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Roman Polanski̇ si̇nemasinda ödi̇pal bağintilar
Södertörn University, School of Culture and Education, Gender Studies. Ankara university, Turkey.ORCID iD: 0009-0009-0562-7711
2018 (Turkish)In: 1st International CICMS Conference Proceedings / [ed] Mustafa Özgür Seçim, Christos Kalloniatis, Mustafa Aslan, Mehmet Umut Tuncer, Aslı İcil Tuncer, Turkey: University of Agean , 2018, p. 689-690Conference paper, Oral presentation with published abstract (Refereed)
Abstract [en]

The concept of the Oedipal complex lies at the heart of Freudian psychoanalytic theory, one of the dominant intellectual references of the 20th century, and its influence is strongly felt in cultural production. Roman Polanski, one of the contemporary auteurs, has continued his directorial mission in Eastern and Western Europe as well as in the USA. In his films, fictional male characters from different cultural climates share common Oedipal complex dynamics. This study will analyze the early films of Polanski, focusing on the Oedipal dynamics of male characters in "Knife in the Water" (Nóż w Wodzie, 1962), "Cul-de-sac" (1966), "The Fearless Vampire Killers" (1967), "What?" (Che?, 1972), and "The Tenant" (Le Locataire, 1976) through psychoanalytic film analysis within the framework of Freudian theory. The dialectical relationship between the dominant ideologies in Polanski's fictional world—patriarchy and heteronormativity—and the psychosexual dynamics of individuals will be emphasized.

Abstract [tr]

 Ödipal karmaşa kavramı, 20. YY’ın başat düşünsel referanslarından biri olan Freudyen psikanalitik kuramın merkezinde yer alır ve kavramın etki gücü kültürel üretimde yoğun bir şekilde hissedilir. Çağdaş auter’lerinden biri olan Roman Polanski, yönetmenlik misyonuna Doğu ve Batı Avrupa ile ABD’de devam etmiş, çektiği filmlerde farklı kültürel iklimlere mensup kurgusal erkek karakterler ödipal karmaşa dinamiklerine sahip olma noktasında ortaklaşmıştır. Bu çalışmada, erken dönem Polanski sinemasında eril karakter ödipal dinamiklerini merkeze alan, Sudaki Bıçak (Nóz W Wodzie, 1962), Bozuk Düzen (Culde-sac, 1966), Korkusuz Vampir Avcıları / Vampirlerin Dansı (Fearless Vampire Killers/ Dance Of The Vampires, 1967), Ne? (Che?, 1972) ve Kiracı (Le Locataire, 1976) filmleri, Freudyen kuram ekseninde, psikanalitik film çözümlemesi yoluyla ele alınacak; yönetmenin kurmaca dünyasındaki egemen ideolojiler olan ataerki ve heteronormative ile bireylerin psikoseksüel dinamikleri arasındaki ilişkinin diyalektik yapısı vurgulanacaktır. Anahtar Kelimeler: Roman Polanski, Ödipal Karmaşa, Sigmund Freud, Ödipal Yörünge

Place, publisher, year, edition, pages
Turkey: University of Agean , 2018. p. 689-690
Keywords [en]
Oedipal theory' psychoanalytic film theory, masculinity, film studies, Roman Polanski.
National Category
Media and Communication Studies Gender Studies
Research subject
Critical and Cultural Theory
Identifiers
URN: urn:nbn:se:sh:diva-54240ISBN: 9789758254699 (electronic)OAI: oai:DiVA.org:sh-54240DiVA, id: diva2:1871764
Conference
1st International CICMS (Cultural Informatics, Communication, and Media Studies), 4-5 May, 2018, Kuşadası, Turkey
Available from: 2024-06-17 Created: 2024-06-17 Last updated: 2025-02-11Bibliographically approved

Open Access in DiVA

No full text in DiVA

Other links

https://akademik.adu.edu.tr/fakulte/iletisim/webfolders/CICMS2018_Conference_Proceedings_EBook_WEB.pdf

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Izgi, Emre

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Total: 38 hits
CiteExportLink to record
Permanent link

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Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • sodertorns-hogskola-harvard.csl
  • sodertorns-hogskola-oxford.csl
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
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Output format
  • html
  • text
  • asciidoc
  • rtf