sh.sePublications
Change search
Link to record
Permanent link

Direct link
Wadstein MacLeod, Katarina, ProfessorORCID iD iconorcid.org/0000-0001-7933-246x
Alternative names
Publications (10 of 47) Show all publications
Wadstein MacLeod, K. (2023). Curating Contrasts: Retrieving Solidarity from the Archives. In: Malene Vest Hansen; Kristian Handberg (Ed.), Curating the Contemporary in the Art Museum: (pp. 214-226). London: Routledge
Open this publication in new window or tab >>Curating Contrasts: Retrieving Solidarity from the Archives
2023 (English)In: Curating the Contemporary in the Art Museum / [ed] Malene Vest Hansen; Kristian Handberg, London: Routledge, 2023, p. 214-226Chapter in book (Other academic)
Place, publisher, year, edition, pages
London: Routledge, 2023
Series
Routledge Research in Art Museums and Exhibitions
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-51442 (URN)10.4324/9781003177081-19 (DOI)2-s2.0-85152327201 (Scopus ID)9781032010540 (ISBN)9781003177081 (ISBN)
Funder
Swedish Research Council, 2017-01072
Available from: 2023-05-08 Created: 2023-05-08 Last updated: 2023-05-08Bibliographically approved
Wadstein MacLeod, K. (2023). Kärlek i Arktis (1ed.). In: Eva Jonsson, Ann-Sofie Lönngren, Mattias Pirholt, Oscar von Seth (Ed.), Med kärlek: En festskrift till Claudia Lindén (pp. 133-154). Huddinge: Södertörns högskola
Open this publication in new window or tab >>Kärlek i Arktis
2023 (Swedish)In: Med kärlek: En festskrift till Claudia Lindén / [ed] Eva Jonsson, Ann-Sofie Lönngren, Mattias Pirholt, Oscar von Seth, Huddinge: Södertörns högskola, 2023, 1, p. 133-154Chapter in book (Other academic)
Place, publisher, year, edition, pages
Huddinge: Södertörns högskola, 2023 Edition: 1
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-51898 (URN)978-91-89504-31-8 (ISBN)
Available from: 2023-07-05 Created: 2023-07-05 Last updated: 2023-07-07Bibliographically approved
Wadstein MacLeod, K. (2022). 19th Century Sculpture and the Female Gaze. In: Linda Hinners (Ed.), Nordic Women Sculptors at the turn of the 20th century: formation, visibility, self-creation (pp. 260-269). Stockholm: Nationalmuseum
Open this publication in new window or tab >>19th Century Sculpture and the Female Gaze
2022 (English)In: Nordic Women Sculptors at the turn of the 20th century: formation, visibility, self-creation / [ed] Linda Hinners, Stockholm: Nationalmuseum, 2022, p. 260-269Chapter in book (Other academic)
Place, publisher, year, edition, pages
Stockholm: Nationalmuseum, 2022
Keywords
Sculptor, women, gaze, female body
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-50514 (URN)9789171009135 (ISBN)
Available from: 2023-01-05 Created: 2023-01-05 Last updated: 2023-01-09Bibliographically approved
Wadstein MacLeod, K. (2022). Art contre/against Apartheid at Lunds Konsthall: an Entangled History of Art and Solidarity from Paris to Pretoria. Artl@s Bulletin, 11(2), Article ID 8.
Open this publication in new window or tab >>Art contre/against Apartheid at Lunds Konsthall: an Entangled History of Art and Solidarity from Paris to Pretoria
2022 (English)In: Artl@s Bulletin, ISSN 2264-2668, Vol. 11, no 2, article id 8Article in journal (Refereed) Published
Abstract [en]

This article concerns the international touring exhibition Art contre/against Apartheid originating in France and which reached Lunds konsthall, Sweden in 1984 and was to tour the world for ten years. The aim with this exhibition was to raise awareness of the apartheid regime, cause international protest and ultimately remove the repressive political system. Using histoire croisée as a method this article investigates the different interests and stake-holders in the exhibition at Lunds konsthall, including the critique of the exhibition as resting on white supremacy. The purpose of the article is to locate the different intersections regarding international art, international politics and local history manifested through this exhibition.

Place, publisher, year, edition, pages
Purdue University Press, 2022
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-50293 (URN)
Funder
Swedish Research Council, 2017-01072
Available from: 2022-11-29 Created: 2022-11-29 Last updated: 2023-01-09Bibliographically approved
Wadstein MacLeod, K., Edling, M. & Myrstener, P. (2022). Exhibiting Art in a European Periphery?: International Art in Sweden during the Cold War. Artl@s Bulletin, 11(2), 127-132, Article ID 10.
Open this publication in new window or tab >>Exhibiting Art in a European Periphery?: International Art in Sweden during the Cold War
2022 (English)In: Artl@s Bulletin, ISSN 2264-2668, Vol. 11, no 2, p. 127-132, article id 10Article in journal (Refereed) Published
Abstract [en]

The project Exhibiting Art in a European Periphery? International Art in Sweden during the Cold War aimed to investigate international exhibitions in Sweden during the postwar period from circa 1945 to the end of the 1980s. The main objective was to find information beyond preconceived ideas of what is important, interesting, or simply good art. In this article, we present our method for searching through the archives and some of the findings and insights generated.

Place, publisher, year, edition, pages
Purdue University Press, 2022
National Category
Art History
Research subject
Critical and Cultural Theory; Baltic and East European studies
Identifiers
urn:nbn:se:sh:diva-50271 (URN)
Funder
Swedish Research Council, 2017-01072
Available from: 2022-11-25 Created: 2022-11-25 Last updated: 2022-11-29Bibliographically approved
Wadstein MacLeod, K. (2022). Från flux till fest: Den internationella konsten i Lunds konsthall 1965-1967 (1ed.). Lund / Huddinge: Lunds konsthall / Södertörns högskola
Open this publication in new window or tab >>Från flux till fest: Den internationella konsten i Lunds konsthall 1965-1967
2022 (Swedish)Book (Other academic)
Alternative title[en]
From Flux to Festivity : International Art in Lunds konsthall 1965-1967
Abstract [sv]

”Den lilla scenen såg ut som ett slagfält efter en vild fest: en sönderslagen fiol, massor med karameller och konfetti, svart tusch i stora pölar och sjöar av vatten, som allt detta flöt omkring i.”

Utgångspunkten för denna publikation är en nyfikenhet på det som utspelade sig i Lunds konsthall mellan 1965 och 1967, när en del av den internationella och experimentella konstscenen, då med säte i Paris, dök upp i staden Lund.

Abstract [en]

“The small stage looked like a battlefield after a wild party: a smashed violin, lots of sweets and confetti, large puddles of black ink and lakes of water, in which all this was floating around.”

The starting point for this publication is sheer curiosity about what happened at Lunds konsthall between 1965 and 1967, when part of the experimental international art scene centered in Paris, showed up in the city of Lund.

Place, publisher, year, edition, pages
Lund / Huddinge: Lunds konsthall / Södertörns högskola, 2022. p. 145 Edition: 1
Series
Södertörn Studies in Art History and Aesthetics ; 6
National Category
Arts
Identifiers
urn:nbn:se:sh:diva-48147 (URN)978-91-88353-24-5 (ISBN)
Available from: 2022-01-18 Created: 2022-01-18 Last updated: 2022-02-02Bibliographically approved
Gerhardt, K., Wolrath Söderberg, M., Lindblad, I., Diderichsen, Ö., Gullström, M., Dahlin, M., . . . Gradén, M. (2022). Nog nu, politiker – ta klimatkrisen på allvar. Aftonbladet (2022-08-25)
Open this publication in new window or tab >>Nog nu, politiker – ta klimatkrisen på allvar
Show others...
2022 (Swedish)In: Aftonbladet, no 2022-08-25Article in journal, News item (Other (popular science, discussion, etc.)) Published
Place, publisher, year, edition, pages
Aftonbladet Hierta, 2022
National Category
Other Social Sciences Environmental Sciences
Identifiers
urn:nbn:se:sh:diva-49755 (URN)
Note

Debattartikel från 1944 svenska forskare och anställda i forskarvärlden.

Available from: 2022-08-26 Created: 2022-08-26 Last updated: 2023-10-06Bibliographically approved
Wadstein MacLeod, K. (2021). Collaboration and Co-Habitation: Swedish Women Artists at the Turn of the Century (1ed.). In: Kerry Greaves (Ed.), Modern Women Artists in the Nordic Countries 1900-1960: (pp. 111-121). New York: Routledge
Open this publication in new window or tab >>Collaboration and Co-Habitation: Swedish Women Artists at the Turn of the Century
2021 (English)In: Modern Women Artists in the Nordic Countries 1900-1960 / [ed] Kerry Greaves, New York: Routledge, 2021, 1, p. 111-121Chapter in book (Refereed)
Place, publisher, year, edition, pages
New York: Routledge, 2021 Edition: 1
Series
Routledge series in Gender and Art
Keywords
same sex, women artists, networks, artists union
National Category
Art History
Research subject
Critical and Cultural Theory
Identifiers
urn:nbn:se:sh:diva-45421 (URN)10.4324/9780367823672-14 (DOI)2-s2.0-85108672608 (Scopus ID)9780367423384 (ISBN)9780367823672 (ISBN)
Available from: 2021-05-21 Created: 2021-05-21 Last updated: 2021-07-15Bibliographically approved
Wadstein MacLeod, K. (2021). Troubling Peripheries: Pierre Restany and Superlund. Konsthistorisk Tidskrift, 90(1), 13-24
Open this publication in new window or tab >>Troubling Peripheries: Pierre Restany and Superlund
2021 (English)In: Konsthistorisk Tidskrift, ISSN 0023-3609, E-ISSN 1651-2294, Vol. 90, no 1, p. 13-24Article in journal (Refereed) Published
Abstract [en]

This article chronicles the French critic Pierre Restany and his 1967 exhibition Superlund at Lunds Konsthall in Sweden. Throughout his life and work Restany travelled the globe and engaged in local art scenes, often described as peripheries. But when did Lund, a town in southern Sweden, become the periphery, and with reference to which centre? When Restany engaged with the so-called peripheries in order to escape the art scene in Paris, he also brought with him Paris as a symbolic centre. This article explores how the critic and his exhibition conflate the dichotomy in art historiography between centre and periphery in the intersection between place, people and art.

Place, publisher, year, edition, pages
Taylor & Francis, 2021
National Category
Art History
Identifiers
urn:nbn:se:sh:diva-44576 (URN)10.1080/00233609.2021.1884597 (DOI)000620831400001 ()2-s2.0-85101357853 (Scopus ID)
Funder
Swedish Research Council, 2017-01072
Available from: 2021-03-18 Created: 2021-03-18 Last updated: 2022-11-03Bibliographically approved
Wadstein MacLeod, K. (2019). Galna genier och mångfaldens möjligheter. In: Axel Brechensbauer, Maria Grafström, Anna Jonsson, Mikael Klintman (Ed.), Kampen om kunskap: Akademi och praktik (pp. 19-27). Stockholm: Santérus Förlag
Open this publication in new window or tab >>Galna genier och mångfaldens möjligheter
2019 (Swedish)In: Kampen om kunskap: Akademi och praktik / [ed] Axel Brechensbauer, Maria Grafström, Anna Jonsson, Mikael Klintman, Stockholm: Santérus Förlag, 2019, p. 19-27Chapter in book (Other academic)
Place, publisher, year, edition, pages
Stockholm: Santérus Förlag, 2019
National Category
Humanities and the Arts
Identifiers
urn:nbn:se:sh:diva-39032 (URN)9789173591454 (ISBN)
Available from: 2019-09-19 Created: 2019-09-19 Last updated: 2021-07-07Bibliographically approved
Projects
Narratives of Europe: Perspectives from its North-East Periphery [A004-2011_OSS]; Södertörn University; Publications
Kaun, A. & Murru, M. F. (2018). Narrative mediation of the Occupy movement: A case study of Stockholm and Latvia. In: Laura Basu ; Steve Schifferes ; Sophie Knowles (Ed.), Media and austerity: Comparative perspectives (pp. 226-236). Abingdon: RoutledgeFornäs, J. (2017). A cultural perspective on European borders. In: Mats Andrén, Thomas Lindkvist, Ingmar Söhrman, Katharina Vajta (Ed.), Cultural Identities, National Borders: (pp. 7-20). Göteborg: Centrum för EuropaforskningCederberg, C. (2017). Europe as identity and ideal: Reading Barroso’s ‘New Narrative’ heretically alongside Hegel, Husserl and Patočka. In: Johan Fornäs (Ed.), Europe Faces Europe: Narratives From Its Eastern Half (pp. 35-61). Bristol: Intellect Ltd.Fornäs, J. (2017). Europe faces Europe: An introduction. In: Johan Fornäs (Ed.), Europe Faces Europe: Narratives From Its Eastern Half (pp. 1-34). Bristol: Intellect Ltd.Fornäs, J. (Ed.). (2017). Europe Faces Europe: Narratives From Its Eastern Half. Bristol: Intellect Ltd.Fornäs, J. (2017). Euro-visions: East European narratives in televised popular music. In: Johan Fornäs (Ed.), Europe Faces Europe: Narratives From Its Eastern Half (pp. 179-235). Bristol: Intellect Ltd.Kaun, A. (2017). Narrating protest: Silenced stories of Europe in Occupy Stockholm and Occupy Latvia. In: Johan Fornäs (Ed.), Europe Faces Europe: Narratives From Its Eastern Half (pp. 133-151). Bristol: Intellect Ltd.Horbyk, R. (2017). Narratives at war: Representations of Europe in news media of Ukraine, Russia and Poland during Euromaidan. In: Johan Fornäs (Ed.), Europe Faces Europe: Narratives From Its Eastern Half (pp. 93-132). Bristol: Intellect Ltd.Wadstein MacLeod, K. (2017). The resilience of the periphery: Narrating Europe through curatorial strategies. In: Johan Fornäs (Ed.), Europe Faces Europe: Narratives From Its Eastern Half (pp. 153-177). Bristol: Intellect Ltd.Kaun, A. & Jurkane-Hobein, I. (2016). Occupy Narratives in Sweden and Latvia: How Mainstream Media tell the Story of a Movement. Interactions: Studies in Communication & Culture, 7(1), 23-39
The Domestic Paradox: A comparative study of representations of home and family life in art cutting through an east west divide [42/2013_OSS]; Södertörn University; Publications
Wadstein MacLeod, K. (2018). Bakom gardinerna: Hemmet i svensk konst under nittonhundratalet. Stockholm: Atlas
Exhibiting Art in a European Periphery? International Art in Sweden During the Cold War [2017-01072_VR]; Södertörn University; Publications
Wadstein MacLeod, K. (2023). Curating Contrasts: Retrieving Solidarity from the Archives. In: Malene Vest Hansen; Kristian Handberg (Ed.), Curating the Contemporary in the Art Museum: (pp. 214-226). London: RoutledgeWadstein MacLeod, K. (2022). Art contre/against Apartheid at Lunds Konsthall: an Entangled History of Art and Solidarity from Paris to Pretoria. Artl@s Bulletin, 11(2), Article ID 8. Edling, M. (2022). Art for All! : Nordic Art and Cultural Democracy, 1945–1959. Artl@s Bulletin, 11(2), 56-69, Article ID 5. Edling, M. & Öhrner, A. (2022). Entanglements and Cross-Border Connectivity of the Nordic-Baltic Region. Artl@s Bulletin, 11(2), 4-6, Article ID 1. Wadstein MacLeod, K., Edling, M. & Myrstener, P. (2022). Exhibiting Art in a European Periphery?: International Art in Sweden during the Cold War. Artl@s Bulletin, 11(2), 127-132, Article ID 10. Wadstein MacLeod, K. (2021). Troubling Peripheries: Pierre Restany and Superlund. Konsthistorisk Tidskrift, 90(1), 13-24Edling, M. (2020). Building New Collaborations With Old Networks: The Early Years 1945-59. In: Björn Norberg, Camilla Larsson & Jonatan Habib Engqvist (Ed.), 75 YEARS – The Nordic Art Association’s Swedish Section: (pp. 17-21). Stockholm: Orfeus PublishingEdling, M. (2019). From Margin to Margin?: The Stockholm Paris Axis 1944–1953. Konsthistorisk Tidskrift, 88(1), 1-16
Illustrating Neutral Nature: Scientific Depictions of the Arctic from Moscow, Stockholm, and Paris [21-PR2-0011_OS]; Södertörn University
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0001-7933-246x

Search in DiVA

Show all publications