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Spacing Philosophy: Lyotard and the Idea of the Exhibition
Södertörns högskola, Institutionen för kultur och lärande, Filosofi.ORCID-id: 0000-0002-6968-3693
2019 (engelsk)Bok (Annet vitenskapelig)
Abstract [en]

In 1985, the philosopher Jean-François Lyotard curated “Les Immatériaux” at Centre Georges Pompidou. Though widely misunderstood at the time, the exhibition marked a “curatorial turn” in critical theory. Through its experimental layout and hybrid presentation of objects, technologies, and ideas, this pioneering exploration of virtuality reflected on the exhibition as a medium of communication, and anticipated a deeper engagement with immersive and digital space in both art and theory. In Spacing Philosophy, Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard’s exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard’s own work on aesthetics and phenomenology. “Les Immatériaux” can thus be seen as a culmination and materialization of a life’s work as well as a primer for the many thought-exhibitions produced in the following decades.

sted, utgiver, år, opplag, sider
Berlin: Sternberg Press, 2019. , s. 251
Serie
Institut für Kunstkritik series
Emneord [en]
Jean-François Lyotard, Les Immatériaux, exhibitions, postmodernism, curatorial studies, aesthetics, philosophy of art
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Identifikatorer
URN: urn:nbn:se:sh:diva-39026Libris ID: dp8xt7m6blpszpg7ISBN: 978-3-95679-388-2 (tryckt)OAI: oai:DiVA.org:sh-39026DiVA, id: diva2:1352497
Tilgjengelig fra: 2019-09-19 Laget: 2019-09-19 Sist oppdatert: 2019-12-12bibliografisk kontrollert

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Wallenstein, Sven-Olov

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Totalt: 311 treff
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