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Öhrner, A. (2019). "Art History Outside The Nationalist Paradigm: Soros Art Centers In A Global Perspective": Review of Globalizing East European Art Histories. Past and Present. Ed. Beáta Hock and Anu Allas.. Baltic Worlds, 2
Open this publication in new window or tab >>"Art History Outside The Nationalist Paradigm: Soros Art Centers In A Global Perspective": Review of Globalizing East European Art Histories. Past and Present. Ed. Beáta Hock and Anu Allas.
2019 (English)In: Baltic Worlds, ISSN 2000-2955, E-ISSN 2001-7308, Vol. 2Article in journal (Refereed) Published
Abstract [en]

This article reviews the anthology Globalizing East European Art Histories. Past and Present. Routledge Research in Art History Beáta Hock and Anu Allas (ed.), London: Routledge, 2018. 

Keywords
Art History, East European Art History, Piotr Piotrowski
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-38617 (URN)
Available from: 2019-07-23 Created: 2019-07-23 Last updated: 2019-07-24Bibliographically approved
Öhrner, A. (2019). Hilma af Klint: Paintings for the future: Review of the catalogue to the exhibition Hilma af Klint: Paintings for the future at Solomon R. Guggenheim. [Review]. Woman's Art Journal, 40(1), 46-48
Open this publication in new window or tab >>Hilma af Klint: Paintings for the future: Review of the catalogue to the exhibition Hilma af Klint: Paintings for the future at Solomon R. Guggenheim.
2019 (English)In: Woman's Art Journal, ISSN 0270-7993, E-ISSN 2158-8457, Vol. 40, no 1, p. 46-48Article, book review (Refereed) Published
Place, publisher, year, edition, pages
Pennsylvania: Rutgers University, 2019
Keywords
Hilma af Klint, pioneer's of abstraction, Solomon R. Guggenheim Museum, Woman's art.
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-38075 (URN)000467066500010 ()
Available from: 2019-04-26 Created: 2019-04-26 Last updated: 2019-05-23Bibliographically approved
Öhrner, A. (2018). A Northern Avant-garde: Spaces and Cultural Transfer. In: Pam Meecham (Ed.), A Companion to Modern Art: (pp. 359-373). Hoboken: Wiley-Blackwell
Open this publication in new window or tab >>A Northern Avant-garde: Spaces and Cultural Transfer
2018 (English)In: A Companion to Modern Art / [ed] Pam Meecham, Hoboken: Wiley-Blackwell, 2018, p. 359-373Chapter in book (Other academic)
Abstract [en]

The avant-garde of the early twentieth century in Europe was to a large extent a field of migrating artists and the circulation of artists' works. Swedish and other Scandinavian artists were a large part of avant-garde formations in Paris. Avant-garde formations need to be understood as being positioned in a field of several parallel spaces. Matisse eleverna ("the students of Matisse") has become ahistorical, gendered in the masculine unit that with time and much historical writing, has taken on a narrower meaning different from the actual group of Matisse's Swedish students. This chapter investigates this construction through two recent figures of pioneering avant-gardism within the modernist narrative: the ones created around the work of Siri Derkert and Hilma af Klint. It concludes by revisiting the Baltic Exhibition in Malmo 1914, an historic moment where several initiatives of avant-garde ambition were performed on one site.

Place, publisher, year, edition, pages
Hoboken: Wiley-Blackwell, 2018
Series
Wiley Blackwell Companions To Art History ; 13
Keywords
Baltic Exhibition, Cultural transfer, Matisse eleverna, Northern avant-garde, Scandinavian artists, Swedish artists
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-36771 (URN)10.1002/9781118639948.ch19 (DOI)2-s2.0-85052949375 (Scopus ID)9781118639948 (ISBN)9781118639849 (ISBN)
Available from: 2018-11-19 Created: 2018-11-19 Last updated: 2018-11-19Bibliographically approved
Öhrner, A. (2018). Claiming Futurism: Arturo Ciacelli in Scandinavia. In: Günter Berghaus, Domenico Pietropaolo, and Beatrice Sica (Ed.), International Yearbook of Futurism Studies: Open Issue (pp. 107-128). Berlin/Boston: De Gruyter
Open this publication in new window or tab >>Claiming Futurism: Arturo Ciacelli in Scandinavia
2018 (English)In: International Yearbook of Futurism Studies: Open Issue / [ed] Günter Berghaus, Domenico Pietropaolo, and Beatrice Sica, Berlin/Boston: De Gruyter , 2018, p. 107-128Chapter in book (Refereed)
Abstract [en]

This essay examines how Italian Futurism could be converted into new cultural capital, transferred intooutjer countries and employed as a strategy in the early 1910s within the early Nordic avant-garde. Around the years 1910-101. the Italian artist Arturo Ciacelli (1883-1966) spent time in Paris in the circle of Robert and Sonia Delaunay before movint north with Elsa Ström, a Swedish artist he had married in 1909. Ciacelli sought to establish himself in Scandinavia not only as an artist, but also as an editor of the new journal Ny Konst (New Art, 1915) and as the director of a gallery for contemporary art. His Nya Konstgalleriet (New Art Gallery), founded in Stockholm in 1915, promoted Nordic and international avant-garde painting until 1921. Ciacelli's embrace of Futurism was less evident in his panterly work that in his theoretical statements, the most important of which was an incomplete translation of La pittura futurista: Manifesto tecnico (1910), based on the French edition of 1912 in the Berhheim-Jeune catalogue, entitled "Manifeste des peintres futuristes". The chapter presents Ciacelli's activities in Stockholm, Lund and Copnehagen, and discusses the artist's strategies for forestering trans-national migrations of avant-garde formations and discuss his Futurist-Målarnes Manifest of 1913.

Place, publisher, year, edition, pages
Berlin/Boston: De Gruyter, 2018
Series
International Yearbook of Futurism Studies, ISSN 2192-0281 ; 8
Keywords
Arturo Ciacelli, Futurism, Swedish futurism manifesto
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-34907 (URN)10.1515/9783110575361-006 (DOI)978-3-11-057463-0 (ISBN)978-3-11-057536-1 (ISBN)
Available from: 2018-04-27 Created: 2018-04-27 Last updated: 2018-04-27Bibliographically approved
Öhrner, A. (2018). Ivan Aguéli: Långt borta och nära. In: Patrik Steorn, Viveca Lindenstrand (Ed.), Ivan Aguéli: måleriet och mystiken (pp. 14-19). Stockholm: Thielska Galleriet
Open this publication in new window or tab >>Ivan Aguéli: Långt borta och nära
2018 (Swedish)In: Ivan Aguéli: måleriet och mystiken / [ed] Patrik Steorn, Viveca Lindenstrand, Stockholm: Thielska Galleriet , 2018, p. 14-19Chapter in book (Other academic)
Place, publisher, year, edition, pages
Stockholm: Thielska Galleriet, 2018
Keywords
Ivan Aguéli, cultural history, symbolism, museum history
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-36785 (URN)978-91-639-5104-6 (ISBN)
Note

Utställning Thielska galleriet, Stockholm, 6 oktober 2018- 10 februari 2019

Available from: 2018-11-19 Created: 2018-11-19 Last updated: 2018-11-20Bibliographically approved
Öhrner, A. (2018). Making Space for Feminism: All-Women Art Exhibitions in Sweden in the 1970s. In: Agata Jakubowska and Katy Deepwell (Ed.), All-Women Art Spaces in Europe in the Long 1970s: (pp. 47-70). Liverpool: Liverpool University Press
Open this publication in new window or tab >>Making Space for Feminism: All-Women Art Exhibitions in Sweden in the 1970s
2018 (English)In: All-Women Art Spaces in Europe in the Long 1970s / [ed] Agata Jakubowska and Katy Deepwell, Liverpool: Liverpool University Press, 2018, p. 47-70Chapter in book (Refereed)
Place, publisher, year, edition, pages
Liverpool: Liverpool University Press, 2018
Series
Value Art Politics ; 15
Keywords
Feminist art, 1970's art history in Sweden
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-36786 (URN)978-1-78694-058-2 (ISBN)
Available from: 2018-11-19 Created: 2018-11-19 Last updated: 2018-11-20Bibliographically approved
Öhrner, A. (2018). Niki de Saint Phalle Playing with the Feminine in the Male Factory: Hon - en katedral. Stedelijk Studies (7), 1-16
Open this publication in new window or tab >>Niki de Saint Phalle Playing with the Feminine in the Male Factory: Hon - en katedral
2018 (English)In: Stedelijk Studies, ISSN 2405-7177, no 7, p. 1-16Article in journal (Refereed) Published
Abstract [en]

HON – en katedral (SHE – a cathedral, June 4–September 4, 1966) at Moderna Museet in Stockholm, was structured as a giant, reclining woman filling the entire space of the museum’s largest room, more or less to its edges (fig. 1). She was painted white with patterns of clear colors over parts of her body. Entering HON – en katedral (hereafter simply Hon) through its vagina, the audience found themselves walking and climbing in something that has been referred to as a kind of amusement park. The image of the invasive, female body placed directly into the heart of the museum institution served to disturb power relations within artistic networks and cultural life at a time when both the representation of women and gender positions in the arts were being challenged.

Place, publisher, year, edition, pages
Amsterdam: , 2018
Keywords
Niki de Saint Phalle, Exhibition history, Jean Tinguely, Per Olof Ultvedt, Moderna Museet, Feminist art history.
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-36838 (URN)2015/3.1.1/1305 (Local ID)2015/3.1.1/1305 (Archive number)2015/3.1.1/1305 (OAI)
Funder
The Foundation for Baltic and East European Studies, 2015/3.1.1/1305
Available from: 2018-12-01 Created: 2018-12-01 Last updated: 2019-08-29Bibliographically approved
Öhrner, A. (Ed.). (2017). Art in Transfer in the Era of Pop: Curatorial Practices and Transnational Strategies. Huddinge: Södertörns högskola
Open this publication in new window or tab >>Art in Transfer in the Era of Pop: Curatorial Practices and Transnational Strategies
2017 (English)Collection (editor) (Refereed)
Abstract [en]

How should we understand post-war art? How were issues of cultural transfer and curatorial strategies dealt with in the extended 1960s – the era of pop?

Art in Transfer in the Era of Pop juxtaposes issues and contexts approaching the concept and reception of Pop Art. Contributors from Europe and beyond weave a web that resists the notion of universialism, adding to art historian Piotr Piotrowski’s “horizontal” art history. This volume avoids the historiographic stance where the US—Europe relationship appears to be a one-way affair. Instead, the reader is drawn into the history of the circulation and cross-pollination of ideas, the aesthetic practices and the various contexts that influenced them.

Place, publisher, year, edition, pages
Huddinge: Södertörns högskola, 2017. p. 395
Series
Södertörn Academic Studies, ISSN 1650-433X ; 67Södertörn Studies in Art History and Aesthetics ; 3
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-31545 (URN)978-91-87843-64-8 (ISBN)978-91-87843-65-5 (ISBN)
Available from: 2016-12-27 Created: 2016-12-27 Last updated: 2017-05-09Bibliographically approved
Uggla, K. & Öhrner, A. (2017). Forskning rörande kulturella och kreativa näringar vid lärosäten i Stockholms län: En inventering. Stockholm: Stockholms läns landsting
Open this publication in new window or tab >>Forskning rörande kulturella och kreativa näringar vid lärosäten i Stockholms län: En inventering
2017 (Swedish)Report (Other academic)
Abstract [sv]

Föreliggande rapport är en inventering över pågående och nyligen avslutade forskningsprojekt i Stockholms län som på olika sätt relaterar till begreppet kulturella och kreativa näringar (KKN).Begreppet kulturella och kreativa näringar kommer ur en viss historisk kontext och relaterar till specifika politiska fält. Dessa ges en kort bakgrund innan författarba ringar in hur man valt att förstå och arbeta med begreppet inom uppdraget. De projekt som ingår i rapporten, pågick eller avslutades under perioden från 1 januari 2015 till 30 juni 2017. De är antingen finansierade av de etablerade forskningsfinansiärerna eller utförda inom ramen för lärosätenas fakultetsmedel eller medel för konstnärlig utveckling. Se ytterligare detaljering och avgränsningar i introduktionen.

Place, publisher, year, edition, pages
Stockholm: Stockholms läns landsting, 2017. p. 46
Keywords
kulturella och kreativa näringar, konstnärlig forskning
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-34109 (URN)978-91-984448-0-3 (ISBN)
Available from: 2018-01-12 Created: 2018-01-12 Last updated: 2018-01-12Bibliographically approved
Öhrner, A. (2017). Hilma af Klint och Ivan Aguèli. Andligheten och konstens rum.. Aura. Tidskrift för akademiska studier av nyreligiositet, 9, 42-60
Open this publication in new window or tab >>Hilma af Klint och Ivan Aguèli. Andligheten och konstens rum.
2017 (Swedish)In: Aura. Tidskrift för akademiska studier av nyreligiositet, ISSN 2000-4419, Vol. 9, p. 42-60Article in journal (Refereed) Published
Abstract [sv]

The article suggests a comparative reading of the art and art theory of the artists Hilma af Klint and Ivan Aguéli, as well as of their position in the art historical narration.

Keywords
Ivan Aguéli, Hilma af Klint.
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-33984 (URN)
Available from: 2017-12-26 Created: 2017-12-26 Last updated: 2018-01-15Bibliographically approved
Projects
Art, culture, conflict: transformations of museums and memory culture in the Baltic Sea region after 1989 [46/2015_OSS]; Södertörn University; Publications
Öhrner, A. (2018). Niki de Saint Phalle Playing with the Feminine in the Male Factory: Hon - en katedral. Stedelijk Studies (7), 1-16
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-9193-1315

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