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  • 1.
    Huss, Markus
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Södertörn University, School of Gender, Culture and History, Comparative literature.
    Cosmopolitanism outside the comfort zone2012In: Baltic Worlds, ISSN 2000-2955, Vol. 4, no 1, 46-46 p.Article in journal (Other academic)
  • 2.
    Huss, Markus
    Södertörn University, School of Gender, Culture and History, Comparative literature. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    Det slutna rummets utopi2012In: Subaltern, ISSN 1652-7046, no 1, 29-36 p.Article in journal (Other (popular science, discussion, etc.))
  • 3.
    Huss, Markus
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Södertörn University, School of Gender, Culture and History, Comparative literature.
    En estetisk fundamentalist besatt av ytan2011In: Svenska Dagbladet, ISSN 1101-2412, no 25.05Article in journal (Other (popular science, discussion, etc.))
  • 4.
    Huss, Markus
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    Exilens ljudspår: Mot en intermedial tolkning av Peter Weiss litterära verk med utgångspunkt i Der Schatten des Körpers des Kutschers2009In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 3/4, 67-79 p.Article in journal (Refereed)
  • 5.
    Huss, Markus
    Södertörn University, School of Culture and Education, Comparative Literature. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    Främlingskapets grammatik: Om några rader hos Nelly Sachs och Peter Weiss2013In: Ny Tid, ISSN 1456-0518, no 35, 10-12 p.Article in journal (Other (popular science, discussion, etc.))
  • 6.
    Huss, Markus
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Södertörn University, School of Gender, Culture and History, Comparative literature.
    Hinter schwedischen Sprachgittern. Peter Weiss in Stockholm2012In: Jahrbuch / Deutsche Akademie für Sprache und Dichtung, ISSN 0070-3923, no 2011, 82-86 p.Article in journal (Other academic)
  • 7.
    Huss, Markus
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Södertörn University, School of Gender, Culture and History, Comparative literature.
    Male historians in exile: Constantly relating to their background2010In: Baltic Worlds, ISSN 2000-2955, Vol. 3, no 1, 17-18 p.Article in journal (Other academic)
  • 8.
    Huss, Markus
    Södertörn University, School of Culture and Education, Comparative Literature. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Stockholms universitet.
    Motståndets akustik: Språk och (o)ljud hos Peter Weiss 1946–19602014Doctoral thesis, monograph (Other academic)
    Abstract [en]

    This study explores how language is thematized in a selection of literary texts written in Swedish and German by Peter Weiss between 1946 and 1960. The textual interpretations seek to establish how Weiss’s literary work forms a multifaceted reflection on language and its cultural, historical and material preconditions. The various literary conceptualizations of language in Weiss’s texts are shown to be intimately linked to historical processes, where early postwar Germany plays a crucial role as a contextual framework. The study demonstrates how the texts explore an acoustic dimension of language, where non-articulatory sounds and noises oscillate between two poles: they either pose a threat to the narrator, or form a promise of a future emancipatory linguistic expression beyond a territorializing and violent language. Furthermore, the study argues that the sounds and noises permeating Weiss’s literary work form a soundtrack of past violence haunting the present. Finally, this soundtrack is shown to undermine a German postwar literary discourse that postulates a historical break after the Second World War (Stunde Null) as well as a new German literary language cleansed of Nazi contamination (Kahlschlag).

    The study draws its theoretical framework mainly from research concerned with mono- and multilingualism in literature, as well as from intermedial studies examining the interaction between literary texts and other artistic media such as the visual arts and music.

    The material examined in the study consists of six short stories in Swedish published between 1946 and 1953 in the literary journals 40-tal, Prisma and All världens berättare; the prose manuscript “Der Vogelfreie” (1947), later published as Der Fremde. Erzählung (1980); as well as the “micro novel” Der Schatten des Körpers des Kutschers (1960). Aside from these literary texts, Weiss’s documentary film Enligt lag (1957) and his feature film Hägringen (1959) are also analyzed.

  • 9.
    Huss, Markus
    Södertörn University, School of Culture and Education, Comparative Literature. Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS).
    The Linguistic Outlaw: Peter Weiss’s Return to German as Literary Language2013In: Languages of Exile: Migration and Multilingualism in Twentieth-Century Literature / [ed] Axel Englund & Anders Olsson, Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien: Peter Lang Publishing Group, 2013, 1, 243-260 p.Chapter in book (Other academic)
  • 10.
    Huss, Markus
    Södertörn University, Centre for Baltic and East European Studies (CBEES), Baltic & East European Graduate School (BEEGS). Södertörn University, School of Gender, Culture and History, Comparative literature.
    The Soundtrack of Exile: Towards an Intermedial Interpretation of Peter Weiss's Literary Works2012In: Time and Space in Words and Music: Proceedings of the 1st Conference of the Word and Music Association Forum, Dortmund, November 4-6, 2010 / [ed] Mario Dunkel, Emily Petermann, Burkhard Sauerwald, Frankfurt am Main: Peter Lang Publishing Group, 2012, 73-85 p.Chapter in book (Other academic)
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