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Exclusion, Polarization, Hybridization, Assimilation: Otherness and Modernity in the Swedish Jazz Age
Södertörn University, School of Culture and Communication, Media and Communication Studies.ORCID iD: 0000-0002-9419-4883
2010 (English)In: Popular music and society, ISSN 0300-7766, E-ISSN 1740-1712, Vol. 33, no 2, 219-236 p.Article in journal (Refereed) Published
Abstract [en]

The introduction of jazz in Sweden fed into discourses renegotiating modern forms of identity in welfare society. In this new Jazz Age, music became an arena for reformulating norms of age, class, ethnicity, and gender differences. This article presents an intersectional and inter-medial study of songs, films and print sources with such topics. The new jazz idiom was linked to enticing and horrifying forms of otherness. Four basic positions are highlighted in the successive integration of both jazz and identities, from separation to fusion: demonizing exclusion, primitivist polarization, diversifying hybridization and normalizing assimilation.

Place, publisher, year, edition, pages
London: Routledge , 2010. Vol. 33, no 2, 219-236 p.
National Category
Cultural Studies Media and Communications Music
Identifiers
URN: urn:nbn:se:sh:diva-4484DOI: 10.1080/03007760903236814ISI: 000277648300005Scopus ID: 2-s2.0-77951764054OAI: oai:DiVA.org:sh-4484DiVA: diva2:360235
Available from: 2010-11-02 Created: 2010-11-02 Last updated: 2015-05-13Bibliographically approved

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Exclusion, polarization, hybridization, assimilation(490 kB)445 downloads
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CiteExportLink to record
Permanent link

Direct link
Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf