sh.sePublications
Change search
Refine search result
1 - 40 of 40
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 1.
    Bydler, Charlotte
    et al.
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Editorial2016In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 85, no 3, p. 205-207Article in journal (Other academic)
  • 2.
    Bydler, Charlotte
    et al.
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Wadstein MacLeod, KatarinaSödertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Kulturarv: att skapa historia för framtiden2015Collection (editor) (Other academic)
  • 3. Wadstein MacLeod, Katarina
    Angry Girls and Violent Game2008In: n.paradoxa, ISSN 1461-0434, no 21, p. 49-55Article in journal (Refereed)
  • 4.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Att måla med det vita bläcket: Monica Sjöö och Kosmos inom hennes livmoder2012In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, Vol. 4, no 4, p. 105-128Article in journal (Refereed)
    Abstract [en]

    The article grapples with the painting Cosmos in her Womb from 1971, by the Swedish artist and British resident Monica Sjöö (1938-2005), which was recently acquired by the Museum of Modern Art in Stockholm. Sjöö is an artist that is both at the centre of feminist art history and somewhat kept to one side; her work is often included in larger surveys of feminist art, yet rarely interpreted. The article argues that in order to approach the painting, one has to look at it from within its own time and the women’s movement in the 1970’s in which the artist was heavily involved.

    In her article from 1975 Hélèn Cixous calls for women to start writing in white ink, an ink that is coloured by the experience of being born in a woman’s body. Sjöö’s painting was created a few years before and also Sjöö was, during her whole career, engaged with the idea of the “woman’s experience”. 

    The article argues that in whichever way this painting is approached, by understanding it’s figure, it’s symbolism, or even the roughness of the placard-like material (paint on masonite), it all falls back on the political and spiritual quest of Monica Sjöö. There can be no analysis of this work without taking into account the political situation and the need for expressing the woman’s experience during the late 1960s and early 1970s.  The article is a close study of this particular piece which is approached from a four different points of view: the historical context of the painting within the women’s movement; the need to speak from a woman’s experience; the political and theoretical differences of representing the woman’s body in art and lastly the idea of protest presented through the painting. 

  • 5.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Att se eller se för mycket2011In: Meta Isæus-Berlin: lockrop och dess efterskalv : Olle Nymans ateljé, Saltsjö-Duvnäs 13 maj-14 augusti 2011, Stockholm: Kajsa och Olle Nymans Stiftelse , 2011Chapter in book (Other (popular science, discussion, etc.))
  • 6.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Av nödtvång - eller subversivt?: Bilder av flickor i svensk konst under 1900-talets första hälft2013In: Fliction: Perspektiv på flickan i konsten / [ed] Eva Söderberg, Mia Österlund, Bodil Formark, Malmö: Universus Press, 2013, p. 65-87Chapter in book (Other academic)
  • 7.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Bakom gardinerna: Hemmet i svensk konst under nittonhundratalet2018Book (Other academic)
  • 8.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Body Home Object: The Living Room in Marie-Louise Ekman's work2013In: No Is Not an Answer: On the Work of Marie-Louise Ekman / [ed] Tone Hansen, Maria Lind, Berlin: Sternberg Press, 2013, p. 96-119Chapter in book (Other academic)
  • 9.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Brita Elisabet Gabriella Barnekow2018In: Svenskt kvinnobiografiskt lexikon, ISSN 2003-0088, , p. 2Article in journal (Other academic)
  • 10.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Conversations between Body, Tree and Camera in the Work of Eija-Liisa Ahtila2018In: Artistic Visions of the Anthropocene North: Climate Change and Nature in Art / [ed] Gry Hedin & Ann-Sofie N. Gremaud, New York: Routledge, 2018, p. 97-109Chapter in book (Refereed)
  • 11.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Den obäddade sängen: Anna Sjödahl och sjuttiotalet2014In: Tillsammans: politik, filosofi och estetik på 1960- och 1970-talen / [ed] Anders Burman och Lena Lennerhed, Stockholm: Bokförlaget Atlas, 2014, 1, p. 389-416Chapter in book (Other academic)
  • 12.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Den paradoxala verkligheten2018In: Roland Persson: Public/Private, Stockholm: Roland Persson , 2018Chapter in book (Other (popular science, discussion, etc.))
  • 13.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Den tillgängliga otillgängligheten2010In: Evert Lundquist / [ed] Fredrik Liew, Stockholm: Moderna museet , 2010Chapter in book (Other academic)
  • 14.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Disrupted Perspectives: Interpreting "Friends" by Hanna Hirsch-Pauli2011In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 80, no 3, p. 153-167Article in journal (Refereed)
    Abstract [en]

    This article interprets the disrupted perspectives in Hanna Hirsch-Pauli's large scale painting Vanner (Friends) from 1900-1907. When Hirsch-Pauli turns to her living room in 1900 as a setting for her painting several agents are at play. The scene is staged in the Pauli's living room, where friends have gathered around Ellen Key, and the home is presented as a place for intellectual debate. It is a scene deeply embedded in the surrounding cultural and political life. The article looks into the importance of the home as a scene both within the picture and in society at large at the turn of the twentieth century. The article also argues that the setting in the home and the painting's twarthed compositions are related to the formation of identity. By identifying different types of perspectives such as the artist's presence in the image, or the direction of the gazes, certain aspects of otherness are discussed. Furthermore, through the social, historical and compositional setting of this painting some aspects of Hanna Hirsch-Pauli's disrupted perspectives are uncovered.

  • 15.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Envis överlevare som inspirerat generationer2010In: Svenska Dagbladet, ISSN 1101-2412, no 3 juni, p. 9-Article in journal (Other (popular science, discussion, etc.))
  • 16.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Fanny Ingeborg Matilda Brate2018In: Svenskt kvinnobiografiskt lexikon, ISSN 2003-0088Article in journal (Other academic)
  • 17.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Fortsatt implementering av ett kritiskt genusperspektiv2012In: Genuspedagogiska gärningar: Subversiv och affirmativ aktion / [ed] Katarina Wadstein MacLeod, Maria Carlgren, Linda Fagerström, Johanna Rosenqvist, Vulkan förlag , 2012, p. 71-80Chapter in book (Other academic)
  • 18.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Första, andra, tredje - kulturarv klubbat?2015In: Kulturarv: att skapa historia för framtiden / [ed] Charlotte Bydler; Katarina Wadstein MacLeod, Stockholm: Axelius , 2015, p. 53-63Chapter in book (Other academic)
  • 19.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Galna genier och mångfaldens möjligheter2019In: Kampen om kunskap: Akademi och praktik / [ed] xel Brechensbauer, Maria Grafström, Anna Jonsson, Mikael Klintman, Stockholm: Santérus Förlag, 2019Chapter in book (Other academic)
  • 20.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Hemmet som konstmotiv bär på sprängkraft2010In: Svenska dagbladet, ISSN 1101-2412, no 11 juli, p. 17-Article in journal (Other (popular science, discussion, etc.))
  • 21.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Hemmets konst - som en kvinnofälla?2019In: Anekdot: det digitala bildningsmagasinet, no 11 septemberArticle in journal (Other (popular science, discussion, etc.))
  • 22.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Intellektuell och ömsint konstmoder2010In: Svenska dagbladet, ISSN 1101-2412, no 22 oktober, p. 20-Article in journal (Other (popular science, discussion, etc.))
  • 23.
    Wadstein MacLeod, Katarina
    Lunds universitet.
    Lena Cronqvist: Reflections of girls2006Doctoral thesis, monograph (Other academic)
  • 24.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Människan, maskinen och måleriet: en tolkning av Trelleborgs hamns historia2009In: Monumentalmålningarna i Trelleborgs hamn / [ed] Johan Falkman, Malmö: Johan Falkman , 2009Chapter in book (Other (popular science, discussion, etc.))
  • 25.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Painting With White Ink: Monica Sjöö and Cosmos within Her Womb2015In: Radical Re Re Re Re Re Re-thinking / [ed] Maria Lantz & Staffan Lundgren, Stockholm: Konstfack , 2015, p. 162-189Chapter in book (Other academic)
  • 26.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Provokativ konst med livet som insats2015In: Svenska Dagbladet, ISSN 1101-2412, no 1 juli, p. 26-Article in journal (Other (popular science, discussion, etc.))
    Abstract [sv]

    Konstnärsparet Unica Zürn och Hans Bellmers liv skuggades av både personliga och historiska tragedier. Helena Erikssons bok om deras gemensamma liv och verk är en vindlande historia om 1900-talet.

  • 27.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Remebering Home2012In: Semi-Detached: Writing, Representation and Criticism in Architecture / [ed] Naomi Stead, Melbourne Australia: Uro Media , 2012, p. 139-151Chapter in book (Refereed)
  • 28.
    Wadstein MacLeod, Katarina
    Södertörn University College, School of Culture and Communication, Art history.
    Schneemann med rätta förargad2009In: Svenska dagbladet, ISSN 1101-2412, no 9 oktober, p. 21-Article in journal (Other (popular science, discussion, etc.))
  • 29. Wadstein MacLeod, Katarina
    Seeking the Nymph2008In: Hommage a toutes les nymphes / [ed] Paul-Armand Gette, Nantes: Joca Seria , 2008Chapter in book (Other (popular science, discussion, etc.))
  • 30.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Superlund: Lunds konsthall och det centrala i det perifera2018In: Periskop, ISSN 0908-6919, E-ISSN 2596-4283, no 20, p. 91-109Article in journal (Refereed)
    Abstract [sv]

    Utgångspunkten för den här artikeln är ett återbesök till 1960-talets utställningar som utmanar djupt rotade föreställningar om centrum och periferi inom konstvetenskap och till viss del inom exhibition studies. De empiriska exempel som undersöks är två internationella utställningar vid Lunds konsthall under mitten av 1960-talet: Le merveilleux moderne: det underbara idag, 1965 och Superlund: Un Panorama du present: Une philosophie du future, 1967 med den franske kritikern Pierre Restany som curator.

    I den svenska konstvetenskapen är universiteststaden Lund som utställningsplats en perifer zon. Men med stöd hos en tänkare som Yuriy Lotman motsäger utställningarna på Lunds konsthall idén om det perifera som utanför, någon annanstans eller något mindre värt. Det blir istället en plats där saker händer därför att en plats som inte står i strålkastarljuset är väl utrustad för att möjliggöra experiment och radikala omtag. Det perifera faller på sin egen orimlighet, där något händer blir händelsens centrum.

  • 31. Wadstein MacLeod, Katarina
    The Desires of a Goddess: Aphordite/venus in Modern Art2005In: The Making of a Goddess: Aphrodite in history, art, and literature / [ed] Göta Johansson, Lund: Palmkron , 2005Chapter in book (Other academic)
  • 32.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The Domestic Paradox2017In: Art in Transfer in the Era of Pop: Curatorial Practices and Transnational Strategies / [ed] Annika Öhrner, Huddinge: Södertörns högskola, 2017, p. 265-287Chapter in book (Refereed)
  • 33.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The Market Value of National Cultural Heritage2015In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 84, no 3, p. 139-152Article in journal (Refereed)
    Abstract [en]

    This article concerns the Swedish law "Kulturmiljölag (1988:950)" regulating export and trade on arts and antiquities. The law states that a range of objects that may be of particular interest and "great importance" ("stor betydelse") to the nation must be licensed before being transported out of Sweden. The original objective of the law, when proposed in the 1920s, was as a means to protect privately owned objects of potential national heritage culture value.

    The aim of this article is to scrutinize the subtext of art the historical frameworks the law and its enforcement depend on. This regulation is controlled and formulated by the Swedish National Heritage Board who has determined that an object's age and its monetary value are the first primary guidelines for selection. This article shows how price is an unstable value for judging cultural heritage. Furthermore how cultural heritage management of arts and antiquities rests on non-transparent value judgements regarding what is and is not of historical importance. The analysis covers two case studies where one, the Sparre collection was protected by the law and the other, work by Amalia Lindegren, never could have been. These case studies show the haphazard nature of the present law and its regulations.

  • 34.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The Painted Home as Heritage: Fanny Brate and the Home at the Turn of the Nineteenth Century2016In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 85, no 3, p. 256-269Article in journal (Refereed)
  • 35.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    The resilience of the periphery: Narrating Europe through curatorial strategies2017In: Europe Faces Europe: Narratives From Its Eastern Half / [ed] Johan Fornäs, Bristol: Intellect Ltd., 2017, p. 153-177Chapter in book (Other academic)
  • 36.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Then and Now. Here and There.'2019In: Jockum Nordström:  For the Insects and the Hounds: Drawings, Collages and Sculptures 2014-2017, Antwerpen: Zeno X Books, Hannibal-Koening Books , 2019, p. 5-9Chapter in book (Other (popular science, discussion, etc.))
  • 37.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Touched by Documenta 132013In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 82, no 2, p. 115-117Article in journal (Other academic)
  • 38.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Communication, Art history.
    Tårar, vatten, färg2010In: Reminiscenser ; Orfeus, Stockholm: Galleri Andersson Sandström , 2010, p. 4-9Chapter in book (Other (popular science, discussion, etc.))
  • 39.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art.
    Vad gör en bild?: Granen i den nordiska konsten2019In: Ett kalejdoskop av kunskap / [ed] David Håkansson, Stockholm: Santérus Förlag, 2019Chapter in book (Other academic)
  • 40.
    Wadstein MacLeod, Katarina
    Södertörn University, School of Culture and Education, History and Theory of Art. Konstfack.
    Värdet av ett namn - att bevara konst som kulturarv2015In: Kulturarv: att skapa historia för framtiden / [ed] Charlotte Bydler; Katarina Wadstein MacLeod, Stockholm: Axelius , 2015, p. 79-93Chapter in book (Other academic)
1 - 40 of 40
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf