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  • 1. Danius, Sara
    Aesthetics of the Windshield: Proust and the Modernist Rhetoric of Speed2001In: Modernism/Modernity, ISSN 1071-6068, E-ISSN 1080-6601, Vol. 8, no 1, p. 99-126Article in journal (Refereed)
  • 2.
    Danius, Sara
    Södertörn University, School of Culture and Education, Aesthetics.
    Black socks, green threads: On Proust and the hermeneutics of inversion2014In: The Cambridge History of Gay and Lesbian Literature / [ed] E. L. McCallum & Mikko Tuhkanen, Cambridge University Press, 2014, p. 344-362Chapter in book (Other academic)
    Abstract [en]

    We all know what Proust’s novel is about. A tale of quest and long-delayed discovery, A la recherche du temps perdu (1913-27) is an artist’s novel where the narrator aspires to become a writer and eventually decides to write… an artist’s novel. It takes him a long time to arrive at that point. We have to read close to three thousand pages of Remembrance of Things Past before the narrator finally finds his material - himself and his past life. In the final volume, the grand design becomes apparent. If we look at Proust’s novel from another angle, a different scenario comes into view. We realize that the narrator, as a writer in waiting, must hold back. He must resist. He must delay, postpone, persevere - or else the climax would come early. In volume after volume, he sounds his fears that he’ll never succeed at becoming a writer, much less acquire artistic recognition. As he must. To be sure, some way into the novel he gets a piece of writing accepted for publication in the pages of Le Figaro. When he sees it in print, he is ecstatic; after all, it is his debut as writer.

  • 3.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Den halvhemliga läsarten2007In: Källarhändelser: Forum - nutidsplats för kultur / [ed] Anna Bengtsson, Stockholm: Ersatz , 2007, p. 455-463Chapter in book (Other (popular science, discussion, etc.))
  • 4.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Flaubert and the Order of the Visible: On L’Education sentimentale2007In: Réalisme, naturalisme et réception: problèmes esthétiques et idéologiques envisagés dans une perspective scandinave, française ou comparative / [ed] Brynja Svane et Morten Nøjgaard, Uppsala: Acta Universitatis Upsaliensis , 2007, p. 235-247Chapter in book (Other academic)
  • 5. Danius, Sara
    Flauberts stil og det rullende fortauet: Refleksjoner om realisme og visuell teknologi2003In: Estetiske teknologier 1700-2000 / [ed] Gunnar Iversen og Yngve Sandhei Jacobsen, Oslo: SAP , 2003, p. 88-110Chapter in book (Other academic)
  • 6.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Fredric Jameson och det postmoderna2009In: Svar på frågan: Vad var det postmoderna? / [ed] Sven-Olov Wallenstein, Stockholm: Axl Books , 2009, p. 79-93Chapter in book (Other academic)
  • 7.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Harry Martinson och maskinens estetik2007In: Efter femtio år: Aniara 1956-2006 : föredrag vid ett symposium i Kungl. Vitterhetsakademien 12 oktober 2006 / [ed] Bengt Landgren, Stockholm: Kungl. Vitterhets historie och antikvitets akademien , 2007, p. 30-48Chapter in book (Other academic)
    Abstract [sv]

    Harry Martinsons rymdepos Aniara (1956) är ett av 1900-talets mest uppmärksammade svenskspråkiga diktverk. Det är ganska få verk från svensk efterkrigstid som blivit föremål för så intensivt intresse i såväl svensk som utländsk litteraturvetenskaplig forskning.I den här boken diskuterar en rad framstående Martinsonforskare och Martinsonläsare diktverkets tillkomst, litterära form och idéinnehåll: de olika manuskriptversionerna av Aniara belyses, liksom bildspråk, konstnärliga verkningsmedel och estetik, ondskans problematik, teknologins roll, Aniara som inre resa samt rymdeposets reception.Medverkande författare:Sara Danius, litteraturvetenskap; Kjell Espmark, litteraturvetenskap; Bengt Landgren, litteraturvetenskap; Johan Lundberg, litteraturvetenskap; Marie Louise Ramnefalk, författare; Johan Stenström, litteraturvetenskap; Johan Wrede, svensk litteratur.

    (Beskrivning från förlaget)

  • 8.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Inledning2008In: Den tudelade visconten ; Klätterbaronen ; Den obefintlige riddaren, Stockholm: Bonnier , 2008, p. 7-16Chapter in book (Other (popular science, discussion, etc.))
  • 9.
    Danius, Sara
    Södertörn University, School of Culture and Communication, Aesthetics.
    Joyce’s Scissors: Modernism and the Dissolution of the Event2008In: New Literary History, ISSN 0028-6087, E-ISSN 1080-661X, Vol. 39, no 4, p. 989-1016Article in journal (Refereed)
  • 10.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Mimesis i maskinens tidsålder: Benjamin läser Proust2008In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 75-88Article in journal (Other academic)
  • 11. Danius, Sara
    Novel Visions and the Crisis of Culture: Visual Technology, Modernism, and Death in The Magic Mountain2000In: Boundary 2, ISSN 0190-3659, E-ISSN 1527-2141, Vol. 27, no 2, p. 177-211Article in journal (Refereed)
  • 12. Danius, Sara
    Orpheus and the Machine: Proust as Theorist of Technological Change, and the Case of Joyce2001In: Forum for modern language studies, ISSN 0015-8518, E-ISSN 1471-6860, Vol. 37, no 2, p. 127-140Article in journal (Refereed)
  • 13. Danius, Sara
    Prousts motor2000Book (Other academic)
    Abstract [sv]

    Sara Danius lyfter fram en Marcel Proust som hamnat i skuggan av madeleinekakan. Det är en författare som blickar framåt snarare än bakåt, som inspireras av fotografier snarare än av impressionistiska målningar, som flyger fram längs vägarna i automobil och sedan skyndar sig att skildra den sällsamma upplevelsen i dagstidningen Le Figaro långt innan det futuristiska manifestet var påtänkt. Tidningsartikeln innehöll fröet till På spaning efter den tid som flytt. Sara Danius visar hur Prousts roman drivs av försöket att återge hur maskinkulturen förvandlar människans upplevelse av tid och rum. Därmed öppnar hon också ett nytt perspektiv på den litterära modernismen. Sara Danius djärva och eleganta essä kommer att locka nya läsare till Proust. Och de som redan är förtrogna med Prousts stora roman kommer att läsa den med andra ögon. Sara Danius är litteraturforskare, för närvarande vid University of California i Los Angeles. Hon har skrivit en uppmärksammad avhandling, The Senses of Modernism (1998), om förhållandet mellan teknologi, perception och modernistisk estetik. Sara Danius är också verksam som kritiker i Dagens Nyheter.

  • 14.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    [Recension av: Børset, Bodil: Støy og stemmer : radioteknologi og stemme i Nathalie Sarrautes pièces radiophoniques]2006In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, no 127, p. 470-476Article in journal (Other academic)
  • 15. Danius, Sara
    [Recension av doktorsavhandlingen]: Henrik H. Langeland. Av sporet er du kommet : romlige fremstillinger hos Marcel Proust. (Acta humaniora nr.239). Oslo, 20062005In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 126, p. 310-319Article, book review (Other academic)
  • 16.
    Danius, Sara
    Södertörn University, School of Culture and Communication, Aesthetics.
    Silnik Prousta2008In: Teksty drugie, ISSN 0867-0633, no 3, p. 141-149Article in journal (Refereed)
    Abstract [en]

    The author analyses the role of modern pieces of machinery whose purpose in Marcel Proust's novel cycle À la recherche du temps perdu becomes aesthetic. Railroad, phonography, telegraphy, telephony, cinematography, x-ray technology, automobiles, airplanes - all that passes forward in front of the reader's eyes, reinforcing the cycle's grand theme: The lost time'. Modernity, as Ms. Danius argues, brings about an emancipation of the senses in that the latter are no more merely an instrument of cognition but are transferred to the sphere of aesthetics.

  • 17.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Talet och telefonen: Om Freuds historiska originalitet2006In: Divan, ISSN 1101-1408, no 3-4, p. 46-71Article in journal (Other academic)
  • 18.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Technology2006In: A companion to modernist literature and culture / [ed] David Bradshaw and Kevin J.H. Dettmar, Malden, Mass.: Blackwell , 2006, p. 66-78Chapter in book (Other academic)
  • 19.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Texten i texten: Strindberg, staden och skyltarna2008In: Strindbergiana. Saml. 23 / [ed] Margareta Brundin, Stockholm: Strindbergssällskapet , 2008, p. 11-22Chapter in book (Other academic)
  • 20. Danius, Sara
    The Mobilization of the Eye: Proust, Ruskin, and Machines of Vision2002In: Proust in perspective: visions and revisions / [ed] Armine Kotin Mortimer and Katherine Kolb, Urbana: University of Illinois Press , 2002, p. 227-239Chapter in book (Other academic)
  • 21.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    The prose of the world: Flaubert and the art of making things visible2006Book (Other academic)
  • 22. Danius, Sara
    The senses of modernism: technology, perception, and aesthetics2002Book (Other academic)
  • 23. Danius, Sara
    Utsikt från en gymbänk: Sven Lindqvist in action2004In: Röster om Sven Lindqvist: ABF-seminarium 9 november 2002, Stockholm: ABF Stockholm , 2004, p. 33-44Chapter in book (Other (popular science, discussion, etc.))
  • 24.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Voices: contemporary ceramic art from Sweden = Röster : samtida svensk keramisk konst : Frida Fjellman, Renata Francescon, Eva Hild, Pontus Lindvall, Mårten Medbo, Annasofia Mååg, Gustaf Nordenskiöld, Kjell Rylander, Per B Sundberg, Kennet Williamsson2006Book (Other (popular science, discussion, etc.))
  • 25.
    Danius, Sara
    et al.
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Jonsson, Stefan
    Interview with Sara Danius and Stefan Jonsson2007In: Jameson on Jameson: conversations on cultural Marxism / [ed] Ian Buchanan, Durham: Duke University Press , 2007, p. 151-170Chapter in book (Refereed)
  • 26.
    Danius, Sara
    et al.
    Södertörn University, School of Culture and Communication, Aesthetics.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Wallenstein, Sven-Olov
    Södertörn University, School of Culture and Communication, Philosophy.
    Aisthesis: Estetikens historia, del 12012Book (Other academic)
  • 27. Zischler, Hanns
    et al.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Nase für Neuigkeiten: Vermischte Nachrichten von James Joyce2008Book (Other academic)
1 - 27 of 27
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