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Beyond Autonomy in Eighteenth-Century British and German Aesthetics
Södertörn University, School of Culture and Education, Aesthetics.ORCID iD: 0000-0002-3155-0502
Södertörn University, School of Culture and Education, Comparative Literature.ORCID iD: 0000-0002-8296-0173
Södertörn University, School of Culture and Education, Comparative Literature.ORCID iD: 0000-0003-0052-3496
2020 (English)Collection (editor) (Refereed)
Abstract [en]

This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests.

The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others.

This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.

Place, publisher, year, edition, pages
New York: Routledge, 2020, 1. , p. 314
Series
Routledge Studies in Eighteenth-Century Philosophy, ISSN 2644-0253
Keywords [en]
heteronomy, disinterestedness, Hume, Shaftesbury, Adam Smith, Kant, Mendelssohn, Baumgarten, Madame de Staël, Goethe, Ritter, Hölderlin, Hazlitt
National Category
Philosophy General Literature Studies
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Identifiers
URN: urn:nbn:se:sh:diva-42240DOI: 10.4324/9780429330254Scopus ID: 2-s2.0-85095927210ISBN: 9780367347963 (print)ISBN: 9780429330254 (electronic)OAI: oai:DiVA.org:sh-42240DiVA, id: diva2:1501637
Part of project
Reassessing the Rise of Aesthetics: Aesthetic Heteronomy from Shaftesbury to Schelling, Riksbankens Jubileumsfond
Funder
Riksbankens Jubileumsfond, P16-0075:1Available from: 2020-11-17 Created: 2020-11-17 Last updated: 2022-07-12Bibliographically approved

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Axelsson, KarlFlodin, CamillaPirholt, Mattias

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CiteExportLink to record
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Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • sodertorns-hogskola-harvard.csl
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  • Other style
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  • de-DE
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  • en-US
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  • nn-NB
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