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  • 1.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Det dumma nätet2010Inngår i: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, s. 49-72Kapittel i bok, del av antologi (Fagfellevurdert)
  • 2.
    Andersson, Jonas
    Goldsmiths College, University of London.
    For the good of the net: The Pirate Bay as strategic sovereign2009Inngår i: Culture Machine, ISSN 1465-4121, E-ISSN 1465-4121, Vol. 10, s. 64-108Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    In this essay I will argue that as peer-to-peer (p2p)-based file-sharing increasingly becomes the norm for media acquisition among the general Internet public, entities such as The Pirate Bay and associated quasi-institutional entities such as Piratbyrån, Zeropaid, TorrentFreak, etc. have begun to appear less as a reactive force (i.e. ‘breaking the rules’) and more as a proactive one (‘setting the rules’). In providing platforms for sharing and for voicing dissent towards the established entertainment industry, the increasing autonomy gained by these piratical actors becomes more akin to the concept of ‘positive liberty’ than to a purely ‘negative,’ reactive one.1 Rather than complain about the conservatism of established forms of distribution they simply create new, alternative ones. Entities such as The Pirate Bay can thus be said to have effectively had the ‘upper hand’ in the conflict over the future of copyright and digital distribution. They increasingly set the terms with regard to establishing not only technical protocols for distribution but also codes of behaviour and discursive norms. The entertainment industry is then forced to react to these terms. In this sense, the likes of The Pirate Bay become – in the language of French philosopher Michel de Certeau (1984) – strategic rather than tactical. With this, however, comes the added problem of becoming exposed by their opponents as visible perpetrators of particular acts. The strategic sovereignty of sites such as The Pirate Bay makes them appear to be the reason for the wider change in media distribution, not just an incidental side-effect of it.

  • 3.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Gör känslor bäst nytta på arbetsplatsen?2011Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 28 febArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 4.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    It takes (at least) two to tango2011Inngår i: Re-Public: Re-Imagining Democracy, ISSN 1791-857X, nr 6 febArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 5.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Learning from the file-sharers: Civic modes of justification versus industrial ones2012Inngår i: Arts Marketing: An International Journal, ISSN 2044-2084, Vol. 2, nr 2, s. 104-117Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Purpose – The purpose of this paper is to better understand the world-view of cultural consumers who download and share copyrighted content for free.

    Design/methodology/approach – By utilizing a critical discourse analysis of the arguments given by file-sharers in online forums and in interviews, focusing on the arguments which arise for justifying certain everyday uses, and contrasting these with their material and structural conditions, a critical approach is sought, inquiring on the validity of certain tropes. Particularity was achieved by making a geographically delimited case study.

    Findings – The case study helps to conceptualize online sociality, with wider application than this geographical setting only. As BitTorrent technology makes every downloader share his/her files while downloading, file-sharing is found to accommodate individual opportunism, and a world-view that puts the consumer at the centre of agency, in turn reinforcing the civic idea of cultural access and diversity as a human right.

    Research limitations/implications – Previous findings have correlated heavy file-sharing with heavy consumption of culture. However, given the greater ability of previewing material and of acquiring more obscure content, how have the habits and consumption patterns changed among media consumers who routinely file-share? More detailed studies are needed, on how individual users come to question their own role, and the impact of their own actions – and what the level of awareness actually is (in different geographical/demographic settings) of the conditions for cultural production, distribution and consumption. A range of potential new research areas and scenarios is listed.

    Practical implications – Given the common constituents seen in the world-views of file-sharers, this civic approach to intellectual property could prompt professional producers, distributors, rights holders and regulators to consider the actual visibility of potential impacts of file-sharing. The civic approach suggests that file-sharers can reconcile with individual authors or artists, as long as these are found to have precarious economic conditions, and not be affiliated with an industrial mode of reasoning. Cultural producers that are seen to adhere to a civic (amateur- or fan-like) mode of reasoning – rather than an industrial (professional) one – are met with more sympathy among consumers.

    Originality/value – The paper is of interest for media sociology, cultural studies, and policymaking within the cultural industries.

  • 6.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Not necessarily an intervention: The Pirate Bay and the case of file-sharing2013Inngår i: Media Interventions / [ed] Kevin Howley, New York, NY: Peter Lang Publishing Group, 2013, s. 302-320Kapittel i bok, del av antologi (Fagfellevurdert)
  • 7.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Popmusikens retroideal har nått vägs ände2011Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 23 novArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 8.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Sociala spel förtydligas i Chatroulette2010Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 14 sepArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 9.
    Andersson, Jonas
    Goldsmiths, University of London.
    The fantasy of cultural control, and the crisis of distribution2008Inngår i: Deptford.TV Diaries, volume II: Pirate Strategies / [ed] Adnan Hadzi et al., London: Openmute , 2008, s. 101-108Kapittel i bok, del av antologi (Fagfellevurdert)
  • 10.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap. Goldsmiths, University of London.
    The metamorphosis of music-listening and the (alleged) obliteration of the aura2010Inngår i: Sounds of the Overground: Selected papers from a postgraduate colloquium on ubiquitous music and music in everyday life / [ed] Nedim Hassan & Holly Tessler, Turku (Åbo): International Institute for Popular Culture , 2010, s. 58-71Kapittel i bok, del av antologi (Fagfellevurdert)
  • 11.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    The origins and impacts of the Swedish file-sharing movement: A case study2011Inngår i: Critical Studies in Peer Production (CSPP), Vol. 1, nr 1, s. 1-18Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    If it is possible to speak of a coherent file-­sharing movement in Sweden, what are the principal societal factors shaping it? This paper contextualises the recent history of Swedish peer­-to-­peer­-based file­sharing as forming part of a wider shift in politics towards a late-modern collective ethic. Everyday file-­sharers operate as ‘occasional activists’, as pirate institutions not only speak for, but also run and build the networks. Such institutions ­ The Pirate Bay, Piratbyrån, and The Pirate Party ­ cannot be explained by invoking market logics, online communitarianism, or political motivation alone. The cyberliberties activism animating these hubs is connected to the larger framework of balancing utilitarianism, nationalism, individual autonomy and collectivism in Sweden. Further, the emergent Swedish file­-sharing justificatory regime hinges on a general view of what the internet is, what it is good for, and how it should look in the future, as the file-­sharer argumentation rests on the inevitability of unrestricted file exchange on the internet, while the industrialist concerns of the cultural industries emphasize instead how exchange should be regulated and sanctioned by accountable providers.

  • 12.
    Andersson, Jonas
    Goldsmiths, University of London.
    The Pirate Bay and the ethos of sharing2006Inngår i: Deptford.TV Diaries / [ed] Adnan Hadzi et al., London: Openmute , 2006, s. 69-75Kapittel i bok, del av antologi (Fagfellevurdert)
  • 13.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    The quiet agglomeration of data: How piracy is made mundane2012Inngår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 6, nr 1, s. 585-605Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article conceptually outlines P2P-based file-sharing as a totality, a mass utility, and a backdrop to everyday cultural life. It elaborates on a recent study of Swedish file-sharers to sketch some important constituents of what would constitute a "piracy culture." It shows that the actual file-sharer argumentation is not fully synonymous with established notions of "piracy" but rather reveals the complexity of the phenomenon and how the discourse invoking it relies on modes of justification that are not entirely commensurable. Moreover, the file-sharer rhetoric is contingent on a range of entities and infrastructures that condition actual usage. Noting the institutionalized, semi-anonymous, and depersonalized elements to file-sharing, I propose a different interpretation than regarding it as a "gift economy" like the tight-knit communities Mauss described in 1923. Instead, I propose a metaphor borrowed from Titmuss' example of blood donors that acknowledges the perceived "need" for culture and the associated "right" to access content that file-sharers are exercising.

  • 14.
    Andersson, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Hammarlund, Johan
    M-Brain AB.
    Kontextförlust och kontextkollaps: Metodproblem vid innehållsanalys av sociala medier2016Inngår i: Nordicom Information, ISSN 0349-5949, Vol. 38, nr 3, s. 41-55Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    The article proposes that social media platforms enable large volumes of user-driven circulation of media content, and argues for a combination of qualitative and quantitative considerations when analysing data from such platforms. Issues of context are vital; context must be understood both qualitatively (cultural setting) and quantitatively (statistical reference points for comparison). The authors emphasise that the possibilities of ‘big data’ should not tilt analyses so that sensitivities to subtler meanings are lost. By examining a recent research project of our own, examples are given of how topological network analysis can be successfully combined with close readings of strategically selected parts of the data and how, by doing so, context shifts can be identified that increase the reliability of the analysis. Consequently, it is recommended that mere number crunching is not enough, and that questions of ‘how,’ ‘why,’ and ‘whether’ are required in order to understand the phenomena in their societal settings. 

  • 15. Andersson, Jonas
    et al.
    Snickars, Pelle
    Efter The Pirate Bay2010 (oppl. 1)Bok (Fagfellevurdert)
    Abstract [sv]

    En bok om fildelningens teknik, politik, juridik och moral. Hur ska vi förhålla oss till vår nya digitala verklighet?

    Förstår vi kraften i Internet bäst genom en uppsättning av illasinnade repressiva förkortningar (Ipred, FRA, Acta) eller genom en förutsättningslös politisk diskussion kring vilket slags lagstiftning som ska gälla för den digitala domänen? De svenska riksdagspartiernas växlande syn på fildelning och upphovsrätt har under de senaste åren flankerats av nya, och mer radikala sätt att betrakta frågan.

    Boken för ett resonemang om vår nya digitala verklighet. Ett antal skribenter nalkas ämnet från olika utgångspunkter och ger en bred bild av vad som är annorlunda i vår tid; efter Pirate Bay. Redaktörer är Jonas Andersson och Pelle Snickars.

  • 16.
    Andersson, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Snickars, Pelle
    Introduktion: Efter The Pirate Bay2010Inngår i: Efter The Pirate Bay / [ed] Jonas Andersson & Pelle Snickars, Stockholm: Kungliga biblioteket , 2010, s. 9-48Kapittel i bok, del av antologi (Fagfellevurdert)
  • 17.
    Andersson, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Snickars, Pelle
    Nätanonymitet ett demokratiskt värde2011Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 6 augArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 18.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Bloggen som annex till akademin: En skådeplats för kunskapande och vänskapande2015Inngår i: Universitetet som medium / [ed] Matts Lindström, Adam Wickberg Månsson, Lund: Mediehistoria, Lunds universitet , 2015, s. 109-134Kapittel i bok, del av antologi (Fagfellevurdert)
  • 19.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Catering for Whom?: The Problematic Ethos of Audiovisual Distribution Online2015Inngår i: Besides the Screen: Moving Images through Distribution, Promotion and Curation / [ed] Virginia Crisp & Gabriel Menotti Gonring, Palgrave Macmillan, 2015, 1, s. 65-84Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    The purpose of this chapter is to make some general conclusions from recently conducted fieldwork on one of the world’s most comprehen- sive, but also selective, communities for film swapping; I have chosen to omit the name of this community out of concern for its members. Specialist torrent sites like these are unregulated in that they are not sanctioned by the copyright industry – yet, internally, they remain highly regulated. The chapter provides an overview and a discussion of these sites, and the way these are integrated in a wider economy of film circulation, user agency, knowledge and affects. In theorizing my findings, I mainly draw on theories of culture and sociality outlined by Pierre Bourdieu. 

  • 20.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    De digitala vidderna styrs från ovan2014Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 23 junArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 21.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Delningslogik och plattformisering2016Inngår i: Människorna, medierna & marknaden: Medieutredningens forskningsantologi om en demokrati i förändring / [ed] Oscar Westlund, Stockholm: Wolters Kluwer, 2016, s. 133-164Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 22.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Det dolda hotet2014Inngår i: Mooria Magasin, Vol. 1, nr 1Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 23.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Honorability and the Pirate Ethic2015Inngår i: A Reader on International Media Piracy: Pirate Essays / [ed] Tilman Baumgärtel, Amsterdam: Amsterdam University Press, 2015, s. 81-110Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 24.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Hur flöden moduleras: vad som hamnar på agendan i sociala medier2015Inngår i: Digital Politik: Sociala medier, deltagande och engagemang / [ed] Eric Carlsson, Bo Nilsson, Simon Lindgren, Göteborg: Daidalos, 2015, s. 39-66Kapittel i bok, del av antologi (Fagfellevurdert)
  • 25.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Internetekonomin strävar mot naturliga monopol2015Annet (Annet (populærvitenskap, debatt, mm))
  • 26.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Kritiska perspektiv i medieforskningens undervegetation2014Annet (Annet (populærvitenskap, debatt, mm))
  • 27.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Mastering One’s Domain: Some Key Principles of Platform Capitalism2016Inngår i: Future Platforms for Independent Journalism: Tinius Trust Annual Report 2015 / [ed] Sindre Østgård, Helene Melseth Flaaen, Oslo: Tinius Trust , 2016, s. 65-70Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 28.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Online File Sharing: Innovations in Media Consumption2014 (oppl. 1)Bok (Annet vitenskapelig)
    Abstract [en]

    This book summarizes the role that The Pirate Bay has played during the last decade, but also connects the history of this infamous site with the emergence of legal services such as Spotify. The book also serves as an up-to-date summary of various strands of research on file sharing—particularly, user motivation and justification.

     — 

    It is apparent that file sharing on the Internet has become an emerging norm of media consumption—especially among young people. This book provides a critical perspective on this phenomenon, exploring issues related to file sharing, downloading, peer-to-peer networks, "piracy," and (not least) policy issues regarding these practices. Andersson Schwartz critically engages with the justificatory discourses of the actual file-sharers, taking Sweden as a geographic focus. By focusing on the example of Sweden—home to both The Pirate Bay and Spotify—he provides a unique insight into a mentality that drives both innovation and deviance and accommodates sharing in both its unadulterated and its compliant, business-friendly forms.

     — 

    Online file sharing does not only entail music files but movies, software, and e-books alike. The phenomenon has been an integral part of online life for more than a decade. From my own and other researchers' findings it is apparent that unregulated file sharing is an emergent norm—if not even a new condition to media consumption—especially among young people. In countries like the US, the UK, Sweden, and South Korea, access to high-speed broadband is commonplace; both file sharers who I have interviewed and those who speak out in online forums hold that file sharing is as natural an element online as trees would be in the forest. This original and thought-provoking book critically summarizes debates on this topic, on a level which is approachable to undergraduates, yet useful for postgraduates and senior scholars as well. The book is based on a novel approach that fuses close-range, micro observations of user behavior and reasoning with macro perspectives of political economy and infrastructural features of digitization. Through exploring the reflexive management of the self, found among media audiences, insights into more innovative modes of management in the media industries are elicited. Through merging an ontological inquiry (popularized by theorists such as Bruno Latour) with an economics of complexity and networks (popularized by theorists like Manuel Castells) new insights into both online sociality, media anthropology, and modes of accumulation can be sought. The continuity between Spotify and illegal file sharing is explored through a critical account that examines the discourses of both file sharers and industry stalwarts. Tendencies towards "information idealism" and "networked accumulation" are scrutinized; they are found to be endemic among actors striving to extract value from online, granular dissemination. In the first place, the book would suit undergraduates on courses in media and communications—especially undergrad courses in new media, and the sociology of the Internet. The book can be seen as a critical introduction, a historical overview, as well as a case study of file-sharing—explaining the infrastructures, the particular modes of media use involved; ultimately, sketching out a political economy of unregulated file-sharing, based on the current historical record, listing some observed economic repercussions, alongside potential future ones. A major secondary market would be postgraduate students, Ph.D. students, researchers, and lecturers. The great appeal with this book is that it would be of interest to several groups within academia. It would appeal both to scholars of my own subject, media and communications (especially, the history and sociology of new, digital media)—but it would appeal also to scholars of science and technology studies (STS), since the topic raises numerous interesting questions about the nature of technology, the complexity of agency and morality, while simultaneously offering a "case study," and thus some specificity in an otherwise broad, slippery subject.

  • 29.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Platform Logic: An Interdisciplinary Approach to the Platform-Based Economy2017Inngår i: Policy & Internet, ISSN 1944-2866, E-ISSN 1944-2866, Vol. 9, nr 4, s. 374-394Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Digital platforms are not just software-based media, they are governing systems that control, interact, and accumulate. They also solidify markets; that is, social networks of exchange that do not necessarily leave data traces, into infrastructure, that is, material arrangements of traceable activity. This article examines the forms of domination found in this digital platform model, and corrects some existing simplistic theoretical conclusions about digital platforms. It first provides a schematic overview of digital infrastructures of governance, and the attendant systemic mechanics they engender. It then argues that we need a more syncretic, interdisciplinary approach to the platform-based economy. The shifting emphases of different academic disciplines in relation to digital platforms are only partially grounded in their different normative biases; they can also be attributed to use of different disciplinary lenses. The field of information systems management and design studies is chiefly concerned with direct, technical interplatform affordances and connections, and with providing observations of certain systemic attributes of digital platforms. Critical political economy, by contrast, mainly considers the emerging transnational, geopolitical formations of platform capitalism. The interplay between these different systemic mechanics is summarized and presented here in the concept of "platform logic."

  • 30.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Plattformarna tar makten2016Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 16 jan, s. 34-35Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    En handfull nätjättar, som Facebook och Google, har fått mycket stor makt. Denna plattformisering påverkar hela samhället och ekonomin, och är en förändring jämförbar med fordismen eller taylorismen, skriver medieforskaren Jonas Andersson Schwarz.

    Plattformssamhället, del 1

    Ett fåtal stora aktörer har blivit alltmer dominerande på internet och i människors vardag. SvD Kultur belyser hur utvecklingen påverkar samhället, ekonomin, kulturen och människan.

  • 31.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Plattformsekonomin ur ett konsumentperspektiv2015Inngår i: Marknadsföring, reklam och tjänstefiering i det digitaliserade samhället / [ed] Agne Sandberg, Karlstad: Konsumentverket , 2015, s. 13-23Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 32.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Public Service Broadcasting and Data-Driven Personalization: A View from Sweden2016Inngår i: Television and New Media, ISSN 1527-4764, E-ISSN 1552-8316, Vol. 17, nr 2, s. 124-141Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Through an interview-based study of Swedish public service broadcasting (PSB) companies, I explore the ways in which these institutions react to and interact with a set of normative conceptions of a contemporary digital media ecology characterized by social networking and personalization of the media experience. The respondents were engaged in negotiations of how to realistically maintain public values in a commercially configured online milieu. The nature of organizational adaptation within PSB is found to be complex. Several elements of the Nordic PSB model appear to counteract acquiescence to algorithmically aided personalization: its majoritarian heritage, its institutional caution toward data positivism, favoring more interpretive editorial audience knowledge, and the high costs and structural consequences of making individual users uniquely identifiable. These organizational ambitions and obstacles are embodied in recent innovations that act to mimic a personalized delivery, however, doing so without utilizing algorithmically aided prediction and instead favoring manual editorial selection.

  • 33.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Twittertyckarna sväljer kamelerna: Makthavare måste stå immuna mot Twitter2014Inngår i: Expressen, ISSN 1103-923X, nr 9 aprArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 34.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Burkart, Patrick
    Texas A&M University.
    Introduction: Piracy and Social Change2015Inngår i: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, nr 1, s. 1-5Artikkel i tidsskrift (Fagfellevurdert)
  • 35.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Burkart, PatrickTexas A&M University, USA.
    Popular Communication, Piracy and Social Change2016Collection/Antologi (Fagfellevurdert)
    Abstract [en]

    Digital piracy cultures and peer-to-peer technologies combined to spark transformations in audio-visual distribution between the late 1990s and the mid-2000s. Digital piracy also inspired the creation of a global anti-piracy law and policy regime, and counter-movements such as the Swedish and German Pirate Parties. These trends provide starting points for a wide-ranging debate about the prospects for deep and lasting changes in social life enabled by piratical technology practices. This edited volume brings together contemporary scholarship in communication and media studies, addressing piracy as a recombinant feature of popular communication, technological innovation, and communication law and policy. An international collection of contributors highlights key debates about piracy, popular communication, and social change, and provides a lasting resource for global media studies.

  • 36.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Burkart, PatrickTexas A&M University.
    Special Issue: Piracy and Social Change2015Collection/Antologi (Fagfellevurdert)
  • 37.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Burkart, Patrick
    Texas A&M University.
    Aufderheide, Patricia
    American University.
    Jaszi, Peter
    American University.
    Kelty, Christopher
    University of California, Los Angeles.
    Coleman, Gabriella
    McGill University.
    Piracy and Social Change: Roundtable Discussion2015Inngår i: Popular Communication, ISSN 1540-5702, E-ISSN 1540-5710, Vol. 13, nr 1, s. 87-99Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This roundtable discussion draws together researchers with an interest of overcoming purely juridical treatment of piracy in their work. Christopher Kelty and Gabriella Coleman consider the aspects of cyberculture, which conflictually engage with intellectual property rights, through various communities of technology practice, including hackers. Patricia Aufderheide and Peter Jaszi’s work on fair use addresses the growing opportunities for creators in the United States to utilize the tradition in their creative fields. Jonas Andersson Schwarz and Patrick Burkart, co-editors of this special issue, have researched user motivations and political activism around copyright and software patent reforms, partially explaining the emergence of dozens of European Pirate Parties, beginning with the Swedish Pirates in 2006.

  • 38.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Hammarlund, Johan
    Kända men inte erkända: Skildringen av Avpixlat och andra invandringsfientliga nätmedier i fem svenska dagstidningar 2013–20152016Inngår i: Migrationen i medierna: men det får en väl inte prata om? / [ed] Lars Truedson, Stockholm: Institutet för mediestudier , 2016, s. 174-191Kapittel i bok, del av antologi (Annet vitenskapelig)
  • 39.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Hammarlund, Johan
    di Grado, Stefan
    Kjellberg, Magnus
    Opinioner och offentligheter online: Vad gör en politisk utsaga framgångsrik? Den användardrivna kommunikationens villkor. Slutrapport2015Rapport (Annet vitenskapelig)
    Abstract [sv]

    ”Vad gör en politisk utsaga framgångsrik? Den användardrivna kommunikationens villkor” är ett ettårigt forskningsprojekt delfinansierat av Internetfonden, Riksbankens Jubileumsfond, Retriever AB, M-Brain AB samt Forsman & Bodenfors AB. Projektledare har varit Jonas Andersson Schwarz, som tillsammans med Johan Hammarlund, Stefan di Grado och Magnus Kjellberg har analyserat data från Twitter och rikspress i syfte att skapa ny kunskap om villkoren för politisk kommunikation i de sociala mediernas tidevarv. Huvudfokus har varit att undersöka vilka specifika faktorer som spelar in för delning av politiska tweets samt vilken typ av material från sociala medier som fångas upp av traditionella nyhetsmedier och vice versa. Samspelet mellan sociala medier och massmedier formar de bilder som görs av sociala medier i samhället, och omvänt: det formar de bilder som görs av massmedia likväl.

  • 40.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Hammarlund, Johan
    Kjellberg, Magnus
    di Grado, Stefan
    ”Åsikter på sociala medier är inte den allmänna opinionen”2014Inngår i: Dagens Nyheter, ISSN 1101-2447, nr 25 december, s. 5-Artikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 41.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Larsson, Stefan
    Lunds Universitet.
    The justifications of piracy: Differences in conceptualization and argumentation between active uploaders and other file-sharers2014Inngår i: Piracy: Leakages from Modernity / [ed] Martin Fredriksson & James Arvanitakis, Los Angeles, CA: Litwin Books , 2014, s. 217-239Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    By employing a mix between qualitative and quantitative methods, we explored the ways in which file sharers themselves conceive of the future of “piracy.” A content analysis of a selection of open answers from the Research Bay study (a global file sharing survey conducted in collaboration with file-sharing site The Pirate Bay in April, 2011, with more than 75,000 respondents) revealed significant differences between active uploaders and the much larger group of respondents who regularly download files but never upload. Tropes of “community” were not particularly abundant in this corpus. The biggest singular tropes were those of unstoppability/technical resilience (“File-sharing won’t be stopped”); convenience/availability/supply; skepticism/hostility towards governmental intrusion; and—surprisingly—the trope that file sharing will eventually be integrated with the market. This latter trope was particularly common among the non-uploaders (representing the majority of Pirate Bay users) compared to the dedicated uploaders. The non-uploaders also appeared to be more disposed towards a generic belief in the progress, evolution, and a potential convergence/assimilation of technology.

  • 42.
    Andersson Schwarz, Jonas
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Palmås, Karl
    Introducing the panspectric challenge: A reconfiguration of regulatory values in a multiplatform media landscape2013Inngår i: Central European Journal of Communication, ISSN 1899-5101, Vol. 6, nr 2, s. 219-233Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Taking Sweden as a case study, the role of public service broadcasting (PSB) is explored, with a focus on issues of data retention and innovation that accompany web distribution. The issue of predicting audience preferences by means of data retention is investigated, and the related problem of organizational autonomy when interacting with commercial actors in the digital sphere. We hypothesize that previous tendencies towards paternalism might be equally supplemented by tendencies towards so-called “panspectric” surveillance and tracking, given a technological environment where such practices are increasingly common. We argue that the absence of advertising partially helps keep these broadcasters from panspectric temptation. Still, practices such as Facebook integration entail a panspectric element. We ask whether the potential increase in the efficacy of targeting audiences promised by panspectric practices might be offset by its negative impact on civic accountability. Is there a possibility for a “benign,” democratically accountable panspectrocism?

  • 43.
    Bolin, Göran
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Heuristics of the Algorithm. Big Data, User Interpretation and Translation Strategies2015Inngår i: Big Data and Society, ISSN 2053-9517, E-ISSN 2053-9517, Vol. 2, nr 2, s. 1-12Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Intelligence on mass media audiences was founded on representative statistical samples, analysed by statisticians at the market departments of media corporations. The techniques for aggregating user data in the age of pervasive and ubiquitous personal media (e.g. laptops, smartphones, credit cards/swipe cards and radio-frequency identification) build on large aggregates of information (Big Data) analysed by algorithms that transform data into commodities. While the former technologies were built on socio-economic variables such as age, gender, ethnicity, education, media preferences (i.e. categories recognisable to media users and industry representatives alike), Big Data technologies register consumer choice, geographical position, web movement, and behavioural information in technologically complex ways that for most lay people are too abstract to appreciate the full consequences of. The data mined for pattern recognition privileges relational rather than demographic qualities. We argue that the agency of interpretation at the bottom of market decisions within media companies nevertheless introduces a ‘heuristics of the algorithm’, where the data inevitably becomes translated into social categories. In the paper we argue that although the promise of algorithmically generated data is often implemented in automated systems where human agency gets increasingly distanced from the data collected (it is our technological gadgets that are being surveyed, rather than us as social beings), one can observe a felt need among media users and among industry actors to ‘translate back’ the algorithmically produced relational statistics into ‘traditional’ social parameters. The tenacious social structures within the advertising industries work against the techno-economically driven tendencies within the Big Data economy.

  • 44.
    Burkart, Patrick
    et al.
    Texas A&M University.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Editorial Introduction: Piracy and Social Change— Revisiting Piracy Cultures2015Inngår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 9, nr 1, s. 792-797Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article introduces the contributions to this special section of the journal, frames the scope of contemporary digital piracy research in the social sciences and humanities, and relates the research project to neighboring fields in communication and media studies.

  • 45.
    Burkart, Patrick
    et al.
    Texas A&M University .
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Gunboat Diplomacy and Pirate Sanctuaries: The Use of Trade Agreements to Promote Copyright Reform2013Inngår i: Communication and Media Policy in the Era of the Internet: Theories and Processes / [ed] Maria Löblich & Senta Pfaff-Rüdiger, Baden-Baden: Nomos Verlagsgesellschaft, 2013, 1, s. 133-145Kapittel i bok, del av antologi (Fagfellevurdert)
  • 46.
    Burkart, Patrick
    et al.
    Texas A&M University.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Post-Privacy and Ideology2014Inngår i: Media, Surveillance and Identity: Social Perspectives / [ed] André Jansson & Miyase Christensen, New York, NY: Peter Lang Publishing Group, 2014, s. 218-237Kapittel i bok, del av antologi (Fagfellevurdert)
    Abstract [en]

    We offer reflections on the counter-discourse of “post-privacy” that has become prevalent among some net activists. The post-privacy position advocates the abandonment of privacy activism and personal privacy hygiene based on the conviction that digital privacy is both untenable and socially unrewarded. This laissez-faire attitude towards surveillance reveals deep anxieties about the loss of control over domains previously associated with autonomy, self-presentation and personal visibility. In our effort to make sense of post-privacy advocacy, we propose a framework within which post-privacy ideology is interpreted through the doxa and the praxis of maintaining personal online privacy under conditions of state and corporate surveillance.

  • 47.
    Burkart, Patrick
    et al.
    Texas A&M University.
    Andersson Schwarz, JonasSödertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Special Section: Piracy & Social Change—Revisiting Piracy Cultures2015Collection/Antologi (Fagfellevurdert)
  • 48. Karlsson, Gunnar
    et al.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Crawford, Alexander
    Forsberg Lundell, Fanny
    Pargman, Daniel
    Ödling, Per
    Vad händer när jobben försvinner?2015Inngår i: Svenska Dagbladet, ISSN 1101-2412, nr 18 aprilArtikkel i tidsskrift (Annet (populærvitenskap, debatt, mm))
  • 49.
    Palmås, Karl
    et al.
    Chalmers Tekniska Högskola.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Larsson, Stefan
    Lunds Universitet.
    The liability of politicalness: Legitimacy and legality in piracy-proximate entrepreneurship2014Inngår i: International Journal of Entrepreneurship and Small Business, ISSN 1476-1297, E-ISSN 1741-8054, Vol. 22, nr 4, s. 408-425Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    This article explores three entrepreneurial ventures that have evolved in proximity to online piracy. In reviewing the respective cases of Spotify, Skype, and The Pirate Bay, the argument outlines the radically divergent strategies with which the entrepreneurs have sought to legitimise their ventures and underlying technologies. The article concludes that: 1) the context of practices labelled ‘pirate’ are paradigmatic examples of fields in which entrepreneurs must work exceptionally hard to legitimise themselves; 2) in this context, it is crucial that the role of law is analytically isolated from the role of institutionalised legitimacy; 3) success in legitimisation is largely dependent upon the entrepreneur’s ability to demonstrate that the venture is governed by ‘the natural order’ of the economy. It is further argued that piracy-proximate ventures may contribute to the entrepreneurship field, inasmuch as they teeter on the border of being considered too disruptive, and thus suffer from a ‘liability of politicalness’. 

  • 50. Schüldt, Eric
    et al.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Framtiden2011 (oppl. 1)Bok (Annet (populærvitenskap, debatt, mm))
    Abstract [sv]

    »Länge trodde jag att framtiden var ljus. Jag var en av de frälsta. I datorn såg jag en vän, i digitaliseringen fann jag ett hopp, på internet upptäckte jag en ny värld. När arbetet med den här boken inleddes för snart tre år sedan uppfattade jag en enorm potential i den rörelse som växte sig allt starkare omkring mig. Jag såg ett samhälle som skulle kunna bli helt nytt, mer demokratiskt, mer genomlyst, mer upplyst. Allt som kan digitaliseras kommer att digitaliseras. Detta var jag övertygad om. Jag skulle bara skriva boken som beskrev detta.

    Men under resans gång insåg vi att allt inte stod rätt till med framtiden. Vi omfamnade löftet om den för att vi trodde att vi skulle finna en ny frihet. Men det vi byggde var vårt eget fängelse. Det som från början var tänkt att bli en lättsam betraktelse över digitaliseringens möjligheter har istället blivit en skönlitterär dystopi med essäistiska inslag. Det blev en varningsskrift till alla som på ett eller annat sätt gjort datorn till en del av sin vardag.« 

    Framtiden är en berättelse om vår tid, berättad från framtiden. På 136 sidor försöker kulturjournalisten Eric Schüldt och medievetaren Jonas Andersson visa vad som håller på att hända runt omkring oss.  

    »När maskinerna tog över gjorde de det på ett så snabbt, mjukt och användarvänligt sätt, att bara en dåre eller en profet skulle ha vågat klaga.«

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