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Beyond Autonomy in Eighteenth-Century British and German Aesthetics
Södertörns högskola, Institutionen för kultur och lärande, Estetik.ORCID-id: 0000-0002-3155-0502
Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.ORCID-id: 0000-0002-8296-0173
Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.ORCID-id: 0000-0003-0052-3496
2020 (engelsk)Collection/Antologi (Fagfellevurdert)
Abstract [en]

This volume re-examines traditional interpretations of the rise of modern aesthetics in eighteenth-century Britain and Germany. It provides a new account that connects aesthetic experience with morality, science, and political society. In doing so, it challenges long-standing teleological narratives that emphasize disinterestedness and the separation of aesthetics from moral, cognitive, and political interests.

The chapters are divided into three thematic parts. The chapters in Part I demonstrate the heteronomy of eighteenth-century British aesthetics. They chart the evolution of aesthetic concepts and discuss the ethical and political significance of the aesthetic theories of several key figures: namely, the third Earl of Shaftesbury, David Hume, and Adam Smith. Part II explores the ways in which eighteenth-century German, and German-oriented, thinkers examine aesthetic experience and moral concerns, and relate to the work of their British counterparts. The chapters here cover the work of Kant, Moses Mendelssohn, Alexander Gottlieb Baumgarten, and Madame de Staël. Finally, Part III explores the interrelation of science, aesthetics, and a new model of society in the work of Goethe, Johann Wilhelm Ritter, Friedrich Hölderlin, and William Hazlitt, among others.

This volume develops unique discussions of the rise of aesthetic autonomy in the eighteenth century. In bringing together well-known scholars working on British and German eighteenth-century aesthetics, philosophy, and literature, it will appeal to scholars and advanced students in a range of disciplines who are interested in this topic.

sted, utgiver, år, opplag, sider
New York: Routledge, 2020, 1. , s. 314
Serie
Routledge Studies in Eighteenth-Century Philosophy, ISSN 2644-0253
Emneord [en]
heteronomy, disinterestedness, Hume, Shaftesbury, Adam Smith, Kant, Mendelssohn, Baumgarten, Madame de Staël, Goethe, Ritter, Hölderlin, Hazlitt
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URN: urn:nbn:se:sh:diva-42240DOI: 10.4324/9780429330254Scopus ID: 2-s2.0-85095927210ISBN: 9780367347963 (tryckt)ISBN: 9780429330254 (digital)OAI: oai:DiVA.org:sh-42240DiVA, id: diva2:1501637
Ingår i projekt
Estetikens århundrade i nytt ljus: estetisk heteronomi från Shaftesbury till Schelling, Riksbankens Jubileumsfond
Forskningsfinansiär
Riksbankens Jubileumsfond, P16-0075:1Tilgjengelig fra: 2020-11-17 Laget: 2020-11-17 Sist oppdatert: 2022-07-12bibliografisk kontrollert

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Axelsson, KarlFlodin, CamillaPirholt, Mattias

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