undervisning och i någon mån även i forskning inom medicinsk humaniora på respektive orter.

    Fulltekst (pdf)
    Rapport av den empiriska delen av projektet The Phenomenology of Suffering in Medicine: Explorations in the Baltic Sea Region vid Södertörns högskola
    Download (jpg)
    presentationsbild
  • 5.
    Ahonen, Riitta
    Södertörns högskola, Institutionen för kultur och lärande.
    "Jag gillar att ha mitt kök ifred": En vetenskaplig essä om arbetsterapeutens erfarenheter i neurologisk rehabilitering2022Independent thesis Advanced level (degree of Master (One Year)), 15 poäng / 22,5 hpOppgave
    Abstract [sv]

    Sammanfattning

    Den här vetenskapliga essän handlar om arbetsterapeutens arbete med neurologisk rehabilitering. Jag gestaltar ett möte med en patient som har drabbats av en stroke och beskriver hur anhöriga påverkar rehabiliteringsprocessen. Problem uppstår när jag inte har lyckats skapa en god relation och samarbete med den anhöriga. Jag funderar över begreppet rehabilitering, kring krisbearbetning och vad det kan innebära att drabbas av en hjärnskada och relaterar det till ett existentiellt och ett relationellt perspektiv. Jag reflekterar över ansvarsfördelningen i vården och hur den fördelas mellan patient, anhörig och arbetsterapeuten i vårdmötet. Mina tankar och reflektioner från mötet med patienten och anhöriga utforskar jag med hjälp av filosofer och andra författare.

    Min slutsats är att anhöriga spelar en stor roll för att rehabiliteringen ska lyckas och deras behov av stöd behöver beaktas i större utsträckning. Jag behöver skapa förtroendefulla relationer och ha en dialog med patienten och anhöriga för att utveckla ett bra samarbete. Patienten och arbetsterapeuten har ett delat ansvar över rehabiliteringen och det stöd som anhöriga ger är viktigt för att främja tillfrisknandet.

    Fulltekst (pdf)
    fulltext
  • 6.
    Akca, Uljana
    Södertörns högskola, Institutionen för kultur och kommunikation.
    Att övervinna det mänskliga: En läsning av återkomsttanken i Nietzsches Så talade Zarathustra i ljuset av Heideggers kritik2010Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
    Abstract [en]

    The aim of this essay is to discuss the meaning of the human and its possible overcoming in Friedrich Nietzsche’s doctrine of the eternal recurrence of the same, with Martin Heidegger’s readings of Nietzsche as point of departure.

    According to Heidegger, Nietzsche’s doctrine of the eternal recurrence of the same represents the end of occidental metaphysical thinking. The thought concludes a thinking of being as the presence of beings, where the original question of being was never developed out of its own ground.

    But at the heart of this interpretation, often considered “violent”, lies the question of whether man is able to think being out of his finitude. This is the question I will unfold, through a reading of Nietzsche’s thought of the eternal recurrence of the same, as it is presented in his Thus spoke Zarathustra, as an attempt to think beings in their being beyond a “humanization” of them, expressed in transcendental aims, purposes and categories. This attempt, I argue, is essentially bound up with a comportment toward the human self as the finite and the corporal. In this sense the human being in its finitude and corporeality is thefocus and the basis for the search for “the overman”.

    But this focus on man, as he who can overcome himself, is at the same time a focus that canbe said to lead man away from himself, in not asking the deeper question about what it means to be this human being.

    I will furthermore consider the tragic as the theme where this question of the overcoming of the human comes to the fore; the dionysic-tragic reveals both a view of man as the being that is mastered by the abyss that underlies this world, and therefore mastered by his finitude - and as the being who can master this same abyss, in thinking it as one with the human self.

    The purpose is not to take a position for or against Heidegger’s reading, but to develop a discussion between Heidegger and Nietzsche about the human self as always being both the closed and the open, and about the ways in which human thinking can approach this.

     

     

    Fulltekst (pdf)
    FULLTEXT01
  • 7.
    Alsanius, Beatrix W.
    et al.
    Swedish University of Agricultural Sciences (SLU), Sweden.
    Löfkvist, Klara
    Swedish University of Agricultural Sciences (SLU), Sweden; The Rural Economy and Agricultural Societies, Sweden.
    Kritz, Göran
    Swedish University of Agricultural Sciences (SLU), Sweden.
    Ratkić, Adrian
    Royal Institute of Technology (KTH), Sweden.
    Reflection on reflection in action: a case study of growers conception of irrigation strategies in pot plant production2008Inngår i: AI & Society: The Journal of Human-Centred Systems and Machine Intelligence, ISSN 0951-5666, E-ISSN 1435-5655, Vol. 23, nr 4, s. 545-558Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    A case study of growers conception of irrigation strategies indicates thatpot plant growers in Scandinavia base their management approaches on experientially based art. The study also indicates that there is a gap between experientially based art and available greenhouse technology. In order to standardize production and produce quality, both the grower’s experience and available technology should be taken into account. In order to achieve this, the present study proposes to arrange reflection on reflection in action with a group of growers by means of the dialogue seminar method. The concept of reflection on reflection in action is novel to horticultural practice. Therefore, we suggest future inter- and multidisciplinary research within this domain.

  • 8.
    Alsanius, B.W.
    et al.
    SLU, Sweden.
    Ratkić, Adrian
    KTH, Sweden.
    Persson, E.
    Lund University, Sweden.
    Löfkvist, K.
    Rural Economy and Agricultural Society, Sweden.
    Prospects of dialogue-inspired methods as tools for knowledge transfer: Technology for sustainable horticulture meets experiential knowledge communities2009Inngår i: Acta Horticulturae, ISSN 0567-7572, nr 832, s. 27-32Artikkel i tidsskrift (Fagfellevurdert)
  • 9.
    Amcoff, Oscar
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Chimeric Mimicry: Reflection and Animality in Merleau-Ponty's Philosophy of Nature2023Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    In this paper, I attempt to understand how Merleau-Ponty views the relation between nature and reflection, as well as the meaning behind the terms “human” and “animal” and the relations between them. I approach this by outlining the transition from Merleau-Ponty’s early philosophy (SB, PP) to his late philosophy (N, VI). Roughly understood as the shift from inquiries into the nature of experience to inquiries into the experience of nature. I show that this shift or turn can be understood in terms of a reconsideration of the nature of experience, which opens toward non-human animal reflection; to the simultaneous kinship and estrangement in animal interspecificity.

    The paper is divided into three parts: In the first part, oriented around Phenomenology of Perception, I outline the grounding of reflection in the co-natural corporeity of perception. In the second part, I present the implications of Merleau-Ponty’s turn to nature through his reading of Schelling. What becomes visible here is his reversal of method following his turn to nature. Essentially, this reversal of method tempts a reconsideration of reflection: reflection is no longer separated from nature, but a fold within nature itself; a dehiscence of the flesh opening a “mirroring reflexive” within nature itself as nature’s self-reflection, exemplified through the sensing-sensible human body. In the third part, the same reversal of method is considered in relation to animality. I contrast Merleau-Ponty’s account of life and animality in his second course on nature against his views in The Structure of Behavior. Consequently, his account of the grounding of reflection in the corporeity of perception is deepened and his ontology of sensing-sensible is further clarified. In the last sections of the third part, I discuss Merleau-Ponty’s account of the human-animal relation, I then briefly discuss his account of painting as a privileged form of ontological expression, and I finally speculate openly about the alterity of other animals and the possibility of animal philosophies.

    Fulltekst (pdf)
    fulltext
  • 10.
    Andersson, Petra
    Chalmers tekniska högskola / Göteborgs universitet.
    Du säger ingenting - men du pratar hela tiden2010Inngår i: Kentauren: om interaktion mellan häst och människa / [ed] Jonna Bornemark, Ulla Ekström von Essen, Huddinge: Södertörns högskola , 2010, s. 28-39Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    Du säger ingenting - men du pratar hela tiden
  • 11.
    Andersson, Petra
    Göteborgs universitet.
    En hästbok om män och kvinnor, om maskulinitet och femininitet, och om makt2014Inngår i: Idrottsforum.org/Nordic sport science forum, ISSN 1652-7224, nr 24 aprilArtikkel, omtale (Annet vitenskapelig)
  • 12.
    Andersson, Petra
    Göteborgs universitet.
    Humanity and nature: towards a consistent holistic environmental ethics2007Doktoravhandling, monografi (Annet vitenskapelig)
  • 13.
    Andersson, Petra
    Chalmers tekniska högskola / Göteborgs universitet.
    Ingen riktig sport?2010Inngår i: Kentauren: om interaktion mellan häst och människa / [ed] Jonna Bornemark, Ulla Ekström von Essen, Huddinge: Södertörns högskola , 2010, s. 92-107Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    Ingen riktig sport?
  • 14.
    Andersson, Petra
    Göteborgs universitet.
    Natur och kultur -€“ aldrig mötas de två?2010Inngår i: Samhällsförändringar och vården av natur och kultur: en debattskrift om natur- och kulturmiljövårdens utveckling under 100 år : rapport från Riksantikvarieämbetet / [ed] Leif Gren, Stockholm: Riksantikvarieämbetet, 2010, s. 65-69Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 15. Andersson, Petra
    Naturligt = bra?: Funderingar över ett värdeladdat begrepp2009Inngår i: Naturen som symbol för den goda barndomen / [ed] Gunilla Halldén, Stockholm: Carlsson Bokförlag, 2009Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 16.
    Andersson, Petra
    Göteborgs universitet.
    Om genusmakt, genusroller och genusnormativitet inom ridsporten2014Inngår i: Idrottsforum.org/Nordic sport science forum, ISSN 1652-7224, nr 4 marsArtikkel, omtale (Annet vitenskapelig)
  • 17.
    Andersson, Petra
    Chalmers tekniska högskola / Göteborgs universitet.
    Vad kan en ryttare veta?2010Inngår i: Kentauren: om interaktion mellan häst och människa / [ed] Jonna Bornemark, Ulla Ekström von Essen, Huddinge: Södertörns högskola , 2010, s. 108-118Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    Vad kan en ryttare veta?
  • 18.
    Andersson, Petra
    Chalmers tekniska högskola.
    Återvinning av metaller ur elektronik och annat svårt avfall2010Inngår i: Åter Vinnare för Industrin 2010 / [ed] Kjell-Arne Larsson, Stockholm: Rekord media och produktion , 2010Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 19.
    Andersson, Petra
    et al.
    Chalmers tekniska högskola.
    Radovic, Susanne
    Göteborgs universitet.
    Tuffa män och moderliga kvinnor till häst2011Inngår i: Svensk Idrottsforskning: Organ för Centrum för Idrottsforskning, ISSN 1103-4629, nr 2, s. 11-15Artikkel i tidsskrift (Annet vitenskapelig)
  • 20.
    Andersson, Tommy
    Södertörns högskola, Institutionen för kultur och lärande.
    Livets skillnader: Heidegger, djuret och vetenskapen2014Independent thesis Advanced level (degree of Master (One Year)), 20 poäng / 30 hpOppgave
    Abstract [en]

    This essay constitutes an attempt to expose, with reference to contemporary animal research, the limits of Martin Heidegger’s concept of the being of animality in Die Grundbegriffe der Metaphysik (1929/30) and to propose some possible ways to think, within the philosophical style of this particular work, the being of those animals that most distinctly transcends Heidegger’s concept. The essay seeks to address the following question: Do the results of contemporary animal research expose ways of being within animality that withdrawal from Heidegger’s concept of the being of animality in general, and if so, how should we think these new ways of animal being? The motivation to ask this question, I argue, are immanent to Heidegger’s thinking in at least three ways: 1) Because of his standpoint that philosophy cannot, in any meaningful way, create an ontological concept of animality without an orientation towards the results of the positive sciences; 2) Because of the unfinished and tentative character of Heidegger’s analysis, a character that is such that it should be seen, according to Heidegger himself, as an essential point of departure for further thinking; 3) Because of Heidegger’s view that the being of the animal are such that it involves the withdrawal of this very being from any originary access, a withdrawal that necessitates an infinite return to the question concerning the being of the animal. The essay wants to be a continuation of lines that are present in Heidegger’s open-ended thought on this theme rather than to be an external critique that approach the text, which is most often the case, as a closed point of view which we are forced to affirm or reject. Motivated by these immanent reasons, I attempt to set up a dialogue between Heidegger’s way of thinking the animal and that scientific evidence that has become available since Heidegger wrote his text in the late 20s’. The paradigmatic change in the scientific view of animals that constitute this time period has philosophical consequences, I argue, and I attempt to flesh them out as follows: Contemporary animal research motivates the ontological conclusion that many species withdrawal from the meaning of Heidegger’s concept of the animal in general, and thereby necessitates a philosophical response to this, namely to create – at least as a first step toward a full-blown philosophical and ontological recognition of the differentiated animality of animals – a new concept of the being of those particular animals who most clearly show themselves, both in the new scientific evidence and to our phenomenological experience, as being different to that Heidegger claim them to be. I suggest, with reference to Heidegger’s thesis of the animal as ”poor in world”, that the being of these animals is better understood as otherworldly worlds within the world of human world forming. The being of these animals are to be seen as otherworldly worlds insofar they are what they seem to be, namely alien subject’s that have some sort of access to being, an access that differs from the openness of human Dasein in some profound and ungraspable sense, but that nonetheless suggests itself in the results of contemporary research. In this way I seek to sketch out a thought that let the otherness of these animals shine forth in a radicalized manner from out of their very nearness to the human way of being. The ontological recognition of these beings, I can thus conclude, enrich our world with their woundrous presence while at the same time exposing, with novel acuteness, the finitude of this world. Uttermost, I propose in an forward-looking reflection, these animals turn us toward the discovery of that world that we share with them, here named as the elemental world, as an crucial question for philosophy today and as a theme for further research.

    Fulltekst (pdf)
    Livets skillnader
  • 21.
    Andersson, Tommy
    Södertörns högskola.
    Otherworldly worlds: Rethinking animality with and beyond Martin Heidegger2017Inngår i: Studia Phænomenologica, ISSN 1582-5647, E-ISSN 2069-0061, Vol. 17, s. 57-81Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    By setting up a dialogue with contemporary animal research the essay attempts, on the one hand, to expose the limits of Martin Heidegger's concept of animality in The Fundamental Concepts of Metaphysics, and, on the other hand, to propose some new ways of thinking the being of those animals that most distinctly show themselves as being other than Heidegger's claims. I suggest, with reference to Heidegger's thesis of the animal as "poor in world," that the being of the cognitively most complex animals is better understood in terms of otherworldly worlds within the world of human world forming. With this concept I aim to develop and continue, rather than criticize, Heidegger's way of thinking the being of animals and deepen the productive relationship between science and philosophy that Heidegger proposed in this work.

  • 22.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Avant-propos: Pour une phénoménologie du langage : le primat ontologique de la parole2020Inngår i: Le problème de la parole: cours au Collège de France: notes 1953-1954 / [ed] Lovisa Andén, Emmanuel de Saint Aubert & Franck Robert, Genève: MētisPresses , 2020, s. 9-32Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [fr]

    «Le problème de la parole» est l’un des premiers cours que Merleau-Ponty a donnés au Collège de France : il fait suite aux leçons sur le «Monde sensible et le monde de l’expression» et aux «Recherches sur l’usage littéraire du langage». Tenu entre décembre 1953 et avril 1954, il est bientôt suivi des cours sur «L’institution et La passivité». L’ ensemble fait partie d’un projet global qui vise à élucider les rapports entre le monde sensible et le monde de l’expression. La composition du cours témoigne de l’ampleur et de l’importance de la question du langage pour Merleau-Ponty. Le problème de la parole est constitué de trois parties. La première se consacre aux apports de la linguistique à la pensée du langage – Merleau-Ponty y examine en particulier la linguistique de Saussure et de ses disciples Charles Bally et Joseph Vendryes. La deuxième porte sur l’aphasie et l’acquisition du langage chez l’enfant – Merleau-Ponty y interroge notamment les travaux d’André Ombredane, Roman Jakobson, Kurt Goldstein et Françoise Dolto-Marette. Le cours propose enfin, en un troisième moment, une lecture détaillée de l’œuvre de Marcel Proust. Il ne s’agit donc pas seulement pour Merleau-Ponty de formuler une théorie du langage, il s’agit plus fondamentalement de voir dans la parole l’expression même du monde et de l’être. La linguistique, la pédagogie et la psycho-pathologie du langage, tout autant que la littérature telle qu’elle se déploie avec Proust, révèlent ce pouvoir d’expression de la parole, manifestent les pouvoirs du langage à l’égard du monde sensible.

  • 23.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Being in Language: Merleau-Ponty’s Ontological Examinations of Language at the Collège de France2021Inngår i: Chiasmi International, ISSN 1637-6757, E-ISSN 2155-6415, Vol. 23, s. 303-316Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article examines Maurice Merleau-Ponty’s ontological investigation of language in his recently published course notes Sur le problème de la parole of 1954. In the course notes, Merleau-Ponty approaches the relation between being and language: if our ontological thinking is thoroughly conditioned by the means of expression provided by our proper language, how are we then to understand its claims of universality? The article argues that the course notes elucidate the linguistic turn in Merleau-Ponty’s later ontology. In particular, this article stresses that the course notes show that Merleau-Ponty undertakes an ontological inquiry into language before his investment into Heidegger’s philosophy. Furthermore, the course notes elucidate the continuity between Merleau-Ponty’s earlier investigations into expression and the ontological inquiry into language in his later texts.

  • 24.
    Andén, Lovisa
    Arctic University of Norway.
    Between Memory and History: Retracing Historical Knowledge Through a Phenomenology of Afterlife2024Inngår i: Jan Patočka and the Phenomenology of Life After Death / [ed] Gustav Strandberg; Hugo Strandberg, Cham: Springer, 2024, s. 139-152Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    How can Jan Patočka’s phenomenology of afterlife enable us to understand the historiographical process in general and the role of testimony in the historiographical process, in particular? Patočka presents a phenomenological analysis of co-existence and afterlife where others continue to be with us, as a part of our lifeworld and our constitution of ourselves, even after they are gone. We see ourselves through others and we continue to experience our lifeworld with them, a relation that is transformed but not disrupted after their death. In historiographical discussions, historical knowledge is often defined in opposition to memories, on account of its distance to our immediate, personal relation to our past. Such discussions were famously undertaken by thinkers such as Paul Ricoeur and Pierre Nora. The aim of this paper is to place the phenomenological analysis of death and of loss within discussions surrounding the relation between memory and historical knowledge. In particular, it examines how we constitute and re-constitute collective memory and historical knowledge through testimonies and archives. It argues that we can understand testimonies and archives as different modes of being with the dead, modes that continue to constitute both our individual field of experience, and our collective historical situation.

  • 25.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Demokratin behöver analys: Recension av Vad innebär det att vara demokrat?2011Inngår i: Dalademokraten, ISSN 1103-9183, nr 2011-06-23Artikkel, omtale (Annet (populærvitenskap, debatt, mm))
  • 26.
    Andén, Lovisa
    Åbo Akademi, Finland.
    Historisk sanning och litterär representation i vittneslitteratur från Gulagarkipelagen2022Inngår i: Tidskriften Ikaros, ISSN 0782-6052, nr 4, s. 26-29Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 27.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    I huvet på Wittgenstein: Recension av Ludwig Wittgensteins idévärld2011Inngår i: Dalademokraten, ISSN 1103-9183, nr 2011-09-07Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 28.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Uppsala University.
    Language and Tradition in Merleau-Ponty’s Reading of Husserl and Saussure2018Inngår i: Studia Phænomenologica, ISSN 1582-5647, E-ISSN 2069-0061, Vol. XVIII, s. 183-205Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this paper I examine how Merleau-Ponty develops Husserl’s genetic phenomenology through an elaboration of language, largely influenced by Saussure’s linguistics. Specifically, my focus will be on the unpublished notes to the course Sur le problème de la parole (On the Problem of Speech). I show how Merleau-Ponty recasts Husserl’s notion of the historicity of truth by means of an inquiry into the relation between truth and its linguistic expression. The account that Merleau-Ponty offers differs from Husserl’s in two important respects. Firstly, whereas Husserl describes a regressive inquiry of truth, Merleau-Ponty describes a regressive movement of truth, where every acquired truth seizes the tradition that precedes it. Secondly, this new notion of truth, and its dependency on its proper expression, opens up for a new understanding of literature.

    Fulltekst (pdf)
    fulltext
  • 29.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Literary Testimonies and Fictional Experiences: Gulag Literature Between Fact and Fiction2021Inngår i: Studia Phænomenologica, ISSN 1582-5647, E-ISSN 2069-0061, Vol. 21, s. 197-223Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article discusses the role of Gulag literature in connection to testimony, literature and historical documentation. Drawing on the thoughts of Jacques Derrida and Hannah Arendt, the article examines the difficulty of witnesses being believed in the absence of evidence. In particular, the article focuses on the vulnerability of the Gulag authors, due to the ongoing Soviet repression at the time of their writing. It examines the interplay between the repression and the literature that exposed it. The article contends that the fictionalization of Gulag literature enabled the authors to go further in challenging Soviet repression. Focusing on the fictional accounts written by Varlam Shalamov and Aleksandr Solzhenitsyn, it argues that the fictionalized Gulag literature makes the experience of the camp universe possible to imagine for those outside, allowing readers to believe in an experience that otherwise seems incredible.

  • 30.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Literature and the Expressions of Being in Merleau-Ponty’s Unpublished Course Notes2019Inngår i: Journal of the British Society for Phenomenology, ISSN 0007-1773, E-ISSN 2332-0486, Vol. 50, nr 3, s. 208-219Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this article I examine Merleau-Ponty’s understanding of the relation between literature, being and perception. I focus especially on two of Merleau-Ponty’s courses at Collège de France: the first course, Le monde sensible et le monde de l’expression, and the unpublished course Sur le problème de la parole. In the former Merleau-Ponty presents a new understanding of perception, according to which being is expressed in perception through the style of movement of the perceived phenomenon. In the latter he advances a notion of literary writing as an expression of the being that is itself expressed to us in perception. Through a reading of Proust’s work, he discusses how the literary writer makes his experience expressive by means of a stylization of what is experienced. Hence, literature expresses perception through an enhancement of the expressiveness that it already contains. This capacity of literature will be the main focus of my investigation. 

    Fulltekst (pdf)
    fulltext
  • 31.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi. Uppsala University.
    Litteratur och erfarenhet i Merleau-Pontys filosofi2018Inngår i: Salongen – nettidsskrift for filosofi og idéhistorie, nr 5 majArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Fulltekst (pdf)
    fulltext
  • 32.
    Andén, Lovisa
    Universitetet i Tromsö, Norge.
    Med livet som litteraturens laboratorium: Merleau-Ponty och Proust2023Annet (Annet (populærvitenskap, debatt, mm))
  • 33.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Människans revolt och historiens revolutioner2014Inngår i: Dixikon, E-ISSN 2001-1768, nr 2014-02-02Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 34.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Selvbiografier som vitnesbyrd i Simone de Beauvoirs poetikk2021Inngår i: Oppløsningen av det estetiske: Kunstfilosofisk modernitet fra Kant til relasjonell estetikk / [ed] Ståle Finke; Mattias Solli, Oslo: Universitetsforlaget, 2021, s. 189-205Kapittel i bok, del av antologi (Annet vitenskapelig)
    Abstract [no]

    Hva innebærer det å skrive virkelighetsbasert litteratur? Hvilke krav kan vi stille til den? Hva sier den om det livet den hevder å skildre? Diskusjonen om sannhetslitteratur handler om grensen mellom virkelighetsbasert fiksjon og selvbiografisk skriving. En filosof som mer enn noen annen har utforsket dette spørsmålet, er Simone de Beauvoir. Hun undersøker både fiksjonens grenser og den selvbiografiske skrivingens mulighet for å forvandle den gjennomlevde erfaringen. Hele Beauvoirs forfatterskap kan ses på som én sammenhengende streben etter å prøve å forstå hva det er å være menneske – gjennom fiksjon, memoarer, essay og filosofiske tekster, og gjennom å tilbakeføre filosofiens abstrakte teorier til vår konkrete erfaring med verden.

  • 35.
    Andén, Lovisa
    Södertörns högskola, Institutionen för kultur och lärande, Filosofi.
    Vittneslitteratur och det förflutnas närvaro2021Inngår i: Svensk filosofiArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 36.
    Andén, Lovisa
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Robert, Franck
    Introduction: Le problème de la parole, extrait de la leçon du 25 février 1954. Proust et la littérature2019Inngår i: Chiasmi International, ISSN 1637-6757, E-ISSN 2155-6415, Vol. 21, s. 25-28Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [fr]

    On comprend mal la philosophie de Merleau-Ponty si l’on ne comprend pas le sens philosophique qu’il accorde au langage, à l’écriture, à la littérature. On lui reproche, séduit parfois mais prudent, voire réticent, son style, son écriture, ses métaphores. On ne voit pas que réside cependant là le sens de sa philosophie, le sens de la philosophie telle que Merleau-Ponty cherche à la penser et telle qu’il la pratique dans l’ontologie du Visible et l’invisible.« Parce qu’ayant éprouvé en lui-même le besoin de parler, la naissance de la parole comme une bulle au fond de son expérience muette, écrit Merleau-Ponty, le philosophe sait mieux que personne que le vécu est du vécu-parlé, que, né à cette profondeur, le langage n’est pas un masque sur l’Être, mais, si l’on sait le ressaisir avec toutes ses racines et toute sa frondaison, le plus valable témoin de l’Être, qu’il n’interrompt pas une immédiation sans lui parfaite, que la vision même, la pensée même sont, a-t-on dit, “structurées comme un langage” [J. Lacan], sont articulation avant la lettre, apparition de quelque chose là où il n’y avait rien ou autre chose ».

  • 37. Aristoteles,
    Fysik2017Bok (Annet vitenskapelig)
  • 38. Aristoteles,
    Nikomachiska etiken2023Bok (Annet vitenskapelig)
  • 39.
    Arketeg, Åsa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Att ”sätta något i rörelse”: Den poetiska frasen som kontext och begynnelse2021Inngår i: Blick, rörelse, röst: Festskrift till Cecilia Sjöholm / [ed] Katz Thor, Rebecka; Wallrup, Erik, Huddinge: Södertörns högskola, 2021, s. 147-152Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
    fulltext
  • 40.
    Arketeg, Åsa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Metonymins politik: Figurens betydelse för Rancières tänkand2022Inngår i: Rancière och demokratins estetik / [ed] Anders Burman; Tora Lane, Simrishamn: Tankekraft , 2022, s. 79-94Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 41.
    Arketeg, Åsa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Poetics and Contemporaneity2018Inngår i: Conference Aesthetics, Contemporaneity, Art, Aarhus: Aarhus Institute of Advanced Studies , 2018, s. 31-Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    In this talk, I will address aspects of temporality in poetics. I will argue, that temporality characterizes a certain use of poetics that seems to be the opposite of poetics as it ap- pears for example in literary theory. I will argue, however, that while feminist criticism sometimes use poetics as a means to oppose encompassing theoretical frameworks, it nevertheless integrates the traditional use of poetics since self-reflexivity is an important aspect here. In this regard, poetics rather emerges as a framework for thinking than a framework that defines thinking. In this sense poetics takes place in the contemporary, that is, in the making of theoretical and artistic practices. In the first part of the talk, I will discuss how the self-reflexive aspect unfolds in relation to the rejection of encompassing theoreti- cal frameworks in feminist criticism. In the second part of the talk, I will address the Ameri- can poet Lyn Hejinian’s notion of a poetics that is characterized as ”a thinking on”. This characterization is based on the stress on form in poetic language that Hejinian traces back to Russian formalism. I will claim, that this is another example of the temporal aspect of poetics, as this ”thinking on” takes place in the contemporary.

  • 42.
    Arketeg, Åsa
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Teorins frågande till praktiken: Reflektionen som en estetisk erfarenhet2022Inngår i: I rörelse: Estetiska erfarenheter i pedagogiska sammanhang / [ed] Anders Burman; Petra Lundberg Bouquelon, Huddinge: Södertörns högskola, 2022, s. 213-235Kapittel i bok, del av antologi (Fagfellevurdert)
    Fulltekst (pdf)
    Teorins frågande till praktiken: Reflektionen som en estetisk erfarenhet
  • 43.
    Arketeg, Åsa
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Freyr, Kamilla
    Oslo Metropolitan University, Norge.
    Tonight no poetry will serve – A Memory Wound2018Inngår i: NSEParis 2018 Abstracts, 2018Konferansepaper (Annet vitenskapelig)
    Abstract [en]

    The title of our paper alluds to a poem by the American writer Adrienne Rich. The poem suggests the sublime capacity of art to effect change, while at the same time acknowledging that art also can be ineffectual in the face of despair. The history of public art is fraught with controversy, and this fact is also addressed by a number of researchers in our field. As the philosopher Hilde Hein writes ”we go to private art, but public art is come upon,” referring to public art as ”unwanted art” (2006, 55). Our project is not concerned with the controversy of public art, but with a topic that we believe is under-theorized in our field, namely how the social and ethical meaning of memorials and public art are reproduced as a discourse. We argue, that there is a Post Witness Art discourse that reproduce the idea that art must bear wittness to catastrophic events, even when the people that are effected by these events opposes the very existence of art. We will argue, that to look at Post Witness Art as part of a discourse that defines art as remembrance and mourning, means that we have to acknowledge that this discourse carries a certain language, words that in themselves manifest power. In our paper we ask, what does claims of democracy and inclusiveness mean when the art world is faced with opposition? What if there are situations were art simply is not the answer, as the title of Rich´s poem suggests? We will address these matters with a specific case in mind, namely Memory Wound. This is a memorial design by the Swedish artist Jonas Dahlberg, commisioned by Public Art Norway, in the aftermath of the horrific attacks at the government buildings and Utøya in Norway on the 22 of July 2011. The attacks claimed a total of 77 lives and hundreds were injured. With a ”wound that can never be healed” Dahlberg intended the design to “reflect the abrupt and permanent loss.” Dahlbergs design illustrates the loss in the presence of a cut – like an injury – and has a site/non-site logics that is a recurrent image in many contemporary memorials. In our paper, we will adress the collision between the people that live in the proximity to where Memory Wound were to be situated, and the advocators for the memorial, namely the art world. In an open letter an international group of acclaimed artists and curators appealed to the Norwegian government to ”be brave and allow Memory Wound to become a dignified place of healing”. This letter exhibits what we will adress as a tacit understanding of how public art should function, as a mediator between the private and the public. The arguments in favour of Memory Wound that came from the art world show, that there is an underlying assumption that art has a democratic and healing function, that is reflected by the words that are used. We will discuss the advocator’s arguments in the context of a post-habermasian notion of modernity and a “progressive reading on history” where freedom, autonomy and emancipation will be the result. In this research project we work together as a collaborative duo called arketeg.freyr, and this talk will consequently be presented as a combined effort.

  • 44.
    Astervall, Elin
    Södertörns högskola, Institutionen för kultur och lärande.
    Moderskap som kvinnlig underordning: En studie av Simone de Beauvoirs belysande av moderskap och maktstrukturer2020Independent thesis Basic level (degree of Bachelor), 10 poäng / 15 hpOppgave
    Abstract [en]

    The aim of this essay is to study motherhood in The second sex by Simone de Beauvoir and see how it deepens the differences between men and women. I will show how it actually can be seen as something that minimize womens transcendence and moves them towards immanens. Beauvoirs thesis in The second sex is that motherhood is a construction of society and not a natural heritage. The analysis takes its point of departure in Sheila Heti´s Motherhood from 2019 were she describes how motherhood can be seen as a restriction for women. For men on the other hand, fatherhood has not the same consequences for career, social life and impact on their bodies. Men can accordingly stay in their transcendence while women are forced to immanens. In A very easy death Beauvoir describes her childhood and how her mother was oppressed and in a way that she didn´t want to recognize. Therefore Beauvoir came to the conclusion that motherhood keeps women at home and make it easier to control them. I argue that primarily Beauvoirs Hegelian analysis show us how women have become the Second. We can see how complicated the relationship between man and women is and how its asymmetry affects motherhood. Despite what entry we may take on motherhood, I argue that we must question everything we take for granted as natural motherhood; both individually and as a group. There is no other way to enforce women´s transcendence. 

           

     

    Fulltekst (pdf)
    fulltext
  • 45.
    Axelsson, Karl
    Södertörns högskola, Institutionen för kultur och lärande, Estetik. Södertörns högskola.
    Aesthetics and Politics2023Inngår i: Aesthetic Theory Across the Disciplines / [ed] Max Ryynänen, Zoltán Somhegyi, London: Rowman & Littlefield Publishers, 2023, s. 75-91Kapittel i bok, del av antologi (Fagfellevurdert)
  • 46.
    Axelsson, Karl
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Beauty, Nature, and Society in Shaftesbury's The Moralists2020Inngår i: Beyond Autonomy in Eighteenth-Century British and German Aesthetics / [ed] Karl Axelsson, Camilla Flodin & Mattias Pirholt, New York: Routledge, 2020, 1, s. 47-69Kapittel i bok, del av antologi (Fagfellevurdert)
    Fulltekst (pdf)
    fulltext
  • 47.
    Axelsson, Karl
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Om vi inte kan förstå ekens skönhet, så kan vi inte förstå oss själva2022Inngår i: Dagens nyheter, ISSN 1101-2447, nr 2022-11-28, s. 8-8Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 48.
    Axelsson, Karl
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Political Aesthetics: Addison and Shaftesbury on Taste, Morals and Society2019 (oppl. 1)Bok (Fagfellevurdert)
    Abstract [en]

    Providing a gateway to a new history of modern aesthetics, this book challenges conventional views of how art's significance developed in society.The 18th century is often said to have involved a radical transformation in the concept of art: from the understanding that it has a practical purpose to the modern belief that it is intrinsically valuable. By exploring the ground between these notions of art's function, Karl Axelsson reveals how scholars of culture made taste, morals and a politically stable society integral to their claims about the experience of nature and art. Focusing on writings by two of the most prolific men of letters in the 18th century, Joseph Addison (1672–1719) and the third Earl of Shaftesbury (1671–1713), Axelsson contests the conviction that modern aesthetic autonomy reoriented the criticism and philosophy originally prompted by these two key figures in the history of aesthetics. By re-examining the political relevance of Addison and Shaftesbury's theories of taste, Axelsson shows that first and foremost they sought to fortify a natural link between aesthetic experience and modern political society.

  • 49.
    Axelsson, Karl
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Flodin, CamillaSödertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.Pirholt, MattiasSödertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Beyond Autonomy in Eighteenth-Century British and German Aesthetics2020Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests.

    The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others.

    This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.

  • 50.
    Axelsson, Karl
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Estetik.
    Flodin, Camilla
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Pirholt, Mattias
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
    Introduction2020Inngår i: Beyond Autonomy in Eighteenth-Century British and German Aesthetics / [ed] Karl Axelsson, Camilla Flodin & Mattias Pirholt, New York: Routledge, 2020, 1, s. 1-19Kapittel i bok, del av antologi (Fagfellevurdert)
    Fulltekst (pdf)
    fulltext
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