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Tillberg, Margareta
Publications (10 of 27) Show all publications
Tillberg, M. (2013). Farbe als Erfahrung: Experiment und praktische Anwendung in Kunst und Wissenschaft an der Moskauer GAChN und am Leningrader GINChUK. In: Aage Hansen-Löve, Brigitte Obermayr, Georg Witte (Ed.), Form und Wirkung: phänomenologische und empirische Kunstwissenschaft in der Sowjetunion der 1920er Jahre (pp. 209-221). München: Fink Verlag
Open this publication in new window or tab >>Farbe als Erfahrung: Experiment und praktische Anwendung in Kunst und Wissenschaft an der Moskauer GAChN und am Leningrader GINChUK
2013 (German)In: Form und Wirkung: phänomenologische und empirische Kunstwissenschaft in der Sowjetunion der 1920er Jahre / [ed] Aage Hansen-Löve, Brigitte Obermayr, Georg Witte, München: Fink Verlag , 2013, p. 209-221Chapter in book (Refereed)
Place, publisher, year, edition, pages
München: Fink Verlag, 2013
Keywords
Interdisciplinary art history, phenomenological Aesthetics, Matiushin, Kandinsky, Kravkov, GAKhN, empirical psychology, experimental psychology, Interdisciplinäre Kunstwissenschaft, phänomenologischer Ästhetik, empirische Psychologie, experimentelle Psychologie Matjuschin, Kandinsky, GAChN, Kravkov
National Category
Arts Psychology Design
Identifiers
urn:nbn:se:sh:diva-17893 (URN)978-3-7705-5121-7 (ISBN)
Funder
Swedish Research Council, 421-2005-2285
Available from: 2013-01-09 Created: 2013-01-09 Last updated: 2015-12-03Bibliographically approved
Tillberg, M. (2013). Kandinsky in Sweden: Malmö 1914 and Stockholm 1916. In: Berg, Hubert van den, Irmeli Hautamäki, Benedikt Hjartarson, Torben Jelsbak, Rikard Schönström, Per Stounbjerg, Tania Ørum and Dorthe Aagesen (Ed.), A Cultural History of the Avant-Garde in the Nordic Countries: (pp. 325-335). Amsterdam ; New York, N.Y.: Rodopi
Open this publication in new window or tab >>Kandinsky in Sweden: Malmö 1914 and Stockholm 1916
2013 (English)In: A Cultural History of the Avant-Garde in the Nordic Countries / [ed] Berg, Hubert van den, Irmeli Hautamäki, Benedikt Hjartarson, Torben Jelsbak, Rikard Schönström, Per Stounbjerg, Tania Ørum and Dorthe Aagesen, Amsterdam ; New York, N.Y.: Rodopi , 2013, p. 325-335Chapter in book (Other academic)
Place, publisher, year, edition, pages
Amsterdam ; New York, N.Y.: Rodopi, 2013
Series
Avant-Garde Critical Studies, ISSN 1387-3008 ; 28
Keywords
art, avant-garde, Kandinsky, exhibitions, Sweden, Gabriele Münter, konst, avantgard, Kandinsky, Sverige, utställningar, Gabriele Münter
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-17879 (URN)978-90-420-3620-8 (ISBN)
Available from: 2013-01-09 Created: 2013-01-09 Last updated: 2013-10-14Bibliographically approved
Tillberg, M. (2013). Soviet Design 1950-1980. Baltic Worlds (1), 28-29
Open this publication in new window or tab >>Soviet Design 1950-1980
2013 (English)In: Baltic Worlds, ISSN 2000-2955, no 1, p. 28-29Article in journal (Other (popular science, discussion, etc.)) Published
National Category
Art History Design
Research subject
Baltic and East European studies
Identifiers
urn:nbn:se:sh:diva-19745 (URN)
Funder
Swedish Research Council, 2005-2285Riksbankens Jubileumsfond, P11-029:1
Available from: 2013-09-20 Created: 2013-09-20 Last updated: 2017-12-06Bibliographically approved
Tillberg, M. (2013). Why is design "Made in the USSR" invisible in design history. In: Crafting the Future: 10th European Academy of Design Conference April 17-19 2013 in Gothenburg. Paper presented at 10th European Academy of Design Conference April 17-19,2013.
Open this publication in new window or tab >>Why is design "Made in the USSR" invisible in design history
2013 (English)In: Crafting the Future: 10th European Academy of Design Conference April 17-19 2013 in Gothenburg, 2013Conference paper, Published paper (Refereed)
Abstract [en]

In order to find out whether "the core actitivites" that constitute our canon of design history "have changed" or not - we need to look closer at what constitutes that very canon.

In the literature, the standard account of design is usually linked to increased sales curves. When applying the market economy as a model, the hitherto most frequently used model in design studies, Eastern Bloc designers come to resemble little more than embarrassing imitators of their more advanced Western counterparts.

So far, the countries behind the iron curtain have been invisible in the design literature. Is the reason for this because design did not play any role at all in these countries? But what if it did - what tools would be required to make this design visible on its own terms? And could it even be so that there is something for us to be learned from the design experience from behind the iron curtain?

This paper will present VNIITE, the Federal Scientific Research Institute for Technical Esthetics, the only design institute in the Soviet Union and the biggest research institute for design world-wide. VNIITE, founded in Moscow in 1962, promoted a new attitude towards industrial production. A short introduction will be given to the prerequisites of the institute as well as of its major ideas. Informed by sources that include studies on technology as well as on economics and culture it will give an alternative perspective as to how the Soviet Union tackled the competition to “catch up and surpass America”.

Keywords
design, design historiography, Soviet Union
National Category
Art History History of Technology
Identifiers
urn:nbn:se:sh:diva-19815 (URN)
Conference
10th European Academy of Design Conference April 17-19,2013
Projects
Observer and Observed in Soviet Design Institutes of the 1960sSovjetisk design: Modernism från Baltikum och Norden – en officiell anomali inom socialistisk estetik under kalla kriget
Funder
Swedish Research Council, 2005-2285Riksbankens Jubileumsfond, P11-029:1
Available from: 2013-09-23 Created: 2013-09-23 Last updated: 2014-12-05Bibliographically approved
Tillberg, M. (2012). A Megaphone for the "Artist-Politician". Baltic Worlds, 5(3-4), 83
Open this publication in new window or tab >>A Megaphone for the "Artist-Politician"
2012 (English)In: Baltic Worlds, ISSN 2000-2955, Vol. 5, no 3-4, p. 83-Article in journal (Refereed) Published
Keywords
political art, pussy riot, berlin biennale
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-17897 (URN)
Funder
Riksbankens Jubileumsfond, RJ-P11-029:1Swedish Research Council, 421-2005-2285
Available from: 2013-01-09 Created: 2013-01-09 Last updated: 2017-12-06Bibliographically approved
Tillberg, M. (2012). 'Be a Spectator with a Large Ear': Victory over the Sun as a Public Laboratory Experiment for Mikhail Matiushin's Theories of Colour Vision. In: Rosamund Bartlett, Sarah Dadswell (Ed.), Victory over the Sun: The World's First Futurist Opera (pp. 208-223, 304-307). Exeter: University of Exeter Press
Open this publication in new window or tab >>'Be a Spectator with a Large Ear': Victory over the Sun as a Public Laboratory Experiment for Mikhail Matiushin's Theories of Colour Vision
2012 (English)In: Victory over the Sun: The World's First Futurist Opera / [ed] Rosamund Bartlett, Sarah Dadswell, Exeter: University of Exeter Press, 2012, p. 208-223, 304-307Chapter in book (Refereed)
Place, publisher, year, edition, pages
Exeter: University of Exeter Press, 2012
Keywords
stage art, Victory over the Sun, Russian avant-garde, cubo-futurism, Matiushin, Guro, perception
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-17898 (URN)9780859898393 (ISBN)
Note

Colour illustrations XVI-XXIII.

Available from: 2013-01-09 Created: 2013-01-09 Last updated: 2015-12-14Bibliographically approved
Tillberg, M. (Ed.). (2010). A new deal: Post-Soviet realities meet welfare state models. In what way will this reflect on the arts?. Lund: The Swedish Art Critics Association Press
Open this publication in new window or tab >>A new deal: Post-Soviet realities meet welfare state models. In what way will this reflect on the arts?
2010 (English)Collection (editor) (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Lund: The Swedish Art Critics Association Press, 2010. p. 100
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-15327 (URN)978-91-633-4961-4 (ISBN)
Available from: 2012-02-08 Created: 2012-02-08 Last updated: 2015-05-04Bibliographically approved
Tillberg, M. & Nilsson, J. P. (2010). A new deal: Post-Soviet realities meet welfare state models. In what way will this reflect on the arts?. In: Margareta Tillberg (Ed.), A new deal: Post-Soviet realities meet welfare state models. In what way will this reflect on the arts? (pp. 9-14). Lund: The Swedish Art Critics Association Press
Open this publication in new window or tab >>A new deal: Post-Soviet realities meet welfare state models. In what way will this reflect on the arts?
2010 (English)In: A new deal: Post-Soviet realities meet welfare state models. In what way will this reflect on the arts? / [ed] Margareta Tillberg, Lund: The Swedish Art Critics Association Press , 2010, p. 9-14Chapter in book (Other (popular science, discussion, etc.))
Place, publisher, year, edition, pages
Lund: The Swedish Art Critics Association Press, 2010
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-15329 (URN)978-91-633-4961-4 (ISBN)
Available from: 2012-02-08 Created: 2012-02-08 Last updated: 2015-05-04Bibliographically approved
Tillberg, M. (2010). "Litteraturen är tankebärande, men inte konsten": Om synen på konstens epistemologiska värde inom Vetenskapen. In: Tomas Björk, Peter Gillgren (Ed.), Det åskådliga och det bottenlösa: Tankar om konst och humaniora tillägnade Margaretha Rossholm Lagerlöf (pp. 247-254). Stockholm: Stockholms universitets förlag
Open this publication in new window or tab >>"Litteraturen är tankebärande, men inte konsten": Om synen på konstens epistemologiska värde inom Vetenskapen
2010 (Swedish)In: Det åskådliga och det bottenlösa: Tankar om konst och humaniora tillägnade Margaretha Rossholm Lagerlöf / [ed] Tomas Björk, Peter Gillgren, Stockholm: Stockholms universitets förlag, 2010, p. 247-254Chapter in book (Other academic)
Place, publisher, year, edition, pages
Stockholm: Stockholms universitets förlag, 2010
Series
Eidos (Stockholm), ISSN 1650-5298 ; 22
Keywords
konst, konstvetenskap, bildvetenskap, epistemologi, illusion, mänsklig faktor
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-17900 (URN)978-91-976315-1-8 (ISBN)
Available from: 2013-01-09 Created: 2013-01-09 Last updated: 2013-11-04Bibliographically approved
Tillberg, M. (2010). Made in the USSR: Design of electronic/electrical systems in the Soviet Union from Khruschev's thaw to Gorbachev's perestroika. Baltic Worlds, 3(2), 34-40
Open this publication in new window or tab >>Made in the USSR: Design of electronic/electrical systems in the Soviet Union from Khruschev's thaw to Gorbachev's perestroika
2010 (English)In: Baltic Worlds, ISSN 2000-2955, Vol. 3, no 2, p. 34-40Article in journal (Refereed) Published
Keywords
electrical, electronic industry, design, modules, Soviet Union, ElektroMera, Azrikan, Schelkunov, VNIITE
National Category
Design Electrical Engineering, Electronic Engineering, Information Engineering
Identifiers
urn:nbn:se:sh:diva-17882 (URN)
Projects
Observer and Observed in Soviet Design Institutes of the 1960s
Funder
Swedish Research Council, 2005-2285
Available from: 2013-01-09 Created: 2013-01-09 Last updated: 2017-12-06Bibliographically approved
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