In this article I aim to bring to the fore a problematic trait of Polish philosopher Stanisław Brzozowski’s (1878–1911) thinking, which is his insistence on the metaphysical importance of human domination of nature through work, technology, and maximization of production. The focal point of the article is Brzozowski’s interpretation of Georg Sorel, with an emphasis on Reflections on Violence and the concept of the social myth. I argue that Brzozowski considers the primary strength of the social myth to lie in its contribution to such domination, because its principal trait is to provide man with a sublime feeling of elevation above nature. Furthermore, this feeling becomes a motive force for struggle against nature. In conclusion, I suggest that the perspective of the sublime is a fruitful path for future critical encounters with Brzozowski’s work. The first part of the article stresses the importance of the sublime in Reflections on Violence. Sorel uses this concept throughout his main work to describe the affective nature of the violence of the social myth, which coordinates the inclinations of the masses towards emancipation. The second part discusses how Brzozowski understands the social myth, law, and nationhood from the perspective of human domination of elemental nature.

This article explores the concept of labour through a diremptive reading of Polish philosopher Stanisław Brzozowski’s essay “Prolegomena filozofii ‘pracy’” (“Prolegomena to a Philosophy of ‘Labour’”) written in 1909. This essay appears as a chapter in his main work Idee: wstęp do filozofii dojrzałości dziejowej (Ideas. An Introduction to the Philosophy of Historical Maturity), first published in 1910. In “Prolegomena,” Brzozowski defines labour as an inner gesture that delineates the duration of life. In the interpretation of this definition the influence of Henri Bergson on Brzozowski’s thought is stressed. Inspired by Bergson, Brzozowski understands labour as the only ground-creating—and therefore metaphysical—activity of humanity, when faced with the absence of transcendent grounds for existence in modernity. Emphasis is placed on Brzozowski’s insistence in “Prolegomena” that labour is irrational in its delineation of the absolutely new. He describes it as the α of the inner gesture of labour that cannot be known until it is performed. This unknown α is interpreted as his way of describing the groundlessness of the ground-creating activity of labour, and that this groundlessness means that labour eludes the control of the subject.