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En aning om ett sällsamt universum: En undersökning av C.J.L. Almqvists ”poetiska fuga”
Södertörns högskola, Institutionen för kultur och lärande, Litteraturvetenskap.
2020 (Svenska)Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
Abstract [en]

ABSTRACT And concrete diction

Carl Jonas Love Almqvist’s Drottningens juvelsmycke (The Queen's Tiara; 1834) is, along with Amorina, the work primarily associated with the ”poetic fugue” – a concept the author develops in ”Om enheten av epism och dramatism; en aning om den poetiska fugan” (”On the unity of epism and dramatism; a notion of the poetic fugue”; 1821); an essay often considered vague and theoretical by researchers in the field. The meaning of the poetic fugue has been regarded unclear, but mainly considered as some kind of synthesis of epic and dramatic writing. This essay argues that that is not the case, and that this one-dimensional approach both limits the interpretations of the essay and the poetic fugue as a whole. From a multidisciplinary perspective, with myself and my own reader as a part of the fugue itself, the aim of this essay is to highlight a very important overseen aspect of the poetic fugue, and Almqvist’s writing in general – the connections to mathematics, the analogies between abstract and concrete levels, and how these are deeply intertwined. The results in this essay are derived from a close reading technique based on mathematical problem solving called the ideotic method (den ideotiska metoden), and analyzed with Douglas Hofstadter's theory of Strange loops in Gödel, Escher, Bach – an eternal golden braid (1979). This analysis shows that this analogy is not just about the composition of a poetic piece of art, a synthesis of epic and dramatic writing, or the relation between music and text. Instead the results do point to an alternative interdisciplinary interpretation, where the relations between parts and units, realities and fictions, readers and texts, make the poetic fugue more of an analogy for the universe as a whole – a living and breathing ”animal coeleste” in contrast to the Newtonian ”mechanical coeleste”. An analogy which, thanks to its mathematical construction and way of looking at time as non-linear, is connected to both Einstein’s theory of relativity and quantum theory – the science of the very big and the very small, parts and units, of everything, including ourselves. 

Ort, förlag, år, upplaga, sidor
2020. , s. 40
Nyckelord [en]
Carl Jonas Love Almqvist, the poetic fugue, mathematics, strange loops, animal coeleste, mechanical coeleste, analogy, Douglas Hofstadter, Gödel Escher Bach: an eternal golden braid, non-linear time
Nyckelord [sv]
Carl Jonas Love Almqvist, epism och dramatism, den poetiska fugan, Tintomara, sällsamma slingor, analogi, isomorfi, matematik, ideotiken, ideotiska metoden, Douglas Hofstadter, Gödel Escher Bach: ett evigt gyllene band
Nationell ämneskategori
Matematik Litteraturvetenskap
Identifikatorer
URN: urn:nbn:se:sh:diva-41878OAI: oai:DiVA.org:sh-41878DiVA, id: diva2:1467531
Ämne / kurs
Litteraturvetenskap
Uppsök
humaniora/teologi
Handledare
Examinatorer
Tillgänglig från: 2020-09-16 Skapad: 2020-09-15 Senast uppdaterad: 2020-09-16Bibliografiskt granskad

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C.Jägerfeld En Aning Om Ett Sällsamt Universum(14960 kB)193 nedladdningar
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