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Sandomirskaja, Irina
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Publications (10 of 66) Show all publications
Sandomirskaja, I. (2019). Das blinde Kind: Lew Vygotskijs Defektologie als poetische und politische Allegorie. In: Anne-Kathrin Reulecke & Margarete Vöhringer (Ed.), Sehstörungen: Grenzwerte des Visuellen in Künsten und Wissenschaften (pp. 85-105). Berlin: Kulturverlag Kadmos
Open this publication in new window or tab >>Das blinde Kind: Lew Vygotskijs Defektologie als poetische und politische Allegorie
2019 (German)In: Sehstörungen: Grenzwerte des Visuellen in Künsten und Wissenschaften / [ed] Anne-Kathrin Reulecke & Margarete Vöhringer, Berlin: Kulturverlag Kadmos, 2019, p. 85-105Chapter in book (Other academic)
Abstract [en]

Early work by the Soviet psychologist Lev Vygostky was connected with the special education of the so-called "defective" children. Vygotsky constructed blindness, deafness, and other functional disorders in children as "defects"  in the social system that alienates them from the so-called normal people. In the chapter, I am analysing Vygotsky's representation of the blind child as a subject of proletarian revolution, and his method of psychological and pedagogical "correction" as an allegory of cultural revolution in general.

Place, publisher, year, edition, pages
Berlin: Kulturverlag Kadmos, 2019
Series
LiteraturForschung ; 36
National Category
General Literature Studies
Research subject
Baltic and East European studies
Identifiers
urn:nbn:se:sh:diva-39297 (URN)978-3-86599-357-1 (ISBN)
Available from: 2019-11-04 Created: 2019-11-04 Last updated: 2019-11-04Bibliographically approved
Sandomirskaja, I. (2019). The Ghetto of Leningrad, the Siege of Theresienstadt: A Comparative Reading of Enforced Communities. In: Anja Tippner & Anna Artwińska (Ed.), Narratives of annihilation, confinement and survival: camp literature in a transnational perspective (pp. 190-208). Berlin: Walter de Gruyter
Open this publication in new window or tab >>The Ghetto of Leningrad, the Siege of Theresienstadt: A Comparative Reading of Enforced Communities
2019 (English)In: Narratives of annihilation, confinement and survival: camp literature in a transnational perspective / [ed] Anja Tippner & Anna Artwińska, Berlin: Walter de Gruyter, 2019, p. 190-208Chapter in book (Other academic)
Abstract [en]

A comparative reading of the social conditions of cultural production in the so-called "enforced communities" of besieged Leningrad and the Theresienstadt ghetto and concentration camp. My analysis is based on the testimonial and theoretical writing by the  survivors, Lydia Ginzburg and H. G. Adler.

Place, publisher, year, edition, pages
Berlin: Walter de Gruyter, 2019
Series
Culture and conflict, ISSN 2194-7104 ; 14
Keywords
Enforced communities, the Leningrad Blockade, the Theresienstadt ghetto and concentration camp, Lydia Ginzburg, H. G. Adler, Zwangsgemeinschaft
National Category
General Literature Studies
Research subject
Baltic and East European studies
Identifiers
urn:nbn:se:sh:diva-39298 (URN)10.1515/9783110631135-011 (DOI)9783110628241 (ISBN)9783110631135 (ISBN)
Available from: 2019-11-04 Created: 2019-11-04 Last updated: 2019-11-04Bibliographically approved
Sandomirskaja, I. (2019). На новом промежутке. Novoe literaturnoe obozrenie, 157(3)
Open this publication in new window or tab >>На новом промежутке
2019 (Russian)In: Novoe literaturnoe obozrenie, ISSN 0869-6365, E-ISSN 2309-9968, Vol. 157, no 3Article in journal (Other academic) Published
Place, publisher, year, edition, pages
Novoe Literaturnoe Obozrenie Ltd., 2019
National Category
General Literature Studies
Identifiers
urn:nbn:se:sh:diva-39293 (URN)
Available from: 2019-10-31 Created: 2019-10-31 Last updated: 2019-10-31Bibliographically approved
Sandomirskaja, I. (2018). Det olikas likhet, det likas olikhet. Glänta (1)
Open this publication in new window or tab >>Det olikas likhet, det likas olikhet
2018 (Swedish)In: Glänta, ISSN 1104-5205, no 1Article in journal (Other (popular science, discussion, etc.)) Published
National Category
Philosophy
Identifiers
urn:nbn:se:sh:diva-37171 (URN)
Available from: 2019-01-07 Created: 2019-01-07 Last updated: 2019-01-08Bibliographically approved
Sandomirskaja, I. (2018). Scattering, collecting, and scattering again: The invention and management of national heritage in the USSR. Baltic Worlds, XI(1), 48-52
Open this publication in new window or tab >>Scattering, collecting, and scattering again: The invention and management of national heritage in the USSR
2018 (English)In: Baltic Worlds, ISSN 2000-2955, E-ISSN 2001-7308, Vol. XI, no 1, p. 48-52Article in journal (Other academic) Published
Place, publisher, year, edition, pages
Södertörns högskola, 2018
National Category
Cultural Studies
Research subject
Baltic and East European studies
Identifiers
urn:nbn:se:sh:diva-39296 (URN)
Available from: 2019-11-03 Created: 2019-11-03 Last updated: 2019-11-04Bibliographically approved
Sandomirskaja, I. (2018). Von … bis … : Etappen einer Bildformel im Dokumentarfilm über die Sowjetunion: Visuelle Erinnerungskulturen in Osteuropa. In: Susanne Frank (Ed.), Bildformeln: Visuelle Erinnerungskulturen in Osteuropa (pp. 63-88). Bielefeld: Transcript Verlag
Open this publication in new window or tab >>Von … bis … : Etappen einer Bildformel im Dokumentarfilm über die Sowjetunion: Visuelle Erinnerungskulturen in Osteuropa
2018 (German)In: Bildformeln: Visuelle Erinnerungskulturen in Osteuropa / [ed] Susanne Frank, Bielefeld: Transcript Verlag, 2018, p. 63-88Chapter in book (Refereed)
Place, publisher, year, edition, pages
Bielefeld: Transcript Verlag, 2018
National Category
Philosophy Studies on Film
Research subject
Baltic and East European studies
Identifiers
urn:nbn:se:sh:diva-37172 (URN)10.14361/9783839427170-003 (DOI)978-3-8376-2717-6 (ISBN)978-3-8394-2717-0 (ISBN)
Available from: 2019-01-07 Created: 2019-01-07 Last updated: 2019-01-08Bibliographically approved
Sandomirskaja, I. (2017). After the End of the World: Panorama. In: Marcia Sa Cavalcante Schuback & Susanna Lindberg (Ed.), The End of the World: Contemporary Philosophy and Art (pp. 235-256). London: Rowman & Littlefield International
Open this publication in new window or tab >>After the End of the World: Panorama
2017 (English)In: The End of the World: Contemporary Philosophy and Art / [ed] Marcia Sa Cavalcante Schuback & Susanna Lindberg, London: Rowman & Littlefield International, 2017, p. 235-256Chapter in book (Other academic)
Place, publisher, year, edition, pages
London: Rowman & Littlefield International, 2017
Keywords
Hans Günther Adler (1910–1988), Theresienstadt, film, pjotography, museum, Panorama
National Category
Arts Philosophy
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-34113 (URN)978-1-78660-261-9 (ISBN)978-1-78660-263-3 (ISBN)
Available from: 2018-01-12 Created: 2018-01-12 Last updated: 2018-01-30Bibliographically approved
Sandomirskaja, I. (2017). Ahasuerus on an Excursion: Austerlitz, 2016. Directed by Sergei Loznitsa [Review]. Mémoires en jeu: Revue critique interdisciplinaire et multiculturelle sur les enjeux de mémoire (4), 9-11
Open this publication in new window or tab >>Ahasuerus on an Excursion: Austerlitz, 2016. Directed by Sergei Loznitsa
2017 (English)In: Mémoires en jeu: Revue critique interdisciplinaire et multiculturelle sur les enjeux de mémoire, no 4, p. 9-11Article, book review (Other (popular science, discussion, etc.)) Published
Place, publisher, year, edition, pages
Paris: , 2017
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-37338 (URN)
Available from: 2019-01-18 Created: 2019-01-18 Last updated: 2019-01-22Bibliographically approved
Sandomirskaja, I. (2017). Bakhtin In Bits And Pieces: Poetic Scholarship, Exilic Theory, And A Close Reading Of The Disaster. Slavic and East European Journal, 61(2), 278-298
Open this publication in new window or tab >>Bakhtin In Bits And Pieces: Poetic Scholarship, Exilic Theory, And A Close Reading Of The Disaster
2017 (English)In: Slavic and East European Journal, ISSN 0037-6752, E-ISSN 2325-7687, Vol. 61, no 2, p. 278-298Article in journal (Refereed) Published
Abstract [en]

This essay is an attempt to interpret Mikhail Bakhtin’s working notes in a new way, by reading them as instances of fragmented writing produced in exile during the war. To capture the specific way Bakhtin’s thinking reveals itself in a difficult relationship with writing, I read these pieces through the prism of critical categories suggested by Maurice Blanchot in his book The Writing of the Disaster (1980). By means of comparative reading of these two quite disparate authors, I hope to demonstrate that the very fragmentariness of Bakhtin’s writing, a well as its unfinished and ”un-worked” character, opens it up for critical reflection.  The fragments in question should be read as exilic theory rather than merely biographic data or preliminary materials that suffer, not surprisingly, from intellectual and writerly incompleteness. This essay also discusses ambiguities in Bakhtin the asyndetic writer (a stylistic trait especially difficult to solve in translation) as methodologically central for an understanding of his philosophy of history and language.

Abstract [ru]

Бахтин в осколках: Фрагменты и записи военного времени (в сопоставлении с “Катастрофическим письмом” Мориса Бланшо), Ирина Сандомирская

В этой статье делается попытка интерпретации черновых фрагментов и рабочих записок М. М. Бахтина, датированных 1943-46 гг. в сопоставительном чтении с концепцией письма Мориса Бланшо (L’écriture du désastreThe Writing of the Disaster). Не имея между собой прямой интертекстуальной или биографической связи, не являясь также современными друг другу, заметки Бахтина и фрагменты Бланшо, тем не менее, посвящены осмыслению общего опыта европейской модерности ХХ столетия, века тотального истребления жизни и культуры. В статье делается попытка осмысления места и специфики бахтинских фрагментов с точки зрения их принадлежности “письму катастрофы”. Категории, которые конструирует Бланшо, позволяют предложить новую интерпретацию бахтинских отрывков. В то же время, тогда как Бланшо пишет катастрофу, опираясь на воображение, Бахтин из своей повседневности административно-ссыльного военного и послевоенного времени анализирует катастрофу изнутри ее реального опыта, частично предвосхищая, частично подтверждая, частично оспаривая философские выводы, к которым Бланшо придет в совсем ином контексте почти сорока годами позже.

Keywords
Mikhail Bakhtin, Maurice Blanchot, war-time notes, disaster, désouevrement
National Category
General Literature Studies
Research subject
Baltic and East European studies; Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-33452 (URN)000409155100007 ()2-s2.0-85030782350 (Scopus ID)
Available from: 2017-09-21 Created: 2017-09-21 Last updated: 2018-01-12Bibliographically approved
Sandomirskaja, I. (2017). Clarice and Photogeny, or, “Not Knowing the Concept of ‘Enough’”. In: Hans Ruin & Jonna Bornemark (Ed.), Ad Marciam: (pp. 199-209). Huddinge: Södertörns högskola
Open this publication in new window or tab >>Clarice and Photogeny, or, “Not Knowing the Concept of ‘Enough’”
2017 (English)In: Ad Marciam / [ed] Hans Ruin & Jonna Bornemark, Huddinge: Södertörns högskola, 2017, p. 199-209Chapter in book (Other academic)
Place, publisher, year, edition, pages
Huddinge: Södertörns högskola, 2017
Series
Södertörn Philosophical Studies, ISSN 1651-6834 ; 20
National Category
Philosophy
Identifiers
urn:nbn:se:sh:diva-32134 (URN)978-91-87843-72-3 (ISBN)
Available from: 2017-02-20 Created: 2017-02-20 Last updated: 2017-02-20Bibliographically approved
Projects
Transnational Art and Heritage Transfer and the Formation of Value: Objects, Agents, and Institutions [11/2016_OSS]; Södertörn University
Organisations

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