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Listening to Anohni's variously vibrating voice: studying transfeminine vocality in 21st-century popular music culture through the concept of vocal figurations
Södertörns högskola, Institutionen för kultur och lärande, Genusvetenskap.ORCID-id: 0000-0002-1505-4357
2023 (engelsk)Inngår i: Popular Music, ISSN 0261-1430, E-ISSN 1474-0095, Vol. 42, nr 1, s. 59-78Artikkel i tidsskrift (Fagfellevurdert) Published
Abstract [en]

This article examines the work and reception of singer-songwriter Anohni to investigate sonic and discursive negotiations of transfeminine vocality in 21st-century popular music culture. Developing Haraway's concept of feminist figurations, it introduces the concept of vocal figurations, which articulates a performative, relational and multiply mediated understanding of voice, wherein gendered voice takes shape through processes of voicing and listening. I initially examine Anohni's reception to analyse how biologist, trans-exclusionary and othering discourses surrounding voice and gender inform emergent discourses of transfeminine voices in the first decades of the 21st century. Subsequently, I build on trans and queer theorisations of voice and listening to engage Anohni's variably vibrating voice as a vocal figuration that may challenge biologist and marginalising constructions of transfeminine vocality. I suggest that it may attune us to recognise all gendered voices as thoroughly situated yet changeable configurations of sounding voices, bodies, and subjects.

sted, utgiver, år, opplag, sider
Cambridge University Press, 2023. Vol. 42, nr 1, s. 59-78
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Forskningsprogram
Kritisk kulturteori; Kritisk kulturteori
Identifikatorer
URN: urn:nbn:se:sh:diva-51479DOI: 10.1017/S0261143023000107ISI: 000969405200001Scopus ID: 2-s2.0-85162138486OAI: oai:DiVA.org:sh-51479DiVA, id: diva2:1756592
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Tilgjengelig fra: 2023-05-12 Laget: 2023-05-12 Sist oppdatert: 2024-01-08bibliografisk kontrollert

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Muchitsch, Veronika

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