sh.sePublikasjoner
Endre søk
RefereraExporteraLink to record
Permanent link

Direct link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • sodertorns-hogskola-harvard.csl
  • sodertorns-hogskola-oxford.csl
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming
Södertörns högskola, Institutionen för kultur och lärande, Genusvetenskap.ORCID-id: 0000-0002-1505-4357
Uppsala University, Sweden.
2024 (engelsk)Inngår i: Twentieth Century Music, ISSN 1478-5722, E-ISSN 1478-5730, s. 1-27Artikkel i tidsskrift (Fagfellevurdert) Epub ahead of print
Abstract [en]

Music streaming service Spotify has recently declared that genre is becoming less important in popular music culture, linking this idea to post-identity claims. In contrast, the central argument of this article is that genre continues to matter in music streaming, where algorithmic recommendation systems remediate genre and its association with constructions of identity and difference. We examine Spotify's mediation of genre through a multimodal discourse analysis of genre metadata as presented on the website Every Noise at Once, playlist curation, and media discourse. Analysing the genres bubblegrunge and rap français (French rap), we show that the algorithmic and human processes of Spotify and its users rearticulate genre, shaping, in turn, patterns of recommendation, curation, and consumption. These processes remediate earlier constructions of identity, temporality, and place in music culture. Simultaneously, they intensify differentiation and individuation, tying in with postulations of multiplicity and diversity in neoliberalism that conceal power imbalances.

sted, utgiver, år, opplag, sider
Cambridge University Press, 2024. s. 1-27
HSV kategori
Forskningsprogram
Kritisk kulturteori
Identifikatorer
URN: urn:nbn:se:sh:diva-53559DOI: 10.1017/s1478572223000270ISI: 001162043000001OAI: oai:DiVA.org:sh-53559DiVA, id: diva2:1838363
Ingår i projekt
Ljud, affekt och kvinnlig subjektivitet i strömmad musik, Swedish Research Council
Forskningsfinansiär
Swedish Research Council, 2020-06449Tilgjengelig fra: 2024-02-16 Laget: 2024-02-16 Sist oppdatert: 2024-03-15bibliografisk kontrollert

Open Access i DiVA

fulltext(504 kB)133 nedlastinger
Filinformasjon
Fil FULLTEXT02.pdfFilstørrelse 504 kBChecksum SHA-512
66e6ffbbb6c0cab44cacc5f6294b0867d5f4d7bcd72f4413bce27c7365c4853051dcbcbd2f792378f0cbd2857a2c5225d8abdabcb48b98e20afcacdc0e07c6d0
Type fulltextMimetype application/pdf

Andre lenker

Forlagets fulltekst

Person

Muchitsch, Veronika

Søk i DiVA

Av forfatter/redaktør
Muchitsch, Veronika
Av organisasjonen
I samme tidsskrift
Twentieth Century Music

Søk utenfor DiVA

GoogleGoogle Scholar
Totalt: 134 nedlastinger
Antall nedlastinger er summen av alle nedlastinger av alle fulltekster. Det kan for eksempel være tidligere versjoner som er ikke lenger tilgjengelige

doi
urn-nbn

Altmetric

doi
urn-nbn
Totalt: 120 treff
RefereraExporteraLink to record
Permanent link

Direct link
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-anglia-ruskin-university
  • apa-old-doi-prefix.csl
  • sodertorns-hogskola-harvard.csl
  • sodertorns-hogskola-oxford.csl
  • Annet format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annet språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf