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  • 1. Arrnehius, Sara
    et al.
    Bergh, MagnusSjöholm, CeciliaSödertörn University, School of Culture and Communication, Aesthetics.
    Översättbarhet = Translatability2011Collection (editor) (Other (popular science, discussion, etc.))
    Abstract [en]

    In this age of globalization, the question of cultural translation is central. All cultures may seem connected with one another, what is to be considered "original" and what is to be regarded as a translation may no longer seem relevant. All cultures are continuosly being transformed through an ongoing process of translation.

    What is cultural translation? Are there limits to translatability? What kind of resistances to translatability way we encounter? The idea of cultural translation implies that different art forms communicate with one another. However, we must critically engage with remainders that remain resistant to translatability. How are we to understand the cultural context in which an author has developed his language and his art? To what extent can it be transposed into other contexts, and what kind of questions must we take into consideration when we attempt such a transposition?

    The research project Translatability; aesthetics and the transformation of the public sphere in an era of globalization aims to link theories of cultural translation to the practice of exhibition and publishing. Gathering curators, researchers, critics, artists and writers, the question of translatability is examined from a theoretical as well as a practical point of view. The impact of geography, history and politics are among factors that determine the possibilities of cultural translation.

    Translatability; aesthetics and the transformation of the public sphere in an era of globalization is a collaboration between Bonniers Konsthall, Albert Bonnier Publishers and the department of aesthetics at Södertörn University. 

  • 2.
    Bernholm, Fredrik
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Dissensus i sensus communis: Kants estetiska omdöme och Jacques Rancière2011Independent thesis Advanced level (degree of Master (One Year)), 20 credits / 30 HE creditsStudent thesis
    Abstract [en]

    This paper explores the relationship between Kant's aesthetic judgment, as formulated in the Critique of Judgment, and Jacques Rancière's aesthetic project, specifically the way in which the concept of dissensus is developed in the work of Rancière. The purpose of the paper is two-fold: first, to trace the legacy of Kant in Rancière and second, to pose the question of how Kant's judgment is politicized in Rancière's reading. This is discussed in two chapters, the first of which is a reading of Kant's critique of aesthetic judgment in light of the notion of dis-sensus; the second chapter examines the concept of dissensus in Rancière, as well as other related concepts, such as the regimes of art, and the 'image-phrase'. The second chapter also offers a comparison between Rancière‟s dissensus and the notion of 'disinterestedness' in Kant's aesthetic judgment, showing how Rancière draws out from the latter a set of political or meta-political implications. Ultimately, the paper serves to underline the essential role that Kant's aesthetic judgment plays in the development of Rancière's aesthetic project, examining how several of Rancière's most important concepts lean heavily on Kant for philosophical support. With the help of Rancière, the paper also provides an alternative way to give political significance to Kant's aesthetic judgment, partly in opposition to those political readings of the third Critique that primarily focus on sensus communis as a testimony of a consensual community. By way of rearticulating Kant's disinterested judgment, Rancière shows that this community is always preceded by a certain dissensus – a break with the dominant forms of a shared sensible community.

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    Dissensus i sensus communis - Kants estetiska omdöme och Jacques Rancière
  • 3.
    Björk, Chanda
    Södertörn University, School of Culture and Communication, Aesthetics.
    En femme fatale i sagoboken2006Independent thesis Basic level (degree of Bachelor), 10 credits / 15 HE creditsStudent thesis
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  • 4.
    Björk, Ulrika
    Södertörn University, School of Culture and Communication, Aesthetics. Uppsala universitet.
    Reconstituting Experience: Beauvoir's Philosophical Conception of Literature2012In: Sapere Aude, E-ISSN 2177-6342, Vol. 3, no 6, p. 73-95Article in journal (Other academic)
  • 5.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Den halvhemliga läsarten2007In: Källarhändelser: Forum - nutidsplats för kultur / [ed] Anna Bengtsson, Stockholm: Ersatz , 2007, p. 455-463Chapter in book (Other (popular science, discussion, etc.))
  • 6.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Flaubert and the Order of the Visible: On L’Education sentimentale2007In: Réalisme, naturalisme et réception: problèmes esthétiques et idéologiques envisagés dans une perspective scandinave, française ou comparative / [ed] Brynja Svane et Morten Nøjgaard, Uppsala: Acta Universitatis Upsaliensis , 2007, p. 235-247Chapter in book (Other academic)
  • 7.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Fredric Jameson och det postmoderna2009In: Svar på frågan: Vad var det postmoderna? / [ed] Sven-Olov Wallenstein, Stockholm: Axl Books , 2009, p. 79-93Chapter in book (Other academic)
  • 8.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Harry Martinson och maskinens estetik2007In: Efter femtio år: Aniara 1956-2006 : föredrag vid ett symposium i Kungl. Vitterhetsakademien 12 oktober 2006 / [ed] Bengt Landgren, Stockholm: Kungl. Vitterhets historie och antikvitets akademien , 2007, p. 30-48Chapter in book (Other academic)
    Abstract [sv]

    Harry Martinsons rymdepos Aniara (1956) är ett av 1900-talets mest uppmärksammade svenskspråkiga diktverk. Det är ganska få verk från svensk efterkrigstid som blivit föremål för så intensivt intresse i såväl svensk som utländsk litteraturvetenskaplig forskning.I den här boken diskuterar en rad framstående Martinsonforskare och Martinsonläsare diktverkets tillkomst, litterära form och idéinnehåll: de olika manuskriptversionerna av Aniara belyses, liksom bildspråk, konstnärliga verkningsmedel och estetik, ondskans problematik, teknologins roll, Aniara som inre resa samt rymdeposets reception.Medverkande författare:Sara Danius, litteraturvetenskap; Kjell Espmark, litteraturvetenskap; Bengt Landgren, litteraturvetenskap; Johan Lundberg, litteraturvetenskap; Marie Louise Ramnefalk, författare; Johan Stenström, litteraturvetenskap; Johan Wrede, svensk litteratur.

    (Beskrivning från förlaget)

  • 9.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Inledning2008In: Den tudelade visconten ; Klätterbaronen ; Den obefintlige riddaren, Stockholm: Bonnier , 2008, p. 7-16Chapter in book (Other (popular science, discussion, etc.))
  • 10.
    Danius, Sara
    Södertörn University, School of Culture and Communication, Aesthetics.
    Joyce’s Scissors: Modernism and the Dissolution of the Event2008In: New Literary History, ISSN 0028-6087, E-ISSN 1080-661X, Vol. 39, no 4, p. 989-1016Article in journal (Refereed)
  • 11.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Mimesis i maskinens tidsålder: Benjamin läser Proust2008In: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, no 1, p. 75-88Article in journal (Other academic)
  • 12.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    [Recension av: Børset, Bodil: Støy og stemmer : radioteknologi og stemme i Nathalie Sarrautes pièces radiophoniques]2006In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, no 127, p. 470-476Article in journal (Other academic)
  • 13.
    Danius, Sara
    Södertörn University, School of Culture and Communication, Aesthetics.
    Silnik Prousta2008In: Teksty drugie, ISSN 0867-0633, no 3, p. 141-149Article in journal (Refereed)
    Abstract [en]

    The author analyses the role of modern pieces of machinery whose purpose in Marcel Proust's novel cycle À la recherche du temps perdu becomes aesthetic. Railroad, phonography, telegraphy, telephony, cinematography, x-ray technology, automobiles, airplanes - all that passes forward in front of the reader's eyes, reinforcing the cycle's grand theme: The lost time'. Modernity, as Ms. Danius argues, brings about an emancipation of the senses in that the latter are no more merely an instrument of cognition but are transferred to the sphere of aesthetics.

  • 14.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Talet och telefonen: Om Freuds historiska originalitet2006In: Divan, ISSN 1101-1408, no 3-4, p. 46-71Article in journal (Other academic)
  • 15.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Technology2006In: A companion to modernist literature and culture / [ed] David Bradshaw and Kevin J.H. Dettmar, Malden, Mass.: Blackwell , 2006, p. 66-78Chapter in book (Other academic)
  • 16.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Texten i texten: Strindberg, staden och skyltarna2008In: Strindbergiana. Saml. 23 / [ed] Margareta Brundin, Stockholm: Strindbergssällskapet , 2008, p. 11-22Chapter in book (Other academic)
  • 17.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    The prose of the world: Flaubert and the art of making things visible2006Book (Other academic)
  • 18.
    Danius, Sara
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Voices: contemporary ceramic art from Sweden = Röster : samtida svensk keramisk konst : Frida Fjellman, Renata Francescon, Eva Hild, Pontus Lindvall, Mårten Medbo, Annasofia Mååg, Gustaf Nordenskiöld, Kjell Rylander, Per B Sundberg, Kennet Williamsson2006Book (Other (popular science, discussion, etc.))
  • 19.
    Danius, Sara
    et al.
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Jonsson, Stefan
    Interview with Sara Danius and Stefan Jonsson2007In: Jameson on Jameson: conversations on cultural Marxism / [ed] Ian Buchanan, Durham: Duke University Press , 2007, p. 151-170Chapter in book (Refereed)
  • 20.
    Danius, Sara
    et al.
    Södertörn University, School of Culture and Communication, Aesthetics.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Wallenstein, Sven-Olov
    Södertörn University, School of Culture and Communication, Philosophy.
    Aisthesis: Estetikens historia, del 12012Book (Other academic)
  • 21.
    Fioretis, Aris
    Södertörn University, School of Culture and Communication, Aesthetics.
    Anhang mit Kommentar2011In: Werke / Nelly Sachs: Kommentierte Ausgabe in vier Bänden : Bd 3, Szenische Dichtungen / [ed] Aris Fioretis, Frankfurt am Main: Suhrkamp Verlag, 2011, p. 537-646Chapter in book (Other academic)
  • 22.
    Fioretis, Aris
    Södertörn University, School of Culture and Communication, Aesthetics.
    Anhang mit Kommentar2010In: Werke / Nelly Sachs: Kommentierte Ausgabe in vier Bänden : Bd 4, Prosa und Übertragungen / [ed] Aris Fioretis, Frankfurt am Main: Suhrkamp Verlag, 2010, p. 487-670Chapter in book (Other academic)
  • 23.
    Fioretis, Aris
    Södertörn University, School of Culture and Communication, Aesthetics.
    Nachwort2010In: Werke / Nelly Sachs: Kommentierte Ausgabe in vier Bänden : Bd 1, Gedichte : 1940-1950 / [ed] Matthias Weichelt, Aris Fioretis, Frankfurt am Main: Suhrkamp Verlag, 2010, p. 197-229Chapter in book (Other academic)
  • 24.
    Fioretis, Aris
    Södertörn University, School of Culture and Communication, Aesthetics.
    Werke / Nelly Sachs: Kommentierte Ausgabe in vier Bänden : Bd 1-42010Collection (editor) (Other academic)
  • 25.
    Fioretos, Aris
    Södertörn University, School of Culture and Communication, Aesthetics.
    Flykt och förvandling: Nelly Sachs, författare, Berlin/Stockholm : en bildbiografi2010Book (Other academic)
  • 26.
    Fioretos, Aris
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Prosa und Übertragungen2010Collection (editor) (Other (popular science, discussion, etc.))
  • 27.
    Fioretos, Aris
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Szenische Dichtungen2010Collection (editor) (Other (popular science, discussion, etc.))
  • 28.
    Jonsson, Stefan
    Södertörn University College, School of Culture and Communication, Aesthetics.
    A Brief History of the Masses: Three Revolutions2008Book (Other academic)
  • 29.
    Jonsson, Stefan
    Södertörn University, School of Culture and Communication, Aesthetics.
    Den första människan: Anteckningar om Norden, litteraturen och kolonialismen.2008In: Ord och bild, ISSN 0030-4492, E-ISSN 1402-2508, no 2, p. 35-47Article in journal (Other (popular science, discussion, etc.))
  • 30.
    Jonsson, Stefan
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Facts of Aesthetics and Fictions of Journalism: The Logic of the Media in the Age of Globalization2008In: The Green Room: Reconsidering the Documentary and Contemporary Art, no. 1 / [ed] Maria Lind & Hito Steyerl, Berlin: Sternberg Press , 2008, p. 166-187Chapter in book (Other academic)
  • 31.
    Jonsson, Stefan
    Södertörn University, School of Culture and Communication, Aesthetics.
    Kartan över världens centrum: En essä2008In: Ymer, ISSN 0044-0477, Vol. 128, p. 51-72Article in journal (Other academic)
  • 32.
    Jonsson, Stefan
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Museum, Market, or Métissage: Choices for National Policies of Arts and Culture in Times of Globalization2008In: Nordisk kulturpolitisk tidskrift, ISSN 1403-3216, E-ISSN 2000-8325, no 2, p. 151-156Article in journal (Other academic)
  • 33.
    Jonsson, Stefan
    Södertörn University, School of Culture and Communication, Aesthetics.
    Neither Masses Nor Individuals: Ideas and Images of the Crowd in Inter-War German Culture2010In: Weimar publics/Weimar subjects: rethinking the political culture of Germany in the 1920s / [ed] Kathleen Canning, Kerstin Barndt & Kristin McGuire, New York: Berghahn Books , 2010, p. 365-397Chapter in book (Other academic)
  • 34.
    Jonsson, Stefan
    Södertörn University, School of Culture and Communication, Aesthetics.
    Rapport från Sopornas planet: kritiska essäer2009Book (Other (popular science, discussion, etc.))
  • 35.
    Jonsson, Stefan
    Södertörn University, School of Culture and Communication, Aesthetics.
    The Humanities in the Face of Postcoloniality2010In: En annan humaniora - en annan tid = Another humanities - another time / [ed] Carl Cederberg & Hans Ruin, Huddinge: Södertörns högskola , 2010, p. 77-83Chapter in book (Other academic)
    Download full text (pdf)
    fThe Humanities in the Face of Postcoloniality
  • 36.
    Jonsson, Stefan
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Tingen vi delar: Historien om Paracastextilierna i Göteborg 1933-20102010Report (Other academic)
  • 37.
    Redin, Johan
    Södertörn University, School of Culture and Communication, Aesthetics.
    Social Dreams of History: Museum, Utopia, Mythology2011In: Rethinking Time: Essays on History, Memory, and Representation / [ed] Hans Ruin, Andrus Ers, Huddinge: Södertörns högskola , 2011, p. 97-108Chapter in book (Other academic)
    Download full text (pdf)
    Social Dreams of History: Museum, Utopia, Mythology
  • 38.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    An aesthetics of “realness”: Arendt on the work of art2012In: Aesthetic Pathways, ISSN 2221-0326, Vol. 2, no 1, p. 31-48Article in journal (Refereed)
    Abstract [en]

    To Hannah Arendt, the work of art is characterized as a "thought-thing." The expression, which is an elaboration of Kant, refers to the idea that art is both material and possible to de-sensualize and de-materialize. Art fills the function of sustaining cultures and providing a value of permanency. To Arendt, this function can in turn be guaranteed by the function of judgment, sensus communis, which she interprets in terms of a sense of "realness."

  • 39.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Ansikten som talar: Arendts estetiska vändning2011In: Konsten att handla – konsten att tänka: Hannah Arendt om det politiska / [ed] Ulrika Björk & Anders Burman, Stockholm: Axl Books, 2011, p. 183-203Chapter in book (Other academic)
  • 40.
    Sjöholm, Cecilia
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Arendt på Kolonnos: om den nakna människan2007In: Aiolos, ISSN 1400-7770, Vol. 30-31, p. 117-127Article in journal (Other (popular science, discussion, etc.))
  • 41.
    Sjöholm, Cecilia
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Beyond Pleasure: the Other History of Sexuality2010In: Feminist readings of Antigone / [ed] Fanny Söderbäck, Albany: State University of New York Press , 2010, p. 173-194Chapter in book (Other academic)
  • 42.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    De gråtande männen2007In: Källarhändelser: Forum - nutidsplats för kultur / [ed] Anna Bengtsson, Stockholm: Ersatz , 2007Chapter in book (Other (popular science, discussion, etc.))
  • 43.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Den lille mann, småkårsfolk, den lille yid: Zizek, Arendt og anti-semittisme2012In: Agora Journal for metafysisk spekulasjon, ISSN 0800-7136, E-ISSN 1500-1571, no 02-03, p. 74-91Article in journal (Refereed)
  • 44.
    Sjöholm, Cecilia
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Estetikens många ansikten: konst, vetande, förmedling2008In: Årsbok / KFoU Vetenskapsrådet, ISSN 1652-8395, p. 54-67Article in journal (Other academic)
  • 45.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Fallosens tid?2011In: Tidskrift för Genusvetenskap, ISSN 1654-5443, E-ISSN 2001-1377, no 1, p. 103-107Article in journal (Other academic)
  • 46.
    Sjöholm, Cecilia
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Fear of intimacy: psychoanalysis and the resistance to commodification2009In: Psychoanalysis, aesthetics, and politics in the work of Kristeva / [ed] Kelly Oliver and S.K. Keltner., Albany, N.Y: SUNY Press , 2009, p. 179-195Chapter in book (Other academic)
  • 47.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Foucault, fotografiet og jegets estetikk2009In: Agora Journal for metafysisk spekulasjon, ISSN 0800-7136, E-ISSN 1500-1571, no 2-3, p. 35-51Article in journal (Refereed)
  • 48.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Foucault, Lacan, and the Question of Technique2010In: Sexuality and Psychoanalysis: Philosophical Criticisms / [ed] De Vleminck, Jens ; Dorfman, Eran, Leuven: Leuven University Press, 2010, p. 183-196Chapter in book (Refereed)
    Abstract [en]

    Freud planned to complete a series of writings on the technique of psychoanalysis, but the series was never completed. The series makes clear that some of the problems that we associate with psychoanalytic theory are in actual fact a question of technique and methods. In this regard, Freud's notion of the self as a structured and changeable is close to that of Foucault, who regards the idea of a truth of the self as the result of historical and cultural changes.

  • 49.
    Sjöholm, Cecilia
    Södertörn University College, School of Culture and Communication, Aesthetics.
    Hannah Arendt och konstverket2008In: Glänta, ISSN 1104-5205, no 4, p. 116-120Article in journal (Other (popular science, discussion, etc.))
  • 50.
    Sjöholm, Cecilia
    Södertörn University, School of Culture and Communication, Aesthetics.
    Heidegger och kärleken2007In: Källarhändelser: Forum - nutidsplats för kultur / [ed] Anna Bengtsson, Stockholm: Ersatz , 2007Chapter in book (Other (popular science, discussion, etc.))
12 1 - 50 of 72
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