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Aare, C. (2024). Subjectivity conditioned by narrative form: A narratological approach to emotion in narrative journalism. Journalism - Theory, Practice & Criticism
Open this publication in new window or tab >>Subjectivity conditioned by narrative form: A narratological approach to emotion in narrative journalism
2024 (English)In: Journalism - Theory, Practice & Criticism, ISSN 1464-8849, E-ISSN 1741-3001Article in journal (Refereed) Epub ahead of print
Abstract [en]

In recent years, media researchers have displayed an increased interest in emotion as an element of the content in both news journalism and narrative journalism. These studies lack a theoretical definition of emotion and do not usually specify what characterizes narrative journalism more than it being "not objective" and, consequently, not similar to conventional journalism. In practice, they identify emotion through frames of personalization or explicit expressions of feelings and evaluations. However, narrative journalism integrates implicitly conveyed emotion. To enable a broader understanding of the function of emotion in narrative journalism, this article gives examples of and analyzes how emotion and the related concept subjectivity is used and discussed in two different fields of research: social sciences-influenced journalism studies and literature-influenced studies. The dualistic view on journalism as either subjective or objective is questioned when narrative journalism (also known as reportage or literary journalism) is placed in a professional context, where the genre is based on its own tradition and represents its own form of knowledge, due to its main characteristic: a narrative form. Finally, the article demonstrates how tools drawn from narratology can illuminate diverse storytelling techniques that transmit emotion implicitly rather than explicitly.

Place, publisher, year, edition, pages
Sage Publications, 2024
Keywords
Narrative journalism, literary journalism, reportage, emotion, narratology
National Category
Media and Communication Studies General Literature Studies
Research subject
Politics, Economy and the Organization of Society
Identifiers
urn:nbn:se:sh:diva-54301 (URN)10.1177/14648849241257116 (DOI)001235905600001 ()2-s2.0-85194925275 (Scopus ID)
Available from: 2024-06-20 Created: 2024-06-20 Last updated: 2025-02-11Bibliographically approved
Aare, C. (2023). Barbro Alvings folkhemsblick exotiserar Norrland. Mediehistorisk tidsskrift, 20(1), 299-323
Open this publication in new window or tab >>Barbro Alvings folkhemsblick exotiserar Norrland
2023 (Swedish)In: Mediehistorisk tidsskrift, E-ISSN 2464-4277, Vol. 20, no 1, p. 299-323Article in journal (Refereed) Published
Abstract [sv]

När den legendariska svenska reportern Barbro Alving, signaturen Bang, 1951 åker på reportageresa till det svenska Norrland gör hon sig till talesperson för myndigheternas framväxande välfärdsprojekt. Detta innebär att norrlänningar ska uppfostras till bättre hygien, bättre matvanor och bättre läsvanor. Den här artikeln gör generaliserande värderingar synliga när narratologisk och medieretorisk analys samt stilanalys belyser ett samspel mellan berättarperspektiv och berättarröst i Bangs åtta reportage från Norrland. Analysen visar hur valet av källor återspeglar ett klassamhälle där högre samhällsföreträdare, tillsammans med den berättande reportern, får stå för artikelseriens problemformuleringar samtidigt som framför allt fattiga kvinnors livssituation skildras med medkänsla men sällan någon djupare inlevelse. Med en närmast filantropisk blick görs norrlänningar till föremål för ”folkhemmets” välfärdsförbättrande insatser, samtidigt som de själva inte inkluderas i det ”vi” där reportern och hennes Stockholmsläsare ingår.

Place, publisher, year, edition, pages
Norsk Mediehistorisk Forening, 2023
Keywords
Barbro Alving, Norrland, folkhem, narratologi, medieretorik
National Category
Media and Communication Studies
Identifiers
urn:nbn:se:sh:diva-51108 (URN)
Available from: 2023-02-27 Created: 2023-02-27 Last updated: 2025-02-11Bibliographically approved
Aare, C. (2023). Den engagerade reportern: Svenska sociala reportage 1910–2010 (1ed.). Göteborg: Makadam Förlag
Open this publication in new window or tab >>Den engagerade reportern: Svenska sociala reportage 1910–2010
2023 (Swedish)Book (Refereed)
Abstract [sv]

Sociala reportage skrivs av reportrar som strider för de svaga och avslöjar missförhållanden. Så har det hetat inom yrket, i handböcker och bland genrens supportrar. Men vad döljer sig bakom idealet? Och hur ser engagemanget ut när det omvandlas till text? Den här boken lyfter fram reportage av några av 1900-talets mest hyllade svenska reportrar och synar på vilka sätt texterna förmedlar ett engagemang till läsaren. De narratologiskt grundade analyserna utförs mot en bakgrund av skiftande idéer om en reporters samhällsroll. Det visar sig att engagemanget ofta är tidsanknutet och kan motarbetas av generaliserande värderingar om porträtterade människor. Här blir skillnaden mellan inlevelse och medkänsla avgörande.

De valda reportrarna representerar det svenska sociala reportaget vid centrala brytpunkter inom traditionen. Ester Blenda Nordström och Gustaf Hellström har valts för 1910-talet, Ivar Lo-Johansson för åren kring 1930, Barbro Alving för 1950-talet, Jan Guillou för 1970-talet och Maciej Zaremba och Karen Söderberg för 1990- och 2000-talen.

Abstract [en]

Social reportages are written by reporters who fight for the weak and expose injustices. So it is said in the profession, in handbooks and among the genre’s supporters. But what is hidden behind the ideal? And what does the commitment look like when it is converted into text? This book highlights reportages by some of the 20th century’s most celebrated Swedish reporters and examines the ways in which their texts convey a commitment to the reader. The narratologically based analyses are performed against a background of changing ideas about a reporter’s role in society. It turns out that the commitment is often time-related and can be counteracted by generalizing values about the depicted people. Here, the difference between empathy and compassion becomes crucial.

The selected reporters represent Swedish social reportage at central turning points within the tradition. Ester Blenda Nordström and Gustaf Hellström have been chosen for the 1910s, Ivar Lo-Johansson for the years around 1930, Barbro Alving for the 1950s, Jan Guillou for the 1970s and Maciej Zaremba and Karen Söderberg for the 1990s and 2000s.

Place, publisher, year, edition, pages
Göteborg: Makadam Förlag, 2023. p. 308 Edition: 1
Series
Kriterium, E-ISSN 2002-2131 ; 51
Keywords
Journalistikhistoria, sociala reportage, narratologi, Ester Blenda Nordström, Gustaf Hellström, Ivar Lo-Johansson, Barbro Alving, Jan Guillou, Maciej Zaremba, Karen Söderberg
National Category
Social Sciences Interdisciplinary
Research subject
Other research area
Identifiers
urn:nbn:se:sh:diva-53572 (URN)10.22188/kriterium.51 (DOI)978-91-7061-461-3 (ISBN)978-91-7061-961-8 (ISBN)
Funder
Ridderstads Stiftelse för historisk grafisk forskning
Available from: 2024-02-19 Created: 2024-02-19 Last updated: 2024-02-20Bibliographically approved
Aare, C. (2023). Skiftande berättarperspektiv och självkritisk reporter komplicerar bilden: Budskap och berättarteknik i tre svenska reportageböcker om gängkriminalitet. Journalistica, 17(1)
Open this publication in new window or tab >>Skiftande berättarperspektiv och självkritisk reporter komplicerar bilden: Budskap och berättarteknik i tre svenska reportageböcker om gängkriminalitet
2023 (Swedish)In: Journalistica, ISSN 1901-6220, E-ISSN 1904-7967, Vol. 17, no 1Article in journal (Refereed) Published
Abstract [en]

Hur ser berättelsen om svensk gängkriminalitet ut i tre aktuella reportageböcker och med vilken berättarteknik är den konstruerad? Med en blandning av narratologisk och medieretorisk analysmetod undersöker den här artikeln hur innehåll och form samspelar i Mammorna av Alexandra Pascalidou, Familjen av Johanna Bäck- ström Lerneby och Tills alla dör av Diamant Salihu. En slutsats är att skiftande berättarperspektiv kan motverka ensidighet, samtidigt som narrativ medkänsla utan parallell narrativ inlevelse kan hindra läsarens möjlighet att föreställa sig de skildrade människornas situation. Dramatiserade händelseförlopp kan öka närvarokänslan, medan en reporter som ifrågasätter sin egen auktoritet uppmuntrar läsaren till att undvika förenklande slutsatser. Till sist bidrar person- beskrivningar och urval av fakta i de tre böckerna till skilda budskap. Studien visar att reportagegenren tack vare sin narrativa form har potential att skildra samhällsproblem på komplexa sätt. Detta gäller särskilt när gestaltningen kombineras med gedigen faktaresearch. 

Place, publisher, year, edition, pages
Royal Danish Library, 2023
Keywords
Reportage/narrative journalism, criminal gangs, narratology, mediea rhetoric, narrative compassion, narrative empathy, reportage, gängkriminalitet, narratologi, medieretorik, narrativ inlevelse, narrativ medkänsla
National Category
General Literature Studies Media and Communication Studies
Research subject
Other research area
Identifiers
urn:nbn:se:sh:diva-52583 (URN)10.7146/journalistica.v17i1.136679 (DOI)
Funder
Ridderstads Stiftelse för historisk grafisk forskning
Note

What messages do three recently published reportage books convey about Swedish gang criminality and what kinds of narrative techniques are used in the stories? With a mix of narratological and media rhetorical analysis methods, this article investigates how content and narrative form interact in Mammorna by Alexandra Pascalidou, Familjen by Johanna Bäckström Lerneby and Tills alla dör by Diamant Salihu. One conclusion is that varying narrative perspectives can counteract one-sidedness, while narrative compassion without parallel narrative empathy can block the reader’s ability to imagine the situation of the depicted people. Dramatized events heighten the reader’s sense of being present in the story, while a reporter questioning his own authority encourages the reader to avoid simplistic conclusions. Finally, descriptions of persons and selections of facts in the three books contribute to different messages. The study illustrates that the genre of reportage/narrative journalism, thanks to its narrative form, has the potential to depict social problems in complex ways. This is especially true when the depiction is combined with solid factual research.

Available from: 2023-10-29 Created: 2023-10-29 Last updated: 2025-02-11Bibliographically approved
Aare, C. (2023). The Case of Literary Journalism: Rethinking Fictionality, Narrativity, and Imagination. Style, 57(4), 440-458
Open this publication in new window or tab >>The Case of Literary Journalism: Rethinking Fictionality, Narrativity, and Imagination
2023 (English)In: Style, ISSN 0039-4238, E-ISSN 2374-6629, Vol. 57, no 4, p. 440-458Article in journal (Refereed) Published
Abstract [en]

This article discusses the genre of literary journalism/reportage against a background of earlier assumptions on fictionality. At a local level in nonfiction, fic- tionality can be expressed through invented stories and scenarios that create a con- trast to the global, nonfictive context. However, fictionality can also be expressed through stylistic devices that traditionally have been associated with narrative fic- tion. A local contrast may appear, but only if the genre in itself is not narrative. If the focus is on the nonfictional and narrative genre of literary journalism/reportage, there will be no contrast. Here, the rhetoric will work just like in narrative fiction and should be considered to be part of the features of narrativity. Furthermore, the concept imagination should be perceived in close relation to Monika Fludernik’s understanding of narrative as experience. The conclusion is a call to partly rethink existing connections between fictionality, narrativity, and imagination in order to better understand the narrative nature of reportage. 

Place, publisher, year, edition, pages
Pennsylvania: Pennsylvania State University Press, 2023
Keywords
literary journalism, reportage, fictionality, narrativity, imagination
National Category
General Literature Studies
Identifiers
urn:nbn:se:sh:diva-52761 (URN)10.5325/style.57.4.0440 (DOI)001105455700002 ()2-s2.0-85178231205 (Scopus ID)
Available from: 2023-11-21 Created: 2023-11-21 Last updated: 2023-12-18Bibliographically approved
Aare, C. (2022). A Poetry of Grayness: Stig Dagerman's German Autumn as Postwar Reportage from Germany. In: John S. Bak; Bill Reynolds (Ed.), The Routledge Companion to World Literary Journalism: (pp. 107-117). London: Routledge
Open this publication in new window or tab >>A Poetry of Grayness: Stig Dagerman's German Autumn as Postwar Reportage from Germany
2022 (English)In: The Routledge Companion to World Literary Journalism / [ed] John S. Bak; Bill Reynolds, London: Routledge, 2022, p. 107-117Chapter in book (Other academic)
Abstract [en]

Tysk höst (German Autumn) is perhaps the most famous Swedish reportage book from the twentieth century. It was written as a series of reportages by the young author Stig Dagerman and depicts the life of ordinary people in Germany in 1946. Themes such as suffering, guilt, and feelings of dejection are discussed, framed by an atmosphere of grayness. The reader is invited to empathize, not with certain individuals but rather with anyone who is cold, hungry, and bereaved of their beliefs. This chapter explores how these themes are made universally human by an advanced literary technique. Dagerman links the abstract to the concrete, the argumentation to what he has observed on the spot. This is achieved through figurative language, where key words are repeated, gradually transforming them in meaning and blurring the line between illustrated scenes and metaphors. The result becomes a paradoxical kind of gray expressiveness, where the power of the language seems to contradict the gloomy content.

Place, publisher, year, edition, pages
London: Routledge, 2022
National Category
Specific Literatures
Identifiers
urn:nbn:se:sh:diva-50390 (URN)10.4324/9780429331923-9 (DOI)2-s2.0-85143183290 (Scopus ID)9780429331923 (ISBN)9780367355241 (ISBN)
Available from: 2022-12-16 Created: 2022-12-16 Last updated: 2022-12-16Bibliographically approved
Aare, C. (2021). Narrativt engagemang och komplex berättarteknik i Gustaf Hellströms krigsreportage. Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, 142, 5-33
Open this publication in new window or tab >>Narrativt engagemang och komplex berättarteknik i Gustaf Hellströms krigsreportage
2021 (Swedish)In: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 142, p. 5-33Article in journal (Refereed) Published
Abstract [en]

The 1910s was a dynamic period in Swedish journalism when reporters became professionals and the largest newspapers engaged their own foreign correspondents. A prominent correspondent of the time was Gustaf Hellström, also a famous writer. His reports from France during the First World War, collected in the book 1 1/2 mil härifrån står världens största slag, are known for their dedicated attitude. An assumption in this essay is that such an attitude corresponds to a narrative commitment, which could be divided into narrative empathy and narrative compassion

Using tools from discourse narratology and cognitive narratology, I investigate narrative techniques and strategies at work when a narrative commitment is constructed in the reportages from France. A conclusion is that parallel perspectives and a multitude of voices within the narrative construction connect the individual to the general and convey empathy with all victims of the war, civilians as well as soldiers on both sides. 

In a final section, I place Hellström’s series of reportages from France within a broader context where I highlight similarites with Stig Dagerman’s series of reportages Tysk höst from 1946 and Svetlana Alexievich’s documentary books from the 1980s and onwards.

Place, publisher, year, edition, pages
Uppsala: Svenska Litteratursällskapet, 2021
Keywords
Gustaf Hellström, reportage, narratology, narrative commitment
National Category
General Literature Studies
Identifiers
urn:nbn:se:sh:diva-50221 (URN)
Available from: 2022-11-10 Created: 2022-11-10 Last updated: 2022-11-10Bibliographically approved
Aare, C. (2021). Reportaget som berättelse: En narratologisk undersökning av reportagegenren. (Doctoral dissertation). Stockholm: Institutionen för kultur och estetik, Stockholms universitet
Open this publication in new window or tab >>Reportaget som berättelse: En narratologisk undersökning av reportagegenren
2021 (Swedish)Doctoral thesis, monograph (Other academic)
Alternative title[en]
The Reportage as Narrative : A Narratological Investigation of the Genre­
Abstract [en]

This study ­is the first dissertation where the genre of reportage (in the U.S. classified as literary journalism) is systematically mapped with the help of narratology. Using tools primarily from structural discourse narratology, the thesis examines, describes and maps written reportages as narratives. Rhetorical and cognitive narratology complement the approach. 

The investigation rests on two assumptions. Firstly, a reporter’s professional purpose is to report about people and states of affairs outside the reporter herself. This results in a contextual commitment, which leaves traces in the narrative in the form of a textual commitment. The latter is in turn divided into narrative empathy and narrative compassion/sympathy. The thesis highlights the creation of narrative structures and stylistic features in reportages and the overall conclusion is that conceptions about a reporter’s professional purpose in fact do influence the narrativity of the text. 

Secondly, in contrast to news journalism, reportage is a personal genre that can be considered a directed reality: the content is taken from reality but the form is personal and a consequence of the writing reporter’s choices. The thesis presents a narratological model where the text develops in the interplay between three instances: a director, a narrator (in a first-person reportage a narrating reporter) and experiencing characters (in a first-person reportage including an experiencing reporter). The director should be regarded as a structuring property of the text itself. 

Part 1 provides a historical background to the reportage genre and the social side of the reporter role. In part 2, narrative characteristics of the genre are explored and defined together with the common roots of reportage and novels within realism and naturalism. Part 3 demonstrates how a contextual commitment can be transformed into a textual commitment. Throughout the dissertation, the director model is used to investigate differences and similarities between subcategories within the genre, sometimes between single texts, sometimes between reportage in general and fictional narrative. In part 4, a typology of reportage is presented. The genre is divided into five types of narration, based on the representational relation between how the physical reporter has collected information and in what ways an experiencing reporter is or is not apparent in the text. 

The thesis ends with a historicization of consonance and dissonance within the reportage genre. Consonance emphasizes the characters’ “here-and-now” and can be found within a broad, classical tradition of eyewitness reporting. Dissonance emphasizes the narrator’s retrospective perspective and can be found within the modernistic type of American New Journalism and in more experimentally written reportages from the most recent decades. The thesis demonstrates how both these ways of narrating may enable the reader’s narrative empathy with someone else than the experiencing reporter.

The analyses and conclusions are mainly based on Swedish reportages from 1819 to 2014. This material is complemented with international reportages from 1903 to 2007,  from Norway, Poland, Germany, Great Britain, Italy, Bohemia, Croatia, Belarus and the U.S. Accordingly, the dissertation demonstrates that traditions of reportage are primarily international and that the observations about narrative patterns within the genre are also relevant outside of Sweden. 

Place, publisher, year, edition, pages
Stockholm: Institutionen för kultur och estetik, Stockholms universitet, 2021. p. 301
Keywords
Structural Narratology, Reportage, Literary Journalism, Directed Reality, Contextual Commitment, Textual Commitment, Narrative Empathy, Narrative Compassion
National Category
General Literature Studies
Identifiers
urn:nbn:se:sh:diva-51109 (URN)978-91-7911-426-8 (ISBN)978-91-7911-427-5 (ISBN)
Public defence
2021-03-25, digitalt via Zoom, länk finns tillgänglig på institutionens webbplats, 10:00 (Swedish)
Opponent
Supervisors
Available from: 2023-02-28 Created: 2023-02-27 Last updated: 2023-02-28Bibliographically approved
Aare, C. (2020). Långsamhetens journalistik – reportaget vittnar om sin samtid. In: Elin Gardeström & Hanna Sofia Rehnberg (Ed.), Vad är journalistik?: En antologi av journalistiklärare på Södertörns högskola (pp. 67-76). Huddinge: Södertörns högskola
Open this publication in new window or tab >>Långsamhetens journalistik – reportaget vittnar om sin samtid
2020 (Swedish)In: Vad är journalistik?: En antologi av journalistiklärare på Södertörns högskola / [ed] Elin Gardeström & Hanna Sofia Rehnberg, Huddinge: Södertörns högskola, 2020, p. 67-76Chapter in book (Other academic)
Place, publisher, year, edition, pages
Huddinge: Södertörns högskola, 2020
Series
Journalistikstudier vid Södertörns högskola ; 12
National Category
Media and Communications General Literature Studies
Identifiers
urn:nbn:se:sh:diva-40495 (URN)978-91-88663-98-6 (ISBN)
Available from: 2020-04-08 Created: 2020-04-08 Last updated: 2025-01-31Bibliographically approved
Aare, C. (2018). A Narratological Investigation Of Eyewitness Reporting: how a journalistic mission affects narrative structures of the text. Brazilian Journalism Research, 14(3), 676-699
Open this publication in new window or tab >>A Narratological Investigation Of Eyewitness Reporting: how a journalistic mission affects narrative structures of the text
2018 (English)In: Brazilian Journalism Research, ISSN 1808-4079, Vol. 14, no 3, p. 676-699Article in journal (Refereed) Published
Abstract [en]

Drawing upon the tenets of discourse narratology, this essay identifies and discusses the various narrative and rhetorical features typical of literary journalism/reportage that have evolved from the classical tradition of first-hand observation/eyewitness reporting. I give examples of narrative patterns that have influenced literary journalism throughout the 20th century and up until today, and argue that they differ from structures found in comparable ways of narrating in fiction as well as in autobiographies. I highlight four consequences of a rhetorical “position of witnessing”: a narrative perspective directed from the outside and inward, and an illusion of simultaneity of a reporter being present on the spot and seemingly witnessing and narrating at the same time. Furthermore, the essay explores how realism, in terms of mimetic (scenic) form and scrutinized details, works differently in literary journalism than in realistic fiction. In this article, I attempt to demonstrate how narratology can open new doors to our understanding how literary journalism works in its single structures and how these structures in turn affect the reader’s experience.

Abstract [pt]

Com base nos princípios da narratologia do discurso, este ensaio identifica e discute as várias características narrativas e retóricas típicas do jornalismo literário/ reportagem que evoluíram a partir da tradição clássica de observação em primeira mão/ relato de testemunhas oculares. Dou exemplos de padrões narrativos que influenciaram o jornalismo literário ao longo do século XX e até hoje, e argumento que eles diferem das estruturas encontradas em formas comparáveis de narrar na ficção, bem como nas autobiografias. Destaco quatro consequências de uma “posição de testemunho” retórica: uma perspectiva narrativa dirigida de fora para dentro e uma ilusão de simultaneidade de um repórter estando presente no local e aparentemente testemunhando e narrandoao mesmo tempo. Além disso, o ensaio explora como o realismo, em termos de forma mimética (cênica) e detalhes minuciosos, funciona de maneira diferente no jornalismo literário do que na ficção realista. Neste artigo, tento demonstrar como a narratologia pode abrir novas portas para nossa compreensão de como o jornalismo literário funciona em suas estruturas únicas e como estas, por sua vez, afetam a experiência do leitor.

Abstract [es]

Con base en los principios de la narratología del discurso, este ensayo identifica y discute las diversas características narrativas y retóricas típicas del periodismo literario/ reportaje que evolucionaron a partir de la tradición clásica de observación de primera mano/ relato de testigos oculares. En el siglo XX y hasta el presente, se dan ejemplos de patrones narrativos que influenciaron el periodismo literario a lo largo del siglo XX y que se diferencian de las estructuras encontradas en formas comparables de narrar en la ficción, así como en las autobiografías. Destaco cuatro consecuencias de una “posición de testimonio” retórica: una perspectiva narrativa dirigida de fuera hacia dentro y una ilusión de simultaneidad de un reportero estando presente en el lugar y aparentemente testificando y narrando al mismo tiempo. Además, el ensayo explora cómo el realismo, en términos de forma mimética (escénica) y detalles minuciosos, funciona de manera diferente en el periodismo literario que en la ficción realista. En este artículo, intento demostrar cómo la narratología puede abrir nuevas puertas para nuestra comprensión de cómo el periodismo literario funciona en sus estructuras únicas y cómo esas estructuras, a su vez, afectan la experiencia del lector.

Place, publisher, year, edition, pages
Brazilian Association of Journalism Researchers, 2018
Keywords
Discourse narratology, Eyewitness reporting, Mimetic representation, Afferent narrative perspective, Illusion of simultaneity, Narratologia do discurso, Relato de testemunha ocular, Representação mimética, Perspectiva narrativa aferente, Ilusão de simultaneidade, Narratología del discurso, Relato de testigo ocular, Representación mimética, Perspectiva narrativa aferente, Ilusión de simultaneidad
National Category
General Literature Studies
Identifiers
urn:nbn:se:sh:diva-37421 (URN)10.25200/BJR.v14n3.2018.1125 (DOI)000454509300005 ()2-s2.0-85060585538 (Scopus ID)
Note

Publicerad på två språk. Portugisisk titel: Uma Investigação Narratológica Do Relato De Testemunhas Oculares: como o papel de um repórter profissional pode afetar as estruturas narrativas do texto

Available from: 2019-02-07 Created: 2019-02-07 Last updated: 2020-06-30Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0002-8376-7877

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