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  • 1.
    Blomqvist, Anders
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Entanglements of Economic Nationalizing in the Ethnic Borderland of Transylvania, 1867–19402013Inngår i: Hungary and Romania Beyond National Narratives: Comparisons and Entanglements / [ed] Blomqvist, Iordachi &Trencsényi, Oxford: Peter Lang Publishing Group, 2013, s. 155-202Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 2.
    Blomqvist, Anders
    et al.
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Iordachi, ConstatinTrencsényi, Balázs
    Hungary and Romania Beyond National Narratives: Comparisons and Entanglements2013Collection/Antologi (Annet vitenskapelig)
  • 3.
    Feldmann Eellend, Beate
    Södertörns högskola, Institutionen för historia och samtidsstudier, Etnologi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap.
    Visionära planer och vardagliga praktiker: Postmilitära landskap i Östersjöområdet2013Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    In the years after WWII the Baltic Sea Area developed into an area strongly divided between East and West. Because of the tensions between the blocs, the coastal areas where strongly militarized and prepared for war.

    The new political situation after 1989 propelled an international military disarmament and closing down of bases, training areas around Europe. Since the Baltic Sea Area was one of the heaviest militarized part of Europe the question of disarmament here is of particularly great economic, social and cultural importance.

    This study is about the post-military landscape in the Baltic Sea Area with examples from Dejevo on the Estonian island Saaremaa, Dranske on the (East)German island Rügen and Fårösund on the Swedish island Gotland.

    The aim of this thesis is to shed light on the process where the military landscape of the Cold War is transformed in order to be incorporated in the macro-regional endeavors for unity in the new Europe. I want to analyze the implications that planning visions have on the everyday life of people. A following aim is to shed light on the challenges that urban planning has to face in this transformation. Three research questions frame the study. The first question analyzes the process where the coastal areas of the Baltic Sea after the end of the Cold War are disarmed and transformed, from a landscape of production of military services and objects into a landscape of consumption for recreation and tourism. The second question takes its point of departure in the relation between planning visions and everyday life. The third question concerns the matter of the past and analyzes what aspects of the military landscape are emphasized respectively pushed aside in the transformation into post-military landscape.

    The study is based on interviews with inhabitants and local planners as well as macro-regional and local planning documents, articles and photographs.

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  • 4.
    Fröhlig, Florence
    Södertörns högskola, Institutionen för historia och samtidsstudier, Etnologi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Stockholms universitet, Institutionen för etnologi, religionshistoria och genusvetenskap.
    Painful legacy of World War II: Nazi forced enlistment: Alsatian/Mosellan Prisoners of War and the Soviet Prison Camp of Tambov2013Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This dissertation concerns the legacy of the Nazi forced enlistment during World War II and focuses more precisely on the case of Alsace/Moselle. Many of these French men, enlisted by force from 1942 in the German army, were sent to the Eastern Front and experienced Soviet prison camps.

    The aim of this thesis is to examine how knowledge and memories about forced enlistment and Soviet captivity have been remembered, commemorated, communicated and passed on since the Alsatian/Mosellan POWs (Prisoners of War) carried the tokens of enemies or traitors when reintegrating their motherland, France.

    Four strategies dealing with the experiences of forced enlistment and of internment in Soviet prison camps are examined. I present how the first and most common strategy, i.e. avoidance, is contributing to an individual and collective construction of silence. Then I argue that a second strategy, the constitution of families of remembrance, is helping them to articulate and narrate their experiences (third strategy). The fourth strategy is the organisation of pilgrimages (emic term) to the former prison camp of Tambov, where the majority of the Alsatian/Mosellan POWs were gathered during the war. This last strategy actualises the issue of the transmission of the war experiences given that pilgrimages bring together three to four generations. Through fieldwork observations of the journeys I show how the pilgrims engage with a sense of the past. They remember and reassess the meaning of the past in terms of the social, cultural and political needs of the present. The importance of place and the aspect of self-in-place are thoughtfully analysed in order to highlight the process of passing on the memory of Tambov.

    I conclude by arguing that the agents of remembrance interviewed for the purpose of this thesis are engaged in turning the tangible and intangible legacies of World War II into heritage. This is done by releasing the legacy of forced enlistment and internment in Soviet prison camp from the private/familial sphere and inscribing it in the public sphere. Yet, the agency of the former POWs and their descendants shows how to let pass a past “that does not want to pass” in a contemporary European context.

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  • 5.
    Hemby, Elisabeth
    Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Historiemåleri och bilder av vardag: Tatjana Nazarenkos konstnärskap i 1970-talets Sovjet2013Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This thesis focuses on the Soviet painter Tatyana Nazarenko and her position as an influential artist in the Soviet Union of the 1970’s, a decade when Nazarenko depicted everyday life and events from Russian history. The main purpose of this thesis is to shed light upon the importance of especially these motifs in their historical, political and aesthetic context. In this way, the thesis is a study of the artist’s work in a contextual perspective. In order to understand the general conditions for Soviet Art in the 1970´s, and Tatyana Nazarenko´s picture world, the official State-regulated Art is given attention, as Socialist Realism came to be the normative frame of reference for artistic life and the individual artists. Artistic life in the Soviet Union was well regulated and official Art dominated from the early 1930´s until the collapse of the Soviet Union, while especially during the 1970´s, became subjected to so-called unofficial Art, also known as underground. The unofficial, as well as the official Art, became important for Tatyana Nazarenko, for, while not belonging to either side, she came to have a constant relationship with them. She belonged, however, to a small art circle, balancing between the official direction and criticism of the system, later known as permitted. This thesis clarifies the relationship between what is defined as official, permitted and unofficial Art. In exposing her aesthetic strategies, it is shown in what way she deviates from the official and how far the artist could extend the permitted limitations. On the question of her aesthetic strategies a further question arises of how an awareness of history is expressed in motif and form. Finally, the importance of women’s experience in her picture world is discussed. Picture material in this thesis is composed partly of some thirty works from Tatyana Nazarenko´s own production and partly of works with a contextualized and comparative function, encompassing some fifty works taken from Soviet Art History. A few examples from Western Art History constitute further comparative material. The motifs consist mainly of depictions of historical events and pictures of everyday life i.e. genre pictures.

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  • 6.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Främlingskapets grammatik: Om några rader hos Nelly Sachs och Peter Weiss2013Inngår i: Ny Tid, ISSN 1456-0518, nr 35, s. 10-12Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 7.
    Huss, Markus
    Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    The Linguistic Outlaw: Peter Weiss’s Return to German as Literary Language2013Inngår i: Languages of Exile: Migration and Multilingualism in Twentieth-Century Literature / [ed] Axel Englund & Anders Olsson, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang Publishing Group, 2013, 1, s. 243-260Kapittel i bok, del av antologi (Annet vitenskapelig)
    Fulltekst (pdf)
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  • 8.
    Jukkala, Tanya
    Södertörns högskola, Institutionen för samhällsvetenskaper, Sociologi. Södertörns högskola, Institutionen för samhällsvetenskaper, SCOHOST (Stockholm Centre for Health and Social Change). Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Suicide in Russia: A macro-sociological study2013Doktoravhandling, med artikler (Annet vitenskapelig)
    Abstract [en]

    This work constitutes a macro-sociological study of suicide. The empirical focus is on suicide mortality in Russia, which is among the highest in the world and has, moreover, developed in a dramatic manner over the second half of the 20th century. Suicide mortality in contemporary Russia is here placed within the context of development over a longer time period through empirical studies on 1) the general and sex- and age-specific developments in suicide over the period 1870–2007, 2) underlying dynamics of Russian suicide mortality 1956–2005 pertaining to differences between age groups, time periods, and particular generations and 3) the continuity in the aggregate-level relationship between heavy alcohol consumption and suicide mortality from late Tsarist period to post-World War II Russia. In addition, a fourth study explores an alternative to Émile Durkheim’s dominating macro-sociological perspective on suicide by making use of Niklas Luhmann’s theory of social systems. With the help of Luhmann’s macro-sociological perspective it is possible to consider suicide and its causes also in terms of processes at the individual level (i.e. at the level of psychic systems) in a manner that contrasts with the ‘holistic’ perspective of Durkheim. The results of the empirical studies show that Russian suicide mortality, despite its exceptionally high level and dramatic changes in the contemporary period, shares many similarities with the patterns seen in Western countries when examined over a longer time period. Societal modernization in particular seems to have contributed to the increased rate of suicide in Russia in a manner similar to what happened earlier in Western Europe. In addition, the positive relationship between heavy alcohol consumption and suicide mortality proved to be remarkably stable across the past one and a half centuries. These results were interpreted using the Luhmannian perspective on suicide developed in this work. 

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  • 9.
    Kharkina, Anna
    Södertörns högskola, Institutionen för historia och samtidsstudier, Historia. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Stockholms universitet, Historiska institutionen.
    From Kinship to Global Brand: The Discourse on Culture in Nordic Cooperation after World War II2013Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This work analyzes the political instrumentalization of culture. Specifically, it studies how this is done through cultural policy within Western democracies. The analysis takes, as an example, official Nordic cultural cooperation in the post-war period. During this time, cultural exchange among Nordic countries became the subject of political attention establishing itself as part of the Nordic inter-governmental cooperation framework.

    This work focuses on three key moments in the history of official Nordic cultural cooperation: (i) the failure of the NORDEK plan (a plan which envisaged extensive economic cooperation between the Nordic countries) and the establishment of the Nordic Council of Ministers in 1971; (ii) the collapse of the Soviet system at the end of the 1980s - beginning of the 1990s; and (iii) the movement towards promoting the Nordic region on the global market in the first decade of the 2000s.

    The analysis traces the lack of convergence between the official arm’s length principle in cultural policy and how cultural cooperation actually worked. The results of the research both demonstrate the various ways culture was instrumentalized and also prove that the politically defined concept of culture can receive different interpretations in the official discourse depending on current political goals.

  • 10.
    Kharkina, Anna
    Södertörns högskola, Institutionen för historia och samtidsstudier, Historia. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    The World Seen Through Binoculars: Interview with Lila Passima, curator of the exhibition Childhood: Remains and Heritage2013Inngår i: Baltic Worlds, ISSN 2000-2955, E-ISSN 2001-7308, Vol. VI, nr 1, s. 8-9Artikkel i tidsskrift (Annet vitenskapelig)
  • 11.
    McWilliams, Anna
    Södertörns högskola, Institutionen för historia och samtidsstudier, Arkeologi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Stockholms universitet.
    An Archaeology of the Iron Curtain: Material and Metaphor2013Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    The Iron Curtain was seen as the divider between East and West in Cold War Europe. The term is closely connected to the Cold War and expressions such as ‘behind the Iron Curtain’ or ‘after the fall of the Iron Curtain’ are common within historical discussions in the second half of the twentieth century. Even if the term was used regularly as a metaphor there was also a material side with a series of highly militarised borders running throughout Europe. The metaphor and the material borders developed together and individually, sometimes intertwined and sometimes separate.

    In my research I have carried out two fieldwork studies at sites that can be considered part of the former Iron Curtain. The first study area is located between Italy and Slovenia (formerly Yugoslavia) in which the division between the two towns of Nova Gorica on the Slovenian side and Gorizia on the Italian side was investigated. The second study area is located on the border between Austria and Czech Republic (formerly Czechoslovakia) within two national parks. A smaller study was also carried out in Berlin as the Berlin Wall is considered of major importance in the context of the Iron Curtain. This research has resulted in large quantities of sources and information and a constant need to re-evaluate the methods used within an archaeology of a more recent past.

    This thesis falls within what is usually referred to as contemporary archaeology, a fairly young sub-discipline of archaeology. Few large research projects have so far been published, and methods have been described as still somewhat experimental. Through my fieldwork it has been possible to acknowledge and highlight the problems and opportunities within contemporary archaeology. It has become clear how the materials stretch both through time and place demonstrating the complex process of how the material that archaeologists investigate can be created. The material of the Iron Curtain, is also well worth studying in its own right.

    Fulltekst (pdf)
    An Archaeology of the Iron Curtain: Material and Metaphor
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  • 12.
    Nase, Marco
    Södertörns högskola, Institutionen för historia och samtidsstudier, Historia. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Paul, Johannes (1891-1990): Historiker, Universitätsprofessor2013Inngår i: Biographisches Lexikon für Pommern: Band 1 / [ed] Alvermann, Dirk & Jörn, Nils, Köln: Böhlau, 2013, s. 212-214Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 13.
    Stiernstedt, Fredrik
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Från radiofabrik till mediehus: medieförändring och medieproduktion på MTG-radio2013Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This thesis is a study of how the Swedish media company MTG Radio has developed new strategies and production practices in relation to technological change, new competition and media convergence during the first decade of the 2000s. During this period the media landscape in general has been marked by digitization, the rise of new media platforms and competition from new media companies. The study engages in an ethnographical perspective on media production, but also takes its starting point in political-economic theories on media work (Banks 2007, Hesmondhalgh & Baker 2011, Ryan 1992) in order to raise questions about the relation between technological and organizational changes and relations of power in production. Empirically, the thesis builds on interviews with production staff as well as an analysis of production documents and content produced by MTG Radio.

    The analysis shows that digital production technologies contribute to anincreased automation and centralization of control over editorial decisions, and hence to “de-skilling” (Braverman 1974/1999, Örnebring 2010). On the other hand, strategies of multiplatform production and the organizational changes taking place contribute to an “upskilling” (Edgell 2012) and give DJs and presenters more autonomy and control within production. This strengthened autonomy involves their possibilities for reflexivity and critical self-evaluation, as well as their control over content and production. Finally, the thesis connects these results to the more overarching question of alienation, arguing that upskilling and increased autonomy do not automatically create better jobs within the media house, or necessarily represent emancipatory possibilities within media work, as has been argued in previous research and theory.

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  • 14.
    Tarasova, Ekaterina
    Södertörns högskola, Institutionen för samhällsvetenskaper, Statsvetenskap. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS).
    Antinuclear movements in nuclear power governance: case of the countries with moderate public support of nuclear energy2013Inngår i: On conference website, 2013, s. -16Konferansepaper (Annet vitenskapelig)
  • 15.
    Zakharov, Nikolay
    Södertörns högskola, Institutionen för samhällsvetenskaper, Sociologi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Uppsala universitet, Sociologiska institutionen.
    Attaining Whiteness: A Sociological Study of Race and Racialization in Russia2013Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    Attaining Whiteness is the first book-length sociological study of how ideas about race resonate in post-Soviet Russia. The book charts how tropes of self, hybridity, and maturity constitute important symbolic vehicles for applying the idea of race to the drawing of differences. A new theoretical framework is developed that casts light on fields of study that have not yet received sufficient attention in Western European and American research concerning racial issues. This study of racialization takes a step towards providing a better understanding of how the discourses of race are extended and transformed through the production of social knowledge and social relations. This volume addresses the resilience of genetic criteria for defining cultures and behaviors in both the sciences and humanities in Russia, and also examines the ongoing and pervasive policy of racialized exclusion. The study argues that the concepts and practices of race, whiteness, and Russianness operate ambivalently insofar as they both hold the social fabric together, organizing the perception of the “Other”, but also undermine the unity of society. Racialization thus fosters, first, the sense that Russia belongs to the core of civilization as opposed to the Third World; second, the formulation of policies towards the internal peripheries that support social control informed by the notion of human material; and, finally, the promotion of exclusionary ethnic self-identifications that employ the discourse of hybridity.

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  • 16.
    Zakharov, Nikolay
    Södertörns högskola, Institutionen för samhällsvetenskaper, Sociologi. Södertörns högskola, Centrum för Östersjö- och Östeuropaforskning (CBEES), Baltic & East European Graduate School (BEEGS). Uppsala University.
    The social movement against immigration as the vehicle and the agent of racialization in Russia2013Inngår i: Beyond NGO-ization: The Development of Social Movements in Central and Eastern Europe / [ed] Jacobsson Kerstin & Saxonberg Steven, Farnham: Ashgate, 2013, s. 169-189Kapittel i bok, del av antologi (Fagfellevurdert)
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