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Ylva Oglands socialrealism: Att göra det osynliga synligt
Södertörn University College, The School of Culture and Communication.
2006 (Swedish)Independent thesis Basic level (degree of Bachelor), 10 points / 15 hpStudent thesis
Abstract [en]

The purpose of this paper is to analyse how work by Swedish artist Ylva Ogland (born in 1974) function as an eye-opener for the social marginalisation of people identified with homosexuality, prostitution and drug addiction. Although highly present in reality, these phenomena were historically, and are still today, hidden from view in public discourse. I have focused on the installations Rapture and Silence and Things Seen, and the still-life painting called Xenia. I argue that these artworks carefully represent the above-mentioned marginalised groups, by way of references to comparable motives in the history of art, from neoclassicism in France, to realism and romanticism.

Place, publisher, year, edition, pages
Huddinge: Institutionen för medier, konst och filosofi , 2006. , 40 p.
Keyword [en]
Ylva Ogland, marginalisation, representation, social realism, installation, still-life painting, Norman Bryson, Gayatri Chakravorty Spivak, Johann Joachim Winckelmann
National Category
Art History
Identifiers
URN: urn:nbn:se:sh:diva-445OAI: oai:DiVA.org:sh-445DiVA: diva2:16144
Uppsok
humaniora/teologi
Supervisors
Examiners
Available from: 2006-01-24 Created: 2006-01-24

Open Access in DiVA

fulltext(384 kB)2141 downloads
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File name FULLTEXT01.pdfFile size 384 kBChecksum MD5
b7b9b2f7c3158ded469288c3a19d655014b8b251bbec20d3112b890fca2ef1a2bdcefb1e
Type fulltextMimetype application/pdf

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf