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On trans-, glitch and gender as machinery of failure
Södertörns högskola, Institutionen för kultur och lärande, Genusvetenskap.ORCID-id: 0000-0002-6047-4369
2015 (engelsk)Inngår i: First Monday, ISSN 1396-0466, E-ISSN 1396-0466, Vol. 20, nr 4, artikkel-id 5895Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

This paper develops an understanding of gender as something fundamentally technological, and as such broken. Drawing on the technological undercurrent in current posthumanist feminist theory, it puts into play a vocabulary of malfunctioning, broken, vulnerable technologies, and in particular uses the term ‘glitch’ to account for machinic failures in gender within the digital domain. As an intriguing example of the technologies of (trans)gender, the core example consists of the social media presence and public transition of Isabella Bunny Bennett — a musical performer and a member of the U.S.-based band Steam Powered Giraffe. Drawing on how glitch is understood as an accidental error and a critical potential in aesthetic practices, the article is a contribution to what recently has been coined ‘glitch feminism.’

sted, utgiver, år, opplag, sider
2015. Vol. 20, nr 4, artikkel-id 5895
Emneord [en]
digital media studies, gender, glitch, posthumanist feminist theory, technology, transgender studies
HSV kategori
Forskningsprogram
Kritisk kulturteori
Identifikatorer
URN: urn:nbn:se:sh:diva-27403DOI: 10.5210/fm.v20i4.5895Scopus ID: 2-s2.0-84928686530Lokal ID: 946/42/2011OAI: oai:DiVA.org:sh-27403DiVA, id: diva2:810763
Ingår i projekt
Urverk, mässing och korsetter: Politik och drömmar i steampunkkulturer, Riksbankens Jubileumsfond
Forskningsfinansiär
Riksbankens Jubileumsfond, P11-0091:1Tilgjengelig fra: 2015-05-08 Laget: 2015-05-08 Sist oppdatert: 2019-08-29bibliografisk kontrollert

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