Den nya generationen: Dystopisk reproduktion: En tematisk genusanalys av Karin Boyes Kallocain, Aldous Huxleys Du sköna nya värld och George Orwells 1984
2010 (Svenska)Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hp
Studentuppsats (Examensarbete)
Abstract [en]
The three dystopian novels Brave New World by Aldous Huxley, Kallocain by Karin Boye and Nineteen Eighty-Four by George Orwell have been highly discussed amongst literary critics and scholars. Although these works are well-known, some themes have had very little or no recognition. Biological reproduction is a recurring subject in dystopian literature. Although it is not the main theme in the novels, it is a very important part in dystopian culture and dystopian society. By focusing on reproduction and the structure of gender roles in these three dystopias, I hope to bring to light something that's been in the shadows for a long time i.e. the women of dystopian society. I will address the role of nature and technology in terms of reproduction by using Pia Maria Ahlbäck's theory of the heterotopia. Later, I will discuss the problems and possibilities of the role of women in biological reproduction.
Ort, förlag, år, upplaga, sidor
2010. , s. 39
Nyckelord [en]
Dystopia, George Orwell, Nineteen Eighty-four, Karin Boye, Kallocain, Aldous Huxley, Brave new world, Reproduction, Gender, Gender roles, Nature, Technology, Totalitarian, Power
Nyckelord [sv]
Dystopi, George Orwell, 1984, Karin Boye, Kallocain, Aldous Huxley, Du sköna nya värld, Reproduktion, Genus, Könsroller, Natur, Teknologi, Totalitär, Makt
Identifikatorer
URN: urn:nbn:se:sh:diva-5700OAI: oai:DiVA.org:sh-5700DiVA, id: diva2:392370
Uppsök
humaniora/teologi
Handledare
Examinatorer
2011-01-272011-01-262011-01-27Bibliografiskt granskad