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  • 1.
    Andersson, Jonas
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    The quiet agglomeration of data: How piracy is made mundane2012Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 6, nr 1, s. 585-605Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article conceptually outlines P2P-based file-sharing as a totality, a mass utility, and a backdrop to everyday cultural life. It elaborates on a recent study of Swedish file-sharers to sketch some important constituents of what would constitute a "piracy culture." It shows that the actual file-sharer argumentation is not fully synonymous with established notions of "piracy" but rather reveals the complexity of the phenomenon and how the discourse invoking it relies on modes of justification that are not entirely commensurable. Moreover, the file-sharer rhetoric is contingent on a range of entities and infrastructures that condition actual usage. Noting the institutionalized, semi-anonymous, and depersonalized elements to file-sharing, I propose a different interpretation than regarding it as a "gift economy" like the tight-knit communities Mauss described in 1923. Instead, I propose a metaphor borrowed from Titmuss' example of blood donors that acknowledges the perceived "need" for culture and the associated "right" to access content that file-sharers are exercising.

  • 2.
    Appelgren, Ester
    Södertörns högskola, Institutionen för samhällsvetenskaper, Journalistik.
    [Book review:] Mirko Tobias Schäfer and Karin van Es (Eds.), The Datafied Society: Reviewed by Ester Appelgren2018Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 12, s. 433-435Artikel, recension (Övrigt vetenskapligt)
    Abstract [en]

    Will the current practice of data and digital analysis harm humanities scholarship? Or will increasing access to data and easy-to-use tools for digital analysis instead strengthen the ability to critically interpret culture and contemporary life? These two perspectives permeate The Datafied Society: Studying Culture through Data, edited by Mirko Tobias Schäfer and Karin van Es.

  • 3.
    Appelgren, Ester
    Södertörns högskola, Institutionen för samhällsvetenskaper, Journalistik.
    The Reasons Behind Tracing Audience Behavior: A Matter of Paternalism and Transparency2017Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 11, s. 2178-2197Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article analyzes privacy agreement texts and cookie consent information collected from 60 news sites in three countries (U.S., UK, and Sweden) within the context of paternalism. The goal of this study is to explore how paternalism is present in news media companies’ stated reasons for collecting behavioral data. Twenty-five categories of reasons were identified and divided into six categories: personalization and enhanced user experience, delivery and maintenance of services, internal and corporate use of data, legal reasons, communication with the user, and third-party use of data. The analysis shows that the reasons can be formulated in both paternalistic and nonpaternalistic ways, and that the market-driven logic of Web analytics seems to collide with ethics in a journalistic context.

  • 4.
    Bolin, Göran
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    The Rhythm of Ages: Analysing Mediatization through the Lens of Generations Across Cultures2016Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, s. 5252-5269Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    A criticism raised about mediatization research is that although the concept of mediatization presupposes a long-term temporal perspective, there are few projects that have studied the process methodologically over time. This article argues that a generational approach can serve as one suggested analytical solution to the problem of studying long-term social, cultural, and societal change. The article describes a recently finished project on media generations in Sweden and Estonia and discusses overcoming the problem of conducting research on mediatization as a long-term process. Through intergenerational and cross-cultural analysis, the article shows how media memories from childhood and the formative years of youth can reveal specific traits in the historical process and how the role of the media has changed over time in the minds of different generations. The article focuses on four generations that had their formative years during significant historical moments in the late 20th century; these formative moments were marked by specificities both in the respective national media landscapes and in the vast historical and geopolitical differences between the two countries.

  • 5.
    Bolin, Göran
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Ståhlberg, Per
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Mediating the Nation-State: Agency and the Media in Nation-Branding Campaigns2015Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 9, s. 3065-3083Artikel i tidskrift (Refereegranskat)
  • 6.
    Bolin, Göran
    et al.
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Westlund, Oscar
    Göteborgs Universitet.
    Mobile Generations: The Role of Mobile Technology in the Shaping of Swedish Media Generations2009Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, nr 3, s. 108-124Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    It is often argued that young people are among the first to adopt new mediatechnologies, and that they are especially keen on taking on all new featuresconnected with mobile technology and the Internet. In spite of this oft-repeatedclaim, one could suspect that since computers and mobile phones have become sowidespread among large portions of the populations in the industrialised world, itmight not be technology, per se, that distinguishes the young from the old, butrather the actual ways in which it is used. One approach to discuss this is in termsof media generations. It could be expected that generations that have grown upwith different mediated experiences during their formative years will relate to themobile technology in a variety of ways (cf. Mannheim, 1952 & Volkmer, 2006). Inthis article, three such generations are analysed: the radio/print generation (born inthe 1930s), the TV generation (born in the 1950s), and the mobile technologygeneration (born in the 1980s). Access and usage patterns are researched, and thedegree to which the three generations differ when it comes to their relations tomobile technology is discussed, but also the unifying character of the mobiletelephony usage. Our methodological approach is quantitative, analysing resultsfrom annually conducted postal surveys that are representative for the Swedishpopulation.

  • 7.
    Burkart, Patrick
    et al.
    Texas A&M University.
    Andersson Schwarz, Jonas
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Editorial Introduction: Piracy and Social Change— Revisiting Piracy Cultures2015Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 9, nr 1, s. 792-797Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article introduces the contributions to this special section of the journal, frames the scope of contemporary digital piracy research in the social sciences and humanities, and relates the research project to neighboring fields in communication and media studies.

  • 8.
    Ericson, Staffan
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Stormy Weather: The Pre- and Post-History of Television2016Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, s. 5304-5323Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article examines Ingmar Bergman's first (and only) television adaptations of dramatist August Strindberg: The Storm (1960) and A Dream Play (1963). Both were broadcast live and favorably received by contemporary critics. A recurrent reaction was that television finally "did justice" to these plays from the early 20th century; implying, as did Raymond Williams in his 1974 book on television, that Strindberg's later drama somehow "anticipated" television. This claim is explored in relation to various thematic and formal expressions of temporality in both plays (motifs of enclosed spaces, telephones, clouds, and faces and the dialectics of progress and repetition) and the specificities of television (the "management of liveness," " mobile privatization," monitoring, etc.). The type of historicity involved in the claim that art may anticipate oncoming media technology is related to Walter Benjamin's notion of pre- and post-history.

  • 9.
    Evans, Christine
    et al.
    University of Wisconsin, Milwaukee, USA.
    Lundgren, Lars
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Geographies of Liveness: Time, Space, and Satellite Networks as Infrastructures of Live Television in the Our World Broadcast2016Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, s. 5362-5380Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article historicizes the emergence of television satellite infrastructure by exploring a key moment: a 1967 transnational satellite broadcast called Our World, that was to reach viewers across the northern hemisphere, including the USSR. Drawing on archival sources that reveal extensive negotiations among the producing sides, we find that Our World's claimed creation of "global presence" was indeed, as Lisa Parks has argued, a fantasy of modernization tied to temporal and spatial hierarchies of modernization, but one neither exclusive to the West nor uncontested by the show's socialist participants. We argue that the program's temporal claim to conquer space via liveness required the constant assertion of spatial hierarchies and conflicting temporalities, based on unequal and unpredictable material infrastructures, personal relationships, and rival symbolic claims. We describe these temporalized and spatialized conflicts as "geographies of liveness."

  • 10.
    Fornäs, Johan
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    The Mediatization of Third-Time Tools: Culturalizing and Historicizing Temporality2016Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, s. 5213-5232Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Time and media have multiple interfaces as media shape temporalities while changing through history. In three steps, this article explores how cultural time is mediated and how it changes through history. First, Paul Ricoeur's hermeneutics is presented as a fruitful way to understand cultural time as "third time," mediating between lived, subjective time and cosmic, objective time. Clocks, calendars, generational successions, archives, and documents are third-time tools linking internal to external time flows and producing text-based intersubjective temporality. Second, Ricoeur's analysis needs to be historicized. After discussing mediatization and its temporal development, the concept of waves is proposed to bridge the concepts of leap and growth. Particular attention is then paid to the latest, digital wave of mediatization. Referring to John Durham Peters and other media historians, some characteristics of this phase of time remediation are listed. Finally, critical, and political aspects are discussed, concluding that, although new technologies may threaten third time, this threat is counteracted by remediation that links digital time back to inherited modes of temporal representation.

  • 11.
    Graf, Heike
    Södertörns högskola, Institutionen för kultur och kommunikation, Medie- och kommunikationsvetenskap.
    Examining Garden Blogs as a Communication System2012Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, nr 6, s. 2758-2779Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    The blogosphere supports an interpersonal meaning production process by providing the space and opportunities for communication through the circulation and discussion oftopics. Using systems theory, as developed by Niklas Luhmann, I explore how garden bloggers issue invitations to communicate by studying their selection process from all possible entries and images. I examine the selection criteria for posting an entry and especially look at Swedish and German garden blogs to study “ordinary” people’s relations in the blogosphere from the perspective of sharing opinions, impressions, and emotions about their garden environment. As a result, the selection criteria of novelty, values, identification, conflicts, visuality, and sociality are revealed. A communicative culture of approval, admiration, and respect, which promotes emotional ties and strengthens the feeling of common concerns in the blogosphere, is noticeably present.

  • 12.
    Kalinina, Ekaterina
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap. University of Copenhagen, Copenhagen, Denmark.
    The Flow of Nostalgia: Experiencing Television from the Past2016Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, s. 5324-5341Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article investigates the Nostal'giia channel, a channel reproducing the daily schedule of Soviet Tsentralnoe Televidenie (Central Television) of the 1970s-1980s. The broadcast day comprises a flow of program reruns and a number of newly produced talk shows and documentaries. Reruns provide content flow that creates a particular experience of time passing while viewers can relive the experience of watching television in the 1980s. Meanwhile, new productions serve as commentaries on this content and connect bits and pieces into a complete picture by interpreting and providing contextual information. By doing so, the producers of the channel aim to create the feeling of historical continuity. By applying autoethnography, I investigate the experience of watching the channel and the flow of nostalgic sentiments that emerge while experiencing mediated narrations of the past. The aim is to not only explore the channel content, but also come to terms with nostalgia as a subjective experience and the difficulties that appear in the process of researching it.

  • 13.
    Kaun, Anne
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Archiving Protest Digitally: The Temporal Regime of Immediation2016Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, s. 5395-5408Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Media technologies are crucial for the experience of time and temporality. Hence, changes in the technological configurations of the media ecology have far-reaching consequences for temporal experiences and practices. At the same time, social practices are shaping media technologies in diverse ways. One way the dialectical relationship between time and technology is expressed is the current preservation of the past for future generations. In that context the notion of the archive as practice and institution has long been central to discussions of social organization and cultural production. However, archival practices are changing with digitization. This article explores the changes in temporality of the archive through the lens of protest movements that are both objects of archiving and subjects of self-archiving practices. Combining experiences with different kinds of archives ranging from the institutional physical archive to digital archives including born-digital materials, I ask after the consequences of the changing temporalities and time regimes of the archive in terms of its politics and, ultimately, after the historicity of protest movements.

  • 14.
    Kaun, Anne
    et al.
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Fornäs, Johan
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Ericson, Staffan
    Södertörns högskola, Institutionen för kultur och lärande, Medie- och kommunikationsvetenskap.
    Media Times: Mediating Time - Temporalizing Media: Introduction2016Ingår i: International Journal of Communication, ISSN 1932-8036, E-ISSN 1932-8036, Vol. 10, s. 52016-5212Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    The Special Section presents the work of the Scandinavian network Mediatization Times, which has gathered scholars with diverse backgrounds to discuss the complex relationship between time and the media. The contributions link to discussions of history and memory, liveness, and simultaneous presence as well as cultural techniques and infrastructures for temporal mediation. The section suggests that there is a renewed need to discuss temporal aspects of media and social change in the context of digital culture.

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