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Machine Sensibility: Unpacking the Embodied and Situated Dimensions of 3D Printing
Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, Medieteknik. Stockholm University.ORCID-id: 0000-0002-9066-4673
Södertörns högskola, Institutionen för naturvetenskap, miljö och teknik, Medieteknik.ORCID-id: 0000-0003-1644-1778
Stockholm University.
2020 (engelsk)Inngår i: NordiCHI '20: Proceedings of the 11th Nordic Conference on Human-Computer Interaction: Shaping Experiences, Shaping Society, New York: Association for Computing Machinery (ACM), 2020, s. 1-13, artikkel-id 53Konferansepaper, Publicerat paper (Fagfellevurdert)
Abstract [en]

This paper offers a conceptual contribution to understand 3D printing practice. We have studied conversations between 3D printing practitioners who discuss failed and discarded printed artifacts and analyzed how they make sense of the printing process. Based on findings of interactions with the machine itself, materials used, and designs applied, this study contributes to the field of HCI by highlighting the embodied and situated dimensions of 3D printing. Introducing the concept of machine sensibility, we characterize our findings around: i) assessing printability, ii) monitoring and intervening and iii) reading the prints. We use the term machine to highlight the importance of understanding the materiality of the 3D printer, and sensibility, to address critical interactions and abilities that surfaced in studying this practice. The concept allows researchers to put 3D printing practice in the context of contemporary interaction design research and helps to understand challenges of material-machine-design interdependencies.

sted, utgiver, år, opplag, sider
New York: Association for Computing Machinery (ACM), 2020. s. 1-13, artikkel-id 53
Emneord [en]
3D printing, machine sensibility, personal fabrication, embodied interaction, 3D printing practice, failure, material turn, human machine interaction
HSV kategori
Forskningsprogram
Annat forskningsområde
Identifikatorer
URN: urn:nbn:se:sh:diva-42136DOI: 10.1145/3419249.3420166Scopus ID: 2-s2.0-85123042195ISBN: 978-1-4503-7579-5 (digital)OAI: oai:DiVA.org:sh-42136DiVA, id: diva2:1483477
Konferanse
NordiCHI '20: Shaping Experiences, Shaping Society, Tallinn October, 2020
Tilgjengelig fra: 2020-10-27 Laget: 2020-10-27 Sist oppdatert: 2024-02-02bibliografisk kontrollert
Inngår i avhandling
1. Makers, Materials and Machines: Understanding Experience and Situated Embodied Practice in the Makerspace
Åpne denne publikasjonen i ny fane eller vindu >>Makers, Materials and Machines: Understanding Experience and Situated Embodied Practice in the Makerspace
2022 (engelsk)Doktoravhandling, med artikler (Annet vitenskapelig)
Abstract [en]

This thesis explores interaction between humans, materials, and machines, in the context of makerspaces. The concept of making describes a practice that deals with new technologies in combination with craft to create artifacts in physical, digital and hybrid forms. Despite substantial research, there is still a need to examine what practices of making have to offer to Human-Computer Interaction (HCI) research. This particularly concerns investigations of the close relations between the multitudes of different activities, materials, machines and things in such shared spaces.

Making is discussed as a practice of importance for interaction design and conceptualised as involving a particular mindset when engaging with materials and machines. Based on this, my work argues that the phenomenon calls for a deeper reflection on recent movements on material interaction and materiality on the one hand, and perspectives on machine interactions on the other. I explore how situated and embodied practices can be revealed in investigations of makerspace activities. Further, my work describes how makers experience and make sense of the materials and machines that populate makerspaces. Finally, I map out how insights on experience and practice with machines and materials can be conceptualised in a way that become useful for contemporary interaction design practices.

The presented research builds on four qualitative studies, in which I draw on investigations in the makerspace and combine an ethnographic approach with participant observation, design methods and contextual inquiry. The resulting five collaboratively written papers frame making as an experience in itself and discover particular ways of making sense of materials. Further, we study embodied and situated dimensions of 3D printing, as well as practices concerning modding and the maintenance of machines and explore how practitioners may develop a maker mindset. The papers contribute with a set of conceptualisations such as “material literacy” when taking artifacts apart, “machine sensibility”, which practitioners show in their interaction with 3D printing, and the “pliable machine” that emerged from studying modding of a laser cutter. These conceptualizations highlight new aspects and perspectives of maker activities and interactions previously less accounted for.

sted, utgiver, år, opplag, sider
Stockholm: Department of Computer & Systems Sciences, Stockholm University, 2022. s. 116
Serie
Södertörn Doctoral Dissertations, ISSN 1652-7399 ; 208
Serie
DSV report series, ISSN 1101-8526 ; 22-003
Emneord
HCI, making, materials, machines, experience, makerspace, situated practice, embodied interaction, material interaction, maker culture, material turn, digital fabrication, material literacy, machine sensibility, pliable machine
HSV kategori
Forskningsprogram
Östersjö- och Östeuropaforskning
Identifikatorer
urn:nbn:se:sh:diva-49972 (URN)978-91-7911-998-0 (ISBN)978-91-7911-999-7 (ISBN)
Disputas
2022-10-21, Lilla hörsalen, NOD-huset, Borgarfjordsgatan 12, 13:00 (engelsk)
Opponent
Veileder
Forskningsfinansiär
The Foundation for Baltic and East European Studies
Tilgjengelig fra: 2022-09-29 Laget: 2022-09-29 Sist oppdatert: 2022-09-29bibliografisk kontrollert

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